John Bleifer Movies

Originally broadcast as a two-hour TV movie, this opening episode of Highway to Heaven has since been divided into two one-hour installments for syndication. In part two, probationary angel Jonathan Smith (Michael Landon), adopting the guise of an earthly handyman, continues in his efforts to bring some joy and sunshine into the lives of the unhappy residents of Havencrest, a retirement home slated for demolition. Although most of the elderly residents respond positively to Jonathan's efforts, a bitter, selfish old lady named Estelle (guest star Helen Hayes) refuses to have anything to do with either Jonathan or her contemporaries. Not only is Estelle's attitude hurting her, but it also might ruin Jonathan's chances of ever earning his wings. ~ All Movie Guide

The 2-hour pilot for Michael Landon's celestial TV weekly Highway to Heaven was first shown on September 19, 1984. Landon stars as Jonathan Smith, a novice Guardian Angel sent to earth to do good deeds. Jonathan is far from perfect, as he proves on his first assignment, wherein he tries to save a retirement home from being sold out from under its elderly residents, including Special Guest Overactor Helen Hayes. Along the way, Jonathan renews the faith of ex-cop Mark Gordon, who as played by Victor French would remain a regular on the subsequent Highway to Heaven series. Though that series was always very careful in depicting its spirituality, the name of God was somewhat tastelessly invoked in the print ads for the initial Highway to Heaven pilot film. ~ Hal Erickson, All Movie Guide

Hoping to contribute to the Ingalls' family coffers, young Albert (Matthew Laborteaux) becomes an apprentice to old Isaac Singerman (John Bleifer), Walnut Grove's coffin maker. Before long, Albert is subjected to the taunts of his classmates, who maliciously label him a "Jew lover." As it turns out, even the most bigoted citizens of Walnut Grove could stand to learn a lesson from the positive example set by Isaac and his brethren. ~ Hal Erickson, All Movie Guide

Heavy Traffic represents a follow-up to animator Ralph Bakshi's first feature film, Fritz the Cat (1972). The central character is Michael, the ingenuous son of an Italian father and Jewish mother. An aspiring cartoonist, Michael leaves home in a huff and outrages his family by conducting an affair with an African-American woman. Heavy Traffic was originally intended to be a cartoon adaptation of Hubert Selby's notorious novel Last Exit to Brooklyn, but negotiations fell through, and Bakshi was obliged to cook up a similar but not identical "mean streets" plotline. (Last Exit to Brooklyn was made as a live-action film in 1989.) ~ Hal Erickson, All Movie Guide

The satire in Evelyn Waugh's darkly comic novel The Loved One was originally double-edged. The book was not only an attack on the Southern California funeral industry but also a lampoon of Hollywood's "British colony," those clannish, cricket-playing English actors of years gone by who bemoaned the artificiality of Tinseltown while eagerly accepting the demeaning and insignificant movie roles they were offered. The film version of The Loved One, anxious to live up to its ad-campaign promise of containing "something to offend everybody," downplays the British-colony business (save for the presence of the magnificent Robert Morley) and pumps up the "death" gags. Innocent British poet Dennis Barlow (Robert Morse) falls in love with funeral-home cosmetician Aimee Thanatogenos (Anjanette Comer), who in turn is loved by prissy funeral director Mr. Joyboy (Rod Steiger). The latter lives with his obese mother (Ayllene Gibbons), whose eating sequence is far more hilarious (and more tasteless) than many of the film's calculatedly "black" jokes. A huge guest-star cast is headed by Jonathan Winters in a dual role as a funeral home manager and his covetous twin brother, who operates an elaborate pet cemetery. Musician Paul Williams is also on hand as a 13-year-old aeronautics genius who develops a method of sending corpses into "eternal orbit" (a plot device that Waugh neglected to include in his novel). Film historian William K. Everson has commented that The Loved One is one of the best and most underrated comedies of the 1960s. For others, especially those who might feel guilty chuckling at the sight of Anjanette Comer committing suicide with an embalming needle, it's purely a matter of taste...or lack of same. ~ Hal Erickson, All Movie Guide

This lightweight, nearly zero-gravity comedy by director Henry Levin relies on a novel by a male writer and a script by another man to come up with a nearly offensive story (in these more enlightened times) about how a woman can lie, manipulate, and generally deceive her husband, all in the "art" of hanging on to him. Sandra Dee is Chantal, married to Eugene (Bobby Darin, Dee's real-life husband), but first comes the story of how she hooked him. Next, comes the story of how he is trained to be a perfect husband, and then the final installment is unveiled. She uses a variety of tricks to keep him wondering whether or not he can trust her. For example, Chantal's mother calls her and "if a man answers" she hangs up, leaving the unhappy husband to think his wife has a clandestine lover. The premise that a woman's only role in life is to get and hold a husband has thankfully undergone a few revisions since 1962. ~ Eleanor Mannikka, All Movie Guide

Based on the Edna Ferber novel, this engrossing period piece covers the triumphs, tragedies, loves, and sorrows of a few generations of Alaskan settlers between the first World War and the granting of statehood in 1959. Zeb (Richard Burton) is a local despot whose tough personality dominates the region. He is openly bigoted against the Inuit, and his greedy nature has led him to reject the woman he really loves to marry another with plenty of money. Thor (Robert Ryan) starts out as Zeb's ally and friend, but due to their diametrically opposed natures, that friendship turns into an entrenched hatred. In this unpredictable, harsh wilderness Zeb discovers that he ultimately cannot control his daughter and irony of ironies, he and Thor end up connected through the marriage of a son and daughter. ~ Eleanor Mannikka, All Movie Guide

Although the trial of young Theodore Balfour (Tyler MacDuff), who was accused of killing his father Lawrence (Bruce Bennett), had ended in a hung jury, Theodore's lawyer had advised him to plead to the lesser charge of involuntary manslaughter. Outraged that Theodore seems to have been railroaded into prison, his grandfather Addison (Richard Hale) asks Perry Mason (Raymond Burr) to reopen the case, clear the boy, and expose the real killer. This episode is based on a 1957 novel by Perry Mason creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide

Former "Henry Aldrich" James Lydon is cast against type as a mean-spirited reform school alumnus in Chain of Evidence. Despite the boy's volatile temper, police lieutenant Bill Elliot is convinced that Lydon is a good kid underneath. Elliot's faith in his fellow man is sorely tested when Lydon is accused of murdering businessman Hugh Sanders at the urging of Sanders' craven wife Tina Carver. With the help of Lydon's girlfriend Claudia Barrett, Elliot follows the chain of evidence in hopes of proving the boy's innocence. This Allied Artists programmer was originally released on a double bill with Dragoon Wells Massacre. ~ Hal Erickson, All Movie Guide

In this entry in the long running Bowery Boys series, the boys begin working as free-lance photographers. Trouble ensues when they take a picture of a crime lord. They are in such a rush to get the picture back to the paper they work for that they accidently destroy the negative. To get another photo, one of the boys begins impersonating a Chicago gangster. He then sneaks his camera into a nightclub. While there he gets fake money from the crimelord, which he gives to the police as evidence. Thanks to his efforts, the boss and his gang are brought to justice. ~ Sandra Brennan, All Movie Guide

When Ricky (Desi Arnaz) refuses to buy Lucy (Lucille Ball) an original French designer gown, she goes on a hunger strike. Terrified that his spouse will starve to death, Ricky finally relents -- only to discover that, throughout Lucy's "strike," Ethel (Vivian Vance) has been smuggling food to her. By means of revenge, Ricky commissions a hideous-looking "outfit" comprised of two burlap sacks and a horse's feedbag, and presents this masterpiece to Lucy -- while Fred (William Frawley) does the same to Ethel. The girls unwittingly parade through the streets of Paris in their ersatz gowns -- and instead of making public spectacles of themselves, they emerge as fashion trendsetters. ~ Hal Erickson, All Movie Guide

A man finds himself running from both the police and his own troubling memories in this drama. Hans Muller (Kirk Douglas), a German Jew, was once a well-known juggler before he was committed to a concentration camp; Muller survived, but his wife and children did not. After the war, Muller and many other displaced people found themselves in a temporary camp in Israel; his experiences have left him upset and confused, and several of the guards notice that he's behaving oddly. Muller flees the camp after one day, but while running away, he's stopped by Kogan (Richard Benedict), an Israeli policeman. When Kogan asks to see Muller's papers, he immediately flashes back to an unsetting memory in which a Nazi officer asked the same question; Muller panics, attacks the cop, and flees for Mount Carmel. In the morning, Muller encounters a group of children who believe the story he tells them: that he's a tourist from the United States. One of them, Yehoshua (Joseph Walsh), is making his way to a kibbutz in Syria, and Muller, who hopes to get to some friends in Egypt, joins him. Muller entertains the young man by teaching him to juggle, and they become close friends. When Yehoshua is injured by a land mine, Muller rushes him to a hospital, where he meets Ya'el (Milly Vitale), a woman who lost her husband to Arabs. A romance soon blossoms between Muller and Ya'el, and he confesses to her that he's on the run from the police; meanwhile, Israeli Detective Karni (Paul Stewart) is combing the nation, searching for the juggler -- not to arrest him, but to convince him that he's not wanted for murder, and that others want to help him. Michael Blankfort, who wrote the original novel upon which The Juggler was based, adapted the screenplay and also served as executive producer. ~ Mark Deming, All Movie Guide