Linda Stirling Movies

Formed in 1935 by the merger of four small studios, Republic Pictures Corporation became the king of the serials, melodramas, and Westerns that were the minor part of double bills. This video celebrates the studio that was run by Herbert J. Yates (1880-1966), a former tobacco executive who made his wife, Vera Hruba Ralston, the star in a number of his productions. In the 1950s the company moved into television. Highlights of this video include sequences excerpted from various Republic productions, featuring John Wayne, Joan Crawford, Roy Rogers, Myrna Loy Gene Autry, Orson Welles, and Robert Mitchum. Roy Rogers and Gene Autry are among those interviewed. ~ Steve Blackburn, All Movie Guide

Albert Dekker plays a crooked investment agent who embezzles a large sum from an estate, hoping to cover his crime by marrying the estate's heiress (Catherine Craig). The girl is already engaged, so Dekker arranges to have the fiance killed. The hit man's only means of identifying the victim-to-be is his picture in the society columns. But the girl changes her mind and agrees to marry Dekker--meaning that it is his picture that will appear in the columns, thereby condemning him to death. Desperately trying to contact the hit man, Dekker discovers that the man is dead...but the assassin's successor is still at large. A cheap but tidy "hoist on his own petard" melodrama, The Pretender was produced and directed by W. Lee Wilder, brother of the more famous (and frankly more talented) Billy Wilder. ~ Hal Erickson, All Movie Guide

This drama is an updated version of Ulmer's 1944 film Bluebeard. It is set in New York and follows the exploits of an eccentric Parisian painter who has come to New York to escape a controversy surrounding his work. The trouble stems when the model he has used in all his work is found floating dead in the Seine. Later, his New York model is also found dead. When a second model is also found dead, her sister impersonates a model to prove his guilt. Instead she falls in love with him and helps to clear his name. (Interestingly, in the original, he was the killer.) ~ Sandra Brennan, All Movie Guide

One of the most entertaining serials to be released by Republic Pictures, this mystery employed yet another inscrutable invention, a counter atomic device known as Cyclotrode X, sought after by yet another cloaked villain, The Crimson Ghost of the title. But just like the well-known criminologist Duncan Richards (Charles Quigley) and his lovely assistant Diana Farnsworth (Linda Stirling), the Saturday Matinee kids had a tough job spotting the person hiding behind the hideous disguise. The studio took no chances this time and ingeniously cast stunt-man Bud Geary to embody the villain while several actors supplied the voice, including I. Stanford Jolley, whose role was minor but who received fourth-billing and was therefore highly suspect. When The Crimson Ghost was unmasked in the 12th and final chapter, he proved to be yet another actor, Joseph Forte, who had enacted a character seemingly above suspicion. Instead of feeling cheated, however, the young target audience subconsciously enjoyed the above-average writing and fine direction by the talented William Witney and Fred C. Brannon, and no one complained. Quigley and Stirling were at the top of their serial game, and to the bemused surprise of more recent viewers, television's Lone Ranger, Clayton Moore, played one of the master villain's henchmen, a cold-hearted gangster. The Crimson Ghost was also released in an edited feature version, retitled Cyclotrode. In 1966, yet another edited version was given the title Cyclotrode X. ~ Hans J. Wollstein, All Movie Guide

Invisible Informer serves as a feature-length vehicle for Republic serial queen Linda Stirling. The story is set in motion by a missing necklace, worth $100,000. The insurance agency covering the necklace suspects that the "theft" is a fraud, and dispatches special operatives Eve Murray (Stirling) and Mike Reagan (William Henry) to get to the truth. In the course of their investigation, Eve and Mike must contend with several murders, perpetrated by the thief with the help of a nasty police dog. Usually seen battling burly bad guys or escaping deadly perils in her other films, Linda Stirling is afforded a few steamy love scenes in this one, which she pulls off with elan. ~ Hal Erickson, All Movie Guide

According to Hollywood lore, both John Wayne and director Frank Borzage refused to work with Vera Hruba Ralston, the Czech-born inamorata (and future wife) of Republic Pictures owner Herbert I. Yates. Yates somehow managed to convince Wayne to change his mind, but Borzage was replaced by contract director Joseph Kane. The result was Dakota, the company's major release of 1945, a potentially sprawling empire-building Western. Wayne and Ralston play newlyweds heading for Fargo, North Dakota, where they plan to buy land in anticipation of the coming of the railroad. They are opposed by saloon owner Jim Bender (Ward Bond), who also knows about the expansion and is coercing the homesteaders into selling their land to him and his chief lieutenant, Collins (Mike Mazurki). The latter has been elected president of the Wheat Growers Association, and soon the farmers find themselves indebted to Bender. But Wayne, with his wife's help, beats Bender and his henchman at their own game, making certain that the farmers are well compensated for selling their land to the railroad company owned by Ralston's father (Hugo Haas). Contrary to popular belief, Vera Hruba Ralston was not Dakota's chief liability. For some reason, Republic Pictures, normally a leader in action-oriented melodrama, chose to employ an inordinate amount of rear projection footage this time around, making for rather dull viewing. The Western only leaves the confines of the studio back lot for the climactic prairie fire scenes, filmed by a second unit under the direction of stunt expert Yakima Canutt. Apparently a better figure skater than an actress, Ralston actually shows a bit of spirit in some of her scenes but is rather obviously upstaged by the veteran Ona Munson as a kind-hearted saloon entertainer. Munson was borrowed from Warner Bros. and her singing of "Coax Me" by Andrew B. Sterling and Harry Von Tilzer remains one of Dakota's main pleasures despite editor Fred Allen's endless cross-cutting to Ralston's reactions. The latter was reportedly a very pleasant person devoid of a prima donna ego and would be cast opposite John Wayne again in The Fighting Kentuckian (1949). Republic serial heroines Linda Stirling and Adrian Booth can be spotted among Munson's dancing girls. ~ Hans J. Wollstein, All Movie Guide

In this western, Red Ryder leads a wagon train of homesteaders into a ghost town and discovers that it has become an outlaw's hideout. ~ Sandra Brennan, All Movie Guide

That veteran reprobate Roy Barcroft plays yet another outlaw in The Cherokee Flash, a perfectly acceptable B-Western from Republic Pictures, but Barcroft's title character reforms this time and even adopts a young orphan. Years later, the Cherokee Flash, now known as Jeff Carson, is visited by former gang members who promptly blackmail him into doing their bidding. Carson refuses, of course, but lands in jail anyway, much to the consternation of now-grown foster son Sunset (Sunset Carson) and grizzled sidekick Utah (Tom London). The sheriff (Bud Geary), however, is working for Mr. Big who, unbeknownst to the Carsons, is Jeff's lawyer, Mark Butler (John Merton). Happily, the new doctor in town (Frank Jaquet) and his pretty daughter (Linda Stirling) discover evidence that will clear Jeff once and for all. ~ Hans J. Wollstein, All Movie Guide

The first of actor Sunset Carson and director Thomas Carr's collaborations, Santa Fe Saddlemates is about a U.S. marshal (Carson) attempting to break a diamond smuggling ring at the U.S./Mexican border. Accompanied by a female reporter (Linda Stirling), Carson has to pose as a bandit in order to infiltrate the criminals' inner-circle. ~ Stephen Thomas Erlewine, All Movie Guide

There's oil in them thar' hills and an unscrupulous oil company scout attempts to drive the settlers off their newly valuable land in this typical Red Ryder Western starring "the Peaceable Man" (William Elliott). Oil company representative Walter Garfield (LeRoy Mason) and his equally nefarious associate, Ace Hanlon (Glenn Strange), manage to drive several ranchers away, but obstinate rancher Ben Taylor (Jack Kirk) is killed right in front of his daughter, Ann (Linda Stirling). When Red Ryder (Elliott), Ann's neighbor, becomes too nosy, Garfield sends for an old associate, gambler Johnny Bennett (aka the San Antonio Kid) (Duncan Renaldo), and charges him with killing the pesky rancher. The Kid is saved by Red when his horse bolts and they become friends. Although shocked that the newcomer is a notorious gambler, Red's aunt, the Duchess (Alice Fleming), hires him as a ranch hand and Johnny reveals Garfield's nefarious plan. Working together, Red and Johnny manage to trap Garfield and his henchmen and after a dramatic shootout, Red chases the villains to their hideout. A fight breaks out and a pool of oil is set on fire. Garfield is killed in the subsequent blaze and Hanlon is brought to justice. ~ Hans J. Wollstein, All Movie Guide

This "Red Ryder" entry stars Gordon "Wild Bill" Elliot as Ryder. The heroine (Linda Stirling) is having troubles with the freight company that she owns. Time and again, her coaches are beset by hooded thieves. With Red Ryder on the job, the robbers haven't got a chance, but they put up a fight anyway. Featured in the cast are series stalwarts Bobby Blake as Little Beaver ("You betchum, Red Ryder") and Alice Fleming as The Duchess. Director Wallace Grissell maintains his usual standard of nonstop action. ~ Hal Erickson, All Movie Guide

For the benefit of those who came in late, the John Robert Powers modelling agency was at one time the most famous and powerful enterprise of its kind in New York City. Acknowledging this prominence is the 1942 musical comedy The Powers Girl, with Anne Shirley and Carole Landis starring as sisters Ellen and Kay Evans, who aspire to become high-profile models. Photographer Jimmy Hendricks (George Murphy) takes a fancy to the girls, making a top model out of Kay (Landis) -- but falling deeply and truly in love with Ellen (Shirley). At base, the film is an excuse to show off as many lovely, undraped "Powers Girls" as possible (including future Republic serial heroine Linda Stirling) and to showcase such musical talent as Dennis Day and Benny Goodman's Orchestra. And from time to time, John Robert Powers himself shows up in the person of Alan Mowbray. The Powers Girl was released in Great Britain as Hello Beautiful. ~ Hal Erickson, All Movie Guide