Madeleine Stowe Movies

The James Fenimore Cooper classic is given an abridged polishing, but still recounts the adventures of Hawkeye (Steve Forrest) and Chingachgook (Ned Romero) while saving a Mohican princess and avenging the death of Chingachgook's son. ~ John Bush, All Movie Guide

Beulah Land is an edited, movie-length version of the three-part TV miniseries adaptation of Lonnie Coleman's multi-part novels. The film is set in the Old South, with a time span ranging from 1827 to the postwar Reconstruction Era. Lesley Ann Warren stars as Sarah Kendrick, young belle of the Beulah Land plantation, who finds herself in love with a "damn Yankee." Sarah must also contend with a weakling brother (Paul Rudd) and a former slave (Dorian Harewood) who demands freedom as a right rather than a privilege. Beulah Land took forever to get before the cameras due to protests from black historical organizations; when it was finally telecast on October 7-9, 1980, NBC conducted a low-pressure ad campaign, as though the network was still fearful of stepping on toes despite the testimonial of a black Yale history professor, who commended the production for its "special sensitivity." ~ Hal Erickson, All Movie Guide

This made-for-TV fantasy was directed by former Starsky and Hutch star Paul Michael Glaser. In one of her earliest roles, Madeleine Stowe plays Dr. Sharon Fields, who stumbles upon a secret plot by a covert organization of women to take over the world and execute all the men. The veteran cast of this silly timekiller includes cult favorites Stella Stevens, Tamara Dobson, and William Schallert, as well as more mainstream performers such as Peter Scolari, Nicholas Pryor, and Jennifer Warren. ~ Robert Firsching, All Movie Guide

Though John Badham's Stakeout doesn't flinch in the violence department, the film concentrates primarily on characterization. Richard Dreyfuss and Emilio Estevez play a pair of Seattle detectives, assigned to capture escaped hood Aidan Quinn. The twosome spends much of the film on stakeout in a lonely, deserted house; the object of their scrutiny is Madeline Stowe, Quinn's former girlfriend. Pretending to be a telephone repairman, Dreyfuss plants a bug in Stowe's apartment--thereby inaugurating a romance that compromises the detective's objectivity. In the climax, Quinn gets the upper hand--at least until the fists start flying. Perfect as it stood, Stakeout didn't need to be elaborated upon with a sequel, but Another Stakeout was produced all the same. ~ Hal Erickson, All Movie Guide

A self-centered womanizer makes a wager that he will be able to propose to three women in a three month time and have each one accept in this romantic Philadelphia-set comedy. His three victims are an icy concert pianist, an innocent blonde receptionist for the Philadelphia Eagles, and a rich, horny hausfrau. The fellow plans to prove his success by videotaping each proposal. Sure enough he succeeds, but things quickly sour when the ladies find out that he's duped them. They then team up to get revenge and teach him a thing or two about real love. ~ Sandra Brennan, All Movie Guide

The Two Jakes is the much-delayed and rather convoluted sequel to the 1975 classic Chinatown. Released in 1990 after an abortive stab at shooting that began in the mid-'80s, the film was the subject of a creative feud between its principals, star Jack Nicholson, producer Robert Evans, and screenwriter Robert Towne. Private eye Jake Gittes (Jack Nicholson) is a middle-aged war hero, paunchy, snobbish about his golf game, and about to marry a lovely and much younger woman. Then a fleeting reference to a woman he once loved that he heard on a wire recording plunges him into a past he has tried to escape. It comes while he was spying on a philandering wife (Meg Tilly) and her paramour in her motel room for her husband, Jake Berman (Harvey Keitel). Then Berman shocks Gittes when he shoots his wife's lover. Gittes is doubly stunned when he learns that Berman was partners with the dead man in a subdivision that may contain huge oil deposits. So now Gittes wonders, was it justifiable homicide or murder? The answer lies in the wife (Madeleine Stowe) of the dead man, her shady oil baron friend (Richard Farnsworth), and in the past he has tried to avoid. ~ Nick Sambides, Jr., All Movie Guide

After their Los Angeles suburban house is burglarized, Karen and Michael Carr (Madeleine Stowe and Kurt Russell), are assisted by policeman Pete Davis (Ray Liotta). At first, Davis seems helpful and polite, even helping the Carrs when he is off duty. Soon, it becomes apparent that the policeman has developed an obsession for Karen, and he begins terrorizing the couple, with the intent of killing Michael and running away with Karen. Though the plot is fairly predictable, Unlawful Entry is highlighted by fine performances by all three lead actors. ~ Stephen Thomas Erlewine, All Movie Guide

In Stakeout, cop Richard Dreyfuss fell in love with Madeline Stowe, the woman he and his partner Emilio Estevez were watching during a police stakeout. Stowe's back in Another Stakeout, but her part is fleeting and unbilled. On the other hand, we get plenty of Dreyfuss and Estevez, still both as cantankerous and obnoxious as ever. This time, our two heroes are in search of a Mafia witness who has disappeared after an attempt on her life. While holed up in a judge's mansion, staking out the apartment where the woman may or may not return, the pair are subject to the comic aggravation of DA's assistant Rosie O'Donnell, who's brought her "darling" little rotweiler along for company. Another Stakeout works a little harder for its laughs than its predecessor; the best scenes go to Ms. O'Donnell and to nonplussed supporting players Dennis Farina and Marcia Strassman. ~ Hal Erickson, All Movie Guide

In Blink, a woman regaining her eyesight after a double cornea transplant operation glimpses the killer of her upstairs neighbor and then must fight for her life as the killer stalks her. Emma Brody (Madeline Stowe), a musician in an Irish folk-rock band was blinded as a result of childhood abuse by her mother. Her doctor, Ryan Pierce (Peter Friedman) performs an operation to restore her vision, but soon Emma is suffering from retroactive hallucinations in which she sees things that have happened hours, or even days, before. As she was the only witness to the murder, her credibility soon comes into question, but she is believed by Detective Hallstrom (Aidan Quinn) who has been tracking what he believes to be a serial killer. Hallstrom also believes that Emma may hold the key to the murderer's motives. ~ Linda Rasmussen, All Movie Guide

Madeleine Stowe, Mary Stuart Masterson, Andie MacDowell, and Drew Barrymore are the stars of this Western whose main gimmick is making heroes into heroines. They all start out as prostitutes, as Cody (Stowe) shoots a drunken colonel who attempts to molest Anita (Masterson). She is about to be lynched for defending her friend when the other "bad girls" ride in and rescue her, pursued by detectives. The rest of the film follows their adventures as they get caught up in hostage situations, bank robberies, shootouts, and romantic interludes with handsome young cowboys with never a hair out of place or an unsightly smudge of Western dust. Amazingly, all four former prostitutes are able to ride, shoot, rope, and fight as well. Bad Girls is not likely to be thought of as a realistic view of how women lived in the Old West. ~ Don Kaye, All Movie Guide

This drama about the efforts of an upper-class couple to have a child takes place in 1935 Boston. When Father Michael McKinnon (Kenneth Branagh) arrives from England to join the St. Jude's clergy, he avoids wealthy parishioners Arthur and Eleanor Barret (William Hurt, Madeleine Stowe). Attorney Arthur, an FDR adviser, and successful author Eleanor, want a child, but Arthur is sterile. Eleanor asks Arthur to pay someone to impregnate her, and Harvard law student Roger Martin (Neil Patrick Harris) is hired. He profits considerably, since he is required to return for several attempts. However, he becomes obsessed with Eleanor, infuriating Arthur, who threatens to kill him. Emotions and events escalate, as McKinnon reveals he's the son of Arthur's Nazi-leaning brother, Eleanor loses the baby, McKinnon becomes attracted to Eleanor, and there's a mysterious' murder. Shown at the 1998 Santa Barbara Film Festival. ~ Bhob Stewart, All Movie Guide

A murder on a military base unearths a netherworld of corruption in this thriller based on the novel by Nelson DeMille. General Joe Campbell (James Cromwell) is a respected military leader with a flawless reputation; he's due to retire from the Army soon and is headed for a Vice-Presidential nomination. However, Campbell finds himself in both a personal and political crisis when his daughter is brutally murdered. Captain Elizabeth Campbell (Leslie Stefanson) was beautiful, intelligent, disciplined, and well-regarded, the very model of an ideal female officer; she was also stationed at the same base as her father. Paul Brenner (John Travolta), a warrant officer of the Army's Criminal Investigation Division, is assigned to look into the case alongside CID officer Sara Sunhill (Madeleine Stowe). Brenner and Sunhill were once romantically involved, complicating an assignment that soon offers more than enough complications of its own. Brenner and Sunhill come to realize that, for all her accomplishments, Elizabeth carried a lifetime of emotional scars from emotional abuse and sexual harassment, and that, despite the General's reputation, his relationship with his daughter was not always a happy or healthy one. It also seems possible that the General's second-in-command, General George Fowler (Clarence Williams III), a likely candidate for the Joint Chiefs of Staff, may also be implicated in the crime. The General's Daughter was the second feature film for director Simon West; his full-length debut was Con Air (1997), after a long string of successful television commercials and music videos. ~ Mark Deming, All Movie Guide