Hans-Martin Stier Movies

A lover, an ultimatum, a phone call, and a gun: these elements are found in each segment of Hal Hartley's Flirt, an experimental comedy-drama that essentially repeats the same story three times. But while the basic narrative remains the same -- a congenital flirt must decide whether or not to commit to a current lover, who otherwise will marry someone else -- the details differ greatly, from the location of the film to the gender of the participants. The initial segment, set in New York, tells the tale with a male flirt in turmoil over his relationship with a woman. The film then moves to Berlin, where the same drama is played out amongst a gay male couple, with an added touch of self-reflexive humor. The third and final episode takes place in Tokyo, with a female flirt and a more abstract cinematic approach, including several sequences in traditional Japanese pantomime. ~ Judd Blaise, All Movie Guide

A young man unthinkingly throws himself into a world of political and sexual turmoil in John Schlesinger's adaptation of the novel by Ian McEwan. Leonard Markham (Campbell Scott) is a British communications and surveillance expert who is sent to Germany in the early 1950s, at the height of the Cold War. Leonard is put under the command of Bob Glass (Anthony Hopkins), an American agent who goes out of his way to show him around town. Leonard is woefully naive about most subjects not directly involving his job, and when Bob takes him to a typically decadent Berlin nightclub, he is astonished to discover that Maria (Isabella Rossellini), a beautiful and mysterious woman, announces that she's quite attracted to him. Soon Leonard is no longer a 24-year-old virgin, but (as one might expect) Maria's interest in him is not entirely a matter of physical attraction. Bob's secret project is a hidden tunnel beneath Berlin that allows his forces to tap into Russian telephone transmissions, which is Leonard's responsibility. But the Americans are also obtaining coded information that they aren't passing along to the British; while Leonard helps Bob, he's also finding out what Bob knows and passing it along to the British. However, Maria is also looking for certain information, and she sees the innocent and gullible Leonard as an easy way to get it. The Innocent was originally completed in 1993, but it was not shown in the United States until 1996, when it was given a brief theatrical release before appearing on home video. ~ Mark Deming, All Movie Guide

The producers of this black and white art film showed it around at every film festival they could get it entered into, from Melbourne to Cannes. An enigmatic and very poetic drama with an inconclusive storyline, it may not be everyone's cup of tea. The story concerns a somewhat disoriented young man, Jack (Noah Taylor), who turns up on the streets of West Berlin speaking only Russian. Not only that, but everything he says is a quotation from classic Russian novels by Gogol and Dostoyevsky. He is treated like the curious character he appears to be. It is not until he runs into a girl who reminds him of a favorite character in one of the novels that he begins speaking a language anyone can understand, and it begins to seem as though he might be a slightly deranged Australian. He wanders the streets of Berlin with the girl and her female friend, talking about anything and everything in English, falls in love with one of them, and fantasizes about the the girl and himself in pre-revolutionary St. Petersburg. ~ Clarke Fountain, All Movie Guide

Damiel (Bruno Ganz) and Cassiel (Otto Sander) are angels who watch over the city of Berlin. They don't have harps or wings (well, they usually don't have wings) and they prefer overcoats to gossamer gowns. But they can travel unseen through the city, listening to people's thoughts, watching their actions and studying their lives. While they can make their presence felt in small ways, only children and other angels can see them. They spend their days serenely observing, unable to interact with people, and they feel neither pain nor joy. One day, Damiel finds his way into a circus and sees Marion (Solveig Dommartin), a high-wire artist, practicing her act; he is immediately smitten. After the owners of the circus tell the company that the show is out of money and must disband, Marion sinks into a funk, shuffling back to her trailer to ponder what to do next. As he watches her, Damiel makes a decision: he wants to be human, and he wants to be with Marion, to lift her spirits and, if need be, to share her pain. Wim Wenders' Wings of Desire is a remarkable modern fairy tale about the nature of being alive. The angels witness the gamut of human emotions, and they experience the luxury of simple pleasures (even a cup of coffee and a cigarette) as ones who've never known them. From the angels' viewpoint, Berlin is seen in gorgeous black-and-white -- strikingly beautiful but unreal; when they join the humans, the image shifts to rough but natural-looking color, and the waltz-like grace of the angels' drift through the city changes to a harsher rhythm. Peter Falk appears as himself, revealing a secret that we may not have known about the man who played Columbo, and there's also a brief but powerful appearance by Nick Cave & the Bad Seeds. Wings of Desire hinges on the intangible and elusive, and it builds something beautiful from those qualities. ~ Mark Deming, All Movie Guide