Robert Sterling Movies
The son of professional ballplayer Walter Hart, William Sterling Hart attended the University of Pittsburgh, then worked as a clothing salesman before entering show business. He was signed by Columbia in 1939, where his name was changed to Robert Sterling so as to avoid confusion with silent western star William S. Hart. At Columbia, Sterling played bits in such features as Golden Boy and Blondie Brings Up Baby, and was also seen in the studio's short subjects product, notably as star of a 2-reel dramatization of the life of rubber magnate Charles Goodyear. In 1941, Sterling moved to MGM, where he was groomed as a potential Robert Taylor replacement. During his MGM tenure, he married actress Ann Sothern, with whom he appeared in Ringside Maisie. The union, which lasted until 1949, produced a daughter, future actress Tisha Sterling. Following war service, Sterling's career fell into a rut of colorless second leads. He finally achieved stardom on the delightful TV sitcom fantasy Topper, co-starring with his second wife Anne Jeffreys. After Topper completed its two-year run in 1955, the Sterlings took to the road in touring stage productions; they reteamed before the cameras in Love That Jill, a 1958 TV comedy which perished after 13 weeks. Sterling's additional TV work included the hosting chores on the 1956-57 season of The 20th Century-Fox Hour, and the starring role of small-town editor Robert Major on the 1961 sitcom Ichabod and Me. He was also one of several actors seriously considered for the role of Perry Mason before Raymond Burr won the part. Robert Sterling retired from acting in the 1970s to run a successful computer business; he has kept so low a public profile in the last two decades that many sources have referred to the still-active Anne Jeffreys as Sterling's widow! ~ Hal Erickson, Rovi- 1986
All of Cabot Cove turns out for the funeral of Henry Vernon, the town's chief financial advisor. The ceremony is halted by the arrival of a woman claiming that Henry was murdered. Investigating, the local authorities open the coffin--only to find out that the occupant isn't Henry! Before the story is over, no fewer than two corpses have mysteriously vanished, then mysteriously reappeared, while Jessica (Angela Lansbury) conducts a thorough probe of the "late" Mr. Vernon's questionable business practices. Real-life husband and wife Robert Sterling and Anne Jeffreys, who'd once headlined the delightful fantasy sitcom Topper, appear as Ben and Agnes Shipley. ~ Hal Erickson, Rovi
- 1979
Beggarman, Thief is the 4-hour sequel to the ratings-busting miniseries Rich Man, Poor Man; both productions were based on the works of novelist Irwin Shaw. For the purposes of the sequel, a new member of the Jordache clan is introduced: filmmaker Gretchen Jordache Burke, played by Jean Simmons. It is Gretchen's task to keep the family together after the murder of her brother Tom (played by Nick Nolte in Rich Man, Poor Man) and the recent disappearance of her other brother Rudy (Peter Strauss, re-creating his RMPM role). Originally presented in two parts, Beggarman, Thief was first telecast November 26 and 27, 1979. ~ Hal Erickson, Rovi
- Starring:
- Jean Simmons, Glenn Ford, (more)
Based on a novel by the iconoclastic Richard Condon (of Manchurian Candidate and Prizzi's Honor fame), Winter Kills was one of the vanguard efforts in the "JFK conspiracy" school of literature. Jeff Bridges stars as Nick Kegan, the scion of a powerful Kennedyesque family, who has done his best to make himself obscure after the assassination of his older brother, the former president of the U.S. While working as an oil rigger, Nick is introduced to a terminally ill gentleman who claims to have been "the second assassin." His curiosity aroused, Nick begins digging into what was supposed to be a closed case -- and, predictably, what he finds out isn't pretty. This, however, is the only predictable element of this mesmerizingly mazelike yarn. A failure when first released, Winter Kills fared somewhat better when director William Richert arranged to rerelease the film through his own company and restore several scenes that had been cut by its previous backers. Elizabeth Taylor appears uncredited as one "Lola Comante." ~ Hal Erickson, Rovi
- Starring:
- Jeff Bridges, John Huston, (more)
- 1963
In his last Twilight Zone appearance, Burgess Meredith stars as Mr. Smith, a slightly demonic fellow who offers his services as a reporter and typesetter to small-town newspaper editor Doug Winter (Robert Serling). Knowing full well that Winter's Danzburg Courier is on the verge of folding, Smith promises to save the publication from ruin. This he does by reporting tragic incidents that haven't happened yet -- and then making certain that they do happen. Adapted by Charles Beaumont from his own short story "The Devil, You Say?", "Printer's Devil" first aired February 28, 1963. ~ Hal Erickson, Rovi
- Starring:
- Burgess Meredith, Robert Sterling, (more)
- 1963
- NR
In this comedy, the head of a United Nations department suddenly becomes a father when he stumbles across an abandoned baby in one of the halls. He tries to find a home for the darling and suddenly finds himself surrounded by assorted exotic beauties all trying to win the baby for their country. In the end, though, the bachelor takes the babe for his own. Songs include: "So Wide the World," "Fais Do Do," and "A Global Affair." ~ Sandra Brennan, Rovi
- Starring:
- Bob Hope, Liselotte Pulver, (more)
- 1962
When a drifter named Ray Roscoe (Robert Sterling) saves little Tony Mitchell (Bill Mumy) from drowning, Tony's grateful father, John (MacDonald Carey), invites Ray to stay in his home until he can find a job. John's wife, Sally (Peggy McCay), isn't crazy about this situation, and it soon turns out that Sally's instincts are right: Ray turns out to be a lout, a moocher, and a serial womanizer, with the Mitchells' maid as his latest victim. Understandably, John is anxious to rid himself of Ray as soon as possible -- but he hadn't intended to accidentally kill the man. ~ Hal Erickson, Rovi
- 1961
- PG
Walter Pidgeon is the nominal star of Voyage to the Bottom of the Sea, portraying Admiral Harriman Nelson, the designer of the submarine Seaview, a glass-nosed research submarine. The sub embarks on her shakedown cruise under the polar ice cap as the movie begins. Upon surfacing, however, the crew discovers that the entire sky is on fire -- the Van Allen radiation belt has been ignited by a freak meteor shower, and the Earth is being slowly burnt to a cinder. Nelson and his colleague, Commodore Lucius Emery (Peter Lorre), devise a plan to extinguish the belt using one of the Seaview's nuclear missiles, but they are denounced at an emergency meeting of the United Nations. Disregarding the UN vote against him, Nelson decides to go forward with his plan before the Earth is destroyed, hoping to get the approval of the president of the United States while his ship races from New York to the Marianas in the Pacific to launch its missile on time and target, with the world's navies hunting her down and communication with Washington impossible because of the fire in the sky. Nelson must combat not only the threats from other ships but also the doubts of his own protégé, Commander Lee Crane (Robert Sterling), the captain of the Seaview, about his plan and his methods, and the growing suspicion -- being spread by Dr. Susan Hiller (Joan Fontaine), a psychiatrist who was visiting the vessel -- about his sanity, as well as the growing discontent of the crew, who would like to see their families before the end of the world, and the presence of one religious fanatic (Michael Ansara) who thinks the fire in the sky is God's will. Worse still, there appears to be a saboteur -- and possibly more than one -- aboard. The plot is episodic in pacing and features elements that were clearly derived in inspiration from Disney's 1954 production of Twenty Thousand Leagues Under the Sea, such as Nelson's eccentricity and the "outlaw" status of his ship; but the undersea maneuvers to tap the trans-Atlantic telephone cable (in order to reach Washington), the battle with a giant squid, a duel with an attack submarine, and a harrowing tangle with a WWII mine field would become standard elements of the series of the same name that followed this movie two years later. Pidgeon brings dignity if not a huge amount of energy to the role of the admiral, and Lorre, Fontaine, Ansara, and Henry Daniell (playing Nelson's scientific nemesis) add some colorful performances, and Barbara Eden, as Nelson's secretary, is pretty to look at; and there are some excellent supporting performances by Delbert Monroe (aka Del Monroe, who appeared later in the series, as Kowalsky), Mark Slade, John Litel, Howard McNear, and Robert Easton. The real "star" of the movie, however, is the submarine Seaview and the special effects by L.B. Abbott, which, to be fully appreciated, should be seen in a letterboxed presentation of the movie. ~ Bruce Eder, Rovi
- Starring:
- Walter Pidgeon, Joan Fontaine, (more)
If anything, this star-studded sequel is even sillier than the original, adding to its problems by completely recasting all the roles, combining several of them into existing characters. Carol Lynley is the heroine this time, and she leaves Peyton Place for New York to write a book about the hypocrisy of her hometown. The book causes lots of trouble back home, getting Mike (Robert Sterling) fired as principal, angering Lynley's mother (Eleanor Parker), and stirring such horrible memories in Selena (Tuesday Weld) that she brains her new boyfriend with a fireplace poker, thinking he is her dead rapist stepfather. The film really belongs to Mary Astor, in a hilarious turn as a smotheringly possessive mother. She tries to come between her son and his new bride (Luciana Paluzzi) in some unintentionally hilarious scenes, causing Paluzzi to fling herself down a ski slope in an attempt at a self-induced miscarriage. Overwrought and overblown, the film is still a treat for fans of campy "suburban sin" melodramas. Look for Bob Crane as an unctuous talk show sidekick. ~ Robert Firsching, Rovi
- Starring:
- Carol Lynley, Jeff Chandler, (more)
- 1953
Audie Murphy is suitably cast as cavalry lieutenant Jed Sayre in Universal's Column South. Stationed in Navajo country, Sayre has a pretty good understanding of, and rapport with, the local Indians, but his new CO Lee Whitlock (Robert Sterling) is of the "only good Indian is a dead Indian" school of thought. Eventually Sayre is able to make Whitlock see the light -- and, as a bonus, he gets to romance Whitlock's sister Marcy (Joan Evans). Further complications arise when Confederate General Storey (Ray Collins) hatches an underhanded scheme -- one that will potentially cost many innocent lives -- to force the cavalry troops to join the Southern cause when the Civil War commences. Of interest to modern viewers is the presence of Dennis Weaver, here cast as Navajo chief Menguito. ~ Hal Erickson, Rovi
- Starring:
- Audie Murphy, Joan Evans, (more)
The third and (to date) last film version of the Edna Ferber/Jerome Kern/Oscar Hammerstein II musical Show Boat falls just short of greatness but is still a whale of a show. Howard Keel and Kathryn Grayson are in fine fettle as irresponsible gambler Gaylord Ravenal and showboat ingenue Magnolia Hawks. The plot adheres closely to the Broadway original making several welcome improvements in the final act (which was always a bit shaky). Magnolia, daughter of showboat impresario Captain Andy (Joe E. Brown) and Parthy Hawkes (Agnes Moorehead), falls head over heels in love with the raffish Ravenal. When the show's leading lady, Julie (Ava Gardner), and leading man, Steve (Robert Sterling), are forced to leave when Julie's mulatto heritage is revealed by disgruntled suitor Pete (Leif Erickson), Magnolia and Gaylord step into the vacant stage roles and score a hit. Eventually, the two are married and for several months are quite happy. After incurring serious gambling losses, however, Gaylord walks out of Magnolia's life never realizing that his wife is expecting a baby. With the help of her former showboat colleagues Ellie and Frank Schultz (Marge and Gower Champion) and a behind-the-scenes assist from the tragic Julie, Magnolia secures work as a Cabaret singer in Chicago. Her new year's eve debut threatens to be a bust until her father Captain Andy quells the rowdy crowd and guides his daughter through a lovely rendition of After the Ball (a Charles K. Harris tune that pops up in every stage version of Show Boat). Magnolia returns to her family, with her daughter Kim in tow. Upon learning from Julie that he has a daughter, Gaylord returns to Magnolia and Kim, setting the stage for a joyous ending.
Virtually all of the Kern-Hammerstein songs are retained for this version of Show Boat (though none of the songs specially written for the 1936 film version are heard). These cannot be faulted, nor can MGM's sumptuous production values. Still, the 1951 Show Boat leaves one a bit cold. Perhaps it was the removal of the racial themes that gave the original so much substance (as black stevedore Joe, William Warfield exists only to sing a toned-down version Ol' Man River while Joe's wife Queenie is virtually written out of the proceedings). Also, MGM reneged on its original decision to cast Lena Horne as Julie; the role was recast with Ava Gardner and rewritten with an excess of gooey sentiment). Or perhaps it was the production's factory-like slickness; typical of the film's smoothing out of the original property's rough edges was the casting of Marge and Gower Champion, who are just too darn good to be convincing as the doggedly mediocre entertainers Frank and Ellie. Even so, Show Boat does have Howard Keel and Kathryn Grayson at their peak, not to mention the peerless Joe E. Brown as Captain Andy. And the film was a financial success, enabling MGM to bankroll such future musical triumphs as Singin' in the Rain and Seven Brides for Seven Brothers. ~ Hal Erickson, Rovi
Virtually all of the Kern-Hammerstein songs are retained for this version of Show Boat (though none of the songs specially written for the 1936 film version are heard). These cannot be faulted, nor can MGM's sumptuous production values. Still, the 1951 Show Boat leaves one a bit cold. Perhaps it was the removal of the racial themes that gave the original so much substance (as black stevedore Joe, William Warfield exists only to sing a toned-down version Ol' Man River while Joe's wife Queenie is virtually written out of the proceedings). Also, MGM reneged on its original decision to cast Lena Horne as Julie; the role was recast with Ava Gardner and rewritten with an excess of gooey sentiment). Or perhaps it was the production's factory-like slickness; typical of the film's smoothing out of the original property's rough edges was the casting of Marge and Gower Champion, who are just too darn good to be convincing as the doggedly mediocre entertainers Frank and Ellie. Even so, Show Boat does have Howard Keel and Kathryn Grayson at their peak, not to mention the peerless Joe E. Brown as Captain Andy. And the film was a financial success, enabling MGM to bankroll such future musical triumphs as Singin' in the Rain and Seven Brides for Seven Brothers. ~ Hal Erickson, Rovi
- Starring:
- Kathryn Grayson, Howard Keel, (more)
- 1950
Some auteur critics feel that director Richard O. Fleischer did his best work while laboring in the "B" mills of RKO Radio. Fleischer's minimalist noir exercise Armored Car Robbery stars William Talman as the chief crook and Charles McGraw as the detective dogging his trail. A shade smarter than his gang underlings, Talman manages to elude capture, and even travels freely about in the company of his flashy lady friend Adele Jergens. But McGraw's persistence eventually pays off. Don McGuire, later a prolific TV producer/director, provides a welcome touch of comic relief as McGraw's rookie-cop assistant. A powerful (and slightly gruesome) climax caps this low-budget gem. ~ Hal Erickson, Rovi
- Starring:
- Charles McGraw, Adele Jergens, (more)
- 1950
When the privileged son of a prominent politician is accused of murder, he learns an important lesson in the price of living a high-profile life. ~ Jason Buchanan, Rovi
- Starring:
- Robert Sterling, Eva Marie Saint, (more)
Filmed in a two-tone process called Cinecolor, The Sundowners is a compact little western making good use of an old Hollywood chestnut. Robert Preston and Robert Sterling play two brothers who find themselves on opposite sides of the legal fence. Since Sterling rather than Preston has the mustache this time, Sterling's the bad guy. Caught in the crossfire is Preston's son, who is menaced by Sterling. This 1950 version should not be confused with the 1960 Warners film of the same name, which is set on an Australian sheep ranch. ~ Hal Erickson, Rovi
- Starring:
- Robert Preston, Robert Sterling, (more)
- 1950
RKO's Bunco Squad stars Robert Sterling as Sgt. Steve Johnson, a big-city detective dedicated to tracking down con artists. His current target is a gang of slicksters who are running a successful seance racket. Wealthy Jessica Royce (Elizabeth Risdon) is on the verge of bequeathing her fortune to the crooks, in exchange for communications from her deceased son. Posing as a couple of "marks," Johnson and girlfriend Grace Bradshaw (Joan Dixon) turn the tables on con-man Anthony Wells (Ricardo Cortez) and his confreres. On hand to reveal some of the techniques used by bunco artists is Dante the Magician, aka Harry A. Janssen, making the second of his two screen appearances (the first was in Laurel & Hardy's A-Haunting We Will Go). ~ Hal Erickson, Rovi
- Starring:
- Robert Sterling, Joan Dixon, (more)
- 1949
- NR
Hovering somewhere between an "A" and "B" production, RKO's Roughshod is an expert blend of western and film noir. Robert Sterling and Claude Jarman Jr. star as young cattleman Clay Phillips and his kid brother Steve. Stalked across the Sonora Pass by an ex-con who has vowed to kill Clay, the brothers find themselves the reluctant escorts for a quartet of stranded dance-hall girls. While the puritanical Clay adopts a strict "hands off" policy, he finds himself falling in love with one of the girls (Gloria Grahame -- the other ladies are played by Martha Hyer, Myrna Dell and Jeff Donnell). The climax is a nail-biting wilderness showdown between the heroes and villain Lednov (John Ireland). On the strength of Roughshod, director Mark Robson was elevated to more prestigious film assignments. ~ Hal Erickson, Rovi
- Starring:
- Robert Sterling, Gloria Grahame, (more)
- 1946
The Secret Heart is a psychological drama starring June Allyson as a disturbed teenager obsessed with the memory of her dead father and unable to embrace her stepmother. Following the suicide of her father, Penny Addams (Allyson) begins to behave strangely, even locking herself in her room and playing the piano in his memory. Greatly worried, Penny's brother, Chase (Robert Sterling), and stepmother, Lee (Claudette Colbert), consult a psychiatrist, Dr. Rossiger (Lionel Barrymore), who suggests that Penny be returned to the family's country home. Since the site is where the suicide took place, Rossiger believes that confronting the scene will force the young woman to mentally face the reality of her father's death. Once there, however, Penny becomes disenchanted with her father's memory -- which causes her to become even more despondent than ever. Eventually, Penny tries to kill herself in the same manner of her father, but she fails, and the healing process proceeds for all concerned. This dark tale, offbeat for its time, was narrated by Hume Cronyn. ~ Karl Williams, Rovi
- Starring:
- Claudette Colbert, June Allyson, (more)
- 1942
In this drama, a young groom finds his marriage in trouble when he begins working for his bride's demanding father. ~ Sandra Brennan, Rovi
- 1942
Unable to convince their isolationist New York editor (Charles Dingle) that America must be alerted to the threat of encroaching Nazism, pugnacious war correspondents Johnny and Kirk Davis (Clark Gable and Robert Sterling) are relieved of their European assignments. Back in the USA, Johnny inagurates a rogueish flirtation with Paula Lane (Lana Turner), an aspiring reporter who has harbored a long-standing crush on Johnny. Even so, Paula enters into a romantic relationship with Kirk, prompting Johnny to break up the affair-for Kirk's own good, of course. Paula's hopes for a lasting romance with Johnny are crushed when he refuses to discourage her from accepting an assignment in IndoChina. Later on, both Johnny and Kirk are sent off to cover the war in the Far East, where they are reunited with Paula, now busily shepherding Chinese war orphans to safety. The action moves to Bataan, where Kirk is killed in service of his country, leaving Johnny to write a passionate tribute to his brother-and, by extention, everyone else who has lain down his or her life for the cause of Democracy. During production of Somewhere I'll Find You, Clark Gable's actress-wife Carole Lombard was killed in a plane crash while participating in a war-loan drive; the impact of the tragedy is painfully obvious in Gable's performance, which becomes abruptly less playful and more somber in the final reels. New MGM recruits Van Johnson and Keenan Wynn make impressive appearances in uncredited roles. ~ Hal Erickson, Rovi
- Starring:
- Clark Gable, Lana Turner, (more)
- 1942
This Time for Keeps is a followup to 1940's Keeping Company, with Ann Rutherford repeating her role from the earlier film. Rutherford is cast as newlywed Katherine White, at present undergoing a rocky "period of adjustment" with her husband Lee (Robert Sterling, replacing the original film's John Shelton). Having trouble landing a good job, Lee is persuaded to go to work for his father-in-law Harry Bryant (Frank Morgan in the first film, Guy Kibbee in the second). Unfortunately, Harry doesn't believe in allowing his employees to think for themselves, resulting in even more friction between Katherine and Lee. It's up to Harry's all-knowing wife (Irene Rich, another carryover from Keeping Company) to smooth everyone's ruffled feathers. ~ Hal Erickson, Rovi
- Starring:
- Ann Rutherford, Robert Sterling, (more)
- 1941
The Get-Away is a remake of 1935's Public Hero Number One, using generous amounts of stock footage from the earlier film. Robert Sterling, Donna Reed and Dan Dailey (billed as Dan Dailey Jr.) fill the roles originally played by Chester Morris, Jean Arthur and Joseph Calleia. In order to get the goods on mobster Sonny Black (Dailey), G-man Jeff Crane (Sterling) has himself thrown into prison, where Black is currently doing time on a lesser charge. The FBI's plan is to arrange a jailbreak for Crane and Black, then lie in wait as Black makes his way back to his old gang, the better to capture the whole bunch. Complicating this scheme is the fact that Crane has fallen in love with Black's sister Maria (Reed). In an attempt to update this 1935-vintage yarn, it is emphasized that Black's crimes include the robbing of US defense payrolls. ~ Hal Erickson, Rovi
- Starring:
- Robert Sterling, Charles Winninger, (more)
- 1941
In this episode of the popular medical series, Kildare finds himself involved in a dispute between to competing hospitals. The trouble begins when an intern rushes a beautiful girl to Kildare's hospital. She has a shard of glass imbedded in her heart. The girl survives the surgery, and the intern is promptly fired for bringing her to the wrong hospital. Meanwhile the girl falls for Kildare, but he is still grieving over his late fiance who died during "Dr. Kildare's Wedding Day." ~ Sandra Brennan, Rovi
- Starring:
- Lew Ayres, Lionel Barrymore, (more)
- 1941
Robert Taylor toughened up his image considerably with this gangster movie, which was unusual both in its plot and origins, having come from MGM, which was generally not known for its crime movies. Taylor plays a parolee who is pretending to follow the straight-and-narrow as a hardworking cabbie, but is really the mastermind behind a dog-racing track being built with mob money. Eager works every angle, has a gang that's generally in line, and also has a loyal right-hand man in Jeff Hartnett (Van Heflin, who won an Oscar), his educated assistant, who drinks too much and waxes poetic when he isn't looking after Johnny's interests (and sometimes when he is, too). Eager has only one problem, special prosecutor John Benson Farrell (Edward Arnold) -- who was also the attorney instrumental in sending Eager up -- who has gotten an injunction against the track's opening. But the hood sees an opening when he accidentally crosses paths with a young sociology student, Lisbeth Bard (Lana Turner), who is drawn to him romantically, and then finds out that she's Farrell's step-daughter. After romancing her for a few months, he sets her up in a scam, making her believe that she killed one of Eager's men (Paul Stewart). He "generously" gets her away from the scene and then informs Farrell of what has happened, pointing out that he holds the evidence against Lisbeth. Farrell has no choice but to withdraw the injunction, and the track opens, but problems ensue when rival mobsters decide to try and cut in on Eager and his racket, and he finds out that Lisbeth is so guilt-ridden over her "crime," that she's destroying herself mentally. Eager can't figure out why she feels the way she does or what to do about it, or even if he should do anything to help her, but with Jeff's help, he discovers a nobler side to his nature. Realizing that she really does love him, and knowing it's not possible for the two of them to be together, he goes out in a blaze of glory -- laced with a special irony built into the plot -- solving Lisbeth's problem and also curing her of her love for him, and settling a score or two in the process. ~ Bruce Eder, Rovi
- Starring:
- Robert Taylor, Lana Turner, (more)
- 1941
This George Cukor romantic comedy casts Greta Garbo as ski instructor Karin Borg Blake. She gives lessons to wealthy American playboy Larry Blake (Melvyn Douglas), and the two fall in love and marry even though Larry has a girlfriend named Griselda Vaughn (Constance Bennett) waiting for him back in New York. Returning to New York, Karin fears that Griselda will win Larry back. In an effort to foil Larry's imagined dalliance, Karin poses as her own twin sister, Katherine, hoping to get Larry to fall in love with her instead of Griselda. Larry is onto the scheme and plays along with her, pretending to fall in love with Katherine. But this infuriates Karin, who can't believe that her husband would fall in love with her sister, and she storms back to her ski resort. ~ Paul Brenner, Rovi
- Starring:
- Greta Garbo, Melvyn Douglas, (more)
- 1941
In this crime drama, a ruthless gangster's son is soon following in his father's footsteps. When his daddy kills an FBI agent and a cabby, the boy sees it all. Fortunately the courts intervene and send the lad off to live with a family of farmers. Country living agrees with the boy and soon with the family's loving support is completely reformed. When his father reappears to bring him home, the boy uses a gun to chase him off the property. ~ Sandra Brennan, Rovi
- Starring:
- Edward Arnold, Marsha Hunt, (more)
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