Billy Bletcher Movies

Radio baritone Joe Morrison was being groomed for stardom by Paramount when he was top-billed in One Hour Late. Morrison is cast as shipping clerk Eddie Blake, whose girlfriend Betty Dunn (Helen Twelvetrees) is secretary to big boss Stephen Barclay (Conrad Nagel). A trusting soul, Betty sees nothing wrong in accepting Barclay's invitation to visit his home for the weekend. But Eddie suspects the worst and tags along to make sure that Betty's virtue remains intact. As it happens, Eddie's fears are groundless -- as are those of Barclay's wife Ellen (Gail Patrick), who was poised to walk out on her husband at the first sign of extramarital hanky-panky. The script contrives to have a radio station located in the building where Eddie works, permitting Joe Morrison to croon a medley of his hit "The Last Roundup." ~ Hal Erickson, All Movie Guide

March of the Wooden Soldiers is the 1952 reissue title for Hal Roach's 1934 film version of Victor Herbert's Babes in Toyland. Stan Laurel and Oliver Hardy star as Stannie Dum and Ollie Dee, bumbling apprentices to the master toymaker of Toyland. This joyous fairy-tale community is populated by all the colorful Mother Goose characters we know and love; the one sour apple in the barrel is mean old Silas Barnaby (portrayed by Henry Kleinbach, aka Henry Brandon). Barnaby holds the mortgage on the outsized shoe where Widow Peep (Florence Roberts) and her daughter Little Bo Peep (Charlotte Henry) reside, and where Stannie and Ollie pay room and board. Bo Peep will be forced to marry the odious Barnaby if the rent isn't paid, so Stannie and Ollie try to raise the money by asking the toymaker for a raise. But the boys are fired when Stannie messes up an order from Santa Claus: instead of making six hundred toy soldiers one foot high, the dumb Mr. Dum makes one hundred toy soldiers six feet high. The wedding between Barnaby and Bo Peep goes on as planned--except that it's Stannie, disguised as the bride, who ends up walking down the altar. Publicly humiliated, Barnaby vows revenge. He steals one of the Three Little Pigs and places the blame on Bo Peep's boy friend, Tom-Tom the Piper's Son (Felix Knight). The penalty for pignapping is banishment to Bogeyland, a fearsome subterranean world populated by hideous bogeymen (look closely and you'll see the zippers on their costumes!) Stannie and Ollie expose Barnaby's perfidy and rescue Tom-Tom from Bogeyland, whereupon Barnaby rallies the bogeymen and leads an all-out attack on Toyland. Taking refuge in the toy warehouse, Stannie and Ollie activate the 100 6-foot wooden soldiers (a neat bit of stop-motion photography, courtesy of Hal Roach's "fx" wizard Roy Seawright), who vanquish the Bogeymen and save the day. One of the best of all the Laurel and Hardy features, March of the Wooden Soldiers has been a television holiday perennial ever since the cathode tube was invented. Only a handful of Victor Herbert's songs are utilized, but these lilting compositions more than compensate for the omissions (one song, "I Can't Do That Sum", is used as the leitmotif for the clueless Stannie and Ollie). For years available only in the 70-minute reissue version, March of the Wooden Soldiers has recently been fully restored to its full glorious 78 minutes. The parent property Babes in Toyland was remade by Disney in 1961 (with Gene Sheldon and Henry Calvin as Laurel and Hardy wannabes) and for television in 1986, with new songs by Leslie Bricusse. ~ Hal Erickson, All Movie Guide

W.C. Fields plays the Great McGonigle, the manipulative manager of a large 19th century theatrical troupe. Notorious for skipping board bills and forgetting the pay his actors, McGonigle descends on a small town, where he relies on the hospitality of a wealthy widow (Jan Duggan). He secures lodging for his cast and financing for his production by promising the widow a major part in his upcoming production of The Drunkard. The play goes on as schedule, but the widow's part is cut down to one line which she's never permitted to deliver. McGonigle escapes with his hide again, but not before securing the future happiness of his daughter (Judith Allen) so that she won't have to spend the rest of her life one step ahead of the sheriff. The storyline of The Old-Fashioned Way is conveniently shunted aside as W.C. Fields does battle with Baby LeRoy, cons everyone in sight with equanimity, and offers the audience an uninterrupted display of his remarkable juggling skills. ~ Hal Erickson, All Movie Guide

Expansively planning a camping trip "for a week, maybe two weeks," the older Our Gang kids refuse to allow little Spanky McFarland and Scotty Beckett tag along. But when the kids reach their predetermined campsite, they find that Spanky and Scotty have already arrived. Even more embarrassing, the two younger kids seem to be a lot more prepared for the camping expedition --- and a lot less scared of the dark. A winning combination of character-driven humor, slapstick, thrills, and a sturdy plotline, the "Our Gang" comedy The First Round-Up was originally released on May 5, 1934. ~ Hal Erickson, All Movie Guide

A couple of down-and-out British aristocrats buy an American roadhouse in this uproarious farce from Paramount. Naming the establishment after their estate in the old country, Twicket-on-Topping, Lady Beulah (Alison Skipworth) and her brother Sir Reginald (Roland Young) run afoul of American gangsters and when an attempt to sell the place to unsuspecting capitalist Mr. Stephens (DeWitt Jennings) comes to naught, Lady Beulah turns the roadhouse into an upscale café, the Boots and Saddles. The stout Englishwoman, however, staunchly refuses to provide liquor from bootlegger Nutty Bolton (Warren Hymer) and the latter attempts to ruin the establishment's recent goodwill by spiking the drinks. In the end, Lady Beulah is rescued by her niece Cecily (Sari Maritza), whose American boyfriend finally cons Stephens into buying the place right before it is raided by the police. ~ Hans J. Wollstein, All Movie Guide

Originally released on September 9, 1933, "Bedtime Worries" was the first of two "Our Gang" comedies in which the vaudeville team of Emerson Treacy and Gay Seabrook (a second-echelon Burns and Allen) were cast as the parents of little Spanky McFarland. On the day he is promoted to head clerk (or "head cluck," as Spanky puts it), Treacy declares that it is high time Spanky stopped sleeping in his parents' room and go to bed in his own room. During his first night alone, Spanky envisions all sorts of imaginary horrors, from a bat (actually a moth) to "the boogeyman." Thus, when a burglar (Harry Bernard) climbs into Spanky's window, the boy's dozing parents fail to believe his story. Passing himself off as Santa Claus, the burglar steals everything that isn't nailed down until the rest of the Our Gang kids come to the rescue. A quote from Mae West caps this delightful two-reeler. ~ Hal Erickson, All Movie Guide

Joan Blondell, borrowed for the occasion from Warner Bros., earned top-billing in this delightful Hollywood parable, but the real star is of course Stuart Erwin as the irrepressible grocery clerk Merton Gill. Paramount screenwriters Saul Mintz, Walter De Leon and Arthur Kober based their witty scenario on Henry Leon Wilson's 1922 novel Merton of the Movies, the 1923 Broadway play by George S. Kaufman and Marc Connelly, and the 1924 Famous Players silent version starring Glenn Hunter. By 1932, the story was indeed well-known: Aspiring to become a famous screen cowboy, small-town delivery boy Merton Gill arrives in Hollywood, bright-eyed and bushy-tailed and complete with a diploma from the National Correspondence Academy of Acting. Crashing the gates of Majestic Pictures (read: Paramount), Merton manages to fumble his one line bit in the latest Buck Benson (Dink Templeton) western and is fired on the spot. Unwilling to leave the studio, the hapless thespian survives on leftover scraps from the extra's lunch boxes until discovered by comedy starlet "Flip" Montague (Blondell), who takes pity on him and arranges a meeting with Jeff Baird (Sam Hardy), head of the slapstick comedy unit. Bestowed a new name, Whoop Ryder, Merton is starred in what he assumes to be a serious western melodrama but what in reality is yet another burlesque featuring cross-eyed low comic Ben Turpin. Although a big hit with preview audiences, a humiliated Merton is ready to return to the grocery business when "Flip" persuades him to stay by telling him that he is "darn near perfect." ~ Hans J. Wollstein, All Movie Guide

Future Academy Award-winner Hattie McDaniel briefly brightened the proceedings in this, one of her two B-Western appearances in 1932. (The other was George O'Brien's The Golden West.) The rotund African-American comedienne portrays a cook on a ranch belonging to banker Tom Kirk (Lafe McKee). Also working on the premises is Jimmy Duncan (Hoot Gibson), an unruly young man who has promised his Uncle George (George Hayes) he will behave (or else...!). Treacherous bank teller Holt Narbrough (Wheeler Oakman), who not only desires Kirk's ranch, but also his pretty daughter, Laura (Helen Foster), attempts to rid himself of an irritating rival by constantly picking fights with Jimmy. The latter, however, is steadfast in his resolve and soon becomes the laughing stock among the ranch hands. In the end, Jimmy earns both Laura's love and Uncle George's respect by foiling a bank robbery. The Boiling Point was one in a series of cheap Westerns Hoot Gibson made for low-budget company Allied Pictures from 1931 to 1933. Gibson, whose generosity was legendary, found employment for old friends such as Roy "Skeeter Bill" Robbins and Fred Gilman in all of his Allied films, including The Boiling Point. ~ Hans J. Wollstein, All Movie Guide

After unsuccessfully impersonating a Mexican in his previous The Avenger, cowboy star Buck Jones returned to form in The Texas Ranger. Jones plays the title character, who on this occasion has been assigned to bring lady bandit Carmelita Geraghty to justice. Upon learning that the heroine turned to a life of crime because she was falsely accused of murder, Jones sets about to find the real killer. Briefly posing as an outlaw, our hero infiltrates Geraghty's outlaw gang, ultimately exposing the Benedict Arnold who framed her. A few clever directorial touches aside, Texas Ranger is a traditional Jones vehicle, but that's what the fans craved. ~ Hal Erickson, All Movie Guide

Dancing Sweeties is set primarily in a Chicago dance emporium. During a dance contest, Bill (Grant Withers) and Molly (Sue Carol) meet and fall in love. Deciding to go professional, Bill drops Molly when she proves unable to memorize their dance routines. Finally, however, Bill realizes that there's more to life than a syncopated pair of tootsies, and he proposes to Molly. The film's four songs were hummable but forgettable: a fifth, "Dancing With Tears in My Eyes," was cut from the final release print but went on to become a hit thanks to incessant radio and jukebox exposure. The reviewer for Variety at the time of the film's release described Dancing Sweeties as typical of a genre in which the characters' brains were in their feet. ~ Hal Erickson, All Movie Guide

One of Tom Mix's most successful films, this silent Western grossed an impressive $227,200.00 in domestic rentals alone, a sizable amount in 1928. Mix portrayed a daredevil ranger on the trail of a gang of outlaws. To get close to the gang, Tom utilizes various cunning disguises, including donning the garb of a medicine man. Along the way, complications arise when Tom falls for the niece (Natalie Joyce) of the gang leader (William Welch).The action packed Western climaxes when Mix saves Joyce from a runaway car. The cousin of silent screen star Olive Borden and a 1925 WAMPAS Baby Star, dark-haired Natalie Joyce also appeared opposite Mix in The Circus Ace (1927). ~ Hans J. Wollstein, All Movie Guide

Independent producer Jesse J. Goldburg (the initial "J" stood for "Jesse!") released this minor offering starring second-echelon cowboy Bob Custer. More a comedy of errors than a true red-blooded western melodrama, The Dude Cowboy is the tale of a rancher (Custer) who hires himself out as a chauffeur for a pretty gal (Flora Bramley. In one of those coincidences so beloved by Hollywood hacks (in this case, Paul M. Bryan), the girl is on her way to Custer's dude ranch. The hero, smitten with the girl, keeps up the charade until the ever-present crooked foreman (Bruce Gordon forces his hand. Screenwriter Bryan threw a couple of stranded chorus girls and a fake count into the already outlandish plot. The heroine, British-born Flora Bramley, had appeared in the stage hit Cradle Snatchers before entering films in 1926. She was voted a 1928 WAMPAS Baby Star by the Hollywood publicists but returned to the stage soon after. ~ Hans J. Wollstein, All Movie Guide