Howard Storey Movies

Richie (Stan Kirsch) rushes to the defense of Laura Daniels (Deanna Milligan), who is fleeing from Immortal bounty hunter Mako (Jonathan Banks). Knowing Mako to be a basically honest man who seldom makes mistakes, Duncan (Adrian Paul) cannot help but take his side, causing a serious rift between Duncan and Richie. This is the episode in which "newly" Immortal Richie experiences his first Quickening. ~ Hal Erickson, All Movie Guide

In this crime drama, a sequel to "Deadly Intentions," the protagonist, Dr. Charles Raynor, who was convicted of attempted murder, has been paroled. He goes home to his second wife. He is determined to get revenge upon those who had him convicted for trying to kill his first wife. ~ Sandra Brennan, All Movie Guide

Sidney Poitier makes his long-overdue return to films in the 1988 thriller Shoot to Kill. Poitier plays an FBI agent, on the trail of an elusive killer. Reluctantly teamed with tracker Tom Berenger, the citified Poitier braves the wilds of the Pacific Northwest in search of his quarry. For Berenger, the pursuit is personal; the killer, whose identity is not immediately revealed, has joined a hunting party being guided through the country by the tracker's girlfriend Kirstie Alley. Though only bearing the slightest resemblance to Real Life (you'll love the scene between lifelong city-dweller Poitier and a huge grizzly bear), Shoot to Kill delivers the goods in the suspense department. ~ Hal Erickson, All Movie Guide

Even without observing the opening credits, or noting that the film was first shown on The Disney Sunday Movie, the casual viewer could tell in a minute that Hero in the Family was a Disney production. Cliff De Young plays an American astronaut who, through a freakish occurrence in space, finds that his brain has been transferred to his flight companion, and vice versa. Said companion happens to be a monkey, who is as funny as any monkey has ever been on a Disney TV show (take that as you will). DeYoung's teenage son Christopher Collet endeavors to correct the brain-switch, while attempting to treat both dad and monkey as "normal" characters. You'll laugh till you stop. ~ Hal Erickson, All Movie Guide

A woman fears that her amnesia-stricken husband may be a serial killer in this made-for-cable thriller. After family man Ed Vinson gruesomely murders his wife and kids and skips town, police investigator Joe Steiner (Richard Widmark) becomes obsessed with capturing the monster -- even after he's forced to retire from the force. Meanwhile, hundreds of miles away, a traffic accident kills one man and leaves another (Keith Carradine) a hideously disfigured amnesiac. Police can't figure out who the survivor is, so he takes the name Allen Devlin and, after reconstructive surgery, falls in love with and marries his recently divorced nurse, Chris Graham (Kathleen Quinlan). Several years later, Steiner shows up in town, convinced Devlin is really Ed Vinson; his dogged pursuit threatens the happiness the Devlins have carved out for themselves and their children -- especially after a series of gruesome rapes begins to occur. The evidence seems to implicate Allen in the attacks, but Chris suspects that her old boyfriend, cop Mike Patterson (Michael Beck), is trying to frame him. The tension escalates as Chris suffers through a series of anonymous phone calls from a man who seems to think he's Ed Vinson; when her son finds a grotesque fetish mask in the garage, even Chris begins to doubt her husband's innocence. Directed by British horror veteran Douglas Hickox and written by Amityville 3D scribe David Ambrose, Blackout premiered on the Home Box Office network in 1985. ~ Brian J. Dillard, All Movie Guide

Aimed primarily at the television audience, this somewhat predictable prison drama centers on Danny Baker (Winston Rekert), a lifer put into solitary confinement. Though shut off from most of the outside world, Baker supplies needed information to Joan Tremblay (Andrée Pelletier) in her fight against the practice of isolating prisoners for long periods of time. After Danny is released from solitary, he is falsely accused of having drugs and is about to be sent back to the same confinement. Threatened, he and a few others take Tremblay hostage to protest the use of solitary as punishment -- a risk that does not bode well for anyone concerned. The stereotyped dialogue in this uneven film is set against some gruesome prison scenes, meant to underscore the inhumanity of prison conditions in general. ~ Eleanor Mannikka, All Movie Guide