Arell Blanton Movies

1995  
 
Connie Sellecca portrays another 1990s woman in peril in this made-for-television thriller. Sellecca stars as Sharon Blake, a successful career woman who has a passionate affair with a possessive man (Gregory Harrison). When she tries to break off the relationship though, she uncovers the dark side of her former lover, who starts stalking and harassing her. Harrison (Trapper John, M.D.) is effectively creepy as the obsessed, spurned ex-lover. ~ Bernadette McCallion, All Movie Guide

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Starring:
Connie SelleccaGregory Harrison, (more)
1994  
 
A young boy is forced to learn some adult lessons about violence in this made-for-television movie based on a true story. Kate Jackson and Gerald McRainey star as parents of an 11 year-old boy who shoots and kills some intruders who break into his home. The film shows how the boy and his family struggle to overcome the lingering anguish caused by the incident. ~ Bernadette McCallion, All Movie Guide

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Starring:
Gerald McRaneyKate Jackson, (more)
1992  
 
Overkill: The Aileen Wuornos Story stars Jean Smart as the title character. One of the rare female serial killers on record, Wuornos was eventually charged with murdering seven men on lonely Florida roads. The killing spree took place between 1990 and 1991, thus this 1992 TV movie could pat itself on the back for its timeliness. At the time Overkill was made, there was some public doubt concerning Wuornos' guilt (she was then on death row). The script suggests that her crimes were a by-product of childhood sexual abuse. ~ Hal Erickson, All Movie Guide

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Starring:
Jean SmartPark Overall, (more)
1992  
 
Frequent TV-movie costars Stephanie Zimbalist and Gregory Harrison are teamed once more in Breaking the Silence. Harrison plays a lawyer defending a teenager (Chris Young) accused of murdering his father. As the boy details a lengthy history of abuse at the hands of his father, Harrison flashes back to his own miserable childhood. Zimbalist costars as Harrison's law partner (and former lover), who must not only contend with mounting an adequate defense for their client, but also must come to grips with her bitter childhood memories. Breaking the Silence first aired January 14, 1992. ~ Hal Erickson, All Movie Guide

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1991  
PG  
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Albert Brooks wrote, directed, and stars in this philosophical comedy about a man having a hard time making a case for himself in the afterlife. When advertising executive Daniel Miller (Albert Brooks) finds himself in a fatal car crash minutes after taking delivery on a new BMW, he's whisked away to Judgment City, where the recently dead are put on a sort of trial to decide their fate. If in your time on Earth you were able to face your fears and learn from your mistakes, you get to move on to a life in a better world. However, if you didn't, you have to go back to Earth and try again. As he spends the next several days watching various episodes from his life, Daniel gets the impression he doesn't stand much of a chance of moving on -- and his representative, Bob Diamond (Rip Torn), seems to have little confidence in his case. In the meantime, he frequents Judgment City's many restaurants (where the food is delicious and you can eat all you want without gaining an ounce), pays a visit to the Past Life Pavilion, and meets Julia (Meryl Streep), who seems so kind, sweet, and noble that her advancement is practically assured. Daniel and Julia fall in love, but what's going to happen if they don't end up in the same place? Albert Brooks and Meryl Streep make a witty and engaging romantic team in Defending Your Life, and Shirley MacLaine appears in a highly appropriate cameo. ~ Mark Deming, All Movie Guide

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Starring:
Albert BrooksMeryl Streep, (more)
1988  
 
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While at the high-school prom, a group of students find romance and fun, while their parents enjoy the same. ~ John Bush, All Movie Guide

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1987  
R  
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With a title like Assault Of The Killer Bimbos, the viewer gets pretty much what he or she would expect: a dumb-but-hip instant cult favorite that knows - and revels in - its limitations. Christina Whitaker and Elizabeth Kaitan are the two lead, er, bimbos, who are working as go-go dancers in a dead-end nightclub when their boss is murdered. When the two girls are accused of the crime, they hit the road for Mexico, picking up yet another bimbo along the way, along with three beach bums, and engaging in various adventures as they attempt to expose the real killers. First-time director Anita Rosenberg delivers a certain amount of wit, getting the most out of her low-rent cast, and the film's self-awareness goes a long way toward making it more palatable than one might expect. ~ Don Kaye, All Movie Guide

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Starring:
Christina WhitakerElizabeth Kaitan, (more)
1986  
PG  
Previously filmed in Argentina in 1951, black author Richard Wright's powerful race-conscious novel Native Son was remade in this barely released 1986 version. The story involves Bigger Thomas (Victor Thomas), an angry Depression-era Chicago black who hopes to elevate himself through his chauffeur's job with a prosperous white Gold Coast family. The family's daughter (Elizabeth McGovern) takes advantage of Bigger's servile status by ordering him to drive her to a rendezvous with her communist-activist lover (Matt Dillon). Their "parlor liberal" attitude both pleases and confuses Bigger, as do the girl's apparent sexual advance towards him. One evening, Bigger drives the girl home after she's gotten herself drunk. She flirts harmlessly with him in her bedroom; when her blind mother (Carroll Baker) stumbles onto the scene, the terrified Bigger, certain that he'll be accused of rape, tries to muffle the girl so she can't talk. He accidentally kills her, whereupon the panicky Bigger hides the body and tries to pin the girl's "kidnapping" on her lover. Tragedy piles upon tragedy before Bigger's climactic murder trial and execution; throughout, we are given the impression that this sorry state of affairs would never have taken place without the black-white tensions and divisiveness that existed in 1930s, and which still exist to this day. During the trial scene, TV talk host Oprah Winfrey makes a heavily-made-up cameo appearance as Bigger's mother. The whole scene has the earmarks of an "Oscar clip," but Oprah's excessive histrionics pale in comparison to her brilliant, well-modulated performance in the earlier The Color Purple. The 1986 version of Native Son was co-produced by PBS' American Playhouse. ~ Hal Erickson, All Movie Guide

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Starring:
Carroll BakerAkosua Busia, (more)
1985  
 
In this action movie, a wanderer goes looking for a missing woman's brother and instead gets entangled in a war between two gangs of smugglers along the Arizona-Mexico border. The film is also titled "Dalton." ~ Sandra Brennan, All Movie Guide

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1981  
R  
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Adapted from Dennis Potter's landmark British TV miniseries and relocated to the United States during the Depression, Pennies from Heaven dramatizes how popular songs both shaped and reflected the thoughts of people living through economic (and emotional) hardship. Arthur Parker (Steve Martin) is a sheet music salesman who believes that he can spot a hit a mile away and wants to open his own store. But he can't get a bank loan and his wife Joan (Jessica Harper), who has savings left to her by her father, refuses to give him the money. Also, while Arthur has a fierce sexual appetite, Joan generally refuses his advances. While on the road, Arthur meets Eileen (Bernadette Peters), a shy schoolteacher as desperate for affection as Arthur is hungry for sex. They begin an affair, which leads to tragedy for both. Punctuating the drama of Pennies from Heaven are elaborate musical numbers in which the characters lip-synch to popular songs of the day, which at once lift their hopes and reflect their fears. Arthur's buoyant tap number to "My Baby Said Yes" and Eileen's saucy rendition of "Love is Good for Anything That Ails You" are reflections of their needs for money and love, and their pas de deux on "Let's Face the Music and Dance" is at once an escape and an acknowledgement of their hopelessness. ~ Mark Deming, All Movie Guide

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Starring:
Steve MartinBernadette Peters, (more)
1979  
R  
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In this thriller, a baby-sitter is terrorized by an anonymous telephone caller who turns out to be a particularly persistent serial killer. When a stranger calls to ask, "Have you checked the children lately?" teenaged sitter Jill Johnson (Carol Kane) is understandably spooked. After a series of increasingly creepy calls culminates in a request for "your blood...all over me," Jill learns from the police operator that the man is calling from inside the house. One narrow escape and two dead children later, the police capture British maniac Curt Duncan (Tony Beckley). Several years later, the killer escapes from a mental institution and plagues Tracy (Colleen Dewhurst), a hard-drinking New Yorker. Foiled by John Clifford (Charles Durning), the same cop who investigated the original case, Duncan sets his sights back on his original victim, Jill Johnson, who, now married and out to dinner with her husband, has left her own young children at home -- with a baby-sitter. When a Stranger Calls helped inspire Drew Barrymore's famous opening scene in Wes Craven's Scream. Kane, Durning, and director Fred Walton would return for 1993's TV-movie sequel, When a Stranger Calls Back. Beckley died a year after the original film's release. ~ Brian J. Dillard, All Movie Guide

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Starring:
Carol KaneCharles Durning, (more)
1979  
 
In this first episode of a two-part story, the 4077th's resourceful company clerk Radar O'Reilly (Gary Burghoff) is on a well-deserved leave in Tokyo. Colonel Potter (Harry Morgan) for one cannot wait until Radar returns; thanks to the combined ineptitude of Klinger (Jamie Farr) and Zale (Johnny Haymer), the camp's generator is on the blink, leaving the doctors and nurses without electricity. Only Radar has the smarts to requistion a new generator in a hurry--but fate has other things in store for the mild-mannered corporal. ~ Hal Erickson, All Movie Guide

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1978  
PG  
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Killer bees migrate to the United States from Africa via South America in this disaster film produced and directed by the genre's chief architect, Irwin Allen, and written by Stirling Silliphant, scribe of The Poseidon Adventure. Haughty entomologist Brad Crane (Michael Caine) shows up at a secret military base full of dead soldiers, shocking the attendant General Slater (Richard Widmark). Crane announces that the soldiers are the victims of killer bees with amazingly potent venom; he's been tracking huge swarms of the things and fears they'll kill millions before they're through. Eventually, the president asks Crane to lead the battle against the killer insects and he assembles a team of crack scientists. Meanwhile, the bees overpower a family picnic in nearby Marysville; only the son, Paul (Christian Juttner), escapes with his life. Crane and military physician Helena Anderson (Katherine Ross) head to Marysville to warn the populace about the impending danger. Among the citizens in the direct path of the bees are schoolmarm Maureen Schuster (Olivia de Havilland) and her competing suitors, Felix (Ben Johnson) and Clarence (Fred MacMurray). Eventually, the bees stage a massacre in Marysville and then set their sights on Houston. Neither pesticides, firebombing, nor the heroic sacrifice of scientist Dr. Krim (Henry Fonda) seems to offer a solution for the impending disaster. Universally reviled by critics, The Swarm failed to continue Allen's winning streak at the box office. Caine would re-team with his director the following year for Beyond the Poseidon Adventure. ~ Brian J. Dillard, All Movie Guide

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Starring:
Michael CaineKatharine Ross, (more)
1974  
 
The guest-star cast in this episode is studded by several seasoned movie-western veterans, including Jim Davis, Noah Beery Jr and Harry Carey Jr.--not to mention comparative newcomer Sam Elliott. The plot involves a rodeo rider whose biggest professional rival is his own brother. It so happens that the brothers are also rivals in love, both vying for the attentions of the same woman--who is married to one of them. Inevitably, murder gallops into the rodeo ring, and that's when Stone (Karl Malden) and Keller (Michael Douglas) become involved in the intrigue. ~ Hal Erickson, All Movie Guide

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1973  
 
Joseph Wambaugh, the ex-cop turned novelist whose Police Story began its TV run in 1973, was responsible for the like-vintage TV miniseries The Blue Knight. William Holden stars as Bumper Morgan, a 50 year old cop on the verge of mandatory retirement. Morgan's last four days with the LAPD are packed with incident, notably the trackdown of the brutal murderer of a prostitute. Lee Remick plays Morgan's faithful lady friend, who is anxious for her man to retire but who will tolerate no criticism from anyone of the job the police are doing. Emmies went to William Holden, director Robert Butler and editors Marjorie and Gene Fowler Jr., while Lee Remick received an Emmy nomination. The film itself is derivative at times (one chunk of dialogue is lifted bodily from the Jane Fonda vehicle Klute), but otherwise is as realistic a portrayal of police work as TV censors would allow in 1973. Originally telecast in four one-hour installments, Blue Knight was cut to 103 minutes for syndication; a second Blue Knight TV movie, filmed in 1975 and starring George Kennedy as Bumper Morgan, served as the pilot for a short-lived TV series. ~ Hal Erickson, All Movie Guide

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1972  
PG  
A private nurse and her ex-con boyfriend plan to murder her wealthy employer for his money, but something evil is following them. ~ All Movie Guide

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1972  
 
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This violent blaxploitation film stars Jim Brown as the owner of a Los Angeles nightclub. When his brother, a Vietnam veteran, is murdered by gangsters, Brown gathers some of his brother's fellow veterans and an assortment of ex-convicts to get brutal revenge. Martin Landau, Luciana Paluzzi, and Jeannie Bell head the cast, along with genre regulars Bruce Glover, Bernie Casey, and Gary Conway. Director Robert Hartford-Davis is best known for horror films like Incense of the Damned and Corruption, while Brown went on to more successful genre fare in Slaughter and Slaughter's Big Rip-Off. ~ Robert Firsching, All Movie Guide

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1971  
R  
Two lonely women meet a pair of thugs who turn their lives into a nightmare in this thriller. Pete (Arell Blanton) is a biker who discovers that his girlfriend has been cheating on him with another member of his gang; Pete and his best friend, Stick (Alex Rocco), decide to teach her a lesson, but instead of just roughing her up they kill her by accident. The gang banishes Pete and Stick, and they head to California to keep ahead of the law. Pete and Stick happen upon a small but luxurious home where two attractive women, Rona (Elizabeth Knowles) and Laure (Sherry Bain), are staying. Rona is married to a successful classical musician, but she's angry and frustrated by the fact he's off on tour, while Laure is unattached and looking for romance. Pete and Stick invite themselves into the mansion, and Rona recklessly allows them to stay while taking Pete to her bed. However, when Stick rapes Laure, what started out as an evening with a pair of bad boys turns into several days of torment for the unsuspecting women. Wild Riders also stars Ted Hayden and Jax Carroll. ~ Mark Deming, All Movie Guide

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1969  
 
Pete Malloy (Martin Milner) and his date Sally (Barbara Baldavin) join Jim Reed (Kent McCord) and his wife Jean (Mikki Jamison) on a weekend excursion to a ghost town. What should have been an enjoyable occasion quickly turns sour when the town is invaded by armed motorcyclists, forcing Malloy, Sally and the Reeds to barricade themselves in a deserted saloon. Making this western-style showdown doubly dangerous is the fact that Jean is pregnant. ~ Hal Erickson, All Movie Guide

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