Sheila Steafel Movies

This ten-hour mini-series extravaganza originally aired on February 26, 2000 on NBC, and concerns the fate of a janitor, Tony (John Larroquette), and his lovely daughter Virginia (Kimberly Williams), who mysteriously find themselves in a land where fairies, trolls, and elves live. Their attempts to return home are thwarted by an evil witch (Diane Wiest). Appearing in supporting roles are Rutger Hauer, Warwick Davis, and Camryn Manheim as Snow White. The 10th Kingdom was rebroadcast on August, 2000, with a substantially trimmed running time of eight hours, which was shortened even further to six hours for the video release, after all commercials had been removed. ~ Jonathan Crow, All Movie Guide

Veteran comedian and comedy writer Tim Brooke-Taylor played the title role in this British sitcom. The story concerned the various misadventures of Tom and Alice Hammond (Brooke-Taylor and Diane Keen), who had been comfortably married for 20 years. Long the breadwinner of the family, Tom found his status diminished when wife Alice, an aspiring writer, managed to publish a best-selling novel. The humor arose from the sudden fame thrust upon Alice and the equally sudden subordinate position that Tom ended up assuming in the household -- and in the eyes of the reading public. The 13 episodes of You Must Be the Husband were beamed out to British viewers in two "series," from September 8 to October 20, 1987, and from February 29 to April 4, 1988. ~ Hal Erickson, All Movie Guide

When a brilliant doctor fathers 837 genius sons through an artificial insemination program, it seems like every woman on the planet wants to birth one of the exhausted medico's super smart babies. ~ Jason Buchanan, All Movie Guide

Low-brow British humor abounds in this farcical account of Edwin Anthony, the first man to receive a successful penis transplant. Anthony becomes quite attached to his new appendage and even gives it the title name. The alleged humor comes in when Anthony and Percy set out to investigate the life of the latter's former owner. ~ Sandra Brennan, All Movie Guide

An excellent musical score by the Bee Gees adds appeal to this curious little movie about two ten-year olds, Daniel and Melody (Mark Lester and Tracy Hyde) who are completely taken with each other and announce to their parents, in all seriousness, that they plan to get married. This marriage is not planned for the distant future, but as soon as possible. The uproar that is caused when their seriousness becomes clear is not too surprising. Their best friend Ornshaw (Jack Wild) is not too thrilled with their plan either. What makes the film work is that the entire story is told from the children's point of view in which the grownups' objections, since they have no relation to the truth of what the children are feeling, come across as silly or inconsequential. This film is a reunion of sorts for Oscar-winning Oliver! co-stars Mark Lester and Jack Wild ~ Clarke Fountain, All Movie Guide

While it might not have been the best idea on earth to remake the 1939 classic Goodbye Mr. Chips as a musical, the end result is not altogether displeasing. Peter O'Toole steps into the old Robert Donat role of Arthur Chipping (originally Charles Chipping), a young by-the-book schoolmaster at a 1920s British boys school who is humanized by the love of good-natured music-hall singer Katherine Bridges (played by Petula Clark; Greer Garson essayed this role, then named Katherine Ellis, in the original). Though Chips must endure the tragedy of Katherine's death during the 1940 London blitz (a scene filmed from the bomb's point of view!), he is able to persevere by devoting himself to his young charges. In retrospect, this version of Goodbye Mr. Chips might have worked better without the songs, which never rise above banality. And though Petula Clark can't match the poignancy of Greer Garson's performance (in all fairness, she didn't have much of a script to work with), Peter O'Toole is terrific as the title character, convincingly ageing and mellowing as the story unfolds. Originally road-shown at 151 minutes, Goodbye Mr. Chips is today generally available in its 131-minute general-release version. ~ Hal Erickson, All Movie Guide

Gerald Arthur Otley (Tom Courtenay) is a British secret agent called in to investigate the murder of a suspected influence pedlar and document smuggler. He trails double agents and double martinis at a posh cocktail party before discovering the villains have the cooperation of top government officials in Parliament. Otley is pegged to masquerade as a possible defector to oust the criminal mastermind who plans to sell some stolen documents vital to national security to any enemy agent with the most money. Murder, blackmail and auto chases dominate the action as the femme fatale Imogen (Romy Schneider) first has Otley beaten up by her thugs before combining forces to go after the real villains in this confusing and sometimes funny spy yarn. ~ Dan Pavlides, All Movie Guide

Nigel Kneale's Quatermass TV series spawned a brief film series produced over an eleven-year period; 1967's Quatermass and the Pit, released in the US as Five Million Years to Earth, was the third and (until 1979's Quatermass Conclusion) last. As in previous chapters in the Kneale saga, the film begins with a baffling scientific discovery. This time it's a bunch of prehistoric skulls, discovered during a subway excavation in the heart of London. Sequestered in a lab, the skulls start to emanate a bizarre force over the populace, resulting in death and destruction. Professor Quatermass (Andrew Keir) concludes that the skulls are the residue of an extraterrestrial invading army -- a theory which (as usual) is scoffed at by the authorities until it's almost too late. Blessed with superb special effects and an expertly sustained tension level, Quatermass and the Pit is easily the best of the short-lived "Quatermass" series. ~ Hal Erickson, All Movie Guide