Tom Stevenson Movies
Handsome British stage actor Tom Stevenson had played the homicidal husband in the stage version of Gaslight before making his screen debut as the gravedigger in The Wolf Man (1941). Freelancing, Stevenson played minor supporting roles at almost every Hollywood studio, often portraying supercilious headwaiters or forbidding military officers. When MGM filmed Gaslight in 1944, Stevenson played Williams, the constable, and he was Reverend Hyslip in Bette Davis's Mr. Skeffington later that year. Stevenson, who also appeared in early television shows, returned to the legitimate stage in 1950. ~ Hans J. Wollstein, All Movie Guide- 1942
Everybody seems to have had a good time making the overripe melodrama The Hidden Hand, especially cadaverous Milton Parsons as insane-asylum escapee John Channing. In her efforts to protect her brother from the authorities, John's sister Lorinda (Cecil Cunningham) opens the door for a series of grisly murders. Hero Peter Thorne (Craig Stevens) and heroine Mary Winfield (Elizabeth Fraser) try to stop John before he overracts-er, kills-again. Absolutely impossible to take seriously, The Hidden Hand is nonetheless worth a glance, if for no other reason than to see perennial bit player Parsons in a juicy leading role. The film was based on Invitation to a Murder, a play by Rufus King. ~ Hal Erickson, All Movie Guide
- Starring:
- Craig Stevens, Elisabeth Fraser, (more)
- 1942
Counter-Espionage was the ninth film in Columbia's "Lone Wolf" series, based on characters created by Louis Joseph Vance. Warren William stars as Michael Lanyard, the suave ex-criminal known as The Lone Wolf. This time around, Lanyard is in London during the Blitz, where he finds himself up to his neck in Nazi spies. Counter-Espionage was one of several mid-1940s Columbia "series" films which dropped the name of the series from the title in hopes of attracting new audiences. Other examples of this trend include the "Blondie" episode It's a Great Life (43) and the "Boston Blackie" opus The Chance of a Lifetime (43). ~ Hal Erickson, All Movie Guide
- Starring:
- Warren William, Eric Blore, (more)
- 1942
This Irving Asher production was that rarity, a genuine B-movie from posh MGM. Set in a pre-Pearl Harbor United States, Nazi Agent starred real-life Hitler refugee Conrad Veidt as identical twins, one a timid stamp collector and rare book store owner, the other the Nazi consul. The evil Veidt is killed during an argument between the two and the good Veidt shaves his beard in order to take his brother's place as head of a Nazi spy ring. He manages to quell the group's attempts to sabotage allied shipping routes before being exposed by, of all things, a pet canary. In order to save the life of a defecting fifth columnist (Ann Ayars), Veidt agrees to return to Germany, gaining strength for the upcoming ordeal in the Vaterland as his ship passes the Statue of Liberty. Relatively fast-paced and engrossing most of the way, Nazi Agent was the feature-film debut of director Jules Dassin, formerly of MGM's short subject department. Dassin went on to direct several groundbreaking crime dramas for Universal before finding himself blacklisted during the Hollywood "witch hunts." He continued his career in Europe, helming such genuine classics as Never on Sunday (1959). A lyric soprano, Ann Ayars spent the mostly unrewarding years between 1941 and 1943 in MGM potboilers before leaving films in favor of the New York City Opera. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Conrad Veidt, Ann Ayars, (more)
- 1942
- NR
A lively espionage drama that reunited the stars and director of the previous year's The Maltese Falcon, Across the Pacific was originally envisioned as the story of a Japanese invasion of Hawaii. Real-life events of December of 1941, however, precluded such a scenario and the location was changed to the Panama Canal. For reasons known only to Warner Bros., the title was retained despite the fact that none of the action takes place in the Pacific. Humphrey Bogart plays Rick Leland, a disgraced ex-army man, who, after being turned down by the Canadian military, jumps a Japanese steamer bound for the Panama Canal Zone. Also onboard are Alberta Marlow (Mary Astor), a small-town girl claiming to be en route to Los Angeles; Dr. Lorenz (Sydney Greenstreet), a corpulent sociologist with a suspiciously friendly regard for all things Japanese; and Joe Totsuiko (Victor Sen Yung), a happy-go-lucky second generation Japanese-American on his way to visit the old country. But no one is exactly who he or she claims to be and the voyage from Halifax via New York City to Panama becomes a matter of life and death for the passengers in general, and for the future of the United States in particular. Director John Huston was forced to leave the film three weeks into the four-week shooting schedule when summoned to report to the Department of Special Services. According to Huston, he purposefully placed Humphrey Bogart's character in a highly precarious situation and left it up to his replacement, Vincent Sherman, to come up with the solution -- which Sherman did in an especially fiery climax. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Humphrey Bogart, Sydney Greenstreet, (more)
- 1942
With America's Air Force not completely mobilized in mid-1942, Universal paid tribute to those foresighted Yankee flyboys who joined England's Royal Air Force before America's entry into WW2 in Eagle Squadron. Robert Stack stars as Chuck Brewer, one of several US flyers participating in RAF bombing raids of Germany. The film stresses the importance of hands-across-the-sea teamwork in this massive undertaking, concluding with Brewer leading his British compatriots on a Commando raid behind enemy lines, the better to capture a revolutionary new Nazi war plane. Every so often, the story slows to a walk as Brewer romances British lass Anne Partridge, played by the unfortunate Diana Barrymore in her last truly important screen role. Producer Walter Wanger made special arrangements with the British government to incorporate several exciting shots of authentic air battles in the film's 108 minutes. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Stack, Diana Barrymore, (more)
- 1941
"Even a man who is pure at heart/And says his prayers by night/May become a wolf when the wolf-bane blooms/And the moon is full and bright." Upon first hearing these words, Larry Talbot (Lon Chaney) dismisses them as childish folderol. After all, this is the 20th Century; how can a human being turn into a werewolf? Talbot soon learns how when he attempts to rescue Jenny Williams (Fay Helm) from a nocturnal attack by a wolf. Collapsing, Talbot discovers upon reviving that Jenny is dead-and, lying by her side, is not the body of a beast, but of a gypsy named Bela (Bela Lugosi). The son of fortune teller Maleva (Maria Ouspenskaya), Bela was a lycanthrope, or "wolf man." And now that he has been bitten by Bela, Talbot is cursed to suffer the torments of the damned whenever the moon is full. Arguably the best of the "original" Universal horrors (original in the sense that it was not based on an existing literary property, a la Frankenstein, Dracula and The Invisible Man), The Wolf Man boasts one of the most stellar casts ever to grace a "B" picture: Lon Chaney Jr., Claude Rains, Evelyn Ankers, Ralph Bellamy, Warren William, Patric Knowles, Maria Ouspenskaya and Bela Lugosi. The man-to-wolf transformation sequences -- one of which took a full 24 hours to film -- are thoroughly convincing, thanks to the cosmetic genius of Jack P. Pierce (Chaney had wanted to emulate his father by developing his own werewolf makeup, but existing union rules would not permit this). Alas, after this powerhouse opening volley, the Wolf Man character was relegated to a series of cheap sequels, teaming him with other Universal shock stars: Frankenstein Meets the Wolfman (1943), House of Frankenstein (1944) and House of Dracula (1945). The final ignominy was Abbott and Costello Meet Frankenstein (1945), in which Lawrence Talbot (Chaney again), having been cured of lycanthropy in House of Dracula, reverts to his werewolf status -- and has to endure the one-liners of Lou Costello to boot! ~ Hal Erickson, All Movie Guide
- Starring:
- Lon Chaney, Jr., Claude Rains, (more)
- 1941
Perhaps nine lives weren't enough, but 63 minutes was plenty of time to relate the plot of this Ronald Reagan vehicle. Reagan plays a newspaper reporter who has a story "that'll break this town wide open!" The story involves a mysterious, unsolved boarding house murder. The suspects include the seductive Faye Emerson, wide-eyed Joan Perry, and brainless Peter Whitney. Wanna bet none of them did it? Reagan solves the case, wins the girl, and doesn't retire to politics...yet. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Reagan, Joan Perry, (more)
- 1941
In this comedy, a crime novelist spins a yarn to impress the apple of his eye. He tells her that he has been involved in a murder. ~ Sandra Brennan, All Movie Guide
- 1941
A remake of Ceiling Zero (1936), International Squadron stars Ronald W. Reagan (in the old James Cagney role) as a hotshot flying who joins the Royal Air Force in England. Reagan refuses to mend his barnstorming ways, and thanks to his recklessness two pilots are killed. The headstrong young flyer redeems himself by going on a suicide bombing mission, from which he never returns. International Squadron costars James Stephenson, a veteran character actor who'd recently achieved prominence thanks to a strong role in the 1940 Bette Davis vehicle The Letter. Unfortunately, Stephenson died shortly afterward, cutting short what might have been a stellar film career. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Reagan, Olympe Bradna, (more)
