Bob Steele Movies

The Lion and the Horse is one of the best efforts to come out of Bryan Foy's "B"-picture unit at Warner Bros. Steve Cochran stars as Ben Kirby, an easygoing cowboy who is dead set on owning a magnificent wild stallion. After Kirby and his partners capture the horse, the animal is purchased outright by nasty rodeo operator Dave Tracy (Ray Teal). Cruelly exploiting the horse as a bronco-busting attraction, Tracy refuses all entreaties to sell back the steed to Kirby, whereupon the latter "appropriates" the horse and heads for the high country. Taking refuge on the ranch owned by Cas Bagley (Harry Antrim), Kirby begins to train the horse himself. When Tracy catches up with Kirby, the horse panics and kills the villainous rodeo owner. Slated for destruction, the horse redeems itself in a manner that explains the film's title. ~ Hal Erickson, All Movie Guide

Fort Worth stars Randolph Scott as gunfighter-turned-newspaperman Ned Britt. Setting up shop in the eponymous Texas town, Britt tries to expose the crooked machinations of cattle baron Gabe Clevinger (Ray Teal). This brings him into conflict with his old friend Blair Lunsfold (David Brian), who has cast his lot with Clevinger. Further complicating matters is Lunsford's fiancee Flora Talbot (Phyllis Thaxter), who falls in love with Britt. As tensions threaten to erupt into all-out bloodshed--especially when Clevinger deploys brute force to prevent the arrival of the railroad--Ned Britt is forced to rethink his newfound philosophy that the pen is mightier than the sword. ~ Hal Erickson, All Movie Guide

Humphrey Bogart plays Martin Ferguson, a prosecutor about to put Albert Mendoza (Everett Sloane), the head of a murder-for-hire ring, on trial. But the night before the trial, his key witness, Joe Rico (Ted de Corsia), dies in a fall out of the window of the room in which he's been guarded, part of an abortive escape attempt to keep from testifying. His case in shambles, Ferguson and detective Captain Nelson (Roy Roberts) try to piece the entire four-year investigation back together from square one, trying to find something that might give them another way to prosecute Mendoza. The main body of the movie is told in flashback, starting when a small-time hood named Duke Malloy (Michael Tolan, then billed as Lawrence Tolan) walks into a police station to turn himself in for killing his girlfriend -- and says that someone made him kill her. He babbles to the bewildered detectives about "hits" and "contracts" and men nicknamed Philadelphia, Big Babe, and Smiley. The body isn't found, but they arrest Malloy, who hangs himself in his cell. That dead end leads, almost by accident, to Philadelphia Tom Zaca (Jack Lambert), an asylum inmate who has to be put under sedation at the mention of Malloy's name. They find another suspect's body burning in his building's incinerator, and then Big Babe Lazick (Zero Mostel), a two-bit hood, hiding in a church in mortal fear of his life. He begins weaving a tale of a murder-by-contract ring and its head operator, Joe Rico, of a murder contract that Duke Malloy never filled on a girl who had to change her name, of mistaken identity and the murder of the girl's cab-driver father, and the connection between that and a murder that they both witnessed eight years earlier. In the midst of all of those interlocking stories (spread across ten years), there's something Ferguson missed -- when he had Rico to testify -- that he has to sort out from the reams of testimony and evidence, and he has to figure it out before Mendoza does, or lose the last witness he has. ~ Bruce Eder, All Movie Guide

William Elliot is the multitextured hero of the deluxe Republic western Savage Horde. Elliot plays a gunslinger named Ringo, who, though no paragon of virtue, is not a murderer. After killing a man in self-defense, Ringo takes it on the lam from the law. Hiding out in a remote frontier town, Ringo becomes involved in a range war between land baron Proctor (Grant Withers) and a group of honest ranchers. At the risk of his own capture, Ringo decides to stick around and join the ranchers in their battle against Proctor. Leading lady Adrian Booth plays Livvy Weston, who'd like to fall in love with Ringo but can't reconcile herself with his bad reputation. Featured in the cast are such western "regulars" as Noah Beery, Bob Steele, Roy Barcroft, Earle Hodgins and Hal Taliaferro (aka Wally Wales). ~ Hal Erickson, All Movie Guide

A mysterious crook by the name of "The Poet" is robbing Wells Fargo stages and creating havoc in the Old West. The sheriff is having no luck discovering the desperado's identity; when he comes across James Wylie (Dennis Morgan), a gambler who is running from the law in Carson City, he blackmails him into going undercover and tracking the outlaw down. Wylie takes the next coach out, joined by two tantalizing women, Ann (Jane Wyman) and Emily (Janis Paige). Emily is just a saloon singer (which affords her the chance to croon "I'm So in Love" and "Going Back to Old Cheyenne"), but it turns out that Ann is more unusual -- she's the wife of The Poet. The two team up to track him down (encountering The Sundance Kid and his gang along the way) -- and discover that they make a pretty good team. A popular TV series of the same name was loosely based upon the movie; starring Clint Walker, it ran for 7 years starting in 1955. ~ Craig Butler, All Movie Guide

Not precisely the best film of 1947, the Republic comedy-mystery Exposed is nevertheless consistently enjoyable. Adele Mara is a delight as wisecracking female private eye Belinda Prentice, who has to put in a lot of overtime when her first client is murdered. Following the clues to an apartment house chock-full of suspicious characters, Belinda predicts-correctly, as it turns out--that there'll be several more killings unless she can pinpoint the guilty party and ascertain his or her motives. Meanwhile, her police-inspector father (Robert Armstrong) wishes aloud that Belinda would give up the p.i. business and settle down with a nice young fellow. Some choice moments are provided by Joyce Compton as Belinda's garrulous secretary, William Haade as her cloddish assistant, and Bob Steele as a neurotic gunman. ~ Hal Erickson, All Movie Guide

Smugglers are working the border between Mexico and California in this action-filled and, of course, tuneful Gene Autry Western. Autry, sidekick Sterling Holloway, and the Cass County Boys get involved with fiery Elena Del Rio (Adele Mara), a singer in the local cantina who alternately throws knives at them and helps catch a gang of jewel smugglers taking advantage of local refugees. Chasing in and out of Joshua Tree National Monument, our heroes go up against a couple of supposedly law-abiding citizens, a peon (Martin Garralaga) who isn't what he pretends to be, and the local rural residents. Happily, everyone takes time out from the mayhem to perform Jack Elliott's "Twilight on the Rio Grande" and "The Pretty Knife Grinder," Smiley Burnette's "It's My Lazy Day" and "Great Grand Dad," Nat Simon and Charles Tobias' "The Old Lamplighter" and a couple of other selections. In addition to Joshua Tree National Monument, Twilight on the Rio Grande was filmed at Victorville, CA. ~ Hans J. Wollstein, All Movie Guide

The definitive Humphrey Bogart/Lauren Bacall vehicle, The Big Sleep casts Bogart as Raymond Chandler's cynical private eye Philip Marlowe. Summoned to the home of the fabulously wealthy General Sternwood (Charles Waldron), Marlowe is hired to deal with a blackmailer shaking down the General's sensuous, thumb-sucking daughter Carmen (Martha Vickers). This earns Marlowe the displeasure of Carmen's sloe-eyed, seemingly straight-laced older sister Vivian (Bacall), who is fiercely protective of her somewhat addled sibling. As he pursues the case at hand, Marlowe gets mixed up in the murder of Arthur Geiger (Theodore von Eltz), a dealer in pornography. He also runs afoul of gambling-house proprietor Eddie Mars (John Ridgely), who seems to have some sort of hold over the enigmatic Vivian. Any further attempts to outline the plot would be futile: the storyline becomes so complicated and convoluted that even screenwriters William Faulkner, Leigh Brackett, and Jules Furthmann were forced to consult Raymond Chandler for advice (he was as confused by the plot as the screenwriters). When originally prepared for release in 1945, The Big Sleep featured a long exposition scene featuring police detective Bernie Ohls (Regis Toomey) explaining the more obscure plot details. This expository scene was ultimately sacrificed, along with several others, in favor of building up Bacall's part; for instance, a climactic sequence was reshot to emphasize sexual electricity between Bogart and Bacall, obliging Warners to replace a supporting player who'd gone on to another project. The end result was one of the most famously baffling film noirs but also one of the most successful in sheer star power. ~ Hal Erickson, All Movie Guide

A B-Western hero since the late silent era, Bob Steele would hang up his spurs after a final four westerns for director Harry L. Fraser. In the opener, The Navajo Kid, Steele, as he had so many times before, went in search of the villain, or villains, who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan (I. Stanford Jolley), who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon (Edward Cassidy). The Navajo Kid was produced independently by Arthur Alexander and Alfred Stern and released by PRC. Leading lady Caren Marsh had been Judy Garland's stand-in during the making of The Wizard of Oz (1939). ~ Hans J. Wollstein, All Movie Guide

In his final starring Western for PRC, Bob Steele plays Jim Brandon who is imprisoned for a bank robbery and murder he didn't commit. Returning home on parole, Jim is ostracized by all and sundry, except Sheriff Warner (Steve Clark) and Betty Morgan (Ellen Hall), both of whom believe in his innocence. Aided by ranch cook Utah McGirk (Syd Saylor), Jim begins an investigation into the killing of his ranch partner and manages to find the murderer by using a new French discovery, ballistics. In between the fightin' and shootin', Don Weston performs his own "Trying to Forget" and "End of Rainbow Trail." ~ Hans J. Wollstein, All Movie Guide

Produced by Gower Gulch maverick Robert L. Lippert and filmed in not-so-glorious two-strip Cinecolor near Idyllwild, California, this Northwest Mounted melodrama starred the veteran Bob Steele as a rather surly mountie who, against his own better judgment, is persuaded to escort a patronizing Eastern girl (Joan Woodbury through the wilderness to her uncle's logging camp. Constantly bickering with her guide, the girl is carrying $20,000 in her purse, payroll money which is promptly stolen. At the logging camp, Steele runs into trouble with the local sergeant, Means (John Litel), who may not be all he appears to be, a wife-beating saloon-keeper (George Meeker, and sundry other more or less mysterious persons, most of whom were aware of Miss Woodbury's travel plans. Steele, who was nearing the end of his starring career (four Grade-Z Westerns were to come), also headlined Wildfire (1945), another Cinecolor "experiment" for Lippert's Action Pictures. Northwest Trail, however, was all but stolen by Miss Woodbury, whose feisty character made up for Steele's aging inertia. Troubled silent star Madge Bellamy made her final screen appearances as the mistreated wife of the saloon proprietor and real-life circus performer Poodles Hanneford played himself Like so many low-budget mountie melodramas, this one implied a non-existent connection to pulp writer James Oliver Curwood. ~ Hans J. Wollstein, All Movie Guide