Lotte Stein Movies

Writer, director, and interviewer Bernhard Frankfurter also takes up a lot of camera time as he introduces and questions a series of professionals -- writers, directors, actors, and composers -- on how they survived the Hitler years (some went to Hollywood, others escaped elsewhere). Among those interviewed are actress Lotte Stein, composer Fred Spielman, and director Walter Henreid. Interviewee Paul Reisch may have survived Hitler, but then he ran into five years of blacklisting during the McCarthy era -- in spite of being an entrenched monarchist. A few stories like his make for an interesting commentary on this period and its aftermath. ~ Eleanor Mannikka, All Movie Guide

This 1953 tear-jerker is the third film version of the Edna Ferber novel So Big. Stepping into the role previously essayed by Colleen Moore and Barbara Stanwyck, Jane Wyman plays Selina, a girl of wealth who comes to a Dutch community outside Chicago as a schoolteacher. Here Selina falls in love with poor but big-hearted truck farmer Pervus DeJong (Sterling Hayden). When Pervus dies, Selina is left a widow with a small son and little else to her name. Through grit and perseverance, Selina single-handedly raises the boy, who grows up to be architect Dirk DeJong (Steve Forrest). Taking a cue from his self-sacrificing mother, Dirk devotes himself to creativity rather than money-grubbing while pursuing his profession. Meticulously produced, So Big is one of the better "saga" soapers of the 1950s, with Jane Wyman repeating her "aging" process from 1951's The Blue Veil. ~ Hal Erickson, All Movie Guide

Glenn Ford stars as American pilot Martin Ordway, who joins an expedition to scale a treacherous Swiss mountain peak. Each of the climbers has a special reason to reach the top. Dissolute French author Paul DeLambre (Claude Rains) is searching for a purpose in life; guide Andreas (Oscar Homolka) is doing his job; British naturalist Nicholas Radcliffe (Sir Cedric Hardwicke) hopes to uncover new forms of flora and fauna; Carla Alton (Alida Valli) wants to conquer the mountain that claimed her father's life; Ordway has fallen in love with Alton and wants to be near her; and ex-Nazi Mr. Hein (Lloyd Bridges) hopes to escape his past. As the climb progresses, each member of the party reveals his or her true character, and it isn't always pretty. Originally slated to be produced by Adrian Scott and directed by Edward Dmytrk, The White Tower was assigned to Sid Rogell and Ted Tetzlaff when Scott and Dmytrk were blacklisted. Another future blacklistee, Paul Jarrico, adapted his screenplay from a novel by James Ramsey Ullman. ~ Hal Erickson, All Movie Guide

Based loosely on the Dostoyevsky novel, The Gambler stars Gregory Peck as a sensitive 19th-century Russian author. His "great sin" is gambling, which starts when he attempts to rescue aristocratic Ava Gardner from the gaming tables. He succeeds, only to lose himself to gambling fever, which costs him his friends, his reputation and his talent. Director Robert Siodmak was never happy with the screenplay for The Great Sinner, constant revisions bloated the film's rough-cut running time to nearly six hours! After Siodmak pared the film down, MGM insisted that the director reshoot the love scenes. Siodmak refused, thus the new sequences were filmed sans screen credit by Mervin LeRoy. ~ Hal Erickson, All Movie Guide

When Universal went briefly out of the "B" horror film business in 1946, the studio sold two of its productions to other studios. The Brute Man went to PRC, while The Creeper was shipped off to 20th Century-Fox, where it lay on the shelf for nearly two years before its release. Dr. Morgan (Onslow Stevens) and Dr. Cavigny (Ralph Morgan) star as a brace of scientists who return from the West Indies with a potent, phosphorescent serum that allegedly changes human beings into cats. Though the medical value of this serum is rather doubtful, that doesn't stop Morgan from experimenting on human guinea pigs-nor from killing Cavigney when the latter disapproves. All sorts of mayhem transpires before the clawed, meowing "Creeper" is halted in his paw-tracks. Though billed first, Eduardo Ciannelli has little to do in his red-herring role. ~ Hal Erickson, All Movie Guide

A woman looks back at her childhood in show business in this musical comedy. At the turn of the century, Myrtle McKinley (Betty Grable) is working her way through business school and gets a job dancing at a San Francisco vaudeville house. She meets fellow hoofer Frank Burt (Dan Dailey), and they soon fall in love. Marriage follows, and Myrtle and Frank begin performing a song and dance act on the road. Myrtle leaves the act when she becomes pregnant with the first of two children, but when the kids are old enough to go out on tour, she and Frank work them into the act, and they learn to live out of a suitcase like their parents. Years later, Iris (Mona Freeman) and Mikie (Connie Marshall) are attending college when they learn that Mom and Dad have pulled their act out of mothballs -- and are booked to perform at a theatre near their campus. Mother Wore Tights won an Academy Award for Best Musical Score, and it was nominated for Best Song ("You Do") and Best Color Cinematography; the great Mexican ventriloquist Senor Wences appears as himself. ~ Mark Deming, All Movie Guide

Inspired by actual events, Cloak and Dagger was first major "atomic power" melodrama of the postwar era. Gary Cooper stars as bookish physics professor Alvah Jesper, a character obviously based on A-bomb codeveloper J. Robert Oppenheimer. Pressed into service by the OSS in the last months of WW2, Jasper is sent to Europe in search of Dr. Polda (Vladimir Sokoloff), an atomic scientist held captive by the Nazis. In Switzerland, Jesper quickly runs afoul of enemy spies who murder the only person to know Polda's whereabouts. Moving on to Italy, he links up with the partisans, falling in love with gorgeous resistance fighter Gina (Lilli Palmer). Adopting a disguise, Jesper finally locates Polda and spends the last few reels in a desperate dash to freedom. Screenwriters Albert Maltz and Ring Lardner Jr. had originally intended Cloak and Dagger as a warning to a complacent America. Director Fritz Lang recalled in later years that, as conceived and filmed, the ending was to have occured after Jesper and a group of Allied soldiers stumbled upon the ruins of a secret Nazi A-bomb factory, as well as evidence that the German scientists had fled to parts unknown with their atomic secrets intact. "It's day one of the Atomic Age", Jesper was to have noted ruefully, "And God help us if we think we can keep it a secret much longer." This lengthy coda was removed from the final release print, transforming a thought-provoking drama into a mere romantic thriller. ~ Hal Erickson, All Movie Guide

Vicki Baum, the author of the novel Grand Hotel, also wrote this similarly structured tale about a group of disparate characters brought together in a towering hotel in Germany as the nation teeters on the verge of collapse near the end of World War II. Martin Richter (Helmut Dantine), a member of Germany's anti-Nazi underground, has escaped from a prison camp and is now on the run from the Gestapo; he's hiding out at the Hotel Berlin, once a palace of luxury but now a shadow of it's former glory. Martin used to work with Johannes Koenig (Peter Lorre), once a renowned scientist before he was forced to use his gifts for his Nazi captors; he now lives under an assumed name and scrapes by as a waiter rather than support the Axis war machine. Arnim Von Dahnwitz (Raymond Massey) is a disgraced Nazi general on the outs with Gestapo leader Joachim Helm (George Coulouris), who has a lot on his mind -- he's looking for Martin, he's riding herd over Arnim, and he has designs on Arnim's mistress, Lisa Dorn (Andrea King). Lisa, a stage actress of some success, is one of the few at the hotel who is able to live in some semblance of the glamour of Berlin's glory days; her wardrobe makes her the envy of Tillie Weiller (Faye Emerson), the hotel's concierge who pretends to be everyone's friend but is actually keeping tabs on the anti-Nazi activities of her tenants and is preparing to turn them in to the Gestapo. Hotel Berlin was completed in great haste, since midway through production it became obvious that Berlin would soon fall and the war in Europe would be over. Warner Bros. was so eager to get the film into theaters -- before the war's end would make the film seem dated -- that Hotel Berlin went through the studio's editing department in less than a week. ~ Mark Deming, All Movie Guide

Although coming in at an odd running time -- 40 minutes -- this interesting, low-budget drama looks at the adventures, or rather misadventures of a sailor (Paul von Schreiber) with a weekend leave in Los Angeles. The seaman is a country boy unused to the ways of big city women and so he gets his first shock when he picks up a comely lass and takes off with her for a few drinks together -- only to have her deliver a fanatical religious diatribe to the bar's customers. The second shock comes when a woman from a dance hall captures his fancy, then demands a ten-spot for the time she has spent with him. After the city, the ship may look pretty good. ~ Eleanor Mannikka, All Movie Guide

Newlywed bliss surround O'Driscoll and Beery until they get on board the ship for their honeymoon in South America. Then she starts sneezing, and hay fever's uncontrollable grip does not seem to want to let up. They try everything, then finally seek out a doctor on the ship. The trouble is compounded when the physician they find, Bruce, falls for the new bride. His diagnosis: Beery is the cause of the sneezing. She is allergic to him. ~ All Movie Guide

Susanne Macht Ordnung (Susanne Cleans Up) top-bills Truus von Alten in the title role. Ostensibly orphaned, boarding-school resident Susanne believes that her parents are still alive. Determining to find out the identity of her father and mother, she greets the male half of five different married couples with a "Hello, Papa!" This has the negative result of breaking up each couple. Thus it is that Susanne "cleans up" her mess by arranging for the five couples to meet "by accident" in the same nightclub. Once again, Szoeke Szakall (aka S. Z. Sakall) steals everything but the cameras. ~ Hal Erickson, All Movie Guide

Hot on the heels of her dual-role tour de force in Kohlhisel's Tochters, German comedienne Henny Porten went dramatic -- with a vengeance! -- in Mutterliebe (Mother Love). After five years' marriage, poor Maria (Porten) is still childless. In frustration, her husband strays from home and hearth, impregnating the girl next door. Maria files for divorce and heads to the city, where she gets a job as a governess in the home of a loose-living wealthy woman. She immediately falls in love with the woman's cute little daughter (Inge Landgut), and the feeling is mutual. When she's summarily fired, Maria desperately kidnaps the child but is arrested before she gets very far. A sympathetic judge releases Maria, who unexpectedly finds happiness when the cuckolded husband of her former employer divorces his wife and proposes marriage to our heroine -- and the child is part of the bargain! ~ Hal Erickson, All Movie Guide