Mink Stole Movies

This entry in the Eating Out series offers plenty of the sex-romp rowdiness that made the first two films into cult favorites. Rebekah Kochan returns as Tiffani, a wacky heroine who attempts to help her friend Casey (Daniel Skelton) find true love (or at least a sexy hunk). ~ All Movie Guide

A hedonistic couple embarks on a wild, sex-fueled road trip in this low-budget indie. After a heist gone wrong leaves him battered, bruised and tortured by thugs, the titular Anthony (Daniel Cartier) hits the road with his raunchy girlfriend Donna (Lowe Taylor). But when they come across one of his former captors on the road, Anthony is caught between feelings of desire, fear and doom. ~ Michael Hastings, All Movie Guide

Independent filmmaker James Slocum directs the romantic drama The Last Place on Earth, filmed in the Sierra Nevada mountain region of Northern California. Dana Ashbrook plays Rob Baskin, a businessman who travels to Lake Tahoe in order to spread the ashes of his late mother (Phyllis Diller). Along the way, he meets Ann Field (Tisha Campbell-Martin), a woman who's dying of a terminal illness. Featuring appearances by Billy Dee Williams and Mink Stole, The Last Place on Earth won several cinematography awards at the Marco Island Film Festival. ~ Andrea LeVasseur, All Movie Guide

Iconoclastic satirist John Waters bites the hand that (periodically) feeds him in this humorous look at the underside of the film industry. Self-styled guerrilla filmmaker Cecil (Stephen Dorff) leads a Baltimore movie-making collective/street gang called the Sprocket Holes, which includes Cecil's girlfriend and frequent leading lady, a low-rent porn actress named Cherish Oh Lordy (Alicia Witt). Desperate for attention, they kidnap famous Hollywood actress Honey Whitlock (Melanie Griffith) during a Baltimore publicity stop and force her at gunpoint to star in their latest production, Raving Beauty. Before long, Honey comes down with a severe case of Stockholm syndrome and joins the Sprocket Holes in their bid to destroy the mainstream film industry. Waters regulars Ricki Lake, Patty Hearst, and Mink Stole highlight the supporting cast, and techno star Moby contributes to the soundtrack. ~ Mark Deming, All Movie Guide

Jonathan Blank (Sex, Drugs, & Democracy) directed this satirical slap at the media, centered around a reverend (Alan Thicke) who objects to public-access station Channel 69, where his daughter (Jessica Hecht) and other young radicals program such shows as Conspiracy of the Week. The reverend's solution is to buy the station and kick everyone out. They retaliate with protests and a fake bomb threat, barricading themselves in the studio to stage telecasts minus clothing. This film features one of the last film appearances of the late Timothy Leary. Shown at the 1998 Cinequest San Jose Film Festival. ~ Bhob Stewart, All Movie Guide

A documentary profile of filmmaker John Waters, Divine Trash focuses on the bad-taste pioneer's early years, especially his 1972 breakthrough Pink Flamingos, which turned the director of Mondo Trasho and Multiple Maniacs into the king of midnight movies thanks to word of mouth about the film's gleeful taboo-bashing -- and a distribution deal with the fledgling New Line Cinema. Interviews with filmmakers who both influenced Waters (Paul Morrissey, Herschell Gordon Lewis, Mike Kuchar, George Kuchar) and were influenced by him (Steve Buscemi, Jim Jarmusch, David O. Russell, Hal Hartley) are interspersed with copious behind-the-scenes footage from the making of Pink Flamingos, including the infamous doggy-doo scene. Through it all, the witty Waters provides commentary, recollections, and one-line quips. Pete Garey, owner of the film lab where Waters learned the technical side of moviemaking, recalls his first meetings with the youthful auteur. Mink Stole and other Dreamland Studios superstars reminisce about growing up in suburban Baltimore with Waters, who as a youngster loved car crashes, puppets, and clowns. The director's strait-laced parents reminisce about the financial support they provided for Pink Flamingos, which they have never seen. Neither has Frances Milstead, who looks back on the career of her late son, drag terrorist and Waters muse Divine. Divine and late "egg lady" Edith Massey crop up in various archival interviews and film clips. The man who played the "talking asshole" in Pink Flamingos also appears, albeit anonymously and disguised. Various film theorists and critics debate the merits and meaning of the Waters oeuvre, while Baltimore critic Don Walls and former Maryland film censor Mary Avara express their incredulity about the director's success. Divine Trash won the Filmmakers Trophy for Best Documentary at the 1998 Sundance Film Festival. Director Steve Yeager, a longtime friend of Waters, would go on to direct In Bad Taste: The John Waters Story and help Milstead write a book about her son. ~ Brian J. Dillard, All Movie Guide

Concerned about his son Bud's (David Faustino) bad luck with women, Al (Ed O'Neill) concludes that the boy has set his standards too high. Advising Bud to aim lower--much, much lower--Al has reason to regret his words when Bud gets cozy with Al's boss Gary (Janet Carroll). See this episode and you'll never think about "Pooh and Piglet" in the same way. ~ Hal Erickson, All Movie Guide

Beverly Sutphin (Kathleen Turner) is the perfect suburban housewife and mother. She likes to cook, her home is immaculately clean, she's always well-groomed and cheerful, and she loves her husband Eugene (Sam Waterston) and her two children, Misty (Ricki Lake) and Chip (Matthew Lillard). There's just one problem with Beverly -- if you do anything to make someone in her family feel bad, you're dead meat on a stick. While she does a great job of hiding it, Beverly has a vicious and vengeful streak, and when she's not making obscene prank calls to the neighbors or bribing her garbagemen to save embarrassing items from her neighbors' trash, she's mowing down whoever would be so rude as to make her husband go into his office on a Saturday, break up with her daughter, or suggest that her son watches too many horror movies. Taking John Waters back to R-rated territory after the relatively sedate Hairspray and Cry Baby, Serial Mom captures a comfortable middle ground between Hollywood professionalism and Waters' subversive sense of humor, and Kathleen Turner has a field day as the sweet-on-the-outside, evil-on-the-inside Beverly. The supporting cast includes such Waters favorites as Patty Hearst, Traci Lords, Mink Stole, and Susan Lowe; Joan Rivers and Suzanne Somers appear as themselves, and all-female grunge-metal band L7 plays the all-female grunge-metal band Camel Toe. ~ Mark Deming, All Movie Guide

John Waters does a quirky spin on '50s nostalgia in Cry-Baby, his musical homage to Rebel Without a Cause and Romeo and Juliet. Set in Baltimore in 1954 at the birth of rock & roll, the film features Johnny Depp as Wade "Cry-Baby" Walker. Depp is pure charisma as a juvenile delinquent with a permanent tear slithering down his cheek, a reminder of his state-executed parents. In the depths of his despair appears goody-goody girl Allison (Amy Locane), who has a sexual crush on Cry-Baby. But Allison's Pat Boone-like boyfriend, Baldwin (Stephen E. Miller), the leader of the squares, is dead set against Cry-Baby and the rest of the juvenile delinquents and leads a revolt against them. In the resultant riot, the juvenile delinquents are blamed for the chaos, and Cry-Baby finds himself dispatched to reform school. ~ Paul Brenner, All Movie Guide

After making a name for himself with such underground gross-out epics as Pink Flamingos and Desperate Living, director John Waters made a bid for somewhat wider acceptance with this black comedy, which is sedate only by the standards of his previous work. Francine Fishpaw (Divine) is a housewife whose life has become a living hell. Her husband Elmer (David Samson) runs a porno theater (currently showing the classic My Burning Bush) and is having an affair with secretary Sandra (Mink Stole), a vision of sleaze in Bo Derek-style cornrow braids who informs Elmer, "Children would only get in the way of our erotic lifestyle!" Francine has two teenage children, Dexter (Ken King), who likes to sniff glue and stomp on women's feet, and Lulu (Mary Garlington), a brazen slut who hangs out with overage juvenile delinquent Bobo (Stiv Bators) and gleefully anticipates her next abortion. Francine's best friend, Cuddles (Edith Massey), is a slightly insane heiress who is somehow convinced she's a debutante. Francine's life has become so miserable that her dog commits suicide rather than witness it, but a light appears on the horizon -- Todd Tomorrow (Tab Hunter), the handsome and dashing owner of a local drive-in specializing in art films (their current bill is a Margurerite Duras triple feature), with whom Dawn enters into a torrid affair. Subversive on all fronts, Polyester was originally shown in "Odorama" (patrons were given a card with ten scratch-and-sniff patches, to be smelled at key points in the action) and featured a romantic theme song sung by that new hitmaking duo, Deborah Harry and Bill Murray. ~ Mark Deming, All Movie Guide

A riotously funny bad-taste epic from director John Waters, Baltimore's "Prince of Puke," this sick classic tells the depraved life story of obese criminal Dawn Davenport (Divine), from her bad-girl youth as a go-go dancer on Baltimore's infamous Block to her death in the electric chair. Mink Stole is terrific as Dawn's bratty daughter Taffy, conceived following a romp on a junkyard mattress with a fat derelict in soiled underpants (also played by Divine). Mary Vivian Pearce and David Lochary co-star as crazed owners of a beauty-parlor who are convinced that "crime equals beauty," and they take Dawn under their wings, forcing her to mainline liquid eyeliner to enhance her appeal. Edith Massey steals the film as Dawn's obsessive neighbor, Ida, who wants her nephew to be gay (because heterosexuals lead "sick and boring lives") and throws acid in Dawn's face when she marries him. A hilariously appalling film, Female Trouble is just as disgusting and far funnier than Waters' previous Pink Flamingos, if not as notorious. ~ Robert Firsching, All Movie Guide

Another effort from notoriously tasteless duo John Waters and Divine, Multiple Maniacs finds heavyweight transvestite Divine as the maniacal head of a group of murderous kidnappers. Bent on ridding society of it's most boring element, suburbanites, Divine and company tour under the guise of Lady Divine's Cavalcade of Perversions, a not-so-elaborate ruse to lure in the most complacent element of the population and slaughter them en masse. Mesmerized by promises of "actual queers, kissing on the lips," and other such promises of lurid thrills, the plan works like a charm until a vicious love triangle leads to a risky plot to murder ringleader Divine. Despite their past, Divine's partner David (David Lochary) and scheming newcomer Mary Mary Vivian Pierce) plot to dispose of the murderous murderess just as Divine is planning to fire David. Enraged at the sudden turn of events, Divine hits the streets in anger only to find innovative uses for a rosary before being raped by a man in a dress and a giant lobster. ~ Jason Buchanan, All Movie Guide

The sophomore effort by John Waters and first collaboration between the director and legendary drag queen Divine, Roman Candles presents a random sampling of images relating to The Wizard of Oz, sex, drugs and religion. Set against an equally random sampling of audio bytes of radio advertisements, rock and roll music and a press conference with Lee Harvey Oswald's mother, Roman Candles was shot on black and white 8mm film and shown in public three times. ~ Jason Buchanan, All Movie Guide