Billy Bletcher Movies

A couple of down-and-out British aristocrats buy an American roadhouse in this uproarious farce from Paramount. Naming the establishment after their estate in the old country, Twicket-on-Topping, Lady Beulah (Alison Skipworth) and her brother Sir Reginald (Roland Young) run afoul of American gangsters and when an attempt to sell the place to unsuspecting capitalist Mr. Stephens (DeWitt Jennings) comes to naught, Lady Beulah turns the roadhouse into an upscale café, the Boots and Saddles. The stout Englishwoman, however, staunchly refuses to provide liquor from bootlegger Nutty Bolton (Warren Hymer) and the latter attempts to ruin the establishment's recent goodwill by spiking the drinks. In the end, Lady Beulah is rescued by her niece Cecily (Sari Maritza), whose American boyfriend finally cons Stephens into buying the place right before it is raided by the police. ~ Hans J. Wollstein, All Movie Guide

March of the Wooden Soldiers is the 1952 reissue title for Hal Roach's 1934 film version of Victor Herbert's Babes in Toyland. Stan Laurel and Oliver Hardy star as Stannie Dum and Ollie Dee, bumbling apprentices to the master toymaker of Toyland. This joyous fairy-tale community is populated by all the colorful Mother Goose characters we know and love; the one sour apple in the barrel is mean old Silas Barnaby (portrayed by Henry Kleinbach, aka Henry Brandon). Barnaby holds the mortgage on the outsized shoe where Widow Peep (Florence Roberts) and her daughter Little Bo Peep (Charlotte Henry) reside, and where Stannie and Ollie pay room and board. Bo Peep will be forced to marry the odious Barnaby if the rent isn't paid, so Stannie and Ollie try to raise the money by asking the toymaker for a raise. But the boys are fired when Stannie messes up an order from Santa Claus: instead of making six hundred toy soldiers one foot high, the dumb Mr. Dum makes one hundred toy soldiers six feet high. The wedding between Barnaby and Bo Peep goes on as planned--except that it's Stannie, disguised as the bride, who ends up walking down the altar. Publicly humiliated, Barnaby vows revenge. He steals one of the Three Little Pigs and places the blame on Bo Peep's boy friend, Tom-Tom the Piper's Son (Felix Knight). The penalty for pignapping is banishment to Bogeyland, a fearsome subterranean world populated by hideous bogeymen (look closely and you'll see the zippers on their costumes!) Stannie and Ollie expose Barnaby's perfidy and rescue Tom-Tom from Bogeyland, whereupon Barnaby rallies the bogeymen and leads an all-out attack on Toyland. Taking refuge in the toy warehouse, Stannie and Ollie activate the 100 6-foot wooden soldiers (a neat bit of stop-motion photography, courtesy of Hal Roach's "fx" wizard Roy Seawright), who vanquish the Bogeymen and save the day. One of the best of all the Laurel and Hardy features, March of the Wooden Soldiers has been a television holiday perennial ever since the cathode tube was invented. Only a handful of Victor Herbert's songs are utilized, but these lilting compositions more than compensate for the omissions (one song, "I Can't Do That Sum", is used as the leitmotif for the clueless Stannie and Ollie). For years available only in the 70-minute reissue version, March of the Wooden Soldiers has recently been fully restored to its full glorious 78 minutes. The parent property Babes in Toyland was remade by Disney in 1961 (with Gene Sheldon and Henry Calvin as Laurel and Hardy wannabes) and for television in 1986, with new songs by Leslie Bricusse. ~ Hal Erickson, All Movie Guide

Having stumbled upon a newspaper ad placed by "Mingling Brothers Circus" for a trick bear act. Pa Bear tries to transform himself , his wife Ma Bear and his son Junyer Bear into a vaudeville troupe, and suffers spectacularly as a result. The main problem is the oafish Junyer, who has no talent but plenty of bulk--a bad combination when one is trying to be a tightrope walker or trick cyclist. Worst of all, Pa Bear's efforts turn out to be all for naught, leading to closing gag that's a real killer (which may be why this cartoon seldom shows up on TV). And yes, that's famed satirist Stan Freberg as the voice of Junyer. ~ Hal Erickson, All Movie Guide

Twenty years after the Armistice, doughboy Stan Laurel continues guarding a trench in France--simply because no one told him the war was over. His rescue coincides with the first wedding anniversary of his old pal Oliver Hardy. Heading to town to pick up a gift for his wife (Minna Gombell), Ollie discovers that Stan has been located and is now residing at the Veteran's Home. The two buddies share a warm reunion, whereupon Ollie invites Stan home to enjoy a "big thick juicy steak" prepared by Mrs. Hardy. As a result of Ollie's hospitality, Stan inadvertently wrecks Ollie's brand new car; the boys spend half the afternoon trudging up and down 13 flights of stairs; Ollie gets into a fight with belligerent Jimmy Finlayson; Mrs. Hardy angrily walks out on her husband; the boys manage to blow up the kitchen while preparing their own meal; and Hardy's beautiful next-door neighbor (Patricia Ellis) ends up minus her dress in Ollie's steamer trunk, with both Mrs. Hardy and the neighbor's husband, big-game hunter Billy Gilbert, converging upon our bethumped heroes. Essentially a remake of the 1929 Laurel and Hardy two-reeler Unnaccustomed as We Are, Block-Heads is a brilliant parade of virtuoso comedy turns. The best bits of business include the mountain of bean cans representing Stan's two decades in the trenches; the "white magic" gags involving Stan's pulling down the shadow of a window shade, producing a glass of water from his pocket and smoking his thumb like a pipe; and an uproarious "black" joke involving Ollie's mistaken belief than Stan has lost a leg in the war. The film sustains its high level of humor for 56 of its 57 minutes, faltering only in its disappointing closing gag (borrowed from the 1928 short We Faw Down). Among the writers of this chucklefest was former silent comedian Harry Langdon. Erroneously announced in 1938 as Laurel and Hardy's final feature, Block-Heads was indeed the last of the team's genuine classics. ~ Hal Erickson, All Movie Guide

Ken Maynard's Branded Men wasn't up to the standards of his previous Range Law, but it was still better than the usual "B"-western of the era. On this occasion, hero Maynard is travelling in the company of pint-sized comedy relief Billy Bletcher (later the voice of the Big Bad Wolf and Black Pete in the Disney cartoon) and gangly Irving Bacon. Falsely accused of a crime, the intrepid trio spends the rest of the picture clearing themselves, but not before being forced to divest a pompous judge (Wilfred Lucas) of his fancy clothes. June Clyde, a busy musical comedy star, may well be the most talented of Maynard's early-talkie leading ladies. For some reason, Branded Men is the one Ken Maynard western which still pops up with frequency on television. ~ Hal Erickson, All Movie Guide

This musical satire parodies Southern living as it follows the exploits of a traveling medicine show that ends up on a bankrupt plantation. It is just as well as Doc Gurgle and his daughter have just lost their show. The plantation is run by a Kentucky colonel. Young Miss Gurgle and her pa decide to help save the plantation by putting on an amateur show in the stately mansion. She is assisted by the enthusiastic plantation workers. Songs include: "Uncle Tom's Cabin Is a Cabaret Now." ~ Sandra Brennan, All Movie Guide

The gang's beloved teacher Miss Pipps (Sara Haden) is fired by crabby old school board chairman Mr. Pratt (Clarence Wilson), who believes that the teacher is too "nice" for her job. With the help of friendly school custodian Mr. Swenson (Christian Rub), the kids stage a play for the local PTA, explaining why Miss Pipps should not be dismissed and simultaneously exposing Mr. Pratt as the nasty curmudgeon that he is. As a result, Miss Pipps is reinstated and Pratt is duly punished -- only to be forgiven by the surprisingly charitable children. One of the better MGM Our Gang comedies, the one-reel Come Back, Miss Pipps was originally released on October 25, 1941. ~ Hal Erickson, All Movie Guide

Dancing Sweeties is set primarily in a Chicago dance emporium. During a dance contest, Bill (Grant Withers) and Molly (Sue Carol) meet and fall in love. Deciding to go professional, Bill drops Molly when she proves unable to memorize their dance routines. Finally, however, Bill realizes that there's more to life than a syncopated pair of tootsies, and he proposes to Molly. The film's four songs were hummable but forgettable: a fifth, "Dancing With Tears in My Eyes," was cut from the final release print but went on to become a hit thanks to incessant radio and jukebox exposure. The reviewer for Variety at the time of the film's release described Dancing Sweeties as typical of a genre in which the characters' brains were in their feet. ~ Hal Erickson, All Movie Guide

Deadline at Dawn represented not only the sole film directorial effort of Broadway's Harold Clurman, but also the only cinematic collaboration between Clurman and his former Group Theatre associate, screenwriter Clifford Odets. While on shore leave in New York, sailor Alex (Bill Williams) is slipped a doped-up drink by B-girl Edna (Lola Lane). When he awakens, Alex discovers that she has been murdered. Though he believes that he's the killer, our hero is talked into locating the actual miscreant by philosophical cab driver gus (Paul Lukas) and nightclub dancer June (Susan Hayward). Adapted from a novel by Cornell Woolrich, Deadline at Dawn leans towards pretentiousness at times, but is redeemed by the no-nonsense performance by Susan Hayward. ~ Hal Erickson, All Movie Guide

Two barbers from an Indian reservation (Bert Wheeler, Robert Woolsey) are sent as the delegates of the Adoop tribe to an international peace convention in Geneva. ~ John Bush, All Movie Guide

After several years away from the Our Gang series, the gang's longtime mentor Robert F. McGowan briefly resumed his directorial activities with the sidesplitting Divot Diggers. The action takes place at an expansive California golf course, where the Our Gang kids merrily play their own ragtag version of golf with their own makeshift clubs. When the course's regular caddies quit en masse, the desperate caddy master hires the gang members as replacements. The kids -- and their gibberish-spouting pet chimpanzee -- proceed to drive an adult foursome crazy, then put the finishing touch on an imperfect day by accidentally commandeering a lawn-mowing tractor. To list the film's best verbal and visual gags would require a website in itself; suffice to say that the film packs an inordinate amount of laughs into its brief 14 minutes. Augmented by a terrific LeRoy Shield musical score (including such familiar Hal Roach leitmotifs as "Hot and Dry," "Standing on the Corner," and "Beyond the Rainbow"), Divot Diggers made its theatrical debut on February 8, 1936. ~ Hal Erickson, All Movie Guide