Mike Starr Movies

New York City detective Steve Burns Al Pacino receives orders from Captain Edelson Paul Sorvino to solve a series of brutal murders in the gay community. Steve scours the gay bars that caters to same-sex sadomasochism in a desperate attempt to solve the crime. As he infiltrates the scene, he slowly comes loose from the moorings of his own reality, and an innocent victim is tortured by the cops in an effort to exact a confession. The story is based on actual murders that took place between 1962 and 1979. The film gained considerable publicity because of the controversial subject matter while censor argued between an X and R rating for the feature. ~ Dan Pavlides, All Movie Guide

The film version of The Natural pulls off the neat trick of conveying the spirit of the Bernard Malamud novel upon which it is based, even while changing both the outcome and the meaning of Malamud's closing chapters. In his first film appearance in four years, Robert Redford plays Roy Hobbs, a farm boy with a hankering to be a great baseball player. With his faithful homemade bat "Wonderboy" in hand, Roy heads to the big city. En route, he arouses the fascination of the mysterious Harriet Bird (Barbara Hershey). Luring the boy to a hotel room, Harriet asks Roy what he wants out of life. Roy brashly responds he wants to be "the best there is," whereupon Harriet whips out a gun and shoots Roy down. Sixteen years later, a humbler Roy Hobbs emerges from the bush leagues to become a 35-year-old "rookie" on the 1939 lineup of the New York Knights. He soon becomes the team's star player, and in so doing once more attracts enigmatic woman Memo Paris (Kim Basinger), the glamorous niece of the Knights' manager Pop Fisher (Wilford Brimley) and the mistress of Rothstein-like gambler Gus Sands (a curiously unbilled Darren McGavin). Roy's fascination with Memo compromises his ability to play, but this time he finds salvation in the form the angelic Iris Gaines (Glenn Close), his childhood sweetheart. From this point forward, the script for The Natural bears very little resemblance to the Malamud original. Without giving anything away, it can be said that Roy Hobbs is given a once-in-a-lifetime opportunity to compensate for the mistakes of his youth, despite the demonic intrusion of inexplicably spiteful sports writer Max Mercy (Robert Duvall). The Natural elevates the art of slow-motion photography to new heights; while this technique would become precious and boring in later baseball films, it works beautifully here, as does the decision by director Barry Levinson and cinematographer Caleb Deschanel to convey the symbolism inherent in the story in purely visual rather than blatantly verbal terms. (If the characters told you that the story was a retelling of the Camelot legend in baseball terms, would you have watched?) Another plus is the pastoral theme music by Randy Newman, which has been well utilized on sports broadcasts and "human interest" TV documentaries ever since. The baseball scenes in The Natural were staged at War Memorial Stadium in Buffalo, New York. ~ Hal Erickson, All Movie Guide

Cat's Eye is an uneven, tepid trilogy of stories written by Stephen King connected by a cat which appears at the beginning of each story. The best story, and first episode, concerns chain-smoker Morrison (James Woods) who joins a stop-smoking group run by sadistic Dr. Monatti, played with great relish by Alan King. In the second episode, a gambler named Cressner (Kenneth McMillan) makes a bet with his wife's lover. In the third episode, a young girl (Drew Barrymore) is terrorized by a tiny troll. Although he wrote the screenplay, Stephen King was disappointed with the results and thought the interconnection of the stories using the cat clumsy and distracting. Directer Lewis Teague does an average job of directing the confusing and sometimes foolish script. However, James Woods' fine performance and the special effects by Jeff Jarvis make the film worth a view. ~ Linda Rasmussen, All Movie Guide

This small-town romance may be trying to ride the coattails of the Big Chill that also featured Kevin Kline. Kline plays Henry here, and when the film opens he and his love Gussie Sawyer (Sissy Spacek, wife of director Jack Fisk), are sitting together planning the future they will have. She will be a flight attendant and he will get a college degree. Yet when they part, so does their destiny. By a quirk of fate, Gussie starts taking photos for an in-flight magazine and ends up an ace photographer while Henry has stayed in their small town to run the newspaper after his dad died. When Gussie comes back for a vacation 15 years later the two old sweethearts find that the embers that burned so low over the last many years are heating up again. No one in the town is unaware of what is going on, and Gussie is in for a lecture from her dad while Henry hears it like it is from his wife. But will that change the course of their relationship? ~ Eleanor Mannikka, All Movie Guide

Adapting the themes of the 1948 film Mr. Blandings Builds his Dream House, this comedy stars Tom Hanks as Walter Fielding, who with his love Anna (Shelley Long) decides to buy a suburban New York home for next-to-nothing. Both Anna and Walter are willing to fix what ails the house and since they are both successful professionals, that should not be too difficult. Unfortunately, what ails the house might be terminal as the rest of the film chronicles the battle between the couple and the disintegrating structure. Construction workers come in to make matters either worse or better -- or both. ~ Eleanor Mannikka, All Movie Guide

A year after appearing in the box-office sleeper Shanghai Surprise, pop superstar Madonna starred in the screwball comedy Who's That Girl? She plays Nikki Finn, who is being released from prison after serving a four-year sentence for a murder she didn't commit. Meanwhile, wealthy lawyer Loudon (Griffin Dunne) is about to get married that afternoon to the snobby Wendy (Haviland Morris), the daughter of Simon Worthington (John McMartin). Worthington does not approve of the wedding and he wants Nikki out of town as soon as possible, so he sends Loudon to collect Nikki and take her to the bus station. Instead, the flamboyant Nikki seeks her revenge while trying to find out what happened to her friend Johnny, which causes Loudon a lot of trouble. Naturally, wild action ensues -- some of it involving an escaped Cougar belonging to Loudon's boss, the millionaire animal collector Montgomery Bell (John Mills) -- and Loudon having to choose between the prim Wendy and the unpredictable Nikki. ~ Andrea LeVasseur, All Movie Guide

Felix (George Kranz) is the down-and-out young drummer who obtains a pair of magic drumsticks from a street vendor. He soon finds out the sticks are able to make native New Yorkers dance uncontrollably -- but not visitors to the city. Joe Silver plays a good-hearted pawnbroker, with Kelly Curtis as the pretty music student Shirley. Vibraphone virtuoso Chico Hamilton is also featured. ~ Dan Pavlides, All Movie Guide

In this supernatural prison drama, a correctional facility is reopened after being closed for over twenty years. It was shut down after a terrible uprising culminated with the execution of the brutal warden in the electric chair. The new leader was the late warden's assistant and has vivid memories of it all. Like his predecessor, he is a rigid ruler with no tolerance for infractions. This causes all kinds of problems for the prison psychiatrist who seems to be a liberal on the side of the inmates. Unfortunately, things are not always as they appear; especially when the ghost of the old warden mysteriously reappears. ~ Sandra Brennan, All Movie Guide

Sally Field goes the Roseanne route in Punchline. Field plays a housewife and mother who suddenly develops the urge to be a comedienne. Her comic instincts are on target, but her timing and delivery stinks. Tom Hanks, a stand-up comic with a few years' experience under his belt, offers to teach Field the ropes. As they get to know each other, Hanks and Field begin to pick up on each other's shortcomings; though Hanks has far more talent than Field, for example, he has a positively ruinous habit of expressing his deep-down dislike of everyone else in the world, and this frequently alienates his audience. Writer-director David Seltzer times Punchline like a good joke; he continually sets up for the expected, then pulls a last-minute fast one, keeping the film lively and unpredictable throughout. The supporting cast, coincidentally including future Roseanne star John Goodman, is uniformly superb. ~ Hal Erickson, All Movie Guide

In this actioner, an innocent man is framed and imprisoned for car theft. Six months later he is released and out for vengeance. Car chases and violence ensues. ~ Sandra Brennan, All Movie Guide

The omnibus film New York Stories is the product of three powerhouse filmmakers. The film is divided into three stories, each exploring a different aspect of life in the Big Apple. Life Lessons, directed by Martin Scorcese, is a Dostoevsky-like tale of the rarefied Art World, with Nick Nolte as a self-indulgent abstractionist who loves Rosanna Arquette, but can't bring himself to lie to her about her negligible artistic talents. Life Without Zoe, directed by Francis Ford Coppola, is more than a little reminiscent of Kay Thompson's Eloise stories, with 12-year-old Zoe (Heather McComb) running amok at the Sherry-Netherland hotel while her parents are embarked upon a world-girdling vacation. The last and is Woody Allen's Oedipus Wrecks, wherein a schnooky lawyer (guess who?) inadvertently "creates" the Jewish Mother From Hell: thanks to a misguided magic trick, Allen's mama (the incomparable Mae Questel) becomes a huge spectral vision on the New York skyline, telling everyone within earshot about her son's inadequacies. The cinematographer lineup on New York Stories includes Nestor Almendros, Vittorio Storaro and Sven Nykvist. ~ Hal Erickson, All Movie Guide

Kojak is sidetracked by a lovely girl while investigating the activities of a corrupt drug lord. ~ All Movie Guide

Megan Turner (Jamie Lee Curtis) is a rookie cop who witnesses a robbery in progress on her first night on the job. With her more experienced partner using the men's room, Megan decides to take action on her own. She creeps into the supermarket where a man (Tom Sizemore in a small role) is holding the clerk at gunpoint. Megan gets close enough to shoot the gunman, and calls out for him to drop his weapon. He spins the gun toward her, and she unloads her service revolver into his chest. His gun goes flying, and a bystander, Eugene Hunt (Ron Silver), surreptitiously picks it up and takes it home. Megan's superiors, unable to confirm that the man she shot was armed, suspend her. Eugene, a wealthy commodities broker, becomes obsessed with Megan. He sets up an "accidental" meeting between them and begins dating her, romancing her with fancy restaurants and helicopter rides over Manhattan. He also carves her name into the bullets he uses to gun down strangers in the street. A tough homicide detective, Nick Mann (Clancy Brown of The Shawshank Redemption), gets Megan's gun and badge back so she can help him track down the psycho killer. Eventually, Megan realizes that Eugene is the killer, but he uses his money and influence to elude the law, and he starts coming after Megan's friends and family. Megan's determination to bring Eugene to justice quickly becomes a very personal obsession. This intense cop drama, Blue Steel, was director Kathryn Bigelow's major studio follow-up to her well-received indie vampire flick, Near Dark. Bigelow co-wrote both films with Eric Red (The Hitcher). ~ Josh Ralske, All Movie Guide