Harold J. Stone Movies
A third-generation actor, Harold J. Stone made his stage debut at age six with his father, Jacob Hochstein, in the Yiddish-language play White Slaves. Stone had one line--"Mama!"--which he managed to forget on opening night. He didn't act again until after his graduation from New York University. After gleaning valuable experience in radio, he returned to the stage in George Jessel's production of Little Old New York at the 1939 World's Fair. Stone made his Broadway bow shortly afterward in Sidney Kingsley's The World We Make, and thereafter was seldom unemployed. In 1952, he began the first of many TV-series gigs when he replaced Philip Loeb as Jake on The Goldbergs; within a decade, he was averaging 20 TV appearances per year. In films from 1956, the harsh-voiced, authoritative Stone was most often seen as big-city detective (as in Hitchcock's The Wrong Man), generals, and gangsters (he was Frank Nitti in 1967's St. Valentine's Day Massacre). Usually billed at the top of the supporting cast, Stone enjoyed a rare above-the-title starring assignment when he played investigator John Kennedy in the 1959 syndicated TV series Grand Jury. His other weekly-series roles included Hamilton Greeley (a character based on New Yorker maven Harold Ross) in My World and Welcome to It (1969) and Sam Steinberg in Bridget Loves Bernie (1972). In the latter stages of his career, Harold J. Stone unexpectedly found himself a favorite of Jerry Lewis, co-starring in Lewis' The Big Mouth (1967), Which Way to the Front? (1970) and Hardly Working (1980). ~ Hal Erickson, All Movie Guide
- 1955
The 1958 theatrical feature The Left-Handed Gun was adapted from the 1955 Philco Television Playhouse offering The Death of Billy the Kid. Both the film and the TV program boasted the same star (Paul Newman), the same author (Gore Vidal) and the same director (Arthur Penn). Broadcast live, The Death of Billy the Kid adhered to basically the same plot of the later film, with newly appointed New Mexico governor Lew Wallace (Matt Crowley) offering outlaw Billy the Kid amnesty if he'll agree to give up his life of crime. But Billy's friendly enemy, Sheriff Pat Garrett (Frank Overton), suspects that the young gunslinger is constitutionally incapable of staying on the right side of the law. The Freudian and homosexual subtext of The Left-Handed Gun was muted in the earlier TV presentation, but the story still retained its dramatic impact. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Frank Overton, (more)
An obviously ailing Humphrey Bogart made his final screen appearance in The Harder They Fall. Adapted from a novel by Budd Schulberg, the film is a thinly disguised a clef account of the Primo Carnera boxing scandal. Bogart is cast as unemployed newspaperman Eddie Willis, who sells his soul down the river when he signs on as press agent for slimy fight manager Nick Benko (Rod Steiger). It is Willis' job to stir up publicity for Benko's newest protégé, Argentinian boxer Toro Moreno (Mike Lane). Benko's boy quickly rises to the top of his profession, though everybody but Toro knows that all the fights have been fixed. Upon learning that Benko intends to bilk Toro of his earnings, Willis regains his integrity, tells the wide-eyed young pugilist the truth, then sits down to write a searing expose of the fight racket. Jan Sterling costars as Willis' estranged wife, while real-life boxers Jersey Joe Walcott and Max Baer are suitably cast as Toro's trainer and ring opponent, respectively. There is also a heartbreaking cameo appearance by ex-fighter Joe Greb, cast as a punchdrunk skid row bum. The Harder They Fall originally went out with two different endings: in one, Eddie Willis demanded that boxing be banned altogether, while in the other, Willis merely insisted that there be a federal investigation of the prizefighting business. The videotape version contains the "harder" denouement, while most TV prints end with the "softer" message. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Rod Steiger, (more)
Director Alfred Hitchcock lets us know from the outset that The Wrong Man is a painfully true story and not one of his customary fabricated suspense yarns, through the simple expedient of walking before the camera and telling us as much (this introductory appearance replaced his planned cameo role as a nightclub patron). The real-life protagonist, musican Christopher Emmanuel Balestrero, is played by Henry Fonda. Happily married and gainfully employed at the Stork Club, Balestrero's life takes a disastrous turn when he goes to an insurance office, hoping to borrow on his wife's (Vera Miles) life insurance policy in order to pay her dental bills. One of the girls in the office spots Balestrero, identifying him as the man who robbed the office a day or so earlier. This, and a few scattered bits of circumstantial evidence, lead to Balestrero's arrest. Though he's absolutely innocent, he can offer no proof of his whereabouts the day of the crime. Lawyer Frank O'Connor (Anthony Quayle) does his best to help his client, but he's up against an indifferent judicial system that isn't set up to benefit the "little man". Meanwhile, Balestrero's wife becomes emotionally unhinged, leading to a complete nervous breakdown. As Balestrero prays in his cell, his image is juxtaposed onto the face of the actual criminal-who looks nothing like the accused man! Utilizing one of his favorite themes-the helplessness of the innocent individual when confronted by the faceless bureaucracy of the Law-Hitchcock weaves a nightmarish tale, all the more frightening because it really happened (the film's best moment: Fonda looking around the nearly empty courtroom during his arraignment, realizing that the rest of the world cares precisely nothing about his inner torment). Hitch enhances the film's versimilitude by shooting in the actual locations where the real story occured. His only concession to Hollywood formula was the half-hearted coda, assuring us that Mrs. Balestrero eventually recovered from her mental collapse (she sure doesn't look any too healthy the last time we see her!) Watch for uncredited appearances by Harry Dean Stanton, Bonnie Franklin, Tuesday Weld and Charles Aidman. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Vera Miles, (more)
- 1956
Anyone who thinks that tabloid journalism is an aberration of the 1980s should take a look at the 1956 release Slander. The film stars Van Johnson as a happily married, well respected TV kiddie show host who becomes the subject of an expose' from a Confidential style magazine. The publisher (Steve Cochran) has no qualms about ruining lives so long as it boosts circulation; nor is he concerned about libel suits, since everything he prints is a matter of record. The exposure of Johnson's minor-league criminal past leads indirectly to the death of his young son. But it isn't Johnson who metes out retribution to the publisher; instead, the avenging angel is the publisher's mother (Marjorie Rambeau), who kills her son rather than allow him to ruin more lives. Sincerely motivated, Slander is nonetheless as cheap and tawdry as the magazines it attacks. ~ Hal Erickson, All Movie Guide
- Starring:
- Van Johnson, Ann Blyth, (more)
- 1956
- NR
Once you get past the fact that handsome Paul Newman could never pass for plug-ugly boxer Rocky Graziano in real life, you will be able to accept Somebody Up Their Likes Me as one of the more accomplished movie biopics of the 1950s. Based on Graziano's autobiography (co-written with Rowland Barber), the film accurately depicts the teen-aged Rocky as an unregenerate punk, evidently doomed by his slum environment, and his own lousy attitude, to a life of petty crime. Determining that the only way he'll make a living is with his fists, Rocky becomes a boxer, at first willing to participate in a series of fixed fights. Eventually, Rocky develops a conscience and sense of self-respect, no small thanks to his sweetheart (and later wife) Norma (Pier Angeli). The film ends on an optimistic note after Rocky wins a "clean" bout with Tony Zale (playing himself). Training extensively with Graziano prior to and during production, Newman is quite impressive in his first worthwhile film role (this was only his third film, following the execrable The Silver Chalice and the forgettable outing The Rack). The title song in Somebody Up There Likes Me was written by Bronislau Kaper and Sammy Cahn, and performed by Perry Como. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Newman, Anna Maria Pier Angeli, (more)
- 1957
Halloran (Harold Stone), an obnoxious newspaper reporter known for his elaborate practical jokes, chooses an old barfly named Johnny (Russell Collins) as his next victim. To this end, Halloran prints up a dummy newspaper bearing the headline "World to End Tonight at 11:45 p.m." Thoroughly convinced of his imminent doom, the pathetic Johnny decides to spend his last moments fulfilling several long-suppressed desires -- with disastrous and ultimately fatal consequences. One of the street urchins appearing in the climactic department-store sequence is a young Harry Shearer. ~ Hal Erickson, All Movie Guide
- 1957
Man Afraid stars George Nader as a clergyman serving a big-city slum district. He is forced to kill a young hoodlum in self-defense; the police are willing to forgive him of the killing, but the victim's psychotic father (Harold J. Stone) is not so pliable. The father threatens not only to wreak vengeance on Nader, but on Nader's family as well. The minister is torn apart by the practical necessity of protecting his family and the pacifistic edicts of his religious calling. Man Afraid is a tight, claustrophobic melodrama that was inappropriately filmed in CinemaScope; consequently, it tends to play better on TV than it did in theatres. ~ Hal Erickson, All Movie Guide
- Starring:
- George Nader, Phyllis Thaxter, (more)
- 1957
Though Richard Eyer and Philip Abbott get top billing, the real star of The Invisible Boy is Robby the Robot of Forbidden Planet fame. Based on a short story by Edmund Cooper (which, incidentally, contained no robots!), the film finds electronics genius Dr. Merrinoe (Abbott) developing a huge talking computer. While Merrinoe is the master of his laboratory, he has trouble controlling his rambunctious son Timmie (Eyer). When the doctor takes Timmie to the lab with him, hoping to impress his son with the importance of his work, Timmie is interested only in reassembling a robot left behind by Merrinoe's predecessor. Though the robot has been programmed not to bring harm to human beings, the poor clunking creature falls under the spell of Merrinoe's "super computer," which has developed a demonic mind of its own. The computer arranges to launch a rocket, with the robot at the controls, that will enable it to control the earth's orbit. But Timmie, who has stowed away on board the rocket, is able to bring the robot to its "senses" and save the day. Impressive on a technical level, The Invisible Boy is relentlessly silly storywise, which of course adds to the enjoyment. Best line: "Timmie, if you don't bring that rocketship back this instant, you'll get the spanking of your life!" ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Eyer, Philip Abbott, (more)
Vincent Sherman replaced an uncredited Robert Aldrich as director of this noirish and atypically pro-union film from the 1950's. Tulio Renata (Robert Loggia), an organizer for the International Ladies Garment Workers Union, campaigns to unionize the employees of dress factory owner Walter Mitchell (Lee J. Cobb). Viscerally opposed to the union, Mitchell has hired Artie Ravidge (Richard Boone) to thwart Renata's efforts. In a complex oedipal sub-plot, Walter's son Alan (Kerwin Matthews) returns home and joins the firm following the suspicious death of his father's partner. Alan is more sympathetic to the union and attempts to persuade his father to sign a contract. Only after Ravidge kills Renata, and the elder Mitchell finally admits to himself that Ravidge is a thug who also killed his partner, does he agree to negotiate with the union. Before he can do so, however, he, too, is murdered by Ravidge's goons. It is then left to Alan, increasingly involved with Renata's widow Theresa (Gia Scala), to run the business, bring Ravidge to justice, and settle with the union. Similar to Herbert Biberman's Salt of the Earth (1954) in its overt support of the labor movement, The Garment Jungle is clearly a liberal, not a radical, film. Rather than advocate class warfare, it asserts that honest unions and decent capitalists can work together honorably. The film's real fire is found in the personal conflicts between Tulio and Theresa and Walter and Alan. Cobb, Loggia, and Scala perform with intense and multi-dimensional passion. Particularly noteworthy is Theresa's fury at her husband for taking excessive, and ultimately fatal, risks. ~ Steve Press, All Movie Guide
- Starring:
- Lee J. Cobb, Kerwin Mathews, (more)
- 1957
In this Award-winning episode, Paladin (Richard Boone) is extended the hospitality of Samuel Abajinian (Harold J. Stone), a prosperous Armenian winemaker. But before Paladin can partake of any vintage wine, Abarjinian asks him to track down his "helpless" daughter Helen (Lisa Gaye), who has run off with a ranchhand whom the winemaker regards as weak and unworthy. As it turns out, Helen is fiercely self-reliant--and as usual, there is more to the story than it seems at first glance. ~ Hal Erickson, All Movie Guide
- 1957
Riding into the Wyoming town of Bender, Paladin (Richard Boone) is hired by accused murderer Bart Holgate (Harold J. Stone). Though willing to answer for his crimes, Holgate is terrified that he will be lynched before he ever reaches the courtroom, thus he agrees to pay Paladin to keep him alive until his trial. But Amy Bender (a pre-Police Woman Angie Dickinson), the sister of Holgate's victim, is determined to mete out her own brand of justice, Paladin or no Paladin! ~ Hal Erickson, All Movie Guide
- 1957
House of Numbers might have worked better as a farce comedy than a deadly serious melodrama, but everyone involved tries hard not to raise a chuckle. Jack Palance plays a dual role, as an imprisoned gangster and the gangster's twin brother. During a visit to the gangster, the brother switches places, allowing himself to be incarcerated as the real criminal walks free. The scheme involves the complete cooperation of Barbara Lang, wife of one of the Palance boys, who expectedly wavers in her loyalties. Based on a novel by Jack Finney, House of Numbers strived for realism by staging several scenes on location at San Quentin. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Palance, Barbara Lang, (more)
- 1958
This classic Emmy-nominated episode stars Barbara Bel Geddes as Mary Maloney, the wife of philandering police chief Patrick Maloney (played by former cowboy star Allan Lane, best known to TV fans as the voice of Mister Ed). When Patrick comes home to tell his wife that he is leaving her for another woman, the outraged Mary clubs her husband to death with a frozen leg of lamb. She then calls the police to announce that she has come home to find her husband dead, with no murder weapon in sight. Eventually the cops arrive to comb the Maloney apartment for evidence -- little realizing that the solution to the crime is literally under their noses. Arguably the most famous Alfred Hitchcock Presents episode of all, "Lamb to the Slaughter" is one of those rare murder yarns which can be enjoyed repeatedly even after the viewer knows the outcome. ~ Hal Erickson, All Movie Guide
Don Murray stars as a humble cowboy with aspirations for bigger things. He borrows money from his dance-hall girlfriend Lee Remick to buy a ranch, then dumps Remick in favor of banker's daughter Patricia Owens. Murray runs for political office, and in so doing is compelled to join a posse in search of his best friend Stuart Whitman, who has turned rustler. Anxious not to compromise his climb to the top, Murray stands by in silence as Whitman is lynched. In the end, however, Murray regains his essential decency when he is shot while trying to protect his ex-girlfriend Remick from bullying land baron Richard Egan. Based on a novel by A. B. Guthrie Jr., These Thousand Hills may look and sound like a western, but it has "film noir" written all over it. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Murray, Richard Egan, (more)
- 1959
In the sixth episode of Walt Disney's 17-part miniseries Tales of Texas John Slaughter, Slaughter (Tom Tryon) combines his cattle herd with that of fellow rancher Sam Underwood (Sidney Blackmer), intending to drive both herds to Arizona and sell them at the highest price possible. Unfortunately, the two men cannot use the Chisholm Trail because of a recent drought, so Slaughter blazes his own trail -- through Comanche territory. As if the Indians didn't pose enough of a threat, Slaughter must also contend with cattle baron John Chisholm (Harold J. Stone), who is convinced that Slaughter is trying to destroy his business. Originally telecast as part of the Walt Disney Presents anthology, "The Slaughter Trail" and the subsequent episode "The Man From Bitter Creek" were edited together in 1962 and released overseas as the "feature film" Texas John Slaughter: Stampede at Bitter Creek. ~ Hal Erickson, All Movie Guide
Spartacus (Kirk Douglas) is a rebellious slave purchased by Lentulus Batiatus (Peter Ustinov), owner of a school for gladiators. For the entertainment of corrupt Roman senator Marcus Licinius Crassus (Laurence Olivier), Batiatus' gladiators are to stage a fight to the death. On the night before the event, the enslaved trainees are "rewarded" with female companionship. Spartacus' companion for the evening is Varinia (Jean Simmons), a slave from Brittania. When Spartacus later learns that Varinia has been sold to Crassus, he leads 78 fellow gladiators in revolt. Word of the rebellion spreads like wildfire, and soon Spartacus' army numbers in the hundreds. Escaping to join his cause is Varinia, who has fallen in love with Spartacus, and another of Crassus' house slaves, the sensitive Antoninus (Tony Curtis). The revolt becomes the principal cog in the wheel of a political struggle between Crassus and a more temperate senator named Gracchus (Charles Laughton). Anthony Mann was the original director of Spartacus, eventually replaced by Stanley Kubrick, who'd previously guided Douglas through Paths of Glory. The film received 4 Academy Awards, including Best Supporting Actor for Ustinov. A crucial scene between Olivier and Curtis, removed from the 1967 reissue because of its subtle homosexual implications, was restored in 1991, with a newly recorded soundtrack featuring Curtis as his younger self and Anthony Hopkins standing in for the deceased Olivier. ~ Hal Erickson, All Movie Guide
- Starring:
- Kirk Douglas, Laurence Olivier, (more)
- 1961
Boxing manager Barney Jurow (Harold J. Stone) smells a rat when one of his fighters is killed in the ring--and an autopsy reveals that the kid was pumped full of morphine. Unfortunately, Jurow can't go to Elliot Ness (Robert Stack) with his suspicions without running the risk of having his wife (Viveca Lindfors) deported as an illegal alien. So, Barney keeps his mouth shut--but this isn't enough for the mobsters who ordered his boy's death, who proceed to kill the trainer responsible for the doping and framing Jurow for the crime. This episode was originally scheduled to air on April 6, 1961. ~ Hal Erickson, All Movie Guide
- 1961
Bull Hanlon (John Larch), "The King of the Boardwalk", imposes Syndicate rule upon New York's bakeries at the behest of Joe "The Teacher" Kulak (Oscar Beregi). But Bull isn't working fast enough to suit Kulak, and if he wants to keep his job--and his life--he had better force the sole holdout, baker Adam Stone (Harold Stone), to pay tribute to the Mob. Meanwhile, Elliot Ness (Robert Stack) tries to persuade Stone to defy both Hanlon and Kulak and organize his fellow bakers into an honest union--but Stone has already been warned that if he doesn't play ball, something mighty bad will happen to his daughter Marcia (Joan Staley, a Coney Island "nautch dancer." ~ Hal Erickson, All Movie Guide
- 1961
Riding into a dusty Arkansas town, Paladin is greeted with the spectacle of a man chained in the street. The hapless prisoner turns out to be Dr. Simeon Loving (Donald Randolph), accused of murder by self-appointed "hanging judge" Elroy Greenleaf (Harold J. Stone). At the risk of his own neck, Paladin offers to act as Dr. Loving's defense counsel to save the man from the gallows--even though the wily Judge Greenleaf has pretty much stacked the deck against the prisoner. ~ Hal Erickson, All Movie Guide
- 1961
DA Rudolph Cox (Leslie Nielsen) hopes to use the testimony of stoolie Lou Heinz (Bernard Kates) to put mobster Mac Davis (Harold J. Stone) away for keeps. Unfortunately, Heinz's cover is blown and he is marked for death. Even more unfortunately, the most important official in town seems to be in Davis' pocket -- which means that Cox's dreams of becoming a major political figure are in just as much danger as the hapless Heinz. This is the final episode of Alfred Hitchcock Presents' sixth season. ~ Hal Erickson, All Movie Guide
- 1961
FAA investigator Grant Sheckly (Harold J. Stone) is called to the scene when Flight 107 from Buffalo makes an unscheduled landing. Inasmuch as the plane arrived with no luggage, passengers, or crew members, Sheckly really has his work cut out for him. Even allowing for the other-worldy nature of Twilight Zone, this Rod Serling-scripted episode has logic holes one could drive trucks through. Watch for Bing Russell, father of Kurt Russell, in a featured role. Originally filmed for the series' second season, "The Arrival" didn't make its arrival until Season Three, on September 22, 1961. ~ Hal Erickson, All Movie Guide
- Starring:
- Harold J. Stone, Fredd Wayne, (more)
- 1961
Once a big shot in the criminal world, Tommy Karpeles (Harold J. Stones) cuts quite a pathetic figure as a jury convicts him on a mail-theft charge. Elliot Ness (Robert Stack) is convinced that Tommy is innocent, and that he is taking the fall for a trio of clever hoodlums named Mendoza (Joseph Wiseman), Collier (Vic Morrow) and Herling (Murray Hamilton). The only person who can provide Karpeles with an air-tight alibi is his embittered daughter Sally (Madlyn Rhue)--but she refuses to lift a finger for the old man. In the end, it is up to Tommy himself to win back both his daughter's love and his self-respect...but at a terrible cost. Featured in the cast is future director Leo Penn, the father of film stars Sean Penn and Christopher Penn. ~ Hal Erickson, All Movie Guide
- 1961
The Untouchables launches its second season with one of the series' most celebrated episodes. Elizabeth Montgomery earned an Emmy nomination for her bravura performance as Rusty Heller, a scheming chorus girl who has a personal vendetta against the mobsters who've done her dirt all her life. Using every feminine wile at her disposal, Rusty hopes to use an upcoming gang war between two bootlegging operations to her own advantage by cozying up to the leaders of both operations. Meanwhile, Elliot Ness (Robert Stack) hopes to appeal to Rusty's last vestige of decency to enlist her aid in bringing the criminals to justice. Paul Picerni joins the regular cast in the role of "Untouchable" Lee Hobson. Fans of Bewitched will particularly enjoy the now-famous scene in which Elizabeth Montgomery makes passionate love to David White, long before the two actors were cast respectively as Samantha Stevens and Larry Tate. ~ Hal Erickson, All Movie Guide
- 1962
George Cukor directed this sanitized version of Irving Wallace's tawdry best-seller concerning a survey of the sexual habits of American women. Psychologist George C. Chapman (Andrew Duggan) arrives in a Los Angeles suburb with his assistant Paul Radford (Efrem Zimbalist Jr.) in tow. They are looking for volunteers for their sex survey, and four women raise their hands: Sarah Garnell (Shelley Winters) is a middle-aged woman who is having an affair with young theater director Fred Linden (Ray Danton); Teresa Harnish (Glynis Johns) is a happily married woman who becomes attracted to brawny football player Ed Kraski (Ty Hardin); Naomi Shields (Claire Bloom) is an alcoholic nymphomaniac who takes up with an unsavory jazz musician; and Kathleen Barclay (Jane Fonda) is a young widow who thinks she is frigid -- that is, until Radford makes her his personal project. ~ Paul Brenner, All Movie Guide
- Starring:
- Efrem Zimbalist, Jr., Shelley Winters, (more)
