Freddie Steele Movies

In this dark crime drama, the trouble begins when a San Francisco bookie attempts to lead an honest life by marrying a comely widow. In preparation for his nuptials, the fellow stays on the straight and narrow, but when he learns that one of his cohorts has been murdered by an East Coast gang that is trying to horn in on West Coast territory, he reenters the underworld. A boyhood friend who became a cop tries to convince him to team up with the police, but the vengeful bookie remains determined to things his way. It proves to be a tragic mistake and shows the bookie that those closest to him are not what they seem. ~ Sandra Brennan, All Movie Guide

On the run from the cops, bootleggers Frankie Madison (Burt Lancaster) and Noll Turner (Kirk Douglas), find themselves racing up to an enormous roadblock. The two split up, agreeing that if one was caught, the other would operate their nightclub and save half the profits for his partner. The unlucky Madison is caught and when released from prison 14 years later, he returns to claim his money. Turner, never intending to split the money, tries to distract Madison by offering him the affections of his girlfriend Kay (Lizabeth Scott). Madison's brother Dave (Wendell Corey), Turner's accountant, help's Turner by doctoring the books to hide the lucrative profits of the club. Madison is enraged that he has been swindled by his friend and his brother, and Dave finally helps Madison get his revenge and Kay's love. Byron Haskin, in his directorial debut, brings a post-war idealism into the ordinarily cynical noir sensibility. Wendell Corey is particularly fine as Madison's cowardly brother, who manages to redeem himself, and Lizabeth Scott is touching as the vulnerable, romantic Kay. ~ Linda Rasmussen, All Movie Guide

With 1947's Desperate, a disturbing, noirish twist on traditional moral values, responsibility, and guilt, director Anthony Mann entered the ranks of class-A directors, though he'd still have to spend a few more years in "B" pictures. In his first important role, Steve Brodie plays newlywed trucker Steve Randall, who finds himself in the wrong place at the wrong time during a fur robbery. Kidnapping Steve, the criminals, led by Walt Radak (Raymond Burr), threaten to mutilate Mrs. Randall (Audrey Long) unless Steve confesses to a murder committed by Radak's brother during the theft. Pretending to play along with the villains, Steve manages to escape with his wife in tow. The rest of the film is a prolonged chase, with the Randalls pursued by both the crooks and the cops. A surprise ending caps this film noir mini-classic, which is best appreciated when not seen in its computer-colorized version. ~ Hal Erickson, All Movie Guide

The Story of G.I. Joe was based on the columns of Scripps-Howard war correspondent Ernie Pyle (Burgess Meredith). Though already past 40, Pyle insists upon marching along with an Army infantry unit during the Italian campaign. He befriends several of the soldiers, including commanding officer Lt. Walker (Robert Mitchum in his breakthrough role), family man Sgt. Warnicki (Freddie Steele) and would-be romeo Private Dondaro (Wally Cassell). The "plot" of the film is moved forward by the progression of the war itself; basically, however, G.I. Joe is an anecdotal collection of comic, dramatic and tragic vignettes. Some of the more memorable moments include: Sgt. Warnicki's ongoing efforts to listen to a recording of his infant son's voice; Walker's casual reactions to his many field promotions; and a wedding ceremony which is "punctuated" by an air raid. Many infantry veterans consider The Story of GI Joe to be the single most realistic Hollywood war film of the 1940s, eschewing big stars, phony heroics and overblown battle sequences in favor of the everyday trials and tribulations of the humble foot soldier. Ironically, Pyle, who acted as technical adviser when he wasn't busy on the front, was killed by an enemy sniper shortly before the release of this film. ~ Hal Erickson, All Movie Guide

"Some are born great, some achieve greatness, some have greatness thrust upon 'em." Firmly in the latter category is Norval Jones (Eddie Bracken), a feckless wartime 4-F who must stand by helplessly as his sweetheart Trudy Kockenlocker (Betty Hutton) entertains every visiting GI in town. One morning after a particularly wild night, Trudy labors under the apprehension that last eve, she'd married a soldier named Ratzkywatzky or something. Evidently something had happened that night, for soon Trudy discovers that she's pregnant. Hiding this information from her bombastic policeman father (William Demarest), Trudy begs Norval to tell the world that he's the father. He agrees, but only after secretly wedding Trudy under an assumed name. Complications and disasters pile up thick and fast, and before long Norval is facing arrest on a variety of charges. Providentially, Trudy gives birth to sextuplets-and suddenly Norval is a national hero! This vintage Preston Sturges farce plays so fast and loose with the censorial restrictions of mid-1940s Hollywood that critic James Agee was moved to comment that, "the Hays office must have been raped in its sleep." As usual, Sturges populates his cast with steadfast members of his stock company-- including, in guest roles, Brian Donlevy and Akim Tamiroff, the stars of his previous film, The Great McGinty. Originally filmed in 1942, Miracle was held from release from two years, not because of censor problems but because its parent studio, Paramount, was overloaded with product. Miracle of Morgan's Creek was remade (and considerably laundered) as the 1958 Jerry Lewis vehicle Rock-a-bye Baby. ~ Hal Erickson, All Movie Guide

Unable to sign boxer Joe Louis to movie contract, Republic Pictures had to make do with the losers of Louis' heavyweight championship bouts. One of these was Billy Conn, who after being knocked out by Louis in the 13th round awakened to star in the Republic programmer The Pittsburgh Kid. The story finds clean-limned pugilist Conn (playing himself) being managed by pretty Patricia Mallory (Jean Parker). In addition to having a professional interest in Conn's career, Patricia is in love with the big lug. With the help of sports reporter Cliff Halliday (Dick Purcell), Patricia manages to promote Conn into the Big Time, only to nearly lose him to predatory socialite Barbara Ellison (Veda Ann Borg). To improve the box-office potential of The Pittsburgh Kid, Republic cast several boxing-world "guest stars" as themselves, including fighters Henry Armstrong, Freddie Steele and Jack Roper and referee Arthur Donovan. ~ Hal Erickson, All Movie Guide