Jean Stapleton Movies
Each and every week from 1971 to 1980, the popular TV sitcom All in the Family was heralded by the glass-shattering offkey singing of Edith Bunker, aka "Dingbat." This tended to obscure the fact that Jean Stapleton, the woman who so brilliantly portrayed Edith not only possessed a lilting, well-modulated singing voice, but also was as far removed as possible from a "dingbat" in real life. While attending Hunter College, Stapleton began her performing career as a member of the Robert Shaw Chorale. She made her professional stage debut in 1941, then went on to fruitful work-study associations with the American Apprentice Theater, the American Actors Company, the American Theater Wing, and director-acting coach Harold Clurman. Her first Broadway appearance was in the 1953 production In the Summer House; the following year, she made her TV bow as a semi-regular on the daytime drama Woman With a Past. She endeared herself to Broadwayites with her wistfully funny characterizations in the SRO musicals Damn Yankees, Bells Are Ringing, and Funny Girl, roles that she would carry over into the film versions of these hits. In 1958, she made her first appearance at the Totem Pole Playhouse in Fayetteville, PA, a summer-stock operation managed by her husband, Bill Putch.Most of Stapleton's onscreen work in the 1960s and 1970s could be found in New York-based movies (Something Wild, Up the Down Staircase, Klute) and TV series (Car 54, Where Are You, The Defenders, The Patty Duke Show). Her earliest association with producer-director Norman Lear occurred in the 1969 theatrical feature Cold Turkey, in which she played a neurotic housewife named Edith. When Lear began assembling the cast for his upcoming TV sitcom All in the Family, he immediately thought of Stapleton for the role of slow-witted, strident, essentially kindhearted Bronx housewife Edith Bunker. Before leaving the series in 1980, Stapleton earned three Emmy Awards for her portrayal of Edith -- not to mention the undying affection of millions.
Once free of All in the Family, she sought out roles that she hoped would demonstrate her versatility: She played the distraught mother of a drug-addicted teenager (enacted by her real-life son, John Putch) in the made-for-TV Angel Dusted (1981), and effectively portrayed Mrs. Eleanor Roosevelt in the 1982 TV biopic Eleanor: First Lady of the World. Stapleton kept her comic skills sharpened by appearing in the made-for-cable productions of Shelley Duvall: She was terrific as a no-nonsense Fairy Godmother ("Trust me. This is important.") in Duvall's Faerie Tale Theater adaptation of Cinderella, and even better as the title characters in Mother Goose Rock 'n' Rhyme and Mrs. Piggle-Wiggle. In 1990, she briefly returned to weekly television as co-star (with Whoopi Goldberg) of the offbeat sitcom Bagdad Café. Jean Stapleton was then an infrequent but always welcome TV guest-star presence; in 1995, she startled (and delighted) her Edith Bunker fans with her con brio portrayal of Lea Thompson's sex-starved aunt in an episode of Caroline in the City. ~ Hal Erickson, All Movie Guide
- 2001
In one of the most startling examples of "playing against type" in TV history, beloved sitcom icon Mary Tyler Moore stars as Sante Chamber Kimes, a woman who was accurately described during her trial for murder as "...a sociopath of unremitting violence, the most remorseless degenerate ever to appear in this courtroom..." Based on a true story, this CBS TV movie details the events leading up to the killing of wealthy, lonely socialite Irene Silverman (Jean Stapleton), a murder orchestrated by the evil-incarnate Sante and carried out by her loving son Kenny (Gabriel Olds). The film is unsparing in its depiction of the coldblooded, sexually promiscuous Sante, who throughout her life managed to wheedle and manipulate other people to do her bidding, no matter how odious and repellant that bidding was. Without giving away the film's ending, it is a matter of record that, as of this writing, Sante and Kenny Kimes are serving prison terms with a combined total of 246 years. Like Mother, Like Son: The Strange Story of Sante and Kenny Kimes was originally broadcast on May 20, 2001. ~ Hal Erickson, All Movie Guide
- Starring:
- Mary Tyler Moore, Jean Stapleton, (more)
- 2000
In this sequel to the previous season's episode "Psalm 151", Wynonna Judd and Mika Boreem make return appearances, respectively cast as grieving mother Audrey and ebullient youngster Celine. Audrey has still not gotten over the death of her son Petey, and resents Heavenly caseworker Monica (Roma Downey) for talking her into "letting go." Sensing this, Celine makes a beeline to the boy's grave and says a special prayer. In a twinkling, who should arrive but "special guest angel" Emma (Jean Stapleton), assigned to help Audrey overcome not only her bitterness, but also her addiction to alcohol. Crucial to Audrey's salvation is an acerbic radio personality named Liz, played by Wynonna Judd's real-life mother Naomi Judd. The episode's highlight is the Judds' musical duet "That's What Makes You Young" ~ Hal Erickson, All Movie Guide
- 2000
Written by the author of Sarah, Plain and Tall, Baby was produced for the TNT cable service. Set in New England, this is the story of the Malones, a family nearly torn apart by the death of an infant son. While trying to cope with this tragedy, Lily and John Malone are surprised by the arrival of an abandoned baby girl, left on their doorstep. Though at first reluctant to welcome the child into their home, the Malones soon become inextricably attached to her -- no one more so than 12-year-old Larkin Malone who, in a pathetic effort to use the baby as a replacement for her lost little brother, hides the letter written by the child's now-repentant birth mother. Despite such lighthearted scenes as a drunken tap dance rendition of "Singin' In the Rain", Baby is rather heavy going for the most part, especially in the scenes with the family's dying grandmother. Co-produced by actress Glenn Close, Baby was first telecast on October 8, 2000. ~ Hal Erickson, All Movie Guide
- Starring:
- Farrah Fawcett, Keith Carradine, (more)
- 1998
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For this animated direct-to-video sequel to Disney's 1995 animated Pocahontas, Irene Bedard returns to the title role -- with Judy Kuhn once again providing Pocahontas' singing voice. The story starts in colonial Jamestown before Pocahontas travels to England to meet with the king in hopes of preventing a British-Indian war. Her guide and companion is royal emissary John Rolfe (Billy Zane). They are attracted to each other, but Pocahontas yearns for John Smith (Donal Gibson, brother of Mel Gibson). After a conflict with the evil Ratcliffe (David Ogden Stiers), the missing Smith is presumed dead. Ratcliffe tells the king that the Jamestown Indians are savages, so Pocahontas enters high society, hoping to prove otherwise by presenting a civilized appearance at the Royal Hunt Ball. Ratcliffe schemes to sabotage Pocahontas' plan. New songs by Marty Panzer and Larry Grossman include the closing-credits tune, Between Two Worlds. ~ Bhob Stewart, All Movie Guide
- Starring:
- Irene Bedard, Judy Kuhn, (more)
- 1996
Appropo to the episode's title, Jean Stapleton guest stars as Miles' grandmother Nana Silverberg. The old dear is in Washington to attend the wedding of Miles (Grant Shaud) and Corky (Faith Ford)--actually the couple's "official" ceremony, inasmuch as they've already eloped. Trouble ensues when Nana lets slip her grandson's marital status to Corky's ultra-WASP family--which, up until now, was unaware that Corky has been Mrs. Miles Silverberg for several months! ~ Hal Erickson, All Movie Guide
- 1993
This made-for-television movie, which debuted on Halloween, has Jean Stapleton as a mother from hell (literally) who returns from the dead to help her son, a doctor. He must find a Japanese artifact called the Stone of Ise, which possesses magical powers, and keep it out of the hands of a criminal Asian gang. ~ Brian Gusse, All Movie Guide
- Starring:
- Jean Stapleton, Geraint Wyn Davies, (more)
- 1993
Franz Kafka's classic tale of Josef K., a bank clerk who is placed on trial for an unnamed, unknowable crime, is given a faithful, if not overly literal, treatment in this drama. Knowing only that he has been charged, Josef naturally sets out to defend himself, but soon finds himself deeply mired in a battle against an incomprehensible government bureaucracy. Following Orson Welles's adaptation of the book by some three decades, director David Jones chooses to avoid the earlier film's expressionistic approach. Instead, he sets Josef's travails against a realistic background that specifically recalls Eastern Europe during the early 20th century, the time of the book's writing. Similarly, the screenplay by famed British playwright Harold Pinter, whose own darkly absurd vision owes much to Kafka, hews closely to the original text. This faithful approach helps ground the story in historical reality, and allows for a good use of brooding Prague locations. However, many critics have found this approach less effective than the low-budget abstraction of Welles' version, which is more successful at highlighting the universality and symbolic nature of the tale. ~ Judd Blaise, All Movie Guide
- Starring:
- Kyle MacLachlan, Anthony Hopkins, (more)
- 1992
A dreary and depressing tale despite the excellent assemblage of talent, this is the story of a Depression-era family where sibling rivalry and tragedy seem to be the watch words of their home life. A period piece set in 1930s Texas. ~ Tana Hobart, All Movie Guide
- 1992
Duvall's Emmy- and ACE award-winning animated bedtime stories, narrated by celebrities. Each tape contains two stories and are available individually. ~ All Movie Guide
- 1991
This tribute to the long-running and very successful TV comedy series features the original cast as they take a nostalgic and respectful look back at the series, reflecting as to its impact on their lives and careers. Included too, are actual scenes from early episodes as well as viewers opinions on the smashing series which was watched faithfully by millions who apparently found more than a little of their own lives depicted. ~ All Movie Guide
- 1990
An all-star cast is included on this children's adventure that follows a search for Mother Goose by her son (Dan Gilroy) and Little Bo Peep (Shelley Duvall). ~ John Bush, All Movie Guide
- 1986
Adapted from the play by Jules Feiffer, Grown Ups was produced for cable television. A pre-talkshow Charles Grodin plays the Feifferesque central character, a writer facing a mid-life crisis. He turns to his family for support, but, to put it mildly, they're no help at all. Feiffer is a writer of monologues rather than plays, and the verbose nature of this taped drama bears this out: characters talk at each other incessantly, but never to each other. Still, Grodin and his co-stars Jean Stapleton, Martin Balsam and Marilu Henner hold up quite well under the circumstances. ~ Hal Erickson, All Movie Guide
- 1986
Peter Ustinov stars once more as Hercule Poirot, Agatha Christie's insufferably brilliant Belgian detective. Unlike many of Ustinov's earlier Poirot vehicles, which were set in the 1930s, the made-for-TV Dead Man's Folly takes place in contemporary England. Jean Stapleton costars as an American mystery novelist who organizes a "murder hunt" at a sprawling English manor. It isn't long before several of the guests are also sprawling--on the ground, stone cold dead. American-born British stage star Constance Cummings makes a rare TV appearance as a mysterious noblewoman. Dead Man's Folly was lensed on location at West Wycombe Park in Buckinhamshire. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Ustinov
- 1984
A Matter of Sex is the calculatedly misleading title of a based-on-fact TV movie, which originally bore the more suitable title Women of Willmar. In 1976, the women working in a bank in Willmar, Minnesota become incensed because less-qualified men are being promoted over them. Head teller Jean Stapleton, with the help of attorney Peter Dvorsky and the Equal Employment Opportunity Commission, organizes an employee's union. When the chauvinistic bank officers cause negotiations to break down, Stapleton and seven other female employees go on strike--a job action which lasts for two years, despite political and social pressure from the community. Director Lee Grant, whose daughter Dinah Manoff is cast as one of the strikers, had previously helmed a documentary based on the same incident, The Willmar Eight--which was telecast on PBS the night before the January 1984 network premiere of A Matter of Sex. ~ Hal Erickson, All Movie Guide
- 1984
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Originally aired on Shelley Duvall's family-oriented HBO television series, this lively retelling of the classic tale features Jennifer Beals as the good-hearted slave girl who overcomes all to become a princess. Matthew Broderick plays the handsome object of her affection. ~ Sandra Brennan, All Movie Guide
- 1983
This is one of many versions of the fairy tale about a boy who trades his family cow for magical beans and soon finds himself on an adventure in a magical land. ~ Jason Ankeny, All Movie Guide
- 1982
An impressive cast drives this early episode of Shelley Duvall's Faerie Tale Theatre. Dennis Christopher -- best known from the 1979 sleeper hit Breaking Away -- is Jack, a boy who acquires a handful of magic beans in exchange for his poor family's cow. His mother, Soap's Katherine Helmond, is furious and throws the beans into garden beside the house. However, the beans grow overnight into a magnificent beanstalk that reaches into the clouds. Jack climbs the beanstalk only to find that it leads directly to the castle of a fierce yet wealthy giant. Elliot Gould and Jean Stapleton star as the giant and his equally gigantic wife. ~ Carrie Downes, All Movie Guide
- 1982
Jean Stapleton stars as Eleanor Roosevelt in this made-for-TV biography, first telecast May 12, 1982. The film recounts Mrs. Roosevelt's life after the 1945 death of her husband, President Franklin Delano Roosevelt. At the request of new president Truman, Eleanor serves as a United Nations delegate, spending much of her time tilting with dedicated anti-FDR politico John Foster Dulles (E.G. Marshall). She goes on to spearhead the Universal Declaration of Human Rights, proving to Dulles--and to Soviet delegate Freddie Jones--that she's anything but soft on Communism. The winning teleplay for Eleanor: First Lady of the World was by Caryl Ledner and Cynthia Mandenberg. ~ Hal Erickson, All Movie Guide
- 1981
Isabel (Jean Stapleton), a widowed executive secretary, is forced into early retirement by executive Lymon Jones (Richard Kiley), whom she herself trained. Actually, Jones has an ulterior motive; he's fallen in love with Isabel, and wants to marry her. Now Isabel must choose between Jones or keeping her job in order to train Jones's successor Peter Coyote. For her work in Isabel's Choice (working title: A Life of Her Own), Jean Stapleton won an award from the National Commission for Working Women. The made-for-TV film was first telecast December 16, 1981. ~ Hal Erickson, All Movie Guide
- 1981
PCP, a deadly drug commonly known as Angel Dust, made its first destructive appearances on the street in the late 1970s. In Angel Dusted, Jean Stapleton plays a cloistered housewife/mother who knows little and cares less about drug problems. Her son is a hard-working college student who decides to experiment just once with marijuana. The boy freaks out after smoking pot laced with PCP--and it doesn't look like he'll ever totally recover. Adding texture to the film is the presence of the film's screenwriter Darlene Craviotto as the boy's psychiatrist--and the presence of Jean Stapleton's real-life son John Putch in the role of her on-screen son. Angel Dusted was based on a book by Ursula Etons. ~ Hal Erickson, All Movie Guide
- 1980
This is one of many versions of the fairy tale about a boy who trades his family cow for magical beans and soon finds himself on an adventure in a magical land. ~ Jason Ankeny, All Movie Guide
- 1979
This TV movie stars Jean Stapleton as the real-life "Aunt" Mary Dobkin, a physically handicapped woman living in the Baltimore of the 1940s. Concerned that juvenile delinquency is destroying her neighborhood, Aunt Mary organizes the "Dobkin Dynamiters", a baseball team comprised of disadvantaged and minority children. As she fights to have her biracial team officially sanctioned by the highly segregated Baltimore power structure, Aunt Mary is further challenged by the amputation of her left leg and right foot. Nonetheless, she perseveres over the next two decades, providing nearly 35,000 disenfranchised boys the opportunity to escape the streets and play ball. Sportscaster Ernie Harwell, who'd once called the shots for the Baltimore Orioles, makes a cameo appearance in this 1979 Hallmark Hall of Fame presentation. ~ Hal Erickson, All Movie Guide
