Beatrice Blinn Movies

Convicted Woman was Columbia's annual "all girl" B picture, allowing studio executives to decide which of their female contractees would be retained and which would be dropped. Rochelle Hudson plays Betty Andrews, a jobless girl who through a series of unfortunate setbacks ends up in a girl's reformatory. Her fellow inmates include three-time-loser Hazel (Lola Lane), the nasty Duchess (June Lang), and such Columbia "regulars" as Iris Meredith, Lorna Gray, Mary Field, Beatrice Blinn, Dorothy Appleby, and hefty June Gittleson (aka June Bryde). Reporter Jim Brent (Glenn Ford) tries to secure a release for Betty, all the while exposing corruption among the prison officials. Also concerned with Betty's welfare is lady lawyer Mary Ellis (Freda Inescourt), who has some of the best scenes in the picture. ~ Hal Erickson, All Movie Guide

Director Rouben Mamoulian often claimed that he'd been inspired to make Golden Boy after reading a newspaper clipping about a recently deceased boxer. While Mamoulian may have genuinely believed that he was the true "auteur" of Golden Boy, he probably wouldn't have made the picture at all had not Clifford Odets started the ball rolling by writing the property for the stage in 1936. In his first starring role, William Holden plays Joe Bonaparte, a promising young boxer. While boxing promoter Tom Moody (Adolphe Menjou) and Menjou's mistress Lorna Moon (Barbara Stanwyck) urge Joe to pursue a ring career, Joe's Italian father (played with a surfeit of Chico Marx by 27-year-old Lee J. Cobb) wants his boy to become a famous violinist. Moody tells Lorna to romance the boy to get him into the ring. She does so, but regrets her callous actions when she genuinely falls in love with Joe. Having already broken his father's heart, Joe is further devastated when he accidentally kills a ring opponent. In the original play, both Joe and Lorna pay for their "sins" by dying in an auto accident. This would never do in Hollywood, so at fadeout time the chastened Joe returns to his forgiving father, with a tearful Lorna by his side. Clifford Odets' overrated purple prose seems to flow naturally from the actors, though it is obvious that William Holden had a long way to go. Still, Holden is pretty good in his first bonafide lead, a fact that he would ever after attribute to the patience and encouragement of his co-star Barbara Stanwyck; each year on the anniversary of Golden Boy's Hollywood premiere, Holden would send Stanwyck flowers as a sign of his eternal gratitude. While much of Golden Boy seems like a cliche-ridden museum piece when seen today, the film comes to life during the boxing sequences, helmed in exciting montage fashion by the always innovative Rouben Mamoulien. ~ Hal Erickson, All Movie Guide

Sad-eyed Ann Dvorak plays Jo, the "café hostess" of the title. Poor put-upon Jo doesn't know it, but she's being used by her gangster boyfriend Eddie Morgan (Douglas Fowley), who relies upon her as an alibi to cover up his recent crimes. Likeable sailor Budge (Bruce Bennett) is in love with Jo, but can't pry her loose from the possessive Mr. Morgan. This dilemma is resolved by Eddie's cast-off mistress Annie (Wynne Gibson), who resolves her problems with the business end of a revolver. It's up to detective Dan Walters (Preston Foster) to clean up the mess. Café Hostess was also released as Street of Missing Women. ~ Hal Erickson, All Movie Guide

It took British author James Hilton six weeks to write his visionary novel Lost Horizon. It took director Frank Capra two years-and half of his home studio Columbia's annual budget-to bring it to the screen. After a lengthy preamble, inviting audiences to imagine their own ideas of Utopia, the film opens on a chaotic scene at a Chinese airfield. As hordes of bandits approach, hundreds of refugees scramble to board the last plane out. Only five people make it: Mildly disenchanted Far Eastern diplomat Robert Conway (Ronald Colman), his hotheaded younger brother George (John Howard), embezzler Barnard (Thomas Mitchell), dithery fossil expert Lovett (Edward Everett Horton) and consumptive prostitute Gloria Stone (Isabel Jewell). As the plane flies off towards the Himalayas, Robert realizes that he and his fellow passengers are heading in the wrong direction. They are, in fact, being kidnapped-but why? And where to? The plane crash-lands in the snowy Tibetan interior. The pilot is killed, but the passengers are safe. By and by, a strange caravan approaches, led by an enigmatic Chinese named Chang (H. B. Warner). Joining the caravan, Conway and his party are led through a treacherous mountain pass and into a land of temperate weather and dazzling beauty. This is Shangri-La, the idyllic lamasery presided over by the aged, wizened High Lama (Sam Jaffe). In this fertile valley, people are not encumbered by such exigencies as crime, dictators and hatred; instead, everyone is devoted to the pursuit of wisdom and self-improvement-and best of all, the aging process has been slowed to a walk, allowing people to live well past the two-century mark. Though he still does not know why he was brought here, Conway is quicker to adapt to Shangri-La than his wary fellow passengers. He even falls in love with Sondra (Jane Wyatt), an attractive, intelligent young woman. Finally granted an audience with the High Lama, Conway discovers that the old man is actually Father Perrault, the Belgian missionary who founded Shangri-La-over two hundred years earlier. Dying, the High Lama has selected Conway, whose idealism and even-handedness is world famous, to succeed him-and hopefully spread the "love thy neighbor" edict of Shangri-La to the rest of the war-torn world. Conway is willing to assume leadership, but younger brother George, his mind poisoned by spiteful Shangri-La resident Maria (Margo), insists upon escaping to the outside world. The older Conway warns that, despite her youthful appearance, Maria is well past sixty and will surely perish once she leaves Shangri-La; but Maria retorts that the high lama is insane, and that everything he has told Conway is a lie. Disillusioned, Conway agrees to leave with Jack and Maria. The trek back to civilization is a grueling one, especially for Maria, who-true to Conway's prediction-shrivels from age and dies. Appalled that he has been misled, George kills himself. Weeks later, and amnesiac Conway stumbles into a Tibetan mission, where he is rescued and brought back to England. When his memory is restored, however, Conway runs back to Shangri-La, and into the arms of Sondra. When Lost Horizon was shown to preview audiences, it ran nearly three hours-and it was a disaster. In his autobiography, Capra claims to have rescued his pet project by merely burning the first two reels and opening the film with the evacuation scene; In fact, while Capra did remove the film's "flashback" framework, he made most of his cuts in the body of the picture. The release length of Lost Horizon was 132 minutes, pared down to 119 when it when into general distribution. When it was reissued in the 1940s and 1950s, it was rather clumsily pared down to anywhere from 95 to 100 minutes. Only in the mid-1980s was Lost Horizon restored to its original length, with stills used to illustrate certain scenes for which only the soundtrack existed. While not the enormous hit Capra and Columbia had hoped it would be, Lost Horizon was popular enough to allow the name "Shangri-La" enter the household-word category. In 1973, producer Ross Hunter felt the urge to inflict a wretched musical remake onto an unsuspecting public. ~ Hal Erickson, All Movie Guide

No relation to the radio program of the same name, The Shadow is a lightning-paced murder mystery with a Big Top background. Rita Hayworth plays Mary Gillespie, the young owner of a travelling circus in danger of losing financial control of her show to hissable bareback rider Peter Martinet (Donald Kirke). Since Martinet has made it known that he intends to fire everybody in the troupe, he has no shortage of dangerous enemies -- few more dangerous than knife-thrower Carlos (Dick Curtis) or hunchbacked horse-wrangler Vindecco (Dwight Frye). On cue, Martinet is murdered during a performance in front of hundreds of witnesses -- but how, and by whom? Road manager Jim Quinn (Charles Quigley) hopes to find out before the cops close the show down or lovely Mary is herself murdered, or both. The ending is a beaut, even if it does fly in the face of logic. Fans of Columbia's "Three Stooges" two-reelers will enjoy seeing such Stooge supporting players as Dick Curtis, Vernon Dent, John Tyrrell and Bess Flowers in important roles, while devotees of Universal's "Ma and Pa Kettle" features will get a kick out of Marjorie Main's interpretation of "the world's only female ringmaster." ~ Hal Erickson, All Movie Guide

When widower Stephen Blake (Melvyn Douglas) and divorcee Edith Farnham (Mary Astor) are the only guests at a snowed-in mountain resort, sports director Snirley (Romaine Callender) and hostess Alma Peabody (Dorothy Stickney) try to promote a romance between Stephen and Edith. However, Stephen's son Tommy (Jackie Moran) and Edith's daughter Brenda (Edith Fellows) think this is a rotten idea and do what they can to prevent them from getting together. ~ Bill Warren, All Movie Guide