Edward Blatchford Movies

This variation on the themes of 9 to 5 (1980) and Tie Me Up! Tie Me Down! (1990) presents one philandering man as the target of revenge for all scorned women everywhere. When Brian Hartley (Zach Galligan) has been unfaithful yet again to his fiancée Linda Alissio (Teri Hatcher), he shows up at her Malibu beach house expecting to beg for and receive forgiveness. Except that this time, Brian is going to get the lesson of his life. Lisa's housemates Kim (Lara Harris) and Sharon (Tracy Griffith) take him hostage, tying him to a bed. For three days, the trio of vengeful women inflict Brian with a series of psychological tortures, including using his credit cards, shaving him with a rusty razor, getting him fired from his job, and forcing him to watch a home shopping cable channel. When they're convinced that Brian will sin no more, they put him in a skirt and release him. Brian's got a few surprises for them, however. ~ Karl Williams, Rovi

This fascinating chronicle of the life and times of a twenty dollar bill was originally written by Endre Boehm in 1935 and languished forgotten on the shelf until his son Leslie resurrected it after his father's death, and updated the script. (Both received screenwriter credit for the released version). The scrap of currency's journey begins after it is spit out of a downtown Minneapolis ATM machine into the hands of a busy young mother. It's a windy day, and the crisp bill is blown out of her hands into those of a bag lady who uses it on the lottery because she believes the serial numbers are lucky. Unfortunately, the bill is plucked from her hands by a light-fingered skate boarder who uses the money at a local bakery. From there the bill's odyssey takes it to a wide variety of places including a wedding, a stripper's g-string, a con artist's scam, and a robbery. It ends up used as a note pad, a birthday present, a coaster, and a fishing contest trophy. Interestingly, every one who encounters the bill changes in some way. ~ Sandra Brennan, Rovi

Director Michael Mann based this lushly romantic version of the James Fenimore Cooper novel more on his memory of the 1936 film version (starring Randolph Scott) than on Cooper's novel (in fact, Philip Dunne's 1936 screenplay is cited as source material for this film). Set in the 1750s during the French and Indian War, the story concerns Hawkeye (Daniel Day-Lewis), the European-born adopted son of Mohican scout Chingachgook (Russell Means). Hawkeye and his party, which also includes the Mohican Uncas (Eric Schweig), joins up with a group of Britons who have recently arrived in the Colonies. The group consists of Cora Munro (Madeleine Stowe) and her younger sister, Alice (Jodhi May), who are rescued from a Huron war party by Hawkeye. Hawkeye's band accompanies them to the British Fort William Henry, which is being besieged by a French and Huron force. The fort falls to the French, and Colonel Munro (Maurice Roeves) surrenders to French General Montcalm (Patrice Chéreau). The terms of the surrender are that the British merely abandon the fort and return to their homes. However, the French's bloodthirsty ally, the Huron warrior Magua (Wes Studi), has made no such agreement, and, as the British retreat from the fort, he plans to massacre them in a terrible Huron attack. ~ Paul Brenner, Rovi

Jessica Lange plays an attorney whose affable Hungarian-immigrant father Armin Mueller-Stahl is arrested. He is threatened with deportation for lying about his activities during World War II; part of the charge is that Mueller-Stahl was a Nazi collaborationist, guilty of wartime atrocities. Absolutely convinced that her father is being railroaded by a revenge-seeking Hungarian communist government, Lange handles Mueller-Stahl's defense, expertly blowing huge holes in prosecuting attorney Frederic Forrest's case. But in doing her own research, Lange discovers that her father has spent a lifetime paying off a blackmailer. Why? In contrast to the fervency of his earlier Z, Costa-Gavras refuses to make things easy by proselytizing in The Music Box (nor does screenwriter Joe Esterhas indulge in his usual right-between-the-eyes fervency). Everything in the film is offered on the same calm, collected level, making the ultimate horror of the story all the more effective. ~ Hal Erickson, Rovi