Maureen Stapleton Movies

Forgotten photography pioneer Lewis Hine, 1874-1940) is the subject of this fascinating documentary on a man who ironically died in poverty after spending his life chronicling its American manifestation. In 1905, Hine began photographing immigrants as they came off Ellis Island, a high-point in his career that continued with views of child labor in the mines and elsewhere (1907-1909), and followed workers at their jobs in mills, factories, slums, tenant farms, and wherever people worked long and hard hours for bare survival. In 1932, Hine finished his photographs on the construction of the Empire State Building, taking great chances to get the best shots. His eventual collection of over 15,000 black-and-white photos slowed down when he went to work for Roosevelt's government in the 1930s and was stymied by red tape and internal disagreements. Hines' oeuvre and life are covered by examples of his photos, historical footage, and interviews with his contemporaries. This is not only a valuable film for its historical record, but is also dramatic, evocative, and never boring. ~ Eleanor Mannikka, All Movie Guide

Little Gloria...Happy at Last is the two-part TV adaptation of Barbara Goldsmith's 1980 best-seller. The film concerns the true-life custody battle over the daughter of millionaire Reggie Vanderbilt (Christopher Plummer) and his "child bride," Gloria Morgan (Lucy Gutteridge). When the over-imbibing Reggie dies, Gloria enjoys the high life as a wealthy widow, leaving her daughter in the care of her sister-in-law, Gertrude Vanderbilt Whitney (chillingly portrayed by Angela Lansbury in her TV-movie debut). Gloria's personal income, predicated on the child's inheritance, is severely cut, whereupon Gloria sues the indomitable Vanderbilts for custody of her daughter. We won't tell you the outcome, but we can tell you that "Little Gloria," the ten-year-old focus of the custody fight, grew up to be the same Gloria Vanderbilt who went into the designer jeans business. Little Gloria...Happy at Last was originally telecast October 24 and 25, 1982. ~ Hal Erickson, All Movie Guide

Part of the Broadway Theater Archives, this stage production of Lewis Carroll's children's fantasy Alice in Wonderland was directed by Kirk Browning. Kate Burton plays young Alice, the little girl who wanders into a bizarre wonderland that just gets more and more curious. Her real-life father, Richard Burton, plays the White Knight. Also starring Eve Arden as the Queen of Hearts, Maureen Stapleton as the White Queen, and Donald O'Connor as the Mock Turtle. Broadway star Nathan Lane can also be seen in one of his earliest roles as the Dormouse. Alice in Wonderland was originally broadcast on PBS in 1983 as an episode of Great Performances. ~ Andrea LeVasseur, All Movie Guide

Lauren Bacall more or less plays herself in The Fan. Cast as famous Broadway musical comedy star Sally Ross (with an astonishing lack of temperament!), Bacall finds herself the unwilling love object of psychotic fan Douglas Breen (Michael Biehn). As security around Ross tightens, Breen vows that if he can't have Ross, no one else can. James Garner and Maureen Stapleton are underused as, respectively, Bacall's ex-husband and mother-hen secretary. Based on a good novel by Bob Randall, The Fan comes off as a slightly more expensive "stalker of the week" TV movie. Still, the film proved grimly prescient in the light of John Lennon's assassination (which occurred after the film was completed, but before its release) and the ongoing dilemma of current Broadway stars (even the lesser lights) who are forced to hire bodyguards to protect them from worshipful wackos. ~ Hal Erickson, All Movie Guide

Few filmmakers other than Warren Beatty would have had the courage and vision to fashion an epic film from the life of famed American Communist John Reed (who is the only US citizen buried in the Kremlin). The film is an effort to humanize a political movement that has previously been depicted on screen in a series of unsubtle and prejudicial broad strokes. The film begins in 1915, when Reed (Beatty) makes the acquaintance of married Portland journalist Louise Bryant (Diane Keaton). So persuasive is Reed's point of view--and so charismatic is Reed himself-- that Bryant kicks over the traces and joins Reed and his fellow radicals. Among the famous personages depicted herein are Emma Goldman (Maureen Stapleton), Eugene O'Neill (Jack Nicholson) and Max Eastman (Richard Herrmann). The second half of this nearly-200-minute film skims through the years when Reed, now a Russian resident, becomes disillusioned by the harsh realities of Bolshevism. Despite the celebrity line-up of real-life "witnesses" to the events depicted in the film (ranging from novelist Henry Miller to comedian George Jessel!), historians took Reds to task for its oversimplification of events and its laundering of the notoriously promiscuous Louise Bryant. ~ Hal Erickson, All Movie Guide

Director Stanley Kramer ended his career with this absorbing drama, adapted from the play by Milan Stitt and based on a real-life event from 1927. Dick Van Dyke stars as Father Rivard, an intellectual priest in a small, impoverished mining town in the state of Washington. A lonely man with low self-esteem, Rivard is depressed by the arduous and dreary lives of his flock, until the arrival of Sister Rita (Kathleen Quinlan), a bright, spirited young nun who joins his parish to teach at its school. Rita appreciates Rivard on a level that few others in the community can, and soon the priest falls in love with her. But when Sister Rita is murdered, Rivard's infatuation is revealed and the love-struck priest is put on trial. Only Rivard's housekeeper, Mrs. Shandig (Maureen Stapleton), knows the truth about Sister Rita's death. Kramer broke up the staginess of his source material by structuring The Runner Stumbles (1979) into three acts that unfold not sequentially but simultaneously, revealing Rivard's developing relationship with Rita, his prison stint, and his murder trial all at the same time. ~ Karl Williams, All Movie Guide

Ed Asner dominated the proceedings of the 1977 TV movie The Gathering; inasmuch as Asner's character died at the end of that film, he is absent from the 1979 sequel The Gathering, Part 2. Said sequel could certainly have benefitted from Asner's presence, no matter how illogical that presence might have been. In Part 2, widowed Maureen Stapleton gathers her family together for the first Christmas after the death of her husband. She is being wooed by handsome industrialist Efrem Zimbalist Jr., and the family (Rebecca Balding, Gail Strickland, Bruce Davison et.al.) isn't all that keen on this contingency. Even more so than the first film, The Gathering, Part 2 has the smell of a pilot. It was originally networkcast on December 17, 1979. ~ Hal Erickson, All Movie Guide

This 1979 episode of Saturday Night Live is hosted by Maureen Stapleton and features musical guests Linda Ronstadt and Phoebe Snow. ~ Skyler Miller, All Movie Guide

The Gathering stars Ed Asner as an ill-tempered executive who long ago walked out on his family. Just before Christmas, Asner is told that he has only a few weeks to live. He confides this information to his estranged wife Maureen Stapleton, who suggests that he call his four adult children (Gail Strickland, Gregory Harrison, Rebecca Balding, Lawrence Pressman) together for one last reunion. He agrees on the proviso that they not be told of his imminent death. Of the four offspring, Asner is most trepidatious about seeing Harrison, who was virtually disowned when he moved to Canada during the Vietnam War. But The Gathering is a Christmas movie, and does its best to stay heartwarming. Made for TV and first shown December 4, 1977, The Gathering was the pilot for a potential series--(presumably one without Ed Asner, unless his character suddenly experienced a miracle cure). ~ Hal Erickson, All Movie Guide

Queen of the Stardust Ballroom stars Maureen Stapleton as Bea Asher, a woman faced with many new challenges since becoming a widow. She has been afraid for herself and her future since her husband's death, and friends concerned for her well-being take her to the Stardust Ballroom in the hopes that, for one night, she might dance her troubles away. While there, she meets Alvin Green (Charles Durning). They spend the evening dancing and talking and, thanks to his charm and goodness, Bea begins to come out of her sheltered existence. This story was directed for television by Sam O'Steen, who was Mike Nichols' only editor for almost 30 years. ~ Perry Seibert, All Movie Guide

A surprise success in 1971 ($20 million worth of "surprise"), The Summer of '42 is a coming-of-age piece, drenched in nostalgia. Director Robert Mulligan narrates the film as the grown-up counterpart of Hermie (Gary Grimes), a teenager of the War Years who has a crush on twentyish Jennifer O'Neill. With O'Neill's soldier husband off to war, Grimes convinces himself that he can take hubby's place in every way. O'Neill is amused by Grimes' attentions (confined to doing chores and carrying her groceries), but never thinks of him in sexual terms. And then, O'Neill's husband is killed in battle. Herman Raucher based his intensely nostalgic script on his own experience, going so far as to use the real names of past acquaintances (including the Jennifer O'Neill counterpart) as character names in his screenplay. An Academy Award went to Michel LeGrand's evocative musical score. Summer of '42 was later novelized by Raucher, then followed up on screen by the less effective Class of 44. ~ Hal Erickson, All Movie Guide

Airport had enough plot and enough star power in its cast for three feature films, and it only encompassed about half of the complexity or characters found in Arthur Hailey's best-selling potboiler. Essentially built around 12 harrowing hours at a major Midwestern airport, the film had everything an audience of the period could have wanted -- suspense, romance, drama, and comedy -- all spread across a vast canvas. Mel Bakersfeld (Burt Lancaster) is the manager of Lincoln Airport, facing a night beset by the worst blizzard in a decade, a wife (Dana Wynter) who announces she wants a divorce, a primary runway blocked by an airliner stuck in a snowdrift, and a governing board ready to fire him. Bakersfeld's cynical, smooth-talking brother-in-law, Vernon Demerest (Dean Martin), won't let up on his criticism of the management at Lincoln, but he has his own problems as well, mostly in the form of a young stewardess, Gwen Meighen (Jacqueline Bisset), who is pregnant by him and whom he finds he genuinely loves. Add to that the presence of an old lady stowaway (Helen Hayes) and a mentally disturbed passenger (Van Heflin) carrying a bomb, and there's more than enough plot to keep viewers engrossed for two hours plus. Airport became one of the top-grossing movies of its era, racking up seven-digit box-office numbers and spawning an entire film genre -- the disaster movie. With Jean Seberg, George Kennedy, Lloyd Nolan, Barry Nelson, and Maureen Stapleton filling out the rest of the leading roles, there was something for almost everyone in this film. The movie still has a lot to offer if only as a prime example of Hollywood at its most successfully glitzy, but, if possible, viewers should try and see the letterboxed version of Airport on DVD (released May 2001). ~ Bruce Eder, All Movie Guide