Maureen Stapleton Movies

A View from the Bridge is set in New York, but the alleged political undesirability of playwright Arthur Miller dictated that this film be lensed in France. Director Sidney Lumet shot the film in both English and French, with the English version sounding more recited than acted at times. Raf Vallone plays Eddie Carbone, a tough Italian-American longshoreman living in Brooklyn with his wife Beatrice Carbone (Maureen Stapleton), and her comely niece, Catherine (Carol Lawrence) -- to whom he feels an overwhelming yet undeclared attraction. Then two illegal immigrants, Rodolpho and Marco (Jean Sorel and Raymond Pellegrin), turn up, and rage builds in Eddie when he senses a burgeoning, mutual attraction between Rodolpho and Catherine. To divert suspicions of his own incestuous desires, he first declares Rodolpho a homosexual, then does everything in his power to ensure that Rodolpho and Marco are deported - thus setting the film up for a surprisingly grisly and shocking climax. The film is more commonly remembered today for a "shocking" set piece, in which Eddie kisses Rodolpho full on the lips to "prove" that the boy is gay. ~ Hal Erickson, All Movie Guide

Airport had enough plot and enough star power in its cast for three feature films, and it only encompassed about half of the complexity or characters found in Arthur Hailey's best-selling potboiler. Essentially built around 12 harrowing hours at a major Midwestern airport, the film had everything an audience of the period could have wanted -- suspense, romance, drama, and comedy -- all spread across a vast canvas. Mel Bakersfeld (Burt Lancaster) is the manager of Lincoln Airport, facing a night beset by the worst blizzard in a decade, a wife (Dana Wynter) who announces she wants a divorce, a primary runway blocked by an airliner stuck in a snowdrift, and a governing board ready to fire him. Bakersfeld's cynical, smooth-talking brother-in-law, Vernon Demerest (Dean Martin), won't let up on his criticism of the management at Lincoln, but he has his own problems as well, mostly in the form of a young stewardess, Gwen Meighen (Jacqueline Bisset), who is pregnant by him and whom he finds he genuinely loves. Add to that the presence of an old lady stowaway (Helen Hayes) and a mentally disturbed passenger (Van Heflin) carrying a bomb, and there's more than enough plot to keep viewers engrossed for two hours plus. Airport became one of the top-grossing movies of its era, racking up seven-digit box-office numbers and spawning an entire film genre -- the disaster movie. With Jean Seberg, George Kennedy, Lloyd Nolan, Barry Nelson, and Maureen Stapleton filling out the rest of the leading roles, there was something for almost everyone in this film. The movie still has a lot to offer if only as a prime example of Hollywood at its most successfully glitzy, but, if possible, viewers should try and see the letterboxed version of Airport on DVD (released May 2001). ~ Bruce Eder, All Movie Guide

Forgotten photography pioneer Lewis Hine, 1874-1940) is the subject of this fascinating documentary on a man who ironically died in poverty after spending his life chronicling its American manifestation. In 1905, Hine began photographing immigrants as they came off Ellis Island, a high-point in his career that continued with views of child labor in the mines and elsewhere (1907-1909), and followed workers at their jobs in mills, factories, slums, tenant farms, and wherever people worked long and hard hours for bare survival. In 1932, Hine finished his photographs on the construction of the Empire State Building, taking great chances to get the best shots. His eventual collection of over 15,000 black-and-white photos slowed down when he went to work for Roosevelt's government in the 1930s and was stymied by red tape and internal disagreements. Hines' oeuvre and life are covered by examples of his photos, historical footage, and interviews with his contemporaries. This is not only a valuable film for its historical record, but is also dramatic, evocative, and never boring. ~ Eleanor Mannikka, All Movie Guide

Directed by Rick McKay, who traveled across five continents during the documentary's production, Broadway: The Golden Age is both a celebration of current Broadway stars and a tribute to Broadway legends past. Through a plethora of interviews and vast amounts of archival footage, McKay presents a variety of factoids, anecdotes, and memories from over 100 Broadway actors, writers, and directors. The careers of Laurette Taylor, Kim Hunter, Jessica Tandy, and Marlon Brando are all animatedly retold, as is some of the Broadway "lore of olde," such as Angela Lansbury's struggle to land a role in Mame and the shocked reaction to West Side Story on its opening night. In addition to footage and discussion regarding highly successful Broadway stars, a variety of actors recount their experiences and struggles in finding even a small amount of critical recognition. The cast includes Shirley MacLaine, Bea Arthur, Edie Adams, Alec Baldwin, and Kaye Ballard, and many others. ~ Tracie Cooper, All Movie Guide

This TV adaptation of Tennessee Williams' prize-winning play stars Robert Wagner as Brick, a college sports champion who hasn't made it in the real world, and Natalie Wood as Brick's wife Maggie, the sexually frustrated "cat" of the title. Brick and Maggie are staying at the home of Brick's wealthy parents, Big Daddy and Big Mama, as are Brick's successful brother Gooper and Gooper's eternally pregnant wife Mae. Big Daddy (Laurence Olivier) has been seriously ill, thus his offspring are concerned over the size of their inheritance. It has been hinted that Big Daddy will leave his fortune to Brick provided Maggie produces a child, but the marriage has been plagued by Brick's refusal to sleep with his wife, and by a dark secret in Brick's past life that has brought about impotence and alcoholism. The reason for Brick's insecurity is his past friendship with school buddy Skipper, a homosexual who'd committed suicide. Brick believes that Big Daddy is convinced that Brick and Skipper "had sodomy together", and Gooper delights in taunting Brick over this. Big Mama learns that Big Daddy has inoperable cancer, and determines to keep the truth from her husband. She also knows that Brick is Big Daddy's favorite son, thus rejects Gooper's cold-blooded attempts to set up a trusteeship for Big Daddy's estate. In the final scene, Maggie lies to Big Daddy that she is pregnant, and Big Daddy (unaware of his imminent doom) chooses to believe her. Brick will get the estate, and Maggie will hopefully convince her husband to makes theirs a "real" marriage. A made-for-TV production, the 1976 Cat on a Hot Tin Roof is more sexually explicit than the censor-ridden 1958 Hollywood version, but isn't quite as strong dramatically despite its powerhouse cast. ~ Hal Erickson, All Movie Guide

Cocoon 2: The Return, like most sequels, relies a bit too heavily on one's familiarity with the first film. Without dwelling too long on Cocoon #1, we can observe that it ended with a group of senior citizens heading for the distant planet of Antarea, hoping to find a new, rewarding and elongated life. Cocoon 2 picks up the action five years later: The Antareans return to earth to check on the damage caused to their life-regenerating cocoons by earthquakes. Coming along for the ride are the elderly couples whom we met in the first film. Also carried over from the first Cocoon are young ferryboat captain Steve Guttenberg and gorgeous Antarean Tahnee Welch, who resume their interplanetary romance. Oldster Jack Gilford, whose beloved wife died in Cocoon, likewise finds romance in the form of Elaine Stritch. A secondary plot involves an insidious secret government plan to exploit the Antareans, which is foiled by sympathetic researcher Courteney Cox. ~ Hal Erickson, All Movie Guide

Ryan Richmond (Nicholas Strouse) is a lonely teen from Sunnydale, Arizona who believes he is a space alien in this offbeat comedy. Charles (Adam West) and his wife Edna (Candice Azzara) are the new neighbors who reinforce Ryan's vivid imagination. Hugh O'Brien plays a former U.S. vice-president who is embarrassed by Ryan at his daughter's wedding. Hugh Gillin plays Ryan's father who manages a local Holiday Inn that Ryan believes is a spacecraft. Maureen Stapleton and Roddy McDowell make cameo appearances in this uneven teen comedy. ~ Dan Pavlides, All Movie Guide

Though she always played coy about the fact in interviews, Nora Ephron's novel Heartburn is a thinly disguised "a clef" rehash of her marriage to Washington Post reporter Carl Bernstein. Meryl Streep plays Rachel, an influential food critic who marries charismatic columnist Mark (Jack Nicholson) after a whirlwind courtship. Warned that Mark is constitutionally incapable of settling down with any one woman, Rachel gives up her own job to make certain that her marriage works. When Rachel announces that she's pregnant, Mark virtually jumps out of his skin with delight. But as the news sinks in, Mark chafes at the impending responsibilities of fatherhood, and the philandering begins-- as if it had ever really stopped! Our favorite scene: Rachel and her friends being robbed at her therapy group. That's Meryl Streep's real-life daughter playing Rachel's offspring. ~ Hal Erickson, All Movie Guide

This spoof of the 1930s and '40s crime stories ranges from the ridiculous to the sublime as it tells the story of Johnny Dangerously (Byron Thames as the young Johnny, Michael Keaton as the older), a devoted son to his ailing mother (Maureen Stapleton), so ill that she needs money for several operations. Johnny has nowhere to turn, and because gangsters tend to flourish in his neighborhood he goes to work for Dundee, a benevolent godfather-gangster type, in order to cover his mother's medical bills. Johnny hides his association with Dundee from his younger brother Tommy (Griffin Dunne) and goes so far as to pay for Tommy's law school fees -- supporting him until Tommy joins the staff of the local (and corrupt) district attorney's office for Burr (Danny DeVito). When Johnny starts working for Dundee, he clashes with the evil Vermin (Joe Piscopo) right from the beginning, but things only get worse. After Dundee decides to retire, Johnny ascends to the helm, and it does not look like Vermin is going to take that sitting down. ~ Eleanor Mannikka, All Movie Guide

Frank is Frank Miller (Art Carney), a 65 year old newspaper man. His letters are to his oldest son Richard (Mike Farrell), and they're decidedly on the vitriolic side. Frank, you see, was involuntarily retired from his job and replaced by a computer. But with the help and support of his wife Betty (Maureen Stapleton), Frank bucks the system and comes out on top. The script of the made-for-TV Letters from Frank was flexible enough to allow for a wide range of ages in the supporting cast, from seventysomething veterans Margaret Hamilton and Lew Ayres to 19-year-old relative newcomer Michael J. Fox (billed ninth, without the "J"). ~ Hal Erickson, All Movie Guide

By the third year of the Civil War, personal and national tragedy had worn down President Lincoln. However, he focused on his job tenaciously, having a strong sense of history. This is the third of four programs in the Lincoln series, which originally aired on PBS. Produced and directed by Peter W. Kunhardt, this program is narrated by renowned actor James Earl Jones and features award-winning actor Jason Robards reading from letters, speeches, and diaries. Highlights include period photographs. The other three programs in the series are titled Lincoln: The Making of a President, 1860-1862, Lincoln: The Pivotal Year, 1863, and Lincoln: Now He Belongs to the Ages, 1865. ~ Steve Blackburn, All Movie Guide

A shrewd politician, Abraham Lincoln had the intelligence, ambition, and principles to grow into his job as president. This is the first of four videos in the Lincoln series, which originally aired on PBS. Produced and directed by Peter W. Kunhardt, this program is narrated by renowned actor James Earl Jones, and features award-winning actor Jason Robards reading from letters, speeches, and diaries. Highlights include period photographs. The other three programs in the series are titled Lincoln: The Pivotal Year, 1863, Lincoln: I Want to Finish This Job, 1864, and Lincoln: Now He Belongs to the Ages, 1865. ~ Steve Blackburn, All Movie Guide

Little Gloria...Happy at Last is the two-part TV adaptation of Barbara Goldsmith's 1980 best-seller. The film concerns the true-life custody battle over the daughter of millionaire Reggie Vanderbilt (Christopher Plummer) and his "child bride," Gloria Morgan (Lucy Gutteridge). When the over-imbibing Reggie dies, Gloria enjoys the high life as a wealthy widow, leaving her daughter in the care of her sister-in-law, Gertrude Vanderbilt Whitney (chillingly portrayed by Angela Lansbury in her TV-movie debut). Gloria's personal income, predicated on the child's inheritance, is severely cut, whereupon Gloria sues the indomitable Vanderbilts for custody of her daughter. We won't tell you the outcome, but we can tell you that "Little Gloria," the ten-year-old focus of the custody fight, grew up to be the same Gloria Vanderbilt who went into the designer jeans business. Little Gloria...Happy at Last was originally telecast October 24 and 25, 1982. ~ Hal Erickson, All Movie Guide