Sammy Stein Movies
- 1953
It's a toss-up as to who looks better unclothed in Universal's Veils of Bagdad: Hero Victor Mature or heroine Mari Blanchard. Mature plays a Robin-Hood type named Antar, who travels with a troupe of jugglers and wrestlers, all of whom double as thieves, pickpockets and second-story men. When the evil Pasha of Bagdad (Leon Askin) conspires with the equally evil Vizier (Guy Rolfe) to steal tax money to finance a private war, Antar and his gang swings into action. Blanchard plays Selima, the toothsome daughter of a murdered tribal chieftain who works as a cabaret dancer while searching for her dad's murderer. TV fans are advised to keep an eye out for future Baretta star Robert Blake, who shows up in a bit as a youthful beggar. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Mature, Mari Blanchard, (more)
Hoping to make the magic of King Kong happen again, the production team of Merian C. Cooper and Ernest B. Schoedsack came up with the 1949 special-effects smorgasbord Mighty Joe Young. Robert Armstrong reprises his Kong portrayal of Carl Denham as hot-shot showbiz entrepreneur Max O'Hara. While in Africa looking for authentic decorations for his new night club, O'Hara makes the acquaintance of Mr. Joseph Young, a ten-foot-tall ape. Unlike King Kong, Joe Young has a heart of gold, thanks in great part to his owner, a lovely lass named Jill Young (Terry Moore). Against her better judgment, Jill allows O'Hara to bring Joe back to the States as a nightclub attraction. Joe proves to be a smash as he participates in Jill's musical act (he lifts her grand piano while she plays "Beautiful Dreamer") and performs a tug-of-war routine with an imposing lineup of professional wrestlers (including Tor Johnson, Man Mountain Dean and Primo Carnera). But when the patrons go home each night, Joe is unhappily relegated to his cage. When a group of obnoxious drunks begin teasing Joe, the disgruntled ape breaks loose and goes on a rampage. Slated to be put to death, Joe redeems himself by rescuing a group of screaming children from an orphanage fire. Featured in the cast are Ben Johnson as the nominal romantic lead, Frank McHugh as Robert Armstrong's assistant, and an uncredited Irene Ryan as a cocktail-lounge patron. ~ Hal Erickson, All Movie Guide
- Starring:
- Terry Moore, Ben Johnson, (more)
- 1947
This story of two young hopefuls who come to Hollywood is merely a thin device to feature almost every star working for Paramount Studios in 1947. Mary Hatcher plays Catherine Brown, a woman of humble origins who arrives in Hollywood, where she meets another wanna-be movie star, Amber La Vonne (Olga San Juan). They work their way through the Paramount studios, trying to impress every important person. Mostly, the film is a cavalcade of songs by various stars that take place at several studio and Hollywood locations, including the famous Brown Derby restaurant. Many of the film's songs were written by Frank Loesser. Dorothy Lamour and Alan Ladd sing "Tallahassee"; Bing Crosby and Bob Hope play golf and sing a duet, "Harmony"; the Original Dixieland Jazz Band plays "Tiger Rag"; and a host of other top performers of the era appear in brief cameos. ~ Michael Betzold, All Movie Guide
- Starring:
- Eric Alden, Mary Hatcher, (more)
The stars of Shoot to Kill are Douglas Blackley and Susan Walters, both of whom later changed their professional names to, respectively, Robert Kent and Luana Walters. Blackley is a gangster who is framed by crooked DA Edmund MacDonald. Walters, Blackley's wife, secures a job as MacDonald's assistant, the better to find the proof of the DA's dishonesty. Reporter Russell Wade helps Walters expose MacDonald, falling in love with her along the way. The film is related in flashback by Walters, who lies hovering between life and death in a hospital bed. ~ Hal Erickson, All Movie Guide
- Starring:
- Russell Wade, Susan Walters, (more)
- 1946
French Key is a Republic Pictures murder mystery with all of the studio's genre trademarks: Good cast, reasonably good direction, fairly good sets and middling story values. Albert Dekker plays a private eye who is framed for murder. With the police breathing down his neck, it's up to the detective to solve the mystery himself. The supporting suspects include such reassuringly familiar faces as Evelyn Ankers, Mike Mazurki, Richard Arlen, Frank Fenton and Byron Foulger. Some prints of French Key have been cut from 64 to 54 minutes in order to fit into a TV "hour". ~ Hal Erickson, All Movie Guide
- Starring:
- Albert Dekker, Mike Mazurki, (more)
- 1946
Universal's 1946 The Dark Horse is not a remake of the 1932 Warner Bros. film of the same name, though both deal with a long shot political candidate. The 1946 film stars Phillip Terry as a war veteran, who is persuaded by machine politico Donald MacBride to run for alderman. Ann Savage plays the standard "Jean Arthur" role as the honest government functionary with whom the hero falls in love. Terry finds that disreputable politicians are using his war record to push through some shady legislation, so he renounces these hacks. He wins on the basis of his honesty, making one wish that things worked out this way in Real Life. ~ Hal Erickson, All Movie Guide
- Starring:
- Phillip Terry, Ann Savage, (more)
John Brickley (Robert Montgomery) believes in PT boats, and as a lowly U.S. Navy lieutenant stationed in the Philippines, that makes him a radical thinker. "Your boats maneuver beautifully," an admiral (Charles Trowbridge) tells him, "but if I'm going into combat, I prefer something a little more substantial." The gently delivered but stinging dismissal stirs the resentment of Lt. "Rusty" Ryan (John Wayne), who tartly tells Brickley that he wants to be transferred to destroyers. The Pearl Harbor bombing makes transfer impossible, especially with the Japanese preparing to invade the islands. So Brickley and Ryan go to work, first as message carriers between the Philippines and Corregidor, then, finally, as ship hunters. They record some successes, but it's a doomed effort: The Americans are hopelessly outnumbered by the Japanese, and with almost all of the Pacific Fleet destroyed at Pearl Harbor, they know help won't arrive to save them. As the Japanese push the U.S. forces back, Brickley and Ryan and their crews hop from island to island, scrounging supplies and taking casualties but keeping up the fight. Just as it appears that they will be forced to fight on Corregidor against the Japanese, they get rescued; they're ordered home to promote their PT-boat successes, and they take the last plane out, hoping to return and avenge their defeats. ~ Nick Sambides, Jr., All Movie Guide
- Starring:
- Robert Montgomery, John Wayne, (more)
- 1945
At 88 minutes, Here Come the Co-Eds is one of the longest of Abbott & Costello's Universal starring vehicles, and though not necessarily the best, it manages to sustain a high comic content throughout. The scene is a financially strapped girl's college, where professional dancer Molly (Martha O'Driscoll) lands a scholarship. Molly's manager-brother Slat (Bud Abbott) has arranged this as a means to publicize his sister's showbiz career, which angers the college's chairman of the board (Charles Dingle), who threatens to foreclose on the school. To keep tabs on Molly and also find ways of raising the mortgage money, Slats and his pal Oliver (Lou Costello) takes jobs as school caretakers, immediately running afoul of ill-tempered groundskeeper Johnson (Lon Chaney Jr.) One of Slats' schemes involves a championship basketball game, in which Oliver, hypnotized into thinking that he's petite female student "Daisy Dimple", effortlessly sinks one basket after another (Costello, a top high school athlete, performed these scenes without the aid of a double). What ultimately saves the college is a concert by Phil Spitalny and his all-girl orchestra, featuring "Evelyn and Her Magic Violin." While the obligatory chase scene in Here Come the Coeds (this time involving a sailboat on wheels!) is a disappointment, several of Abbott & Costello's comic setpieces are hilarious, notably the time-honored "Jonah and the Whale" routine and the "oyster in the chowder" bit. Funniest line: while performing a musical duet with costar Peggy Ryan, Costello sighs "I feel just like Donald O'Connor." ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1945
Arthur Lake took time off from his Blondie duties at Columbia to star in Republic's The Big Show-Off. Lake plays an obnoxious pianist who has eyes for beautiful Dale Evans (the same), but she is put off by his ceaseless boasting. Only when Lake is taken down a peg or two in a wrestling match does Evans exhibit any affection for the poor sap. This film looks suspiciously like a Joe E. Brown vehicle that was deferred to Lake when Brown either proved unavailable or too expensive. Dale Evans gets to sing twice in The Big Show-Off. Thankfully, Arthur Lake does not. ~ Hal Erickson, All Movie Guide
- Starring:
- Arthur Lake, Dale Evans, (more)
- 1944
Daphne du Maurier's novel formed the basis for this romantic adventure saga. Lady Dona St. Columb (Joan Fontaine), an English noblewoman, is unhappily married to the weak-willed Harry St. Columb (Ralph Forbes), while Harry's sinister best friend Lord Rockingham (Basil Rathbone) makes no secret of his desire for her. When she discovers the ship of a French pirate, Jean Benoit Aubrey (Arturo DeCordova), docked near her estate, she makes the acquaintance of the dashing buccaneer, and she soon finds herself infatuated with him. Dona impulsively joins Jean as he stages a raid against wealthy landowner Lord Godolphin (Nigel Bruce); when Dona learns that Harry and Rockingham plan to capture the pirate, she stages a dinner party to distract them and then sends word to Jean that he is in danger. Jean soon appears at the St. Columb estate, putting Harry and Rockingham behind bars and urging Dona to run away with him. She declines, choosing not to follow her heart but to instead stay home to raise her children; however, Rockingham overhears this conversation and uses it to blackmail Dona into having his way with her. Frenchman's Creek earned an Academy Award for Sam V. Comer's set decoration and design. ~ Mark Deming, All Movie Guide
- Starring:
- Joan Fontaine, Arturo de Cordova, (more)
In his second film for producer Sam Goldwyn, Bob Hope is felicitously teamed with luscious Goldwyn contractee Virginia Mayo. Hope plays Sylvester the Great, a two-bit entertainer "touring" the West Indies in the 18th century. Mayo is Princess Margaret, who is kidnapped by a rough, tough buccaneer known only as The Hook (Victor McLaglen). Through a series of unbelievable circumstances, Sylvester rescues Margaret, and the two of them pose as travelling troubadors in a treacherous Pirate colony, where people are stabbed and dumped in the ocean for nonpayment of rent and other such offenses. Disguising himself as The Hook, Sylvester is befriended by corrupt colonial governor La Roche (Walter Slesak), but only until the real Hook shows up. Things look bleak for Sylvester and Margaret, but salvation is on the way-as well as a surprising romantic denoument, when a "bit player from Paramount" (guess who?) shows up to steal the Princess away from Sylvester ("Boy, this is the last picture I make for Goldwyn!") No fewer than six writers teamed up for this Technicolor extravaganza, which though not as consistently hilarious as other Hope farces still holds up beautifully. The best performance is offered by Walter Brennan as an addled pirate named Featherhead, a character right out of a Tex Avery cartoon! ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Virginia Mayo, (more)
- 1944
Oriental Dream is the TV title for the 1944 Technicolor version of Kismet. Ronald Colman plays Hadji, "king of beggars" in the days of the Arabian Nights. Posing as a prince, Colman woos Marlene Dietrich, the favorite wife of the evil Wazir (Edward Arnold). Meanwhile, Colman's daughter Joy Ann Page falls in love with handsome Caliph James Craig--while the Wazir connives to get Page into his own harem. Several plot convolutions later, Colman ends up with Dietrich, Page winds up with Craig, and the Wazir winds up six feet under. Kismet was based on the war-horse stage play by Edward Knoblock, previously filmed in 1920 and 1930 with the play's original star Otis Skinner. The title Oriental Dream was bestowed upon the 1944 Kismet when it was remade as a musical in 1955. The earlier version had its musical moments as well, notably a delicious dance number spotlighting Dietrich, painted gold head from head to toe; an additional dance sequence was cut, but later showed up in the Abbott and Costello comedy Lost in a Harem (1944). ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Marlene Dietrich, (more)
- 1944
Lost in a Harem is arguably the best of Abbott & Costello's trio of MGM films; it's certainly the silliest, with any number of nonsensical plot twists and sidesplitting gags. This time, Bud Abbott and Lou Costello play Pete and Harvey, two American magicians stranded in a mythical Arabian Nights kingdom with songstress Hazel Moon (Marilyn Maxwell). Our heroes and heroine become involved with the trials and tribulations of Prince Ramo (John Conte), who hopes to rightfully reclaim his throne from his evil usurping uncle Nimativ (Douglas Dumbrille). Alas, the villain is armed with a pair of hypnotic rings with which he forces everyone to do his bidding: his most anti-social act is to kidnap and hypnotize the entire Jimmy Dorsey Orchestra! Pete, Harvey, Ramo and Hazel risk death at every turn to thwart Nimativ, encountering a giant guard (Lock Martin, later to play the robot Gort in The Day the Earth Stood Still), a gibbering lunatic (Murray Leonard) and a bevy of harem beauties along the way. The film's sets and costumes, as well as the more elaborate musical numbers, are "borrowed" from the recently completed MGM superproduction Kismet. While the plot is for the birds, Lost in a Harem is saved by the fast-and-furious antics of Abbott and Costello. And as a bonus, this is the film in which Bud and Lou, accompanied by Murray Leonard, perform those deathless burlesque classics "Slowly I Turned" and "Mike's Place." ~ Hal Erickson, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1943
In this musical comedy, a plucky young woman launches a successful campaign and becomes mayor of her tiny hometown. Now she must also rid her town of rampant corruption and get it back on track. Songs include: "If You Are There," "You're the Fondest Thing I Am Of," "I'm Not Myself Anymore" (Ned Washington, Phil Ohman), "Sleepy Lagoon" (Jack Lawrence, Eric Coates), "I'm On My Way," "I Do" (Buddy Pepper, Inez James), "Take It And Git" (James T. Marshall, Johnny Green). ~ Sandra Brennan, All Movie Guide
- 1943
In one of their most genial comedies -- based on a Damon Runyon story -- Bud Abbott and Lou Costello have to help one friend (Cecil Kellaway) replace his beloved carriage horse, and another friend (Leightno Noble) put together a US Army camp show. Through a misunderstanding, they take what they think is a worthless nag from a racetrack stall, only to discover that they've actually stolen "Tea Biscuit," the world's greatest racehorse. Not only are the authorities after the pair -- who try to hide the horse in their hotel room -- but so is freelance trouble-shooter Eugene Pallette (who already has had one unrelated run-in with the boys), and complicating matters even further are three racetrack touts (led by Shemp Howard) who want to cash in on the mistake. Grace McDonald and Patsy O'Connor), along with bandleader Noble and the Step Brothers, provide the music and dancing in this wild romp, that takes us from New York's Central Park to the racetrack at Saratoga. ~ Bruce Eder, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1943
In most of his movie vehicles, bandleader Kay Kyser played a bandleader named Kay Kyser. In Swing Fever, however, Kyser is cast as aspiring songwriter Lowell Blackford. Though he isn't too successful at peddling his songs, Blackford does have one unique talent: The ability to hypnotize boxer Killer Kennedy (Nat Pendleton) into winning fights. Blackford is coerced into using his "whammy" on Kennedy by Ginger Gray (Marilyn Maxwell). On the night of the championship bout, Blackford finds out he's being used, but goes through with his hypnosis to save Ginger from gangsters. The whole thing ends rather incongruously with a patriotic floor show, a specialty of MGM films of the period. Several guest performers lift Swing Fever out of the ordinary, including Lena Horne and the Merrill Abbott Dancers. Also appearing is an uncredited Ava Gardner as a sarcastic receptionist. ~ Hal Erickson, All Movie Guide
- Starring:
- Marilyn Maxwell, William Gargan, (more)
- 1943
In this wartime propaganda film, two Marine officers and their company go on leave when the Army takes over during the Guadalcanal invasion. Their leave is spent in Australia where one of the officers falls in love with a woman. His pal, afraid that there will be no turning back for his buddy, receives orders that send them both back to the US to train recruits. Naturally, his enamored friend is quite upset by this sudden turn and refuses to talk to his pal until a subsequent mission gives them the chance to stop briefly in Australia. There the lovers are finally wed, just before he goes to battle. ~ Sandra Brennan, All Movie Guide
- Starring:
- Pat O'Brien, Robert Ryan, (more)
- 1943
In their last starring film, The Ritz Brothers play the Three Funny Bunnies, a trio of nightclub comedians. The plot contrives to have our heroes pose as tough Chicago gangsters, which gets them mixed up with genuine hoodlums Tony (George Zucco) and Joey (Jack LaRue), a sexy pickpocket named Flo (Mary Beth Hughes), and a fortune in stolen jewels. With all this going on, who cares about nominal romantic leads Julie Russell (Frances Langford) and Dick Manning (Stuart Crawford)? There are some cute bits during the film's 60 minutes, and a clever closing gag, but all in all Never a Dull Moment seldom lives up to its title. Even so, the film received better reviews than some of the Ritzes' earlier efforts. ~ Hal Erickson, All Movie Guide
- Starring:
- Harry Ritz, Jimmy Ritz, (more)
- 1943
Mitchell Leisen utilizes his stylistic pizzazz to enliven this romantic comedy that proves the old adage "opposites attract" -- but only after three or four reels. Claudette Colbert is Katherine Grant, an upper-crust fashion photographer who has a gang of admirers snapping at her heels. When her vindictive editor tries to teach her a lesson for her snobbishness by giving her an assignment photographing lower-class workers digging a tunnel, she falls for Jim Ryan (Fred MacMurray). Ryan is also attracted to her, so when she leaves her camera tripod in the tunnel, Ryan obligingly returns it to her. When Ryan returns to the job site, he is ribbed by his co-workers. Ryan loses his head and gets into a fight and is subsequently suspended from his job. Katherine, feeling guilty about Ryan being suspended from his job (and also looking for an excuse to have him around), hires him as her assistant. But in his new job, Ryan starts to put the make on one of Katherine's flirtatious models, Darlene (June Havoc). Katherine must now find a way to overcome her superior attitude and make her true feelings known to Ryan. ~ Paul Brenner, All Movie Guide
- Starring:
- Claudette Colbert, Fred MacMurray, (more)
- 1942
No sooner had the Japanese bombed Pearl Harbor on December 7, 1941 than Republic Pictures managed to register the title Remember Pearl Harbor for copyright, beating out all the "major" studios in the process. The title was far more dramatic than the film attached to it, which has something to do with pugnacious American GI Lucky Smith (a rare non-western appearance by Don "Red" Barry). Our hero spends the first few reels being tossed in the stockade, often accompanied by his buddies Bruce Gordon (Alan Curtis) and Portly Potter (Maynard Holmes). Shortly after the demolition of Pearl Harbor, Lucky and Bruce uncover a gang of Fifth Columnists, operating in the Philippines. Shaping up in a hurry, Lucky volunteers to lead a suicidal air mission against a Japanese troop ship, thereby redeeming himself for inadvertently causing the death of his pal Portly in an earlier scene. Under closer scrutiny, Remember Pearl Harbor turns out to be a remake of 1940's Girl from Havana, itself a remake of the 1939 Roy Rogers western Rough Riders' Roundup, which was a remake of another 1939 effort, Forged Passport, which was first filmed in 1936 as The Leathernecks Have Landed! ~ Hal Erickson, All Movie Guide
- Starring:
- Don "Red" Barry, Alan Curtis, (more)
- 1942
In this musical, which manages to look back with nostalgia upon prohibition and the depression (no small accomplishment), George Raft plays George, a hoofer looking back on his glory days. His memories are triggered when The Paradise Club, a nightspot where he used to work, is about to be turned into a bowling alley. In the Roaring '20s, George and his partner Billie (Janet Blair) were a star attraction at The Paradise, run by Nick (S.Z. Sakall). George wants his relationship with Billie to be as graceful off-stage as on, but he has several rivals vying for her affections, including gangster Steve (Broderick Crawford) and policeman Dan (Pat O'Brien). Marjorie Rambeau plays Lil, modeled after brassy nightclub owner Texas Guinan. Raft actually worked for Guinan in his early days as a dancer, and he gets a chance to show off his fancy footwork accompanied by a number of classic tunes, including "Alabamy Bound", "Yes Sir, That's My Baby", "Sweet Georgia Brown", and "I'm Just Wild About Harry". Broadway was a loose remake of the 1929 Merna Kennedy vehicle of the same name. ~ Mark Deming, All Movie Guide
- Starring:
- George Raft, Pat O'Brien, (more)
- 1942
Produced by silent-film comedian Harold Lloyd, My Favorite Spy is a vehicle for bespectacled bandleader Kay Kyser, who resembles Lloyd more than somewhat. Just before embarking on his honeymoon with new bride Terry (Ellen Drew), Kyser is drafted into the Army. Proving to be a monumentally inefficient soldier, our hero is nonetheless pressed into service by US intelligence officer Major Allen (Moroni Olsen). It seems that Nazi agents have been passing secrets in the nightclub where Kyser's band performs, and Allen wants Kay to act as a counter-espionage agent. To maintain his cover, Kay is discharged from the army in disgrace, and is ordered to noisily make himself a "security risk", so that Nazi chieftan Robinson (Robert Armstrong) will invite Kay to join his spy operation. Trouble is, Kyser must keep his espionage activities secret from everyone-even his wife Terry, who is growing ever more impatient over Kay's unexplained absences from her boudoir. Making matters worse, Kyser is teamed with glamorous blonde secret agent Connie (Jane Wyman), whom Terry understandably suspects of being Kay's clandestine sweetheart. A multitude of slapstick situations follow, culminating in a wild chase through an abandoned theater, with Kay Kyser making like Harold Lloyd to rescue his wife from the Nazis. As directed by Tay Garnett, Kyser's ongoing marital woes seem more pathetic than funny; in addition, his Secret Service cohorts come off as the most sadistic bunch of "good guys" in screen history, bursting with laughter every time Kay's wife throws him out of their apartment. Even so, My Favorite Spy has a few genuine laughs, especially in the final reels. ~ Hal Erickson, All Movie Guide
- Starring:
- Ellen Drew, Jane Wyman, (more)
- 1942
The three stars of Universal's The Spoilers -- Marlene Dietrich, John Wayne and Randolph Scott -- were reunited for the pageantlike adventure yarn Pittsburgh. As indicated by the title, this is a saga of the steel industry, with longtime buddies Pittsburgh Markham (Wayne) and Cash Evans (Scott) rising from the ranks of miners to run their own foundry. Ruthlessly devoted to his work, Pittsburgh eventually has a falling out with Cash and also jeopardizes his romantic relationship with beautiful Josie Winters (Dietrich). Thanks to his duplicitous business practices, Pittsburgh loses both Josie and his steel mill; but when America enters WW II, he redeems himself by signing on as a common workman with Cash's still-thriving organization. Well acted and directed, Pittsburgh nonetheless lacks the extra spark which transforms a good film into a great one. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Marlene Dietrich, (more)
Maybe Errol Flynn was never the war hero that he often played, but he was a capable boxer, and Gentleman Jim makes full use of this skill. Flynn stars as Jim Corbett, the 19th-century American pugilist who introduced "scientific" methods to bare-knuckle boxing. Originally an office clerk, Corbett is introduced to the then-illegal sport of fighting when one of the bank executives sponsors the young man's training at the Olympic Club. His arrogance wins Corbett a few enemies, including high-born lady Victoria Ware (Alexis Smith), whose dislike turns to casual affection when she realizes that Corbett is a sincere young fellow who can back up his boasts. What "Gentleman Jim" desires most in life is a match with reigning heavyweight champ John L. Sullivan (Ward Bond). Corbett and Sullivan finally meet in a bout governed by those new Marquis of Queensbury rules that Corbett has helped popularize. Twenty-one epoch-making rounds later, Corbett emerges victorious. At the victory celebration, Sullivan and Corbett graciously exchange mutual words of respect and affection. At this point, Corbett has totally won over the lovely Victoria -- but hasn't quite convinced his brawling brothers that "scientific" boxing is the wave of the future, and the film ends with a typical Raoul Walsh-directed battle royal. More faithful to the facts than most Errol Flynn biopics (but still with enough poetic license to drive historical purists up a wall), Gentleman Jim is broad, boisterous entertainment. Though it looks expensive, the film was made under Warner Bros.' standard pinchpenny restrictions; if you look closely at that moored ship where Corbett has one of his first professional fights, you'll notice that it's a leftover set from the 1940 Errol Flynn swashbuckler The Sea Hawk. ~ Hal Erickson, All Movie Guide
- Starring:
- Errol Flynn, Alexis Smith, (more)
Lucille Ball delivers the finest dramatic performance of her career in this satisfying adaptation of Damon Runyon's The Big Street. Ball is cast as Gloria, aka "Your Highness," the vain and thoroughly selfish star attraction of gangster Case Ables' (Barton MacLaine) New York nightclub. Henry Fonda costars as busboy Little Pinks, who worships Gloria from afar. When Gloria is crippled by a fall downstairs-caused by a blow across the face by the sadistic Ables-Little Pinks selflessly waits upon the invalided and doggedly ungrateful songstress hand and foot. So devoted to Gloria is Pinks that he's willing to pilot her wheelchair from Manhattan to Florida so that she can renew her romance with callow playboy Decatur Reed (William Orr). Touched by Pinks' loyalty, his Runyonesque friends-Professor B (Ray Collins), Horsethief (Sam Levene), Mr. and Mrs. Nicely-Nicely Johnson (Eugene Pallette, Agnes Moorehead) and all the rest-raise enough money to open a Florida nightclub so that Gloria can put up a brave front. The ending is at once the most lachrymose and most effectively moving scene in the film, one that can only be spoiled if detailed here. Produced by Damon Runyon himself, The Big Street is one of the few completely successful filmed Runyon adaptations-as well as Lucille Ball's finest hour (and a half) on-screen. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Lucille Ball, (more)
