Michael Stoyanov Movies

Eric Bross directed this drama of romantic roadblocks and racial issues between a group of waitresses and bartenders waiting for their "big breaks." Former alcoholic Chris (Adrien Brody) is a playwright who works as a bartender at the popular Hoboken, New Jersey, restaurant J.T. McClure's, a gathering spot for a variety of creative wannabes. At a local theater, rehearsals are underway for Chris' play, an autobiographical drama echoing his past relationship with Leslie (Lauryn Hill); for the fictional Leslie character, Chris has cast the vulnerable vocalist Jeanine (Elise Neal), and finds himself falling for her. Meanwhile, the actor playing the role of "Chris" has been sleeping with the real-life Leslie, adding to the real-life Chris' confusion. Providing philosophical guidance is the wise-guy best friend Reggae (Michael Stoyanov), a fellow "Newark boy" whose main creative energy goes into scoring drugs. Restaurant was one of the much-discussed stand-outs at the 1998 L.A. Independent Film Festival. ~ Bhob Stewart, All Movie Guide

The manic writing-directing comedy team of Tom Stern and Alex Winter (the latter of Bill & Ted's Excellent Adventure and Bill & Ted's Bogus Journey) followed up their deranged short-film collaborations and the short-lived MTV series The Idiot Box with this comic fantasy, which amounts to a virtual car crash of anarchic, mind-blowing weirdness. The brain-damaged plot follows self-centered sitcom actor Ricky Coogin (Winter), official spokesman for the E.E.S. (Everything Except Shoes) corporation, into the jungle-bound South American nation of Santa Flan. Coogin has been sent as an emissary on behalf of E.E.S. to placate the media uproar over a substance called Zygrot-27, a chief ingredient in many E.E.S. products which has been decried as a fatal environmental toxin. Accompanied by his friend Ernie (Michael Stoyanov) and environmental activist Julie (Megan Ward), Ricky takes a detour into the jungle to a bizarre amusement park overseen by bombastic barker/inventor Elijah C. Skuggs (Randy Quaid), who specializes in the display of "Hideous Mutant Freekz" (the film's original title). The trio soon discover that Skuggs manufactures his oddities himself, and they find themselves at the mercy of his hideous freakmaking factory -- which coincidentally uses Zygrot-27 as a catalyst. Once he has the hapless heroes strapped down, Skuggs reveals his intention to transform Coogin into an evil mega-freak who will destroy all the others in a slam-bang, standing-room-only closing event. Miffed at the notion of sustaining an acting career as a spine-covered, pus-gushing monster, Coogin joins a rebellion within Skuggs' captive stable of other man-made freaks -- whose ranks include such monstrosities as effete human worm; a bearded lady (Mr. T in a frilly dress); a man with a sock-puppet for a head (voiced by Bob Goldthwait); and Ortiz the Dog-Boy (an uncredited Keanu Reeves). Their plans to turn Ricky into a zygrot-powered superhero go astray, however, leading to a hilariously apocalyptic finale. Doomed to home-video status by lethargic distribution from Twentieth-Century Fox, this unappreciated gem deserves a second look; packed with hilarious visual gags, ultra-gross setpieces and body-function jokes, Freaked is a hallucinogenic funhouse of a movie. ~ Cavett Binion, All Movie Guide

The immediate aftermath of the terrorist bombing on the World Trade Center provides the focus of this taut real-life drama. In addition to detailing the rescue efforts, it also centers on the victims, including schoolchildren on a field trip, trapped inside. ~ Sandra Brennan, All Movie Guide

In this drama, a troubled 17-year old is involuntarily committed to a sleazy behavioral treatment center. ~ Sandra Brennan, All Movie Guide

Gross Anatomy is to medical school what Paper Chase was to law school, with perhaps a little less sobriety. Mathew Modine plays a blue-collar kid attending a posh school of medicine, where everyone--teacher and student alike--seems to be well above Modine's social strata. Perhaps as a reaction to the snobbery all around him, Modine behaves as irreverently as possible. Neither teacher Christine Lahti nor lab partner Daphne Zuniga finds Modine's what-the-hell act appealing, but both are fully aware that he is a talented young man with a brilliant future. The climax of the film lays it on pretty thick in defining Modine as an all-around good fellow despite his cheekiness (he even delivers a baby just before taking his finals!), but Gross Anatomy strives successfully to be a "feel good" movie--albeit brought ever so slightly down to earth by the death of one of the principal characters. ~ Hal Erickson, All Movie Guide