Harvey Stephens Movies

Dumped by wife Ellen Drew, musician Melvyn Douglas goes into a creative slump. His gloom is lifted when he falls in love with Ruth Hussey (with a little help from Hussey's foxy papa Charles Coburn). Soaring to hitherto unimaginable heights of fame after marrying Hussey, Douglas suddenly becomes attractive again to the scheming Drew. She attempts to win him back by pretending to be crippled and confined to a wheelchair. Though Hussey sees through the ruse, she is unable to prove anything until Drew trips herself up. Watch for the clever (and most satisfying) application of the "THE END" title in Our Wife. ~ Hal Erickson, All Movie Guide

When the Daltons Rode is the much-embellished tale of that celebrated outlaw family, the Daltons. Broderick Crawford, Brian Donlevy, Stu Erwin and Frank Albertson play the gunslinging brothers, with Mary Gordon on hand as Ma Dalton. In the tradition of the 1939 western Jesse James, the film whitewashes the Daltons, showing them being forced into committing their crimes by duplicitous railroad interests. There's plenty of comic banter and byplay until about twenty minutes from the end; then the film becomes a nonstop marathon of action, halted only by the Daltons' fateful (and for the most part fatal) bank robbery in Coffeyville, Kansas. Randolph Scott is the nominal hero, a lawyer who befriends the boys and tries to dissuade them from their life of crime. When the Daltons Rode ends with all four brothers dead as doornails--even though the script was based on the autobiography of the surviving Dalton! ~ Hal Erickson, All Movie Guide

A lesser entry in the long-running Hopalong Cassidy Western series, Stagecoach War features veteran character actor J. Farrell McDonald as Jeff Chapman, a stage-line owner about to lose a lucrative Wells Fargo contract after his driver is shot in a holdup. The crime opens a door for Neal Holt (Harvey Stephens), who is not only a rival stage-line operator, but also the former boyfriend of Jeff's daughter, Shirley (Julie Carter). Hoppy (William Boyd), meanwhile, discovers that Neal's foreman, Twister Maxwell (Frank Lackteen), knows more about the holdup that he cares to admit and when Holt begins to question the merit of Jeff's equipment, Hoppy enters a race for the contract with Lucky Jenkins (Russell Hayden) driving Jeff's Bar 20 mustangs against Neal's team. Lucky, however, is forced to throw the race to avoid harming Shirley, and, dejected, joins Smiley (Rad Robinson) and his gang of highwaymen. But does Lucky stay "bad" for good? As a nod to the popularity of musical-Westerns, producer Harry Sherman corralled baritone Rad Robinson, Eddie Dean, and the King's Men, who perform Phil Ohman and Foster Carling's "Lope-Along Road," "Westward Ho," and "Hold Your Horses." Surprisingly, the musical specialty acts all appeared as villains. ~ Hans J. Wollstein, All Movie Guide

Raymond Massey plays Abe Lincoln in this moving adaptation of Robert Sherwood's Pulitzer Prize-winning play. Expanded a bit for cinematic purposes, the film traces Lincoln's progress from his days of scrambling for a living as a woodsman, to his courtship of the tragic Ann Rutledge (Mary Howard) and then the mercurial Mary Todd (Ruth Gordon), to the formative years of his law practice, to his debates with Stephen Douglas (Gene Lockhart), and finally to his election as President of the soon-to-be-divided United States in 1860. Latter-day critics have complained about Massey's stolidity in his signature role, but even the most stone-hearted viewer will be moved by such scenes as Lincoln riding through the ruins of what once was the village of Salem; Abe's heated election-eve quarrel with his spiteful wife Mary; and his climactic speech from the observation car of the train that will carry him to Washington...and immortality. Abe Lincoln at Illinois turned out to be a succes d'estime for its producer Max Gordon and its studio (RKO), taking a bath to the tune of $750,000. Its failure moved one Hollywood wise-guy to collar Gordon at a party and say, "I can't understand it, Max. Lincoln was so kind to everybody but you." ~ Hal Erickson, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

In this drama, an ingenious journalist finds himself at odds with his brother the district attorney over his unconventional methods of investigating a story; especially when they interfere with the judicial process as they did when he began eavesdropping upon a grand jury. One of the reporter's tricks involves several ham radios strategically placed around the city. With the help of the operators, the journalist is able to get scoops. When he is kidnapped by a crime boss who is sick of his constant snooping, the operators come to his rescue. ~ Sandra Brennan, All Movie Guide

A young punk hooks up with a mobster and helps him rob a gas station in this crime drama. From there the crimes become more serious and the boy is very happy until something goes wrong and the gangster shoots someone using the stolen gun of the boy's sister's lover. The innocent lover is given the death sentence. The guilt-plagued youth wants to take the rap, but the gangster threatens him and he remains quiet. Later they are caught stealing a car and end up in Sing Sing where the boy finds a mentor who advises him to come clean. Meanwhile the gangster hears of this and devises a way to silence the youth forever. Not one of Bogie's best. ~ Sandra Brennan, All Movie Guide

Tip-Off Girls is a worthwhile entry in Paramount's "FBI" series, based on the various writings of
J. Edgar Hoover. The title refers to a group of pretty young women who are ordered by their gangster bosses to pick up tips on incoming merchandise shipments, thereby expediting a sophisticated hijacking operation. The girls are also expected to keep the freight drivers occupied while the crooks go about their business. G-Man Bob Anders (Lloyd Nolan) eventually smashes the racket with the help of decoy Marjorie Rogers (Mary Carlisle). Equipped with a Greek accent this time out, J. Carrol Naish plays the supposedly respectable head of the hijackers, while the rest of the cast is populated with such reliable Paramount stock-company players as Roscoe Karns, Buster Crabbe, Anthony Quinn, Benny Baker, Evelyn Brent, Irving Bacon and Stanley Andrews. ~ Hal Erickson, All Movie Guide

Paramount's "Zane Grey" series continued rolling onward with 1937's Forlorn River. Larry "Buster" Crabbe, a regular in the Grey films, stars as Nevada, who in the company of his sidekick Weary Pierce (Sid Saylor) searches high and low for the outlaw gang run by Les Setter (Harvey Stephens). It's quite a chore, since Setter is heaps smarter than most of the "good guys," especially ineffectual sheriff Grundy (Chester Conklin). But Nevada has an added incentive: if he brings in the villain, he's certain to win the affections of heroine Ina Blaine (June Martel). Too loosely constructed to be totally successful, Forlorn River is held together by the consistently excellent cinematography of Harry Hallenberger. ~ Hal Erickson, All Movie Guide

A remake of 1929's The Greene Murder Case, Paramount's Night of Mystery was the first "Philo Vance" thriller not to use the words "Murder Case" in the title. The story is set in the Greene Mansion in midtown New York, where a passel of greedy relatives attend the wealthy and reclusive Mrs. Tobias Greene (Elizabeth Patterson). When murder inevitably rears its ugly head, dilettante sleuth Philo Vance (Grant Richards) shows up to investigate, condescendingly second-guessing DA Markham (Purnell Pratt) and Sgt. Heath (Roscoe Karns). Among the clues is a revolver which keeps appearing and disappearing, seemingly at will. Part of the appeal of the original Greene Murder Case was the offbeat casting of then-ingenue Jean Arthur. In Night of Mystery, the Arthur role is filled by Ruth Coleman, who is almost as ill-suited for the part as is the colorless Grant Richards as Philo Vance. Strange that director E. A. Dupont, one of the giants of the German silent cinema, couldn't inject any more excitement into this weary yarn. ~ Hal Erickson, All Movie Guide

Akim Tamiroff, Paramount Pictures' resident crime lord, runs all illegal gambling activities in a major city. Reporter Lloyd Nolan struggles to get the goods on Tamiroff, but runs up against a stone wall until he meets nightclub singer Claire Trevor. Trevor is anxious to avenge the death of her sister (Helen Burgess), who was done in by Tamiroff's minions. Though only a "B" picture, King of Gamblers was given "A" treatment by director Robert Florey. The film was part of an unofficial Paramount series based on the J. Edgar Hoover book Persons in Hiding. ~ Hal Erickson, All Movie Guide

A remake of 1932's Guilty as Hell, Night Club Scandal also borrows a page from 1934's Murder at the Vanities by depicting the "friendly adversary" relationship between a reporter (Lynne Overman) and a cop (Charles Bickford). Top-billed John Barrymore plays a respectable doctor married to a nightclub singer (Evelyn Brent), who murders his wife and frames the victim's lover for the crime. Overman and Bickford spot holes in Barrymore's story, bringing him to justice by Reel Seven. The murder plot is standard stuff, but the main attraction of Night Club Scandal is the aggressively masculine love/hate byplay between tipsy Lynne Overman and flint-eyed Charles Bickford. The best moment occurs at the end, when the wide-eyed ingenue (Louise Campbell) doesn't marry the fellow the audience expects her to! ~ Hal Erickson, All Movie Guide

Myrna Loy plays the glamorous member of a trio of jewel thieves. G-Man Spencer Tracy goes undercover to join the gang when it transports its stolen jewels from Paris to New York. Loy falls in love with Tracy, has a change of heart, and quits the gang. But Tracy arrests her all the same when he recovers the jewels. The girl forgives Tracy when the latter is wounded in a climactic gun battle with the rest of the thieves. Why, oh why, is this thing called Whipsaw? ~ Hal Erickson, All Movie Guide