Jerry Stovin Movies
- 1976
- PG
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Most Inspector Clouseau fans regard The Pink Panther Strikes Again as the best of the clumsy Parisian detective's "comeback" films of the 1970s. Driven insane by the stupidities of Clouseau (Peter Sellers), ex-inspector Dreyfuss (Herbert Lom) transforms into a master criminal. Kidnapping the inventor of a death ray, Dreyfuss threatens to use the demon device indiscriminately unless Clouseau is offered as a "sacrifice." A hunted man, Clouseau is forced to adopt one transparent (but hilarious) disguise after another. He is rescued from being incinerated by Dreyfuss when Soviet spy Olga (Leslie Ann Down) falls in love with him and strives to protect him. ~ Hal Erickson, Rovi
- Starring:
- Peter Sellers, Herbert Lom, (more)
- 1965
In this British crime drama a small-town detective gets tired of Scotland Yard's constant meddling and takes a leave-of-absence from his regular duties to start his own detective agency. It is there that he solves the puzzling jewelry store heist that caused the death of the owner's wife who worked there. ~ Sandra Brennan, Rovi
Loosely based on a novel by John Hersey, this standard wartime drama stars Steve McQueen as Buzz Rickson, command pilot of a B17 bomber, and Robert Wagner as Ed Bolland, his co-pilot. When Buzz first comes on the scene, Ed admires him for his daring and skill in executing the bombing raids over Germany. But as time goes by, Buzz starts to fall for Ed's girlfriend Daphne (Shirley Ann Field) and at the same time, Ed begins to see that Buzz is only good at piloting bombers -- in civilian life he is a total washout. The contrasts between the men, Buzz's internal problems, and the love triangle provide the dramatic fodder throughout the 105-minute running time. ~ Eleanor Mannikka, Rovi
- Starring:
- Steve McQueen, Robert Wagner, (more)
"How did they make a movie out of Lolita?" teased the print ads of this Stanley Kubrick production. The answer: by adding three years to the title character's age. The original Vladimir Nabokov novel caused no end of scandal by detailing the romance between a middle-aged intellectual and a 12-year-old nymphet. The affair is "cleansed" ever so slightly in the film by making Lolita a 15-year-old (portrayed by 16-year-old Sue Lyon). In adapting his novel to film, Nabokov downplayed the wicked satire and sensuality of the material, concentrating instead on the story's farcical aspects. James Mason plays professor Humbert Humbert, who while waiting to begin a teaching post in the United States rents a room from blowzy Shelley Winters. Winters immediately falls for the worldly Humbert, but he only has eyes for his landlady's nubile daughter Lolita. The professor goes so far as to marry Winters so that he can remain near to the object of his ardor. Turning up like a bad penny at every opportunity is smarmy TV writer Quilty (Peter Sellers), who seems inordinately interested in Humbert's behavior. When Winters happens to read Humbert's diary, she is so revolted by his lustful thoughts that she runs blindly into the street, where she is struck and killed by a car. Without telling Lolita that her mother is dead, Humbert packs her into the car and goes on a cross-country trip, dogged every inch of the way by a mysterious pursuer. Once she gets over the shock of her mother's death, Lolita is agreeable to inaugurating an affair with her stepfather (this is handled very, very discreetly, despite the slavering critical assessments of 1962). But when the girl begins discovering boys her own age, she drifts away from Humbert. One day, she leaves without warning. This is humiliation enough for Humbert; but when he discovers who her secret lover really is, the results are fatal. We are prepared for the ending because the film has been framed as a flashback; what we are not prepared for is Stanley Kubrick's adroit manipulation of our sympathies and expectations. An incredibly long film considering its subject matter, Lolita is never dull, nor does it ever stoop to the sensationalism prevalent in the film's ad campaign. ~ Hal Erickson, Rovi
- Starring:
- James Mason, Shelley Winters, (more)
- 1961
In this British bedroom farce, Bill Ferguson (Richard Todd), a Scottish travel agent, has a major row with his fiancée Stella (June Thorburn) shortly before leaving for a jaunt through Europe. Considering himself free to do as he pleases, Bill gives keys to his Edinburgh apartment to a number of beautiful women, inviting them to drop by if they happen to be in the neighborhood. When he comes home, Bill and Stella patch things up, which leaves him with a lot of explaining to do when a bevy of curvaceous females from across the continent begin appearing at their doorstep, including Ingrid (Elke Sommer) and Lucille (Nicole Maurey). Richard Todd served as producer as well as star; Frederic Raphael contributed to the screenplay. ~ Mark Deming, Rovi
- Starring:
- Richard Todd, Nicole Maurey, (more)
- 1958
After years of suffering through lookalike MGM musicals (at least, that was his complaint), Howard Keel was able to sink his teeth into a dramatic role in the British Floods of Fear. Serving a life term for murder, Donavan (Howard Keel) breaks out of jail with sadistic convict Peebles (Cyril Cusack), taking along a wounded guard (Harry H. Corbett) as hostage. It is Donavan's intention to exact revenge against the man who framed him, but this will have to wait: a driving rainstorm is threatening to precipitate a raging flood. Taking refuge in the tiny house owned by the terror-stricken Elizabeth (Anne Heywood), the convicts and their captives nervously wait out the storm. Slowly, Elizabeth and Donavan are drawn to one another, while Peebles threatens to erupt into a fit of homicidal rage at any moment. When the flood reaches the danger level, Donavan performs several self-sacrificial acts of courage, prompting Elizabeth to try to save him from ruining what's left of his life. ~ Hal Erickson, Rovi
- Starring:
- Howard Keel, Anne Heywood, (more)
- 1957
In this efficient British crime drama, Tom Yately (Stanley Baker) is an ex-con looking for honest work. He thinks he's found it when he takes a job as a truck driver, but he soon discovers that the trucking firm he's signed on with is not playing by the rules. Red (Patrick McGoohan), the company's best driver, and Cartley (William Hartnell), the manager, have created five fictional drivers who have been added to the payroll. The other staff drivers are given the shifts that the phony drivers are supposed to be working, while Red and Cartley divide their pay packets. When Tom attempts to expose the corruption at the trucking firm, he soon discovers that he's taken his life in his hands in the process. Keep an eye peeled for a supporting performance by a young Sean Connery (it was only his fifth screen role); the cast also includes Herbert Lom, Jill Ireland, Peggy Cummins, and David McCallum. ~ Mark Deming, Rovi
- Starring:
- Stanley Baker, Herbert Lom, (more)
- 1953
After the Ball is a well-mounted (if turgidly paced) filmed biography of legendary British music hall entertainer Vesta Tilley. You may not have heard of Ms. Tilley, but if you've seen Victor/Victoria, you'll have some inkling of the nature of her act. At the peak of her fame at the turn of the century, Vesta was a male impersonator who pretended to be a female impersonator. Pat Kirkwood acquits herself nicely as Ms. Tilley, while Laurence Harvey makes a good early impression as Lord Walter de Frece, Vesta's manager and devoted husband. Other famous showbiz personalities represented in After the Ball include Tony Pastor (played by George Margo), Oscar Hammerstein I (Peter Carlisle), Dan Leno Jr. (Terry Cooke) and George M. Cohan (impersonated by future Dr. Who Tom Baker). ~ Hal Erickson, Rovi
- Starring:
- Patricia Kirkwood, Laurence Harvey, (more)
