Richard Stapley Movies

This melodrama explores the relationship between tenants in a boarding house. Included are a street musician, an ex-school teacher, and an angry young man who brings chaos to their quiet lives. ~ Sandra Brennan, Rovi

In this spaghetti western, based on the Marvin H. Albert novel The Bounty Killer, a bounty hunter swears he will bring in a notorious Mexican outlaw. The outlaw is captured, but then, with the help of a pretty lady, escapes and goes to his hometown. There he enlists the aid of the locals and gets his old gang back together. The bounty hunter eventually catches up, but he is immediately captured and tortured by the outlaw who then robs and kills a few of the hapless townsfolk. This causes the woman to reconsider her actions. She frees the bounty hunter, and a violent shoot-out ensues. In the end, all of the bad-guys are slain, and the bounty hunter finds himself a rich man. There are no likeable or heroic characters in this film that is unfortunately marred by poor English-language dubbing. ~ Sandra Brennan, Rovi

Identity Unknown concentrates on the grief-stricken relatives of passengers killed in a plane crash. In the first portions of the film, the anguished relatives are forced to wait while the identity of the victims is established. The story then fragments into a series of flashbacks, detailing the lives of the victims and those they leave behind. The film was produced by Edward and Harry Lee Danziger, past masters in the field of British lower-berth programmers. Watch for a young Nyree Dawn Porter in a minor role. ~ Hal Erickson, Rovi

Another of director Allan Dwan's underrated but well-crafted westerns of the 1950s, The Restless Breed stars Scott Brady as a young gunslinger who lives for revenge. When Brady's father is killed by gun runners, he pursues the villains across the Mexican border. Gang leader Jim Davis, beyond the reach of American law, is confident that his henchman can get rid of Brady in short order, but he's wrong. As his hired guns drop like flies, Davis is forced to accept Brady's challenge to a showdown. Anne Bancroft is intriguingly if incongruously cast as an Indian girl who falls in love with Brady. ~ Hal Erickson, Rovi

We don't see much of Omaha Beach in D-Day, the Sixth of June. Instead, the film concentrates on a romantic triangle involving American officer Robert Taylor, British officer Richard Todd and the lovely Dana Wynter. Taylor and Todd spend the last hours before D-Day reminiscing about Wynter. The romantic dilemma is eventually solved shortly after the invasion, when one of the men conveniently steps on a land mine. Lionel Shapiro's novel was geared more for the beach-and-bonbons crowd than war buffs, and the film follows suit. 20th Century-Fox gives a far more thorough account of D-Day itself in 1963's The Longest Day. ~ Hal Erickson, Rovi

Jungle Man-Eaters was #13 in Columbia's "Jungle Jim" series. On this occasion, Jim (Johnny Weissmuller) takes on a vicious smuggler named Latour (Gregory Gaye), who intends to corner the world's diamond trade. Assisting our hero is Scotland Yard inspector Bernard (Richard Stapley) and erudite tribal chieftan Zuwaba (Bernie Hamilton). A touch of feminity is added by Karin Booth as Bonnie, Inspector Bernard's lady friend. A fierce battle with a crocodile is but one of the many perils facing Jungle Jim as he tracks down his quarry. After Jungle Man-Eaters, Johnny Weissmuller elected to use his own name on-screen in all future "Jungle Jim" endeavors. ~ Hal Erickson, Rovi

This remake of John Ford's The Black Watch (29) stars Tyrone Power as British army captain stationed in India in 1857. Shunned by his fellow officers because he is a half caste, Power defies the social structure of the era by falling in love with the daughter (Terry Moore) of his superior officer. Power proves his loyalty to the Crown by quelling an uprising, led by his Indian boyhood friend (Guy Rolfe). The actors do their best, but the storyline is trite and stilted when dwelling on matters of honor and romance. King of the Khyber Rifles works best as an action picture--and in this respect it is immensely superior to the earlier John Ford film, which almost plays like a comedy when seen today. ~ Hal Erickson, Rovi

Reunited for the first time since 1932's The Old Dark House, Charles Laughton and Boris Karloff star in the second-echelon Universal melodrama The Strange Door. Based on a Robert Louis Stevenson story, the film casts Laughton as unhinged French aristocrat Alan De Maletroit. Angered when his sweetheart jilts him in favor of his brother Edmond (Paul Cavanuagh), De Maletroit tosses Edmond in his castle dungeon, then years later forces Edmond's daughter Blanche (Sally Forrest) into a marriage of convenience with the seemingly worthless Dennis de Beaulieu (Richard Stapley). Imprisoned within the walls of the castle by the overbearing De Maletroit, Blanche and Dennis fall genuinely in love, then conspire with De Maletroit's long-suffering servant Voltan (Boris Karloff) to escape. But the villain's torture chamber is just large enough for the three would-be escapees ... While Strange Door permits Charles Laughton plenty of room to dole out ham in thick, juicy slices, poor Boris Karloff has nearly nothing to do, much to the disappointment of his fans. ~ Hal Erickson, Rovi

The third talkie version of Dumas' The Three Musketeers, this splashy MGM adaptation is also the first version in Technicolor. Gene Kelly romps his way through the role of D'Artagnan, the upstart cadet who joins veteran Musketeers Athos (Van Heflin), Porthos (Gig Young) and Aramis (Robert Coote) in their efforts to save their beloved Queen Anne (Angela Lansbury) from disgrace. They are aided in their efforts by the lovely and loyal Constance (June Allyson), while the villainy is in the capable hands of Milady De Winter (Lana Turner) and Richelieu (Vincent Price). Notice we don't say Cardinal Richelieu: anxious not to offend anyone, MGM removed the religious angle from the Cardinal's character. While early sound versions of Three Musketeers eliminated the deaths of Constance and Milady, this adaptation telescopes the novel's events to allow for these tragedies. True to form, MGM saw to it that Lana Turner, as Milady, was dressed to the nines and heavily bejeweled for her beheading sequence. Portions of the 1948 Three Musketeers, in black and white, showed up in the silent film-within-a-film in 1952's Singin' in the Rain, which of course also starred Gene Kelly. ~ Hal Erickson, Rovi