James Stephenson Movies

The riotous world of boxing provides the backdrop of this comedy that centers on young-fighter Kid Brody who is taken under the wing of the lovely coquette Lady Foxham after he beats her previous favorite. Together the two embark on a cruise to England. During the voyage, the Kid's manager finds himself pursued by a gold digger who thinks he is a millionaire. When she learns he is not she drops him and sets her sights on the kid. ~ Sandra Brennan, All Movie Guide

When assistant Noel Madison kills professor J. Fisher White for his diamond formula, White's daughter Brook examines the case and gets into danger when she is saved by detective George Galleon. ~ All Movie Guide

In this North Woods adventure a courageous Canadian Mounted Policeman takes on the outlaws who robbed a freighter heading for Edmonton. After the heist, the crooks got away with furs and gold leaving an innocent trapper to take the blame. Just as the hapless trapper is to be lynched the Mountie shows up and saves him. He then gallops off after the real culprits and by the story's ends fulfills the Mountie's creed. ~ Sandra Brennan, All Movie Guide

Once a staple of summer stock and community theatres, Bella and Samuel Spewack's Broadway farce Boy Meets Girl dates rather badly when seen today. The 1938 movie version is also a bit mildewed, though it is saved by the dynamo-like energy of James Cagney and Pat O'Brien. The stars are cast as Robert Law and J.C. Benson, a pair of iconoclastic Hollywood screenwriters based upon Ben Hecht and Charlie McArthur. Cynically declaring that every film can be boiled down to "Boy meets girl, boy loses girl, boy gets girl", Law and Benson drive their studio-executive bosses crazy with their zany irreverence. Their pet target is bigwig C. Elliot Friday (Ralph Bellamy), a delicious take-off of 20th Century-Fox prexy Darryl F. Zanuck. Friday orders the boys to concoct a screenplay for cowboy star Larry Toms (Dick Foran), whose popularity is on the wane. Upon making the acquaintance of pregnant, unmaried waitress Susie (Marie Wilson), Law and Benson hit upon a brilliant scheme: they'll transform Susie's baby into a child star and team the kid with Toms in his latest epic ("based on an original story by William Shakespeare"). Complication piles upon complication, reaching a high point of hilarity when the baby gives Larry Toms the measles. Ronald Reagan appears briefly as a radio announcer covering the Hollywood premiere of Law and Bensen's newest masterpiece. Boy Meets Girl was originally conceived as a Marion Davies vehicle, with the comedy team of Olsen & Johnson playing the screenwriters, but things changed radically (and for the better) when Davies' sponsor William Randolph Hearst huffily pulled his Cosmopolitan Pictures unit off the Warner Bros. lot. ~ Hal Erickson, All Movie Guide

Dick Powell stars as a Brooklynite who becomes a cowboy in spite of himself. Drifting into a small western town, Powell takes the only job available as a ranch hand. He likes to sing in his spare time, which attracts the attention of talent scout Pat O'Brien. Before you can say Gene Autry, Powell is promoted into America's favorite singing cowboy--though he's hard pressed to prove his western skills when the plot situations demand it. Rather condescending in its attitude towards western stars (as non-western movies tended to be in the 1930s, 1940s and 1950s), Cowboy From Brooklyn was another step backward in the (temporarily) fading career of Dick Powell. The only good thing to come out of the film was the song "Ride, Tenderfoot, Ride", which became the leitmotif of many a Warner Bros. cartoon short. ~ Hal Erickson, All Movie Guide

In this action drama, a war correspondent finds a gun-runners agent and ends up falling in love with her. To escape those that pursue him, the ring-leader pretends to suicide. Then to start a war, he sinks a ship. Later he is killed by his agent. Unfortunately, during the scuffle, she is mortally wounded. As the film fades out, she dies in the correspondent's arms. ~ Sandra Brennan, All Movie Guide

Based on another of Lloyd C. Douglas' "better living through faith" short stories, White Banners stars Claude Rains as a chemistry professor who invents an icebox that requires no ice. The invention is stolen, throwing Rains and his faithful young assistant Jackie Cooper into a deep depression. Rains' housekeeper Fay Bainter buoys the inventor's spirits with her happy demeanor, wise homilies and good cooking. Through her influence, Rains and Cooper return to the lab and create an even more advanced refrigeration device. And just what is Bainter's stake in all this? Why, she's Cooper's long-lost mother...but don't you dare tell him. Though Fay Bainter was nominated for an Oscar for her performance in White Banners, the film itself is so forgettable that it doesn't even rate a mention in most mass-market movie ratings books. ~ Hal Erickson, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

It is no secret that Bette Davis and Errol Flynn were at each other's throats throughout the filming of The Private Lives of Elizabeth and Essex. Boiled down to essentials: Davis felt that Flynn was unprofessional, while Flynn thought that Davis took herself too damned seriously. Besides, Davis had wanted Laurence Olivier to play the Earl of Essex opposite her Queen Elizabeth I. She was forced to compromise on this point, but refused to allow Flynn proxy top billing via his suggestion that the film be retitled The Knight and the Lady. The finished product, a lavish Technicolor costumer allowing full scope to Davis' histrionics and Flynn's derring-do, betrays little of the backstage hostilities (though Flynn does seem uncomfortably hammy in his scenes with Davis). Adapted by Norman Reilly Raine and Aeneas McKenzie from Maxwell Anderson's blank-verse play Elizabeth the Queen (which served as the film's reissue title), the story concerns the tempestuous relationship between the middle-aged Elizabeth and the ambitious Essex. At one point, the Queen intends to marry Essex and relinquish her throne, until she realizes that his plans for advancement would ultimately prove disastrous for England. When afforded the opportunity to execute Essex for treason, she reluctantly signs his death warrant. Minutes before his final walk to the chopping block, Elizabeth begs Essex to ask for a pardon. But Essex, fully aware that his warlike policies will only resurface if he is permitted to live, refuses to accept the Queen's mercy, and goes off to meet his doom. Olivia de Havilland is wasted in the role of a lady-in-waiting who carries a torch for Essex. If the scenes of Essex' triumphant return to London after winning the battle of Cadiz seem familiar, it is because they were reused as stock footage in Warner Bros.' The Adventures of Don Juan (1949) and The Story of Mankind (1957). ~ Hal Erickson, All Movie Guide

A violin-playing British doctor's life changes forever after he takes in a distraught Austrian ballerina who tries to kill herself after breaking her wrist. He hires the sad girl as a nanny for his bright son, whom he wants to keep away from his neurotic, overbearing wife. The trouble starts when the doctor and the nanny become genuinely attracted to each other. The wife learns of the nanny's former career and suicide attempt and orders her fired. This causes the doctor to take action on behalf of his son. This in turn causes a downward spiral into tragedy involving an accidental death. ~ Sandra Brennan, All Movie Guide

In this, the premiere entry in the "Brass" Bancroft series (starring the man who would-be President, Ronald Reagan), Brass is seen as an ex-Army pilot who works as a commercial airline pilot. One day he quits his well-paying, safe job to become an agent for the Secret Service. His first assignment is to look into a gang of smugglers who are suspected of sneaking illegal aliens into the US via airplanes. This gang is really bad, and whenever they fear that they will be caught, they simply open their hatches and drop the hapless aliens like so many bombs. Bancroft is enraged at their inhumanity, and in the end, he and the ring leader battle it out in a plane spinning out of control. ~ Sandra Brennan, All Movie Guide

A remake of Dr. Socrates (1935), this middling melodrama features Kay Francis as Carol Nelson, a medical doctor blaming gangster Joe Gurney (Humphrey Bogart) for the death of her husband (John Eldredge) during a police raid. Determined to get even, Dr. Nelson sets up practice in a small town where a couple of Gurney's henchmen are serving time. And sure enough, Gurney is soon in dire need of Carol's help after being wounded in a jailhouse break. Convincing the gang boss and his men that they all suffer from eye infections, the good doctor proceeds to blind the mobsters with adrenaline eye drops and then calls the cops. Warner Bros. used the general idea a third time in Bullet Scars (1942), yet another B-movie. ~ Hans J. Wollstein, All Movie Guide

In this crime drama, a sophisticated thief is working on a caper involving precious rubies when he sees that the owner of the stones is the man who caused his ex-girl friend to kill herself. Thoughts of thieving are replaced by plans for revenge. The thief becomes obsessed and is not paying careful attention. His intended victim catches him and threatens his life. Fortunately, another thief rescues him and kills the jewel owner. Later, the protagonist's rescuer is killed by the police while the protagonist and his new lover take off and head for South America. ~ Sandra Brennan, All Movie Guide