Harvey Stephens Movies

Raymond Massey plays Abe Lincoln in this moving adaptation of Robert Sherwood's Pulitzer Prize-winning play. Expanded a bit for cinematic purposes, the film traces Lincoln's progress from his days of scrambling for a living as a woodsman, to his courtship of the tragic Ann Rutledge (Mary Howard) and then the mercurial Mary Todd (Ruth Gordon), to the formative years of his law practice, to his debates with Stephen Douglas (Gene Lockhart), and finally to his election as President of the soon-to-be-divided United States in 1860. Latter-day critics have complained about Massey's stolidity in his signature role, but even the most stone-hearted viewer will be moved by such scenes as Lincoln riding through the ruins of what once was the village of Salem; Abe's heated election-eve quarrel with his spiteful wife Mary; and his climactic speech from the observation car of the train that will carry him to Washington...and immortality. Abe Lincoln at Illinois turned out to be a succes d'estime for its producer Max Gordon and its studio (RKO), taking a bath to the tune of $750,000. Its failure moved one Hollywood wise-guy to collar Gordon at a party and say, "I can't understand it, Max. Lincoln was so kind to everybody but you." ~ Hal Erickson, All Movie Guide

Union Colonel Brackenby (Melvyn Douglas) and his second-in-command, Captain Heath (Glenn Ford), attempt to command a rather inept cavalry unit during the Civil War. General Willoughby (Jim Backus) heads them out West on assignment rather than allowing them to foul things up where it counts. They soon get involved with Martha Lou, a confederate spy (Stella Stevens) posing as a prostitute, and her boss, Jenny (Joan Blondell) as well as a group of renegades and an Indian chief. In spite of their ridiculous slapstick antics, they manage to carry out their mission. This comedy was based on Company of Cowards, a novel by Jack Schaefer. ~ Kristie Hassen, All Movie Guide

Gangsters Georgie (Lee Philips) and Lucky (Chick Changler) despise one another, and it is this fact that keeps them both alive. Georgie knows that he would be blamed if Lucky was ever bumped off, and vice versa. Unfortunately, Georgie loses his head and kills Lucky, forcing him to blackmail his landlady (Argentina Brunetti) into providing him with an airtight alibi. What Georgie hadn't counted on was Lucky's uncanny ability to get even...from beyond the grave. Alan Reed, best known as the voice of Fred Flintstone, appears as Uncle Leo. ~ Hal Erickson, All Movie Guide

Bucolic Elmer Lamb (Stuart Erwin), who only wants to raise dairy cattle, is a mathematical prodigy; he's even a whiz at playing bridge. Circus pitchman Bill (Robert Armstrong) and circus owner Jeffrey Crane (Edmund Gwenn) want to make money off Elmer, but Jeff's daughter Kitty (Betty Furness) finds herself drawn to him. Eventually, Elmer is pitted against the reigning bridge champion (E.E. Clive) -- whom he's already beaten in an informal match -- which involves shady Pudgy (Edward S. Brophy) and gangster Al (Dewey Robinson). ~ Bill Warren, All Movie Guide

This second of three movie versions of P.C. Wren's adventure novel Beau Geste is a virtual scene-for-scene remake of the 1927 silent version. We open on the now-famous scenes of a remote, burning desert fort, manned by the dead Foreign Legionnaires, then flash back to the early lives of the Geste brothers. As children, the Gestes swear eternal loyalty to one another and to their family. One of the boys, young Beau (played as a youth by Donald O'Connor), witnesses his beloved aunt (Heather Thatcher) apparently stealing a valuable family jewel in order to finance the Geste home; Beau chooses to remain silent rather than disgrace his aunt. Years later, the grown Beau (Gary Cooper) again protects his aunt by confessing to the theft and running off to join the Foreign Legion. He is joined in uniform by faithful brothers John (Ray Milland) and Digby (Robert Preston), who in turn are pursued by a slimy thief (J. Carroll Naish). The crook is in cahoots with sadistic Legion Sgt. Markov (Brian Donlevy, in one of the most hateful portrayals ever captured on celluloid), who is later put in charge of Fort Zinderneuf, where Beau and John are stationed. When the Arabs attack, Markov proves himself a valiant soldier; it is he who hits upon the idea of convincing the Arabs that the fort is still fully manned by propping up the corpses of the casualties at the guard posts. Beau is seriously wounded, and while the greedy Markov searches for the jewel supposedly hidden on Beau's person, he is held at bay by loyal John. The suddenly enervated Beau kills Markov, then dies himself--but not before entrusting two notes to John, one of which requests that John give Beau the "Viking funeral" he'd always wanted (this is why the fort is in flames at the beginning of the film). After the battle, Digby Geste, a bugler with the relief troops, comes upon Beau's dead body, and appropriates the notes. As it turns out, John Geste is the only one who survives to return to England. He gives his aunt Beau's letter, which explains why Beau had confessed and run off--"a 'beau geste', indeed" comments his tearful aunt. No one missed nominal leading lady Susan Hayward in this essentially all-male entertainment. For years available only in muddily processed or truncated versions, Beau Geste was restored to its pristine glory by the American Film Institute in the late 1980s. ~ Hal Erickson, All Movie Guide

Cell 2455 Death Row is based on the autobiography of condemned prisoner and "jailhouse lawyer" Caryl Chessman. William Campbell plays the Chessman counterpart, here renamed Whit. A seriously disturbed misfit, Whit begins a life of crime, culminating in sexual assault as the "Lover's Lane Bandit." Condemned to the gas chamber at San Quentin, Whit spends six years fighting his sentence, gradually winning the support and sometimes the respect of various legal experts. The film ends in 1955 (the year of its production), some five years before Caryl Chessman's ultimate execution; accordingly, the film's "open-ended" finale has been removed from many TV prints. A more thorough and incisive study of the Chessman case was offered in the made-for-TV movie Kill Me If You Can, which starred Alan Alda. ~ Hal Erickson, All Movie Guide

Based on the story "The Horla" by Guy de Maupassant, this grim low-budget potboiler stars Vincent Price as Simon Cordier, a ruthless magistrate in 19th-century Paris who becomes possessed by the malevolent spirit (or "horla") of a condemned murderer whom Cordier was forced to kill in self-defense. Driven by the madman's ghost to continue his pattern of brutal crimes, Cordier comes to the realization that the only way he can purge the violent demon from his soul is to immolate himself in a blazing pyre. Though the riveting Price (whose very presence can enliven even the most dismal of horror duds) does an admirable job as the tormented Cordier, he is unable to bear the ponderous weight of this tedious production. Although a parallel between the callousness of Cordier's office and the insensate evil of his crimes would have provided an interesting subtext, the script forfeits this potential, relying instead on a pat, self-righteous finale with religious overtones. ~ Cavett Binion, All Movie Guide

Paramount's "Zane Grey" series continued rolling onward with 1937's Forlorn River. Larry "Buster" Crabbe, a regular in the Grey films, stars as Nevada, who in the company of his sidekick Weary Pierce (Sid Saylor) searches high and low for the outlaw gang run by Les Setter (Harvey Stephens). It's quite a chore, since Setter is heaps smarter than most of the "good guys," especially ineffectual sheriff Grundy (Chester Conklin). But Nevada has an added incentive: if he brings in the villain, he's certain to win the affections of heroine Ina Blaine (June Martel). Too loosely constructed to be totally successful, Forlorn River is held together by the consistently excellent cinematography of Harry Hallenberger. ~ Hal Erickson, All Movie Guide

In this drama, an ingenious journalist finds himself at odds with his brother the district attorney over his unconventional methods of investigating a story; especially when they interfere with the judicial process as they did when he began eavesdropping upon a grand jury. One of the reporter's tricks involves several ham radios strategically placed around the city. With the help of the operators, the journalist is able to get scoops. When he is kidnapped by a crime boss who is sick of his constant snooping, the operators come to his rescue. ~ Sandra Brennan, All Movie Guide

Jack Benny is cast against type as a small-time con man in this lightweight MGM programmer. Whenever he manages to outsmart himself, Calvin (Benny) returns to his ever-patient wife Alice (Una Merkel) to bail him out. In dutch with the law again -- this time he's managed to offend the IRS! -- Calvin and his cohort McGurk (Ted Healy) try to make their escape in a stratospheric balloon. Incredibly, this impromptu flight results in a government contract to produce a whole fleet of similar balloons, which manages to rescue Calvin from the clutches of cloddish treasury agent Henry Potke (Nat Pendleton). Though it earned back its cost, It's in the Air was Jack Benny's final film for MGM. ~ Hal Erickson, All Movie Guide

This upbeat war-time tale chronicles the ordeal of ardently American munitions plant worker Joe Smith (Robert Young), whose access to the U.S. military's plan for a new bomb-sight leave him victim to an abduction from Nazi agents. Knowing that Joe (Young) has vital information, the German soldiers hold nothing back in their attempts to force it out of him, including vicious, unending rounds of torture. The captured patriot, however, reveals nothing, opting instead to visualize happy times from his past as a means to escape his agonizing ordeal. Luckily, Joe manages to escape, contact the FBI, and bring his Nazi captors to justice. Directed by Richard Thorpe, Joe Smith, America also features actors arsha Hunt and arryl Hickman as Joe's beloved family. ~ Tracie Cooper, All Movie Guide

Akim Tamiroff, Paramount Pictures' resident crime lord, runs all illegal gambling activities in a major city. Reporter Lloyd Nolan struggles to get the goods on Tamiroff, but runs up against a stone wall until he meets nightclub singer Claire Trevor. Trevor is anxious to avenge the death of her sister (Helen Burgess), who was done in by Tamiroff's minions. Though only a "B" picture, King of Gamblers was given "A" treatment by director Robert Florey. The film was part of an unofficial Paramount series based on the J. Edgar Hoover book Persons in Hiding. ~ Hal Erickson, All Movie Guide

Claudette Colbert is a young freethinking woman living in Salem, Massachusetts during the notorious 17th century "witch trials". Colbert falls in love with adventurer Fred MacMurray, causing no end of scandal with the Puritan townsfolk. A hateful little girl (Bonita Granville) pretends to be "possessed", thereby convincing the Salemites that Claudette is a witch. Tried and convicted of sorcery, the poor girl is sent to be burned at the stake, but is rescued in the nick of time by MacMurray, who convinces the townsfolk that they've been the victim of a hoax. Maid of Salem earned a footnote in entertainment history in 1937 when it was booed off the screen of New York's Paramount theatre by fans who wanted to see the evening's real attraction--a performance by Benny Goodman and his orchestra. ~ Hal Erickson, All Movie Guide