Robert Stanton Movies

It is negotiation time again at radio station KACL, and Frasier's carnivorous agent Bebe Glazer (Harriet Sansom Harris) is prepared to pull out every underhanded trick in the book to secure a larger salary for her client -- and, of course, a bigger commission for herself. But Frasier (Kelsey Grammer) has decided to dispense with Bebe's services and put himself in the hands of a nicer and more scrupulous talent rep named Ben (Robert Stanton). Besides, the new agent has promised to arrange for a crane in the Seattle zoo to be named after Frasier! Alas, by the time this episode is over, our hero has been given "the bird" in an entirely different manner. ~ Hal Erickson, Rovi

This comedy-drama is the feature theatrical debut of TV director Nell Cox. Manhattan lawyer Laura (Rya Kihlstedt) is on edge about her promotion to partner at her law firm, while husband Jeff (Robert Stanton) is tired of the grind producing TV commercials. They head upstate for a weekend with Laura's mother, sculptor Julia (Lois Smith), hoping to resolve their marital conflicts. Shown at the 1997 Mill Valley Film Festival. ~ Bhob Stewart, Rovi

This made-for-cable biopic originally went out under the simpler title Margaret Bourke-White. Farrah Fawcett stars as the famed photojournalist, whose work for Life magazine from 1936 onward gained her worldwide celebrity. The best scenes, showing the dauntless Bourke-White (Fawcett) at work in the most grueling and perilous of situations, are all too fleeting. The filmmakers evidently believed that the audience would be more intrigued by Bourke-White's stormy relationship with her husband, novelist Erskine Caldwell (played with a fluctuating Southern accent by Frederic Forrest). The film's chief assets are the well-focused performance of Farrah Fawcett, and the lensed-on-location sequences in Louisiana and Moscow. Margaret Bourke-White premiered over the TNT cable channel on April 24, 1989. ~ Hal Erickson, Rovi

In this backstage musical comedy, a Broadway producer knows that his latest show will be a hit, but before he can stage it, he must come up with financial backing. First he tries to marry for money. When that fails he goes to a professional gambler and that is where the trouble really begins. ~ Sandra Brennan, Rovi

Blondie's Lucky Day, indeed! Not only must Blondie Bumstead (Penny Singleton) put on a brave face when her husband Dagwood (Arthur Lake) is fired for the umpteenth time by Mr. Dithers (Jonathan Hale), but she must also tolerate the attentions paid to Dagwood by pretty WAC Mary Jane McDermott (Angelyn Orr). A whizz in business matters, Mary Jane sets up Dag in his own business, which replenishes the Bumstead coffers but which drives Blondie into a jealous frenzy. The film's highlight occurs early on, when Dagwood assumes Dithers' responsiblities for a single day--and makes a proper mess of things within five minutes. Blondie's Lucky Day was the 17th entry in the long-running film series based on the comic strip by Chic Young. ~ Hal Erickson, Rovi

The Blonde From Brooklyn is perky Susan Parker (Lynn Merrick), gainfully employed as a "jukebox singer", back in the days when jukebox patrons could request that their songs be performed live via telephone hookup. Teaming with showbiz-minded G.I. Dixon Harper (Robert Stanton), Susan passes herself off as a Southern belle in order to land a job singing radio commercials for a Dixiefied coffee company. The fun begins when Susan is mistaken for the heir to a Southern plantation, forcing her to keep up her "yew all"s and "sho' nuff"'s indefinitely. Director Del Lord (of Three Stooges fame) resurrects any number of old two-reel-comedy routines in this trivial Columbia musical. ~ Hal Erickson, Rovi

There Will Be Blood's Paul Dano stars as Brian, an unhappy mattress salesman whose infatuation with Happy (Zooey Deschanel), one of his attractive customers, temporarily pushes aside his obsession with adopting a Chinese baby in this unconventional romantic comedy from director Matt Aselton. John Goodman, Ed Asner, and Jane Alexander co-star in the Killer Films production. ~ Jeremy Wheeler, Rovi

In this action-suspense thriller, orphaned nine-year-old autistic savant Simon (Miko Hughes) deciphers a government code hidden in a puzzle magazine. Calling for his prize, Simon triggers an alarm at the National Security Agency: NSA chief Nicholas Kudrow (Alec Baldwin), who says the code protects covert American operatives all over the world, sends an assassin to do away with Simon. Simon's parents are killed, but Simon survives, hiding in a secret closet crawlspace where he's later discovered by maverick FBI agent Art Jeffries (Bruce Willis). Simon is emotionally unpredictable, complicating matters as Art drags him all over Chicago, eluding Kudrow's hitman in a variety of interesting locations (train tracks, street scenes, heliport, Wrigley building) and improbable situations. Based on the novel Simple Simon by Ryne Douglas Peardon, the film features Industrial Light & Magic special FX/animation. ~ Bhob Stewart, Rovi

Based on Carl Hiaasen's satirical novel, Striptease tells the story of Erin (Demi Moore), who has just gotten a divorce from Darrell (Robert Patrick), the sleazy ex-con she foolishly married. However, the judge's memories of Darrell's days as a football hero win him custody of their daughter, and Erin, concerned for her child's safety, is determined to fight the decision. Erin has just lost her position as a secretary for the FBI, so, to cover her legal bills, she takes a job as an exotic dancer at a strip club called the Eager Beaver. While she has no experience taking off her clothes in front of an audience, Erin soon makes friends with the fellow dancers and finds a protector in the club's burly but good-hearted bouncer, Shad (Ving Rhames). She also makes a few fans among the regulars at the club, most notably David Dillbeck (Burt Reynolds), a drunken lout with a bottomless appetite for sleaze -- who also happens to be a conservative congressman with ties to right-wing religious groups. One of Erin's admirers snaps a photo of her with the congressman when a brawl breaks out at the club, and he suggests that it would make fine blackmail material. However, when the man with the photo turns up dead, Erin discovers that Dillbeck's people play a bit rougher than she expected. The home video version of Striptease contains two minutes of footage that was clipped from the theatrical release in order to win the film an R rating. ~ Mark Deming, Rovi

Ira Levin's best-selling novel about a town where great wives aren't born but made gets a second screen adaptation in this darkly satirical comedy drama. Joanna Eberhart (Nicole Kidman) is a successful television executive until one day her career hits the glass ceiling and crashes to the ground. Looking to take some time off to start over, Joanna and her husband, Walter Kresby (Matthew Broderick), pull up stakes and move to the peaceful suburban community of Stepford. Walter takes to his new environment with real enthusiasm and joins the local men's organization, headed by one Mike Wellington. Joanna, on the other hand, finds that Stepford is just a bit too quiet and well-groomed for her taste, and is taken aback by the aggressively cheerful and servile attitude of Mike's wife, Claire (Glenn Close), and the other women of the community. A notable exception is Bobbi Markowitz (Bette Midler), a happily misanthropic writer who revels in her lack of enthusiasm for housework or exercise. Joanna and Bobbi become fast friends, but as they look closer at the all-too-perfect surfaces of Stepford and its female inhabitants, they slowly discover a terrible secret lurking beneath. Also featuring Faith Hill, Jon Lovitz, and Roger Bart, The Stepford Wives was previously adapted for the screen in 1975, with Katherine Ross in the lead; that version spawned three made-for-TV sequels. ~ Mark Deming, Rovi

A lucrative real estate deal, or romance with the boss' daughter--that's the dilemma facing a yuppie in this comedy. ~ Jason Ankeny, Rovi

This film is the second effort to bring to the screen the 1880 Henry James novel of the same title (the first was The Heiress in 1949). Set in 1850 among the aristocracy of New York, Washington Square examines the inhibitions of Catherine Sloper (Jennifer Jason Leigh), the only child of wealthy Dr. Austin Sloper (Albert Finney). Catherine is clumsy and shy and something of an embarrassment to her high-class father. Dr. Sloper still unconsciously resents the child because her birth caused the death of his wife. He also disapproves of Catherine's attraction to Morris Townsend (Ben Chaplin), warning her that the handsome young man is after her money. He takes Catherine to Europe and warns her to break off her relationship with Morris, but she defies him. Townsend proposes, and Catherine accepts despite her father's threats to disinherit her if she marries him. ~ Michael Betzold, Rovi