Barbara Steele Movies
Exotic, voluptuous, nostril-flaring British actress Barbara Steele originally aspired to be a painter. At 20, she was sidetracked into acting, and within a year she made her film bow in a one-line bit as a student in Bachelor of Hearts (1958). Most of her roles were nondescript until she moved to Italy and launched her horror-film cycle with her performance as a resuscitated witch in Black Sunday (1961). Throughout the next fifteen years, Steele thrived as an internationally popular "scream queen," undergoing the usual ordeals of being whipped, strangled, dismembered and set ablaze, but also dishing it out as well as taking it -- especially in the role of a demonic woman's prison warden in Caged Heat (1974). Steele attracted the attention of the movie cognoscenti when she answered an open call posted by director Federico Fellini, who promptly cast her in a flashy role in 8 1/2 (1963); fourteen years later, she appeared as Violet in director Louis Malle's controversial Pretty Baby (1977). For many years, Steele was the wife of screenwriter James Poe, who wrote a good part for her in They Shoot Horses, Don't They? (1969), only to see the role whittled into oblivion by director Sydney Pollack. Steele remained close to Poe even after their divorce, retiring from the screen when Poe died in 1980. ~ Hal Erickson, All Movie Guide- 1958
Bachelor of Hearts stars Hardy Kruger as Wolf, a German exchange student attending Cambridge University. Initially arousing the distrust and disdain of his classmates (WWII was, after all, only thirteen years in the past), the affable Wolf slowly wins them over. He also finds romance in the lovely form of an English miss named Ann (Sylvia Sims)-but only after he has gotten himself in quite a pickle by lining up several dates simultaneously (hence the film's title). Filmed on location at Cambridge, Bachelor of Hearts affords ample screen time to the music of the university's highly regarded Jazz Club. The script was cowritten by Leslie Bricusse, later the composer/lyricist/librettist of such filmusicals as Dr. Dolittle and Willy Wonka and the Chocolate Factory. ~ Hal Erickson, All Movie Guide
- Starring:
- Hardy Kruger, Sylvia Syms, (more)
Generally considered to be the foremost example of Italian Gothic horror, this darkly atmospheric black-and-white chiller put director Mario Bava on the international map and made the bewitching Barbara Steele a star. Steele plays Princess Asa, a high priestess of Satan who is gruesomely executed in 1600s Moldavia by having a spiked mask hammered into her face. Before she dies, Asa vows revenge on the family who killed her and returns from the grave two centuries later to keep her promise. In a striking resurrection scene replete with bats, scorpions and fog, Asa rises from the tomb to claim her bloody vengeance. With vampires, bubbling flesh, dank crypts, undead servants and torch-bearing mobs, the plot is a little ripe, but the visuals are Bava's primary consideration. The atmosphere is so heavy and the imagery so dense that the film becomes nearly too rich in texture, but the sheer, ghastly beauty of it all is entrancing. Although this was only the second of Bava's twenty-six films as director, it is undoubtedly his best and the one upon which most of his considerable reputation rests. ~ Robert Firsching, All Movie Guide
- Starring:
- Barbara Steele, John Richardson, (more)
- 1960
A humorous, sometimes absurd and sometimes just light-hearted comedy, this story sets up the premise of a couple's search for a housemaid, with a series of impossible women providing the hilarity. When Richard and Kate (Michael Craig and Anne Heywood) return from their honeymoon, they discover that Kate's father has given them a maid as a wedding gift. The trouble is that the maid has a good portion of the U.S. Navy in the house when they arrive, in a more-or-less wild orgy. Exit maid. The couple then hire Rosemary (Joan Hickson) who tipples to excess, making her service at a dinner party an insurmountable challenge. Exit Rosemary. Enter Blodwen (Joan Sims) a homesick woman from Wales who cannot live outside her native environment. Exit Blodwen. And so it goes, even through a gorgeous French maid (Mylene Demongeot) who causes more than a mild uproar among the couple's friends. It seems the help is either too bad or too good. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Michael Craig, Anne Heywood, (more)
- 1960
Donald Sinden and Peggy Cummins co-star as Pelham and Gay Butterworth in this routine comedy about a married couple whose hopes of acquiring an instantaneous fortune are suddenly dashed. When Gay finds out she is going to get a huge inheritance, the young couple go on a spending spree. Just a tad late, she also learns that the inheritance will be doled out one week by one paltry week -- unless her husband dies or they divorce. After all else fails, the couple decide to divorce and then remarry later, quietly -- but even this plan suddenly hits an unexpected hitch. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Donald Sinden, Peggy Cummins, (more)
- 1961
During a drinking contest, college fraternity members Alan (Burt Brinckerhoff) and Mark (Duke Howard) pass out cold. The duo's frat brothers decide to play a cruel prank on the snoozing Alan, making it appear that Mark has died and that Alan has killed him. The joke backfires when the panicky Alan attempts to dispose of the "body." This episode features two former members of the fabled "Second City" comedy troupe, Severn Darden and Barbara Harris (Harris would ultimately star in Alfred Hitchcock's final theatrical feature, Family Plot). ~ Hal Erickson, All Movie Guide
American-International's standing "haunted castle" set is exhibited to peak advantage in Roger Corman's Pit & the Pendulum. Save for the climax, Richard Matheson's script bears but little resemblance to the Edgar Allen Poe original, though there are pronounced echoes throughout of Poe's The Premature Burial. Vincent Price stars as Nicholas Medina, the son of a notorious Spanish Inquisition torturer. Nicholas' wife Elizabeth (Barbara Steele) has died under mysterious circumstances, prompting Elizabeth's brother Francis (John Kerr) to arrive at the Medina castle to investigate. The tormented Medina believes that Elizabeth was buried alive, and is convinced that he can hear his wife's voice calling out to him. In truth, Elizabeth has faked her death, part of a plan concocted with her lover Dr. Leon (Anthony Carbone) to drive Medina mad. She succeeds in this goal (albeit to her own grief, as the film's very last shot reveals), pushing Medina over the brink. Convinced that he's his own father, Medina dons Inquisition robes, straps Francis to a table, and arranges for a huge steel-bladed pendulum to slowly, slooooowwly descend on his helpless victim. You'd never know that Pit & The Pendulum was shot on the budget and schedule of a B western; the film is consistently good to look at, with eerily evocative color camerawork (Floyd Crosby) and sumptuous art direction. Stock footage of the climactic torture sequence would later find its way into the 1966 spy spoof Dr. Goldfoot and the Bikini Machine, which also starred Vincent Price. ~ Hal Erickson, All Movie Guide
- Starring:
- Vincent Price, John Kerr, (more)
- 1963
In this romantic comedy, two long-time lovers finally decide to tie the knot. Unfortunately, they find the mundane realities of marriage oppressive. They miss the thrill of courtship, and suddenly all those cute little quirks of theirs have turned into annoying habits. They get a divorce and go their separate ways. They soon find that they cannot live without each other and therefore, go back to being lovers. ~ Sandra Brennan, All Movie Guide
- Starring:
- Emmanuelle Riva, Umberto D'Orsi, (more)
Fresh off of the international success of La Dolce Vita, master director Federico Fellini moved into the realm of self-reflexive autobiography with what is widely believed to be his finest and most personal work. Marcello Mastroianni delivers a brilliant performance as Fellini's alter ego Guido Anselmi, a film director overwhelmed by the large-scale production he has undertaken. He finds himself harangued by producers, his wife, and his mistress while he struggles to find the inspiration to finish his film. The stress plunges Guido into an interior world where fantasy and memory impinge on reality. Fellini jumbles narrative logic by freely cutting from flashbacks to dream sequences to the present until it becomes impossible to pry them apart, creating both a psychological portrait of Guido's interior world and the surrealistic, circus-like exterior world that came to be known as "Felliniesque." 8 1/2 won an Academy Award for Best Foreign-Language Film, as well as the grand prize at the Moscow Film Festival, and was one of the most influential and commercially successful European art movies of the 1960s, inspiring such later films as Bob Fosse's All That Jazz (1979), Woody Allen's Stardust Memories (1980), and even Lucio Fulci's Italian splatter film Un Gatto nel Cervello (1990). ~ Jonathan Crow, All Movie Guide
- Starring:
- Marcello Mastroianni, Claudia Cardinale, (more)
The alluring presence of doe-eyed horror icon Barbara Steele enlivens director Riccardo Freda's passable sequel to his own Horrible Dr. Hichcock. Steele returns as Cynthia, the troubled widow of a sadistic murderer and necrophiliac, who had once conspired with her lover to murder her husband before she could become the next of his tortured playthings. Unfortunately for her, you can't keep an evil man down, as proven by the sudden appearance of the doctor's vengeful ghost. All is not quite as it seems, however, as we learn that the menacing apparition is somehow linked to Steele's mysterious housekeeper. A workmanlike effort from the otherwise capable Freda (I Vampiri), this film plays like a less stylish retread of Diabolique. ~ Cavett Binion, All Movie Guide
In this eerie and effective early horror film from prolific genre director Antonio Margheriti, Alan Foster (Georges Riviere), an American tourist visiting England, takes a bet from a Lord Blackwood and his guest, Edgar Allan Poe, to spend the night in a haunted mansion. The rationalist Foster, who does not believe in the supernatural, is soon drawn into a world of ghosts and phantoms, doomed to eternally replay the horrifying murders that climaxed a long-ago love triangle. Foster also finds himself in love with one of the protagonists, the beautiful Elizabeth (Barbara Steele), and it is a love which ensures that he never leaves the haunted castle alive. It's a marvelously atmospheric gothic thriller, one of the best Italian horror films of the decade, and quite properly made the enchantingly spooky Steele -- fresh from Mario Bava's La Maschera del Demonio -- even more of a horror icon. Riccardo Pallotini's evocative camerawork enhances the mood tremendously, and the shock scenes, though perhaps too tame for modern audiences, are nonetheless strikingly effective. Margheriti remade the film in widescreen color eight years later (as Nella Stretta Morsa del Ragno), but this version remains one of the handful of definitive Italian gothics. Silvano Tranquilli co-stars with Margaret Robsahm, Henry Kruger, and Umberto Raho. ~ Robert Firsching, All Movie Guide
- Starring:
- Georges Riviere, Barbara Steele, (more)
In the 15th century, a young woman is accused of being a witch and committing a murder. She is burned at the stake. Years later, during a plague, she is revived by lightning. She returns to her village to prevent her daughter from marrying the man who actually committed the murder for which she was executed. ~ Brian Gusse, All Movie Guide
Known in U.S. distribution as Nightmare Castle, this eerie Gothic thriller offers two Barbara Steeles for the price of one. Steele first portrays the wife of a deranged scientist (Paul Muller) whose latest experiments involve electro-stimulation of human blood. When the mad doctor discovers his wife is having an affair, he tortures, disfigures and kills her alongside her lover, then removes and preserves the hearts of the victims, using their blood to restore youth and beauty to his own lover. When the madman discovers that his late wife left all her wealth to her mentally unstable sister (Steele again, a blonde this time), he quickly sets about courting and marrying the poor girl, then proceeds to drive her completely mad in order to inherit her fortune. It may be an easier task than he predicted -- too easy for comfort, in fact -- since the honeymoon is attended by the spectral presence of the murdered lovers who have risen from their own ashes to avenge their deaths. This film's pervasive feeling of impending doom is aided by shadowy, low-contrast cinematography and a robust score from Ennio Morricone, and features a riveting performance from Steele, whose large eyes pierce the screen with dangerous beauty. ~ Cavett Binion, All Movie Guide
- 1965
"White Voices" is a vernacular term referring to Italian Castrati of the 18th century Vatican Choir. The Castrati were male children who were castrated so that they could retain their beautiful soprano singing voices into maturity. Paolo Ferrari plays a Roman youth who isn't keen on being gelded and bribes his way out of it. Even so, he trains with the choir and becomes an habitue of the houses of the rich and famous, using his supposed lack of male essentials to his advantage--especially in bed. Ferrari comes a-cropper when he impregnates a girl and is forced to go under the knife to establish an alibi! It is very, very hard to write about White Voices without making a wisecrack, so we'll cut this short (oops!). The film, a French/Italian coproduction, was originally released in France as Le Sex Des Anges and in Italy as I Castrati. ~ Hal Erickson, All Movie Guide
- Starring:
- Paolo Ferrari, Sandra Milo, (more)
In this spooky Italian-Yugoslavian horror movie, a lovely English bride is possessed by the vengeful spirit of an 18th-century Transylvanian witch on her wedding night and creates all sorts of bloody mayhem for her hapless husband and others. ~ Sandra Brennan, All Movie Guide
- 1966
One of the last and most interesting Italian horror productions featuring the alluring Barbara Steele, this obscure feature from Crypt of the Vampire director Camillo Mastrocinque apparently never found distribution in English, and dubbed or subtitled prints are all but nonexistent. Steele's character in the film is haunted by a decrepit statue submerged in a lake, whose features look disturbingly like her own. Upon complete restoration of the statue, Steele begins to take on the psychotic traits of the woman upon whom the sculpture was based -- a woman the townspeople believe was a much-feared sorceress of local legend. Curious fans of the sultry horror star will find much to enjoy, even in the Italian-language version -- Steele's magnetic performance and the strong visuals propel the story with or without the minimal dialogue. ~ Cavett Binion, All Movie Guide
Robert Musil's novel Die Verwirrungen des Zoglings Torless was the source for this allegorical German film. Mathieu Carriere plays Torless, a student in a costly boarding school during the glory days of the Hapsburg empire. While at school, Carriere is a bystander to the sadistic behavior of fellow students Alfred Dietz and Bernd Tischer. Carriere watches with fascination, but does nothing to intervene or to help his classmates' hapless victims. When Carriere finally does blow the whistle on his friends, it is he who is "invited" to leave the school. If you miss the parallels in Young Torless to the Nazi years, then you aren't watching very carefully...or perhaps you're not watching at all. ~ Hal Erickson, All Movie Guide
- Starring:
- Mathieu Carrière
- 1966
Brancaleone (Vittorio Gassman) leads an inept group of Crusaders to the sea in this offbeat war comedy. The Crusaders hope to find a ship that will take them to the Holy Land to reclaim the area for Christianity. The situation allows for plenty of sight gags and ribald humor. Catherine Spaak co-stars with Gassmann in this amusing effort from director Mario Monicelli. ~ Dan Pavlides, All Movie Guide
- Starring:
- Vittorio Gassman, Catherine Spaak, (more)
- 1966
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An unfaithful wife is visited by medieval plague victims, who were summoned from their graves by her occult-expert husband. ~ All Movie Guide
- 1968
In this spooky thriller, an evil sorcerer invites an innocent young man and his girl friend to his dark and scary mansion. The two have no idea that the black magician is planning to sacrifice the young man to atone for the evil misdeeds of his ancestors who 200 years ago burned the wizard's relative, a witch, at the stake. A crazy party precedes the gruesome ritual. Fortunately for the young couple the sage Professor March (80-year-old Boris Karloff in one of his final films) is also a skilled magic maker and is there to save them. The film is also titled Curse of the Crimson Altar and The Crimson Altar. ~ Sandra Brennan, All Movie Guide
- Starring:
- Boris Karloff, Christopher Lee, (more)
- 1969
Filmed in Spain, this TV movie stars Janet Leigh as an American woman honeymooning with her new husband. She awakens after the wedding night, only to be confronted with a stranger who insists that he's her husband. Leigh goes to the authorities, who unfortunately believe the ersatz husband's story. Or perhaps it's not as unfortunate as it seems...because Leigh herself is not all she seems. The central plot twist in Honeymoon With a Stranger was reworked into several subsequent TV-movies, until overuse robbed the twist of any surprise. ~ Hal Erickson, All Movie Guide
Considered the quintessential "girls in prison" flick of the 1970s, novice director Jonathan Demme's Caged Heat is set in a hellish American woman's penitentiary run by vicious, wheelchair-bound Barbara Steele. Statuesque convict Erica Gavin is forced to undergo horrible (but legal) tortures when she is falsely accused of trying to escape. Gavin and fellow con Juanita Brown decide to make a real break, but return to prison to rescue a friend who is about to be lobotomized by the sadistic prison doctor. Then they stage a robbery, only to find a group of male robbers at the bank ahead of them. A final shootout in the prison yards brings the film to a bloody climax. Caged Heat was also released under the title Renegade Girls. ~ Hal Erickson, All Movie Guide
- 1975
- R
A gripping exercise in body horror and social paranoia, prolific Canadian director David Cronenberg's debut feature offers a startling look at modern isolationist society with a parasitic twist. When a scientist experimenting with a new form of organ transplants kills a young female resident of a fortress-like apartment complex before subsequently committing suicide, the investigation into her death leads to a frightening discovery. Originally conceived by the misguided scientist in a bid to aid organ transplant, an overzealous parasite quickly escapes into the complex in search of a host. One by one, the unsuspecting residents fall prey to the parasite, and the result is an aggressive horde of sex maniacs who will stop at nothing to satisfy their primal lust and pass the infection on through sexual contact. When the resident doctor learns the sinister truth behind the malevolent creation, only one man stands between an apartment complex overflowing with id-driven zombies and the outside world. Will he be able to stop the rapidly spreading parasite before it escapes into society, or is it only a matter of time until he, too, falls prey to its rapturous effects and gives in to the temptations of the flesh? ~ Jason Buchanan, All Movie Guide
- Starring:
- Paul Hampton, Joe Silver, (more)
