David J. Stewart Movies

The Seaview surfaces while on a mission in the Antarctic and finds the sky a raging inferno. Nelson (Richard Basehart) devises a plan to extinguish the blaze, which is roasting the southern hemisphere of the world and threatens to engulf the northern hemisphere as well, but he is opposed by a rival scientist, Dr. Weber (David J. Stewart), who believes that nothing should be done and that the blaze with extinguish itself. As the Seaview races to the coordinates from which Nelson's plan can be carried out, the admiral must convince the other scientists empanelled by the UN and now aboard the submarine that his plan will work -- but someone is killing those scientists and also spreading mutinous dissent among the crew, threatening the survival of the ship before it can even get to the launch point. ~ Bruce Eder, All Movie Guide

This episode is based on an actual incident in the life of famed Mexican revolutionary and muralist Gerardo Murino Cornado, aka "Dr. Atl." On the run from the authorities, Atl (played by David J. Stewart) takes refuge in a convent that is allegedly haunted by the ghost of an aztec warrior. Of course, Atl is too intelligent a man to believe in such nonsense--until the Federale who is pursuing him is mysteriously strangled to death. The real Dr. Atl makes a guest appearance in the closing scene. ~ Hal Erickson, All Movie Guide

The Young Savages is what used to be called a "thinking man's picture" about a potentially lurid subject: urban juvenile delinquency. A blind Puerto Rican boy is knifed to death in Spanish Harlem, and three teenage gang members are accused of the crime. Politically ambitious assistant DA Burt Lancaster initially presses for the conviction of all three boys. But as he gets deeper into the case, he realizes that what appears cut-and-dried on the surface is tortuously complex: for starters, the murder victim was hardly the paragon of virtue that the prosecution claims. Despite pressure from his superiors and from members of the accused boys' gang (who at one point threaten Lancaster's wife Dina Merrill with a switchblade,) Lancaster nonetheless sees to it that justice is properly administered. The defendants are portrayed with varying degrees of Brando/Dean "method" by John Davis Chandler, Neil Nephew and Stanley Kristien; more believable, less affected performances are rendered by Shelley Winters, Pilar Seurat and Telly Savalas. Filmed on location in New York, The Young Savages was based on the Evan Hunter novel A Matter of Conviction. ~ Hal Erickson, All Movie Guide

This true crime story was hardly "ripped from today's headlines," since the events took place some 20 to 30 years before the movie was released. Still, Murder, Inc. is not afraid to name names, notably those of syndicate boss Louis "Lepke" Buchalter (David J. Stewart) and killer Abe Reles (Peter Falk), who squeals on the Mob to earn immunity. The activities of Buchalter's murder-for-hire operation are played against a fictional story about a nightclub singer (Stuart Whitman) and a dancer (May Britt). Murder, Inc. has a queasy, unsettling quality, due in part to some offbeat casting: TV comedian Henry Morgan co-stars as a dead-serious federal agent, while "human joke machine" Morey Amsterdam shows up as a cabaret entertainer who is stabbed by the Mob. The film was a major boost for the career of Peter Falk, who very nearly managed to parlay his Murder, Inc. supporting role into an Academy Award. ~ Hal Erickson, All Movie Guide

Paul Newman made his screen debut in the gloriously nonsensical costume epic The Silver Chalice. Freely adapted from a novel by Thomas B. Costain, the film casts Newman as Basil, a first century Greek sculptor who is sold into slavery by his wicked uncle. Transported to Rome, Basil manages to enjoy a measure of freedom when his captors discover his sculpting talents; he also marries another slave, the demure Deborra (Pier Angeli) and dallies with the sensuous Helena (Virginia Mayo), the mercenary partner of court magician Simon (Jack Palance). The plot congeals when Basil is commissioned to create a silver receptacle for the chalice from which Jesus Christ drank at the Last Supper. Lorne Greene, likewise making his screen bow, is all portentous speeches and prophetic observations as the apostle Peter. Of the many silly highlights, the silliest -- and most memorable -- occurs when the unhinged Simon is possessed with the notion that he can fly with the gods (Palance's performance in this episode must be seen to be believed). When The Silver Chalice was first released, poor Paul Newman was roundly panned as a third-rate Brando; one reviewer noted that he "delivers his lines with the emotional fervor of a Putnam Division conductor announcing local stops." No one has been more vocal in the drubbing of Newman's performance than Newman himself. When the film was first aired on TV in Los Angeles in 1961, the actor took out a full-page apology in the trade papers. In recent years, however, Paul Newman has pointed to The Silver Chalice with pride, observing that he was able to overcome a bad beginning and endure as a screen favorite for over four decades. ~ Hal Erickson, All Movie Guide