Guy Stockwell Movies

Unspeakable Acts is the all-too-true story of a 1984 Dade County (Florida) sexual abuse case. Frank and Ilana Fuster (Gregory Sierra and Bess Meyer), who operate an upper-class day care center in a Florida suburb, are accused of committing appalling acts upon their young charges. The prosecution's case hinges on the testimony of one emotionally scarred child. Jill Clayburgh and Brad Davis play Lauri and Joseph Braga, the husband-and-wife child development specialists who must convince the abused youngster to testify without causing additional damage. ~ Hal Erickson, All Movie Guide

Those who think that you can't make a suspense movie out of a true-life story wherein everybody knows the outcome are referred to the made-for-TV Everybody's Baby: The Rescue of Jessica McClure. Jessica, of course, was the 18-month-old Texas girl who fell down an abandoned well in October of 1987. As the world looks on in anguish, the local fire chief (Pat Hingle) and police chief (Beau Bridges) supervise the efforts to rescue Jessica from her 22-foot-deep prison. The film effectively squeezes the 58 hours of the original incident into two, allotting plenty of time for a surface-level subplot involving the efforts of a Victim's Assistance Program volunteer (Patty Duke) to reassure Jessica's parents. In keeping with Hollywood child-labor requirements, little Jessica McClure is played by twin girls, Laura and Jennifer Loesch. ~ Hal Erickson, All Movie Guide

Somewhere amid the filmmakers' attempts to disorient the viewers of this film with the old movie-within-a-movie trick, it would seem they also got themselves completely lost in the process. The story opens with a false start, depicting an elderly woman being stalked by a faceless maniac (actually a scene from a retired special-effects artist's demo reel). The "real" story begins as the man's daughter (horror's head-spinning sweetheart Linda Blair) is waylaid by a band of hooligans en route to her dad's mountain cabin. This incurs the wrath of Blair's mutant brother, who lives in a hidden compartment within the cabin. As if that weren't enough, even more monsters from Blair's gnarled family tree show up for a lightning bonus round -- including Tab Hunter as a homicidal plastic surgeon. All is revealed (sort of) as yet another movie-within-a-movie, clear evidence of a writer in way over his head. Cable TV prints actually contained an additional twist ending, apparently for no reason whatsoever. ~ Cavett Binion, All Movie Guide

Filmed in California, copyrighted in Turkey and enacted in Armenian, Forty Days of Musa Dagh is set in the decades following the Russo-Turkish war of 1878. Persecuted by their conquerors, a group of Armenian nationals form a resistance movement. The conquering Ottomans retaliate by committing some of the most egregious forms of genocide ever perpetrated. The bulk of the storyline takes place in 1915, when Armenian Gabriel Bagradian (Kabir Bedi), an officer in the Turkish military, relinquishes his commission and joins the resistance. The film culminates in the courageous defense against the Turks at Fort Musa Dagh. ~ Hal Erickson, All Movie Guide

Susan Swift plays the dual role of Loreen and Ann in The Coming (aka Burned at the Stake). The story takes place in modern-day Salem, Massachusetts. Demons who've been seeking revenge since the witch trials of 1692 have reemerged in the quiet New England community. The ghost of a sorceress insinuates herself into the mind and body of her look-alike descendant. Albert Salmi and Guy Stockwell co-star. Its theatrical release scattered and limited, The Coming attained its biggest audience when it premiered in an 80-minute time slot as a CBS Late Night Movie in 1988. ~ Hal Erickson, All Movie Guide

The title character in this episode is Melanie "Mel" Desmond (Leslie Ackerman), the lonely, alienated daughter of prominent clothing designer Julie Desmond (Dorothy Malone). When her mother's gambler lover is murdered, Mel startles everyone by confessing to the crime. In truth, however, the attention-hungry girl merely witnessed the killing--which of course makes her the real murderer's next target! ~ Hal Erickson, All Movie Guide

Horror journeyman Larry Cohen, writer and director of numerous quirky horror projects, made his first foray into the genre with this low-budget cult favorite about a murderous mutant baby on a suburban rampage. The story opens with a delivery-room massacre as the newborn child of Frank and Lenore Davies (John P. Ryan and Sharon Farrell) answers the doctor's slap by tearing him to pieces -- along with a few other medical personnel -- before fleeing the hospital for whereabouts unknown. The subsequent hunt for the killer baby creates a rift between Frank, who wants the child destroyed, and Lenore, whose maternal instincts convince her that her child is not deliberately homicidal but merely frightened and defending itself. The baby's bloody rampage continues with several murders (including the creepy scene in which the terrible tyke savages the neighborhood milkman), until it is cornered by Frank and a police task-force. At the crucial moment, Frank has a sudden change of heart and tries to defend the infant from the police. Despite painfully low production values that render the monster scenes a bit silly (Rick Baker's creepy-looking but inarticulate baby model was simply pulled along on a string), Cohen's concept shines through, presenting a skewed but sincere interpretation of family values that could only be pulled off in the horror genre (see also Wes Craven's The Hills Have Eyes for another example). The script makes passing suggestions that the mutation was a result of an inadequately tested fertility drug, a concept explored more fully in the sequel It Lives Again and quite extensively in the third installment, Island of the Alive. ~ Cavett Binion, All Movie Guide

This Western presents a fictionalized account of the ways in which the Gatling gun was created. Also chronicled are its tremendous effects on the great frontier. ~ Sandra Brennan, All Movie Guide

When Will Griner (Walter Barnes) is acquitted of murder, the angry townsfolk, convinced that the trial was rigged in Will's favor, organize a lynch mob. It is up to the Cartwrights, Candy, and Sherriff Coffee to protect Will throughout a long and violent night. Meanwhile, Ben quietly re-opens the murder case to see if, indeed, Will was as guilty as the townspeople claim. The supporting cast includes Guy Stockwell as John Degnan, Ellen Weston as Louise Thurston, Ted Gehring as Jim, Stacy Harris as Teague, Tyler McVey as Al, and Mills Watson as Pete. Written by Preston Wood, "Anatomy of a Lynching" was initially telecast on October 12, 1969. ~ Hal Erickson, All Movie Guide

The direction of Michael Ritchie, who later piloted such films as Downhill Racer, Smile and The Bad News Bears, is disappointingly commonplace in the made-for-TV Sound of Anger. Burl Ives is an expensive lawyer hired to pursue the defense on a murder case. The victim was a wealthy man; the accused are the man's daughter and her lover. Confronted by the sister of the male suspect, Ives confesses that he's been told to defend only the daughter and allow the lover to twist slowly in the wind. He rectifies this set-up as the case progresses. In addition to Burl Ives, Sound of Anger also starred James Farentino; both actors would appear in the spin-off series, The Lawyers (one of three rotating series on the umbrella weekly The Bold Ones). ~ Hal Erickson, All Movie Guide

Ironside (Raymond Burr) has trouble believing that Samantha Dain (Marcia Strassman), a famous folksinger who sent him a cheer-up note during his convalescence, has committed suicide by leaping from a tall building. Suspecting that Samantha was murdered, Ironside conducts his own investigation--and unearths a sordid tale of drug addiction, depression and despair. In a true "sign of the times" moment, one sequence takes place in a discotheque called "The Psychedelic Daffodil", clearly inspired by the popular LA nightspot The Daisy. Actor-librettist George Furth, who later who the book for the Broadway musical "Company", appears as Ray Harrison. ~ Hal Erickson, All Movie Guide

This very economical remake of the 1952 Errol Flynn vehicle Against All Flags stars Doug McClure in the Flynn role. Cashiered from the royal navy in disgrace, McClure becomes a buccaneer, guiding his loyal crew to an island completely populated by cutthroats. Here he links up with pirate-captain Guy Stockwell and lady-swashbuckler Jill St. John. The plot comes to a head when the pirates conspire to hold lovely Middle-Eastern princess Mary Ann Mobley for ransom. McClure comes to her rescue and routs the rascals, revealing along the way that he's been working under cover on behalf of the king (a fact rather given away by the title). The most fascinating moments of The King's Pirate concern a pair of well-proportioned belly dancers, who keep the other pirates occupied while McClure goes about his business. The camera lovingly and longingly records each bump, grind, and wiggle, allowing the audience to get its mind off the creaky plot contrivances. ~ Hal Erickson, All Movie Guide