Mary Stavin Movies

Basically another variation of Ten Little Indians with a werewolf thrown in for good measure, this plodding sequel efers less to previous Howling installments than to the source novels by Gary Brandner. The stage is set at an ominous Romanian castle, where the ancestors of a legendary werewolf bloodline committed suicide in the 15th century to rid the world of their monstrous kind. Apparently they did not entirely succeed, since five hundred years later a diverse group of guests is invited to the castle by its resident Count (Philip Davis), who plans to reveal the identity of a lycanthrope in their midst: the descendant of the one werewolf who got away. Filmed on location in Budapest, this film benefits from its ominous Gothic setting and an interesting score, but there is little else to recommend it; the mystery monster is onscreen for barely more than five minutes, making one wonder whether the film was originally intended to be a Howling sequel at all. ~ Cavett Binion, All Movie Guide

This comedy returns to the exclusive but crazy country club golf course seen in the original Caddyshack. This time its the blue-bloods against the blue collars as a loud, vulgar self-made millionaire tries to join the stuffy upper-crust club after his daughter falls in love with the son of one of the members. Naturally, the boisterous millionaire is rejected by the genteel jerks. He retaliates by buying the golf course and turning it into an ultra-tacky amusement park. Merry mayhem ensues, but in the end, the snobs learn a valuable lesson, the millionaire gets to join, and his daughter and her lover are finally united. ~ Sandra Brennan, All Movie Guide

A mild box-office hit for New World Pictures, this lightweight attempt at horror parody from Friday the 13th producer Sean S. Cunningham stars former Greatest American Hero William Katt as a best-selling pop-horror novelist (a la Stephen King) who suffers an insurmountable case of writer's block after separation from his soap-star wife (Kay Lenz) and the disappearance of their young son. Hoping to purge his personal demons by writing his Vietnam War memoirs, he moves into the massive mansion once occupied by his deceased aunt (who hanged herself in her bedroom), and finds himself surrounded by demons of a completely different kind. Katt takes the weirdness in stride, attempting to face down marauding monsters, interdimensional trap-doors and other supernatural horrors while concealing his predicament from the neighbors (except for a befuddled George Wendt, who tries gamely to play along with Katt's hare-brained monster-fighting schemes). Despite the filmmakers' admirable efforts to maintain the manic pace with multiple storylines, their attempt to bring all the plot elements together for the climactic payoff results in a jangled mess. Surprisingly entertaining when viewed as a live-action cartoon, but virtually impossible to take seriously as a horror film. Followed by three sequels. ~ Cavett Binion, All Movie Guide

Secret Agent 007 must stop a megalomaniacal technology mogul from destroying Silicon Valley in this unexceptional entry in the James Bond series. Computer baron Max Zorin (Christopher Walken) is planning to trigger a major California earthquake in order to wipe out his competitors. Bond is assigned to stop him, but first he must do battle with Zorin's statuesque partner in crime, May Day (Grace Jones). The expected high-wire confrontations ensue, as Bond battles the villains at international landmarks like the Eiffel Tower and takes the occasional break to romance an attractive geologist. Unfortunately, nothing fresh is brought to the familiar formula, and even the well-staged action sequences prove less than exciting. Indeed, this otherwise by-the-numbers production is most notable for the fact that it marked the final appearance of Roger Moore as the dashing Bond. ~ Judd Blaise, All Movie Guide

This (13th) time around, "007" receives the usual call to come and visit "Mother" when another agent drops off a fake Faberge jeweled egg at the British embassy in East Berlin and is later killed at a traveling circus. Suspicions mount when the assistant manager of the circus Kamal (Louis Jourdan), outbids Bond for the real Faberge piece at Sotheby's. Bond follows Kamal to India where the superspy thwarts many an ingenious attack and encounters the antiheroine of the title (Maud Adams), an international smuggler who runs the circus as a cover for her illegal operations. It does not take long to figure out that Orlov (Steven Berkoff), a decidedly rank Russian general is planning to raise enough money with the fake Faberges to detonate a nuclear bomb in Europe and then defeat NATO forces once and for all in conventional warfare. ~ Eleanor Mannikka, All Movie Guide