Edgar Stehli Movies
In movies -- a career path that he didn't begin until he was 71 years old -- Edgar Stehli was known as a gifted character actor, capable of making small parts memorable and transforming larger supporting roles into parts rivaling the stars' prominence in whatever work he was in. He naturally played old-man parts, in everything from Westerns (No Name on the Bullet) to science fiction and fantasy (4D Man, the Twilight Zone episode "Long Live Walter Jameson"), and was in numerous major movies, including Robert Wise's Executive Suite and John Frankenheimer's Seconds. But for 40 years before that, he was a successful stage actor and, later, a busy radio actor as well.Born in Paris, France in 1884, Stehli came to America at age three and was raised in Montclair, NJ, where he resided his entire adult life. He attended Cornell University and earned a master's degree in Teutonic languages. He was planning on a career as a linguist when fate -- in the form of a touring company doing the play Raffles -- came through town and enlisted Stehli for a small role as a butler. From that point on, there was no looking back for Stehli, who abandoned linguistics in favor of the theater. Every few years after that, some critic or other, either in New York's Greenwich Village or some venue to the west, north, or south, would "discover" a great "new" talent in Edgar Stehli, as Bunthorne in a Village production of Patience or playing Osric on-stage with John Barrymore in Hamlet. He was never without work and ultimately cast in great roles in major plays, including portraying Dr. Einstein in Arsenic and Old Lace to Boris Karloff's Jonathan Brewster. As a New York-based actor, film work eluded Stehli for the first 50 years of his career, and didn't seem to interest him. Instead, he turned to radio, most visibly as the voice of the sagely Dr. Huer in Buck Rogers, although by his own account he played hundreds of judges and other characters routinely defined as older authority figures. He turned to television -- which was also mostly produced in New York in those days -- in the late '40s, and it wasn't until 1954, when Stehli was 71, that he made his movie debut. With his wrinkled features, slightly raspy yet gentle voice, and wizened yet troubled eyes, he often was called upon to play crafty or tormented old men (who were sometimes both, witnessed by his work as Dr. Carson, the aging head of the research lab in Irvin S. Yeaworth's 4D Man, concerned about his advancing age and fading reputation, and not above stealing or being complicit in the theft of an idea or invention). One of his best screen roles, oddly enough, was in a Western, Jack Arnold's No Name on the Bullet (1958), as an ex-judge who is hiding a secret that may kill him before his terminal illness does. And in the Twilight Zone episode "Long Live Walter Jameson," he is fascinating to watch as an aging academic who learns, to his horror, what beating the aging process has done to a "younger" colleague of his. Stehli worked all through the '60s, in every genre from drama (Parrish) to sci-fi and fantasy (Seconds, Atlantis, the Lost Continent). He retired in 1970 and passed away three years later, at age 90. ~ Bruce Eder, All Movie Guide
Irvin Kershner directed this comedy-drama about one man's struggle with relationships and himself. Brooks (George Segal) is a middle-aged commercial artist who is at a personal and professional crossroads; he wants to take a stab at a career in fine art, but he can barely land enough assignments to support himself as it is. And while his marriage to Selma (Eva Marie Saint) is starting to collapse, his mistress Grace (Janis Young) suggests that she would like a relationship of greater permanence with him. Hoping to land an important commission from Lepridon (Sterling Hayden), a powerful business mogul, Brooks attends a party at an exclusive private club, but after a few cocktails too many, Brooks gets into a screaming match with one of the club's leaders. Brooks is depressed, figuring that he's blown what could have been a major career opportunity, when word travels through the grapevine that Lepridon was amused and impressed by Brooks' dressing-down of the club's topkick and is ready to give him the job. Brooks is elated, but he wants to keep his good news a secret for the time being; in a celebratory mood, he goes to a party where Selma, Grace, and a number of his friends are also in attendance. Brooks is approached by Nelly (Nancy Phillips), the wife of his neighbor Will (David F. Doyle); Nelly wants Brooks to join her for a quickie, and he eagerly agrees, not realizing that the children's playroom where they've chosen to meet is monitored by a closed-circuit TV camera, with the other party-goers an audience for their lovemaking. Loving garnered many enthusiastic reviews and became something of a cult item among film buffs in the 1970s; Sherry Lansing, who would later become a powerful producer and studio president, appears in a small role as Susan. ~ Mark Deming, All Movie Guide
- Starring:
- George Segal, Eva Marie Saint, (more)
- 1968
Released theatrically overseas, How to Steal the World was comprised of two episodes from the American TV series Man from U.N.C.L.E. U.N.C.L.E. agents Napoleon Solo (Robert Vaughn) and Ilya Kuriakin (David McCallum) investigate when fellow agent Barry Sullivan and European general Leslie Nielsen disappear. Shortly afterward, five of the world's top scientists are mysteriously abducted. The trail leads to the Himalayas, where Sullivan has set himself up as potential world dictator, hoping to use the combined talents of the scientists to build a device that will spread mind-controlling gas throughout the planet. How to Steal the World was originally telecast in two weekly installments as the "The Seven Wonders of the World Affair"--the final two episodes of Man From U.N.C.L.E., which had been cancelled by NBC to make way for Rowan and Martin's Laugh-In. ~ Hal Erickson, All Movie Guide
- 1967
Expanded from a two-character play by Murray Schisgal, this comedy stars Eli Wallach as Ben Harris, a disgruntled New York City mail carrier. Harris is fed up with being cheated by his landlords, the Kellys (Roland Wood and Ruth White), so he terrorizes them and the city's housing authority until they agree to give him a new apartment. Not satisfied, Harris "goes postal" by kidnapping a bored suburban housewife, Gloria Fiske (Anne Jackson) and taking her back to his apartment. To his surprise, he finds that Gloria also hates the world, and they become fast friends. He eventually lets her go but follows her home. When he tries to climb into her window, her husband Jerry (Bob Dishe) chases him away. Harris returns to his apartment building, where the Kellys invite him in to watch TV, and somehow this soothes his wrath. Dustin Hoffman has a small role as a hippie named Hap. ~ Michael Betzold, All Movie Guide
- Starring:
- Eli Wallach, Anne Jackson, (more)
Arthur Hamilton (John Randolph) is a listless Manhattan businessman who lives with his wife in the New York suburbs. One day, he runs into an old friend (Murray Hamilton) whom he thought had died. The friend leads him to The Company, a secretive operation run by The Old Man (Will Geer). The Company is a high-tech service which, for a price, provides older men with plastic surgery, a beefed-up body, and a fresh start in life. To cover the "disappearance," a middle-aged male cadaver is "killed" in a hotel fire. Hamilton submits to the operation that will turn him into a "Second," and when the bandages are removed, he's shed twenty years, renamed Tony Wilson and is portrayed by Rock Hudson. The Company creates a new identity for Hamilton, relocating him in a hedonistic California beach community with an identity as a painter. Celebrating during a local wine festival, Hamilton has his revelry cut short when he learns that all his new young friends are Seconds like himself and suddenly feels trapped in these surroundings. Unfortunately, finding a way out isn't nearly as easy as it was to find a way in. ~ Hal Erickson, All Movie Guide
- Starring:
- Rock Hudson, Salome Jens, (more)
- 1963
Former TV leading man Richard Chamberlain plays a young lawyer about to take on an important murder case. He is shepherded through this big break by veteran attorney Claude Rains. The client is the disreputable Nick Adams, who seems determined to sabotage his own case. But a last-minute scrap of evidence saves the day and establishes Chamberlain's reputation. Based on a novel by Al Dewlen, Twilight of Honor was released in Britain as The Charge is Murder. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Chamberlain, Joey Heatherton, (more)
- 1962
Since it was released in the same year as his masterpiece, To Kill a Mockingbird (1962), it is ironic that this drama was probably the least liked of director Robert Mulligan's films. A stiff adaptation of a novel by Dutch author Jan DeHartog, the film stars Rock Hudson as Dr. Anton Drager, an opportunistic atheist who travels with his wife Els (Gena Rowlands) to the jungles of Java in 1936. Drager is to become the new right-hand man of famed Dr. Brits Jansen (Burl Ives), a legendary humanist who works with lepers and is rumored to have done groundbreaking work that Drager believes could make him famous and wealthy. Trouble with a native witch doctor practicing black magic leads to a crisis of conscience for Drager, however, forcing him to reevaluate his self-centered philosophy. A former divinity student at New York's Fordham University, Mulligan may have been intrigued by the material's spiritual bent, but his direction is uninspired, and The Spiral Road (1962) was not considered a success. ~ Karl Williams, All Movie Guide
- Starring:
- Rock Hudson, Burl Ives, (more)
- 1961
A scenic, tobacco-road soap opera by director Delmar Daves, known more for his westerns, Parrish features Troy Donahue in the eponymous title role. Parrish's mother Ellen (Claudette Colbert in her last movie role) happens to marry one of two competing tobacco growers in the Connecticut River Valley. Her new husband and Parrish's stepfather Judd Raike (a snarling Karl Malden) drums the tobacco business into Parrish, alienating him in the bargain. The lad is soon romancing three different women: Judd's daughter Paige (Sharon Hugeny), the daughter of Judd's arch-rival, and a wanton woman of the tobacco fields. Now all that remains is for the romance and the rivalry to shake down into the winners and losers. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Troy Donahue, Claudette Colbert, (more)
Director Frank Capra's last feature film, Pocketful of Miracles is a Technicolor remake of his 1933 film Lady for a Day. A barely recognizable Bette Davis plays Apple Annie, the besotted, unkempt, rag-clad street vendor who controls the activities of all the beggars on Broadway. Apple Annie is the pet of Dave the Dude (Glenn Ford), a tough but basically kind-hearted gangster who believes that Annie's apples bring him luck. One morning, Annie fails to show up at her usual corner. That's because she is sitting disconsolate in her squalid shack, contemplating suicide. The reason: Annie has received a letter from her daughter Louise (Ann-Margret, in her screen debut). Annie has been supporting Louise's high-priced European education, leading the girl to believe that she, Annie, is a high-society dowager. Now Louise is returning home with her wealthy fiance Carlos Romero (Peter Mann) in tow, and it looks as though Annie's cover will be blown to bits. Partly out of sympathy, but mostly because of his superstitious belief in the power of Annie's apples, Dave the Dude arranges with his Broadway cohorts to "doll up" Annie so that she can pass as a woman of means, then stage-manages a huge, expensive reception for Louise and her beau. The complications that ensued in the original 1933 version of Lady for a Day exercise their prerogative once more, with a few added plot twists to pad out Glenn Ford's screen time. Cutting through the sentimental goo like a machete is Peter Falk, who is hilarious as Dave the Dude's sarcastic bodyguard. Evidently, Falk was one of the few actors on the set of Pocketful of Miracles with which Capra remained sympatico throughout shooting. In his autobiography (a not altogether reliable tome), Capra insisted that Pocketful of Miracles was ruined by Glenn Ford's autocratic and self-serving on-set behavior, and by Ford's demand that his current lady friend Hope Lange be (mis)cast as brash nightclub chirp Queenie Martin. As usual, Capra was not telling the whole story: at 63, he was beginning to lose his grip on his movie-making skills, allowing every scene to run well past its value and concentrating on cute isolated "bits" rather than the story at hand. Way too long at 136 minutes (Lady for a Day ran but 90), Pocketful of Miracles still has a lot going for it, especially the glowing performance of Bette Davis and the basic, foolproof Damon Runyon story on which it is based. While it disappointed at the box office, Miracles has since its release become a Christmastime TV perennial, seldom failing to draw big ratings numbers. ~ Hal Erickson, All Movie Guide
- Starring:
- Glenn Ford, Bette Davis, (more)
- 1961
Director George Pal is noted as a special effects maestro, both in films for children that feature his "puppetoons" and in sci-fi spectacles like the War of the Worlds. So it is no surprise that this sci-fi yarn about the fabled sunken continent of Atlantis should excel in the special effects department. Otherwise, the story is a clichéd tale about Demetrios (Anthony Hall) a Greek fisherman who is tempted into going to Atlantis by Antillia (Joyce Taylor), a princess of that doomed land. Demetrios is soon trapped into slavery, a situation which leads him to hobnob with the oppressed masses and plan a strategy to get them out of there before the rumblings of imminent submersion send the whole kit and caboodle into the briny deep. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Anthony Hall, Joyce Taylor, (more)
- 1961
In his third Untouchables appearance, Nehemiah Persoff impersonates another real-life gangland figure, in this case the notorious "beer baron" Waxey Gordon. Riding high on the hog after cornering the New Jersey beer market, Waxey has no compunction about killing or double-crossing everyone in sight to advance his career--and even manages to dally with two sexy chorines in the process. But Ness isn't about to turn down the heat on Waxey, and by episode's end he has managed to come up with a novel method of gathering enough evidence to beard the "baron" in his own den. This is the episode in which a mob conclave is staged in the manner of a medieval banquet, replete with a "castle", a battalion of lackeys and a baroque musical score. ~ Hal Erickson, All Movie Guide
- 1960
College professor Kittridge (Edgar Stehli) cannot understand why the history lectures of his future son-in-law, Professor Walter Jameson (Kevin McCarthy), seem so vividly real -- as if Jameson were actually present at the incidents he describes. It turns out that Jameson is actually several hundred (if not several thousand) years old, and that he has been blessed -- or cursed -- with the gift of immortality. Only the intervention of a "ghost" from Jameson's past can prevent him from ruining the life of Kittridge's daughter Suzanna (Dody Heath). Boasting a powerful script by Charles Beaumont, not to mention the makeup prowess of William Tuttle, "Long Live Walter Jameson" made its first TV appearance on March 18, 1960. ~ Hal Erickson, All Movie Guide
- Starring:
- Kevin McCarthy, Edgar Stehli, (more)
- 1960
The scene is a three-room shack at the end of a broken train rail, where dwell a careworn mother named Nan (Anna Karen), her dreamy-eyed son Doug (Donald Losby), her cynical daughter Callie (Candy Moore), and Grandpa (Edgar Stehli), a former railroad worker who talks only of the past. Despite their squalid surroundings, Grandpa assures the children that life is worthwhile if they only have the patience to "look and listen"; he also promises little Doug that he'll never leave him without saying goodbye. But Grandpa dies before keeping his promise, breaking Doug's heart...until a strange and wonderful manifestation occurs. ~ Hal Erickson, All Movie Guide
James Congdon plays Tony Nelson, a brilliant but foolhardy young scientist who is experimenting with matter and its relationship to time and space. Using a specially designed amplifier, he thinks he has found a way of releasing matter from the time and space that it occupies, thus allowing its atoms to freely intermingle with any surrounding matter without losing its integrity. After accidentally destroying the lab where he is working, he goes to his older brother Scott (Robert Lansing) for help. Scott is even more brilliant than Tony, but is his opposite in every other way: very orthodox, highly respected in his field, and also horribly overworked in his job and responsibilities. The two also have a fiercely competitive relationship that becomes more strained when Tony develops an attraction to Linda Davis (Lee Meriwether), Scott's fiancée. In testing Tony's equipment, Scott gets the experiment to work, passing one object through another, and achieves much more; his own hand accidentally passes through one of the test objects, gets caught, and then released. When he tries to repeat the experiment for Tony, he again passes his hand through the test object, and then discovers that the amplifier isn't functioning properly; the power to move into 4D is now being channeled through his own brain. He can pass through any solid object at will, and the previously staid, stolid scientist is uncharacteristically exultant at this success, though it seems to nullify the project he has spent years working on, the development of a supposedly impenetrable substance. Possessing this power causes Scott's basest desires to emerge for the first time; he starts out by going on a robbery spree, passing through locked bank vaults and stealing the financial reward that has been denied him in his job. The truly dire consequences of his new-found powers emerge the next morning, however, when Scott awakens to discover that he looks and feels at least 15 years older; apparently, using his new ability to move into 4D drains his life force. Worse yet, he discovers that he can replenish his life energy, but only by passing himself through people; this contact restores him, but accelerates their aging so that they shrivel up and die in seconds. Scott is riven by the struggle between his basic decency and his desire to survive, coupled with his now unbridled lust and greed, and the body count keeps rising as he rampages through the city. The police are unable to stop him, and Tony, feeling more responsibility than he's ever displayed before, prepares to turn the 4D amplifier on himself so that he can battle his brother. It is Linda, however, who takes the ultimate risk, luring Scott back to normal one last time. The story is exciting (albeit a bit grim) and played in a lively fashion, and the careful use of Ralph Carmichael's jazz-based score to accent the action also helps set 4D Man apart from other science fiction films of the era. ~ Bruce Eder, All Movie Guide
- Starring:
- Robert Lansing, Lee Meriwether, (more)
- 1959
In this routine business-story-cum-romantic-comedy, James Garner is Cash McCall, a wheeling and dealing tycoon, and Natalie Wood is Lory Austen, the daughter of failing businessman Grant (Dean Jagger). McCall's expertise lies in acquiring businesses about to go belly up, attaching them to successful enterprises and then taking a large tax deduction on the resultant equation. Those deals are enhanced when the once-failing business is then sold at a profit. This is a savvy gambit for late '50s movie fare, but its proponent begins to have second thoughts when he comes up against the attractive Lory -- who is not afraid of baring all for a good cause. The well-known co-stars and others like Nina Foch and E.G. Marshall do their best with a limited script. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- James Garner, Natalie Wood, (more)
John Gant (Audie Murphy) rides into the town of Lordsburg and quietly checks into the hotel. He doesn't say much, nor does he need to -- his mere presence does the talking. Gant is a killer, a hired assassin, a gunman with 23 dead men to his credit, but he is not a murderer or a criminal; all of his killings have been legal, a result of self-defense when the men he was after drew on him. When he comes to a town, someone dies as surely as if he were the angel of death -- he even tells the town doctor in Lordsburg (Charles Drake) that he's in "a similar line of work," and ends up playing chess with him. Who has he come to "see" in Lordsburg? No one is sure, but as the sheriff (Willis Bouchey) tells his deputy, it will be mighty interesting watching the leading citizens over the next few days. Sure enough, the town banker (Whit Bissell) locks himself in his office with a gun, his business partner starts packing iron for the first time in his life, the man they cheated in their dealings is also going armed; and one guilty cuckold (Warren Stevens) is positive his ex-rival has paid Gant. Less than 12 hours after that, there's no law left in Lordsburg, every dirty little secret in every man's past starts bubbling to the surface, and gunplay has broken out in the streets between the men who think their respective rivals have brought Gant to town. ~ Bruce Eder, All Movie Guide
- 1958
Mr. Johnson (Edgar Stehli) claims to have had a vision of the serial strangler who is terrorizing the city. Unfortunately, no one will listen to Mr. Johnson: not the police, not his priest (Rusty Lane), not even his own wife (Edith Evanson). Besides, the cops already have a suspect in custody, and the case against the man seems airtight. But Johnson insists that his vision is accurate -- and tragically, it turns out to be just that. ~ Hal Erickson, All Movie Guide
- 1958
Dostoyevsky's novel The Brothers Karamazov is given a Hollywood screen treatment by producer Pandro S. Berman and director Richard Brooks. Yul Brynner plays Dmitri Karamazov, a callous Russian officer who cuckolds his domineering father (Lee J. Cobb) with the old man's mistress Grushenka (Maria Schell). Richard Basehart is Dmitri's intellectual brother Ivan, while William Shatner is the pious Alexey Karamazov; both men eventually enjoy the attentions of the willing Grushenka. The Karamazovs' half-brother is Smedyakov (Albert Salmi), an epileptic whose purpose in the story is clarified after the family patriarch's murder. It is now part of Hollywood folklore that Marilyn Monroe fought long and hard to be cast as the enigmatic Grushenka. ~ Hal Erickson, All Movie Guide
- Starring:
- Yul Brynner, Maria Schell, (more)
- 1958
The greedy relatives of wealthy Daniel Reed (Edgar Stehli) want to have him committed to a mental institution, using as evidence the fact that he has been issuing $20,000 checks to strangers. Perry is hired by Reed's girlfriend Millie Foster (Kitty Kelly) to prevent the old man from being put away. Before long, however, Perry is defending Reed on a murder charge--and the victim is the recipient of all those checks, a slimy blackmailer named Maury Lewis (King Calder). In the course of events, Perry is amazed that each and every one of his legal moves has been anticipated by DA Hamilton Burger (William Talman); can it be that Burger has ordered Mason's office to be bugged? This final episode of Perry Mason's first season is based on a 1939 novel by series creator Erle Stanley Gardner. ~ Hal Erickson, All Movie Guide
- 1957
Left to die by his greedy partner Jed Lamer (Grant Withers) in the wintry plains outside Dodge City, elderly buffalo hunter Ira Puckett (Edgar Stehli) manages to survive the ordeal thanks to Doc (Milburn Stone). Unfortunately, Ira's legs have been permanently damaged by the below-zero weather and he is unable to find work. Matt (James Arness) is sympathetic, but he can do little to help Ira, nor has he any legal grounds to arrest Lamer. A happy ending may not be in the cards for old Ira in this melancholy episode, adapted from the Gunsmoke radio broadcast of January 1, 1956. ~ Hal Erickson, All Movie Guide
- 1956
One of the most ambitious productions ever undertaken during the era of "live" television, this adaptation of Walter Lord's best-seller A Night to Remember successfully conveys the full scope and horror of the sinking of the superliner Titanic on April 14, 1912. Utilizing seven cameras, 31 different sets and over 100 actors, director George Roy Hill (Butch Cassidy and the Sundance Kid, The Sting), meticulously recreates the last three hours of the Titanic from the moment it struck an iceberg in the North Atlantic to its final descent beneath the waves, carrying some 1500 souls to a watery grave. Like Lord's book, John Whedon's adaptation emphasizes the element of fate in the tragedy, noting the hundred-and-one ways in which the disaster could have been averted, and also offers brief, poignant character vignettes, illustrating individual moments of courage and cowardice. Although there is plenty of dialogue, the dominant voice in the proceedings is narrator Claude Rains, who dispassionately dispenses the chronology of the disaster, minute by minute, as the viewer watches them unfold. Featured in the enormous cast is a pre-Avengers Patrick Macnee as Thomas Andrews, benighted designer of the Titanic. This version of A Night to Remember was originally telecast as an episode of the NBC anthology Kraft Television Theater; it was subsequently restaged for British viewers by the BBC, and was ultimately adapted as a theatrical feature in 1958 (long, long before either Kate Winslet or Leonardo DiCaprio were even born). ~ Hal Erickson, All Movie Guide
- 1955
William Gibson's novel The Cobweb was brought to the screen by MGM with an impressive, hand-picked cast. Richard Widmark plays the head of a posh psychiatric clinic. Widmark's wife Gloria Grahame jockeys for the honor of selecting new drapes for the hospital's library. One wouldn't think that such a trivial decision would spark so much melodrama; but thanks to those drapes, we are allowed to probe the disturbed psyches of martinet business affairs director Lillian Gish, philandering doctor Charles Boyer, lonely activities director Lauren Bacall, and suicidal patient John Kerr. Oscar Levant, who spent most of his life in and out of "little white rooms", is ideally cast as a neurotic musician, while Fay Wray has a superb cameo as Boyer's long-suffering wife. Cobweb served as the screen debuts for both John Kerr and Susan Strasberg. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Widmark, Lauren Bacall, (more)
- 1954
Though heavily advertised as Delmar Daves' Drum Beat, this film owed its existence to producer-star Alan Ladd. The star is cast as a veteran Indian fighter Johnny MacKay, who because of his close relationship with the Medoc tribe is sent out to negotiate a peace treaty. Once he has arrived in Medoc territory, Johnny (Ladd) must contend with the misspent emotions of his childhood sweetheart Toby (Marisa Pavan), the sister of Indian chief Manok (Anthony Caruso). Jealous over Johnny's relationship with pretty Nancy Meek (Audrey Dalton), Toby has cast her lot with renegade warrior Captain Jack (Charles Bronson), who honors no treaties. Though the film has a Native American villain, Drum Beat is largely sympathetic to the plight of the Indian. Based on a true story, the film is distinguished by J. Peverell Marley's breathtaking exterior photography, and by Victor Young's ballad-like musical score. ~ Hal Erickson, All Movie Guide
- Starring:
- Alan Ladd, Audrey Dalton, (more)
Cameron Hawley's novel Executive Suite appeared around the same time as two other tales of big-business intrigue, the 1954 film A Woman's World and the 1955 Rod Serling teleplay Patterns. Elements of all three properties inevitably overlap. In Executive Suite, a furniture-store executive dies suddenly, resulting in a power play between five of his vice presidents. Julia O. Tredway (Barbara Stanwyck), daughter of the company founder and mistress of the president, must choose between solid family man McDonald Walling (William Holden), blackmail-prone Josiah Walter Dudley (Paul Douglas), ruthless Loren Phineas Shaw (Fredric March), duplicitous George Nyle Caswell (Louis Calhern), and eternal corporate bridesmaid Frederick Y. Alderson (Walter Pidgeon). Only Walling, the most honest of the bunch, refuses to campaign for the presidential chair. Despite the presence of the A-list leads and of supporting actors Shelley Winters, Dean Jagger, and Nina Foch, Executive Suite is a true ensemble effort, with everyone carrying like weight onscreen. The property was later adapted into a TV series, which owed more to Dallas than it did to the Hawley novel. ~ Hal Erickson, All Movie Guide
- Starring:
- William Holden, June Allyson, (more)
