George Stover Movies

The first film from the directing team of Chris Arth and Kevin Summerfield, Sleepy Hollow High is an independent horror film that attempts to move the story of the headless horseman from Washington Irving's The Legend of Sleepy Hollow into a contemporary high school setting. After a group of five young troublemakers are sentenced to clean up a forest in their hometown of Sleepy Hollow, the members of the group find themselves being murdered, one after the other, by a mysterious man who wears a pumpkin mask. Could he be the fabled headless horseman? Megan Lopez and Ruben Brown star. ~ Matthew Tobey, Rovi

Arthur Lindquist is The Regenerated Man in this tacky horror offering. Lindquist plays a scientist who has developed a serum that regenerates human flesh. Through a series of incredible plot complications, he's forced to drink the formula himself. As a result, he transforms into an insatiable, vampiric beast. Fortunately, he only targets criminals, but who knows how long he'll be so selective? This R-rated baby-scarer might have benefited from such intangibles as better writing, direction and acting. ~ Hal Erickson, Rovi

Forever interested in the kitsch built into past eras, director John Waters chooses the TV dance show craze of the early '60s for his playful focus in Hairspray. Ricki Lake plays Tracy Turnblad, just one of several alliteratively named characters coming of age in 1962 Baltimore, where "The Corny Collins Show" is the most popular American Bandstand-type program, watched by hundreds of young dreamers each day after school. Being chosen to dance on it is the ultimate status symbol and every young girl's dream, and Tracy improbably wins a featured spot when she infiltrates a dance contest and makes a better impression than her favored rival, the catty Amber von Tussle (Colleen Fitzpatrick). Always able to have fun, even when she's being mocked by the jealous popular girls, Tracy wins the affections of Amber's boyfriend and soon begins leading a movement to integrate the dance show, which has previously featured blacks only in a once-weekly theme night. She is arrested following a demonstration at a local theme park owned by Amber's father (Sonny Bono), who subscribes to the same theory of race relations as "The Corny Collins Show." Tracy's adventures are also filtered through her loving but eccentric parents (Divine and Jerry Stiller) and involve a humorous cultural clash with pot-smoking beatniks (Ric Ocasek and Pia Zadora). ~ Derek Armstrong, Rovi

After making a name for himself with such underground gross-out epics as Pink Flamingos and Desperate Living, director John Waters made a bid for somewhat wider acceptance with this black comedy, which is sedate only by the standards of his previous work. Francine Fishpaw (Divine) is a housewife whose life has become a living hell. Her husband Elmer (David Samson) runs a porno theater (currently showing the classic My Burning Bush) and is having an affair with secretary Sandra (Mink Stole), a vision of sleaze in Bo Derek-style cornrow braids who informs Elmer, "Children would only get in the way of our erotic lifestyle!" Francine has two teenage children, Dexter (Ken King), who likes to sniff glue and stomp on women's feet, and Lulu (Mary Garlington), a brazen slut who hangs out with overage juvenile delinquent Bobo (Stiv Bators) and gleefully anticipates her next abortion. Francine's best friend, Cuddles (Edith Massey), is a slightly insane heiress who is somehow convinced she's a debutante. Francine's life has become so miserable that her dog commits suicide rather than witness it, but a light appears on the horizon -- Todd Tomorrow (Tab Hunter), the handsome and dashing owner of a local drive-in specializing in art films (their current bill is a Margurerite Duras triple feature), with whom Dawn enters into a torrid affair. Subversive on all fronts, Polyester was originally shown in "Odorama" (patrons were given a card with ten scratch-and-sniff patches, to be smelled at key points in the action) and featured a romantic theme song sung by that new hitmaking duo, Deborah Harry and Bill Murray. ~ Mark Deming, Rovi

Divine was touring as a cabaret singer when director John Waters made this comedy of the grotesque, but he filled the void admirably with the equally rotund Jean Hill and burlesque-queen Liz Renay. The film tells the story of Peggy Gravel (Mink Stole), a mad housewife who kills her husband then goes on the lam with her 300-pound maid Grizelda (Hill). After being sexually accosted by a lewd, cross-dressing cop with gingivitis, the women are directed to Mortville, a shanty-town for fugitive criminals ruled by the evil Queen Carlotta (Edith Massey). Carlotta's daughter, Princess Coo-Coo (Mary Vivian Pearce) wants to renounce the throne and marry a nudist garbageman, so the Queen has him killed and enlists Peggy's aid in infecting the kingdom with rabies. Waters uses a fairy-tale framework to indulge his penchant for nauseating set-pieces, such as a transsexual lesbian (Susan Lowe) having her new penis cut off with scissors and fed to a dog, women being fed live cockroaches, and Peggy being assaulted at a lesbian glory-hole. Massey is hilarious as the Queen, urging her leather-clad bodyguards/sex-toys to "rob my safety-deposit box!," but the oddly-named actor Turkey Joe steals the show in his brief role as a lecherous cop, spouting lines like "I love the feel of cold nylon on my big butt!" and slobbering over Grizelda's huge underpants. The pinnacle of gross-out humor, Desperate Living is Waters' strangest and funniest film. ~ Robert Firsching, Rovi