Helen Stenborg Movies

When the principal (Meryl Streep) of a Bronx Catholic High School accuses a popular priest (Philip Seymour Hoffman) of pedophilia, a young nun caught in between the feuding pair becomes hopelessly swept up in the ensuing controversy. 1964, St. Nicholas, the Bronx: The winds of change are sweeping through this tight-knit religious community, and charismatic priest Father Flynn (Philip Seymour Hoffman) is doing his best to adapt by revisiting the school's notoriously strict disciplinary practices. Unfortunately Father Flynn's progressive ideas stand in stark contrast to the longstanding beliefs of Sister Aloysius Beauvier (Meryl Streep), the iron-willed principal, who believes that an oppressive environment of punishment and fear is the only way to keep the student body in line. Suddenly into this tempestuous environment appears young Donald Miller, St. Nicholas' first black student. When hopeful innocent Sister James (Amy Adams) reluctantly reveals to Sister Beauvier that Father Flynn and Donald have been spending an unusual amount of time together in the church rectory, the unrelentingly righteous headmistress begins a merciless crusade to reveal the beloved clergyman as a lecherous child molester and have him permanently expunged from the school. Yet despite her moral certainty that Father Flynn has committed such an unspeakable transgression, Sister Beauvier has not a shred of actual evidence to back up her audacious claim. Now, as Sister Beauvier and Father Flynn enter into an epic battle of wills, the shock waves set into motion by their explosive confrontation threaten to destroy one man's reputation and tear apart the entire surrounding community. John Patrick Shanley adapted his own play for the screen under the guidance of producer Scott Rudin (The Queen, Notes on a Scandal). ~ Jason Buchanan, All Movie Guide

A coach develops an unlikely friendship with a member of his Little League team in this made-for-television movie. Richard Dean Anderson stars as Bill Parish, a father grieving over the loss his 11-year-old son. He is coaxed into coaching an underdog baseball team to help him work his way through his grief. While coaching, Bill takes a liking to a mysterious member of the team named Lucky Diamond (Grayson Fricke) who brings both Bill and the team out of their respective slumps. ~ Bernadette McCallion, All Movie Guide

A rebellious woman (Patricia Wettig) has continually made life hard for her younger sister (Elizabeth McGovern) by sleeping with her husband and wrecking her marriage. The older sister returns to her New Jersey hometown to cause more trouble before beginning a prison sentence. ~ John Bush, All Movie Guide

Joseph Sargent's made-for-TV drama, set during World War II, stars Walter Matthau as an attorney coerced into defending a German POW who is accused of murdering the town physician (Barnard Hughes), Matthau's best friend. ~ Jason Ankeny, All Movie Guide

A John D. MacDonald novel was the source material for A Flash of Green. Ed Harris plays a reporter for a Florida resort-town newspaper. His best friend is shady county-commissioner Richard Jordan. When Harris shows signs of sympathizing with a local ecology group that is dead set against a new land-fill development, Jordan tries to keep the editor quiet with a bribe. At first, Harris acquiesces, but rapidly develops a conscience when Jordan enlists a local right-wing terrorist group to keep the ecologists in line. A secondary plot involves Harris' romance with Blair Brown, an affair tainted by the fact that Harris' wife lies comatose in the hospital. Thanks to its pro-eco stance, A Flash of Green was financed by and telecast as an edition of PBS' American Playhouse. ~ Hal Erickson, All Movie Guide

Lanford Wilson's dramatic play is adapted for the small screen in this made-for-television movie. Richard Thomas stars as Ken Talley, a Vietnam vet who lost both of his legs in the war. When his friends and family gather at his Missouri farm (which he shares with his lover Jed) after a death, the group examines how their lives and relationships have transformed throughout the years. ~ Bernadette McCallion, All Movie Guide

In the middle of the 19th century, the stern and somewhat puritanical values of native New Englanders were little changed from early Colonial times. In this adaptation of Henry James' novel The Europeans, The Countess Eugenia (Lee Remick) and her brother Robert (Robin Ellis) are expatriate Americans who have grown up mainly in Europe. They have also grown accustomed to living well and have returned to see their New England relatives to try and take advantage of their prosperity by contracting an advantageous marriage with one of their wealthy cousins. The American cousins see them as charming, well-educated, and shockingly dissolute. Despite some successes, Eugenia is unable to achieve her objectives, but Robert fares somewhat better. ~ Clarke Fountain, All Movie Guide

"His code name is Condor. In the next 24 hours, everyone he trusts will try to kill him." As the ads ominously announced, a low-level spook confronts the unfathomable in Sydney Pollack's 1975 political thriller, adapted from the James Grady novel Six Days of the Condor. CIA researcher Joe Turner (Robert Redford) returns from lunch to find the entire staff of his small New York office assassinated. When he meets his boss (Cliff Robertson) at another location to tell him what happened, someone tries to shoot Turner as well. On the run from the cops and his agency, a desperate Turner resorts to holing up with innocent civilian Kathy (Faye Dunaway), who becomes his only ally. Joe decides to save himself the only way possible: by going to The New York Times. But will it work? One of a cycle of conspiracy films from the 1970s that also included The Parallax View (1974) and Redford's All the President's Men (1976), Three Days of the Condor pits a working Everyman (albeit a CIA everyman) against a far-reaching conspiracy, as it also criticizes the CIA during a period of increasing publicity about federal wrongdoing, from the Pentagon Papers through Watergate and other congressional investigations; the challenge of negotiating New York City, shot on location, becomes one more sign of the forces that Joe must face. With its timely subject matter, taut suspense, and sympathetic Redford hero, Three Days of the Condor became a substantial hit. Balancing the conspiracy cycle's pessimism with a margin of attenuated hope, Three Days of the Condor suggests that one man can still discover the truth, but whether it helps him remains to be seen. ~ Lucia Bozzola, All Movie Guide

An uncharacteristic Bing Crosby plays Dr. Cook, a small town physician with a little something to hide. Outwardly gentle and compassionate, Cook is less politely inclined to those in his Vermont community whom he regards as disposable. When a young man (Frank Converse) whom Cook has raised as a son returns to the community, he begins to suspect that his father-figure is keeping secrets. The young man learns that the good Doctor has been murdering those patients whom he regards as useless, and then burying the victims in his meticulously kept garden. Made for TV, Dr. Cook's Garden was adapted from a Broadway play by Ira Levin, in which Burl Ives starred in the title role. ~ Hal Erickson, All Movie Guide