Harry Dean Stanton

Though set in Key West, Florida, a goodly portion of 92 in the Shade was filmed in England. Peter Fonda plays Tom Skelton, a bum who gets a job as a fishing guide in his old home town. Nobody wants to have anything to do with Skelton, least of all rival guides Nichol Dance and Carter (Warren Oates and Harry Dean Stanton). Faced with financial disaster and widespread hostility, he turns to his wealthy grandfather Goldsboro (Burgess Meredith) for help. Taking time off from his lovemaking sessions with sexy secretary Bella (Sylvia Miles), his grandfather pumps some money into Tom's operation, and our hero makes his peace with Carter. A climactic fight with Nichol puts an end to that problem, while Tom's romantic relationship with Miranda (Margot Kidder) helps him sort out his priorities. Director/writer Thomas McGuane adapted the script from his own novel. ~ Hal Erickson, All Movie Guide

This homage to the cinema by venerated movie-maker Agnes Varda, often dubbed the "grandmother" of the French New Wave, features an all-star international cast. The story is based upon the memories and insights of the 100-year old Mr. Simon Cinema. He lives in a magnificent house filled with movie memorabilia. To help him remember the important details of his career he hires Camille, a film student to write down his remembrances and experiences which have involved all areas of movie-making. Camille comes once a day for 101 days. Film clips, photographs and actual visitors highlight his stories. As he continues to spin his yarns, the imagery in the film smoothly morph into other images. Camille, when not recording, is involved in other exploits including a romance with a production assistant, Mica who aspires to becoming a director. She also begins plotting a way to get to Mr. Cinema's fortune by having a friend pose as his long lost heir. Many other characters are peripherally involved including Death, an Italian seeking the rights to his film catalogue, and a memory specialist. ~ Sandra Brennan, All Movie Guide

This week, mobile officers Jim Reed (Kent McCord) and Pete Malloy (Martin Milner) are summoned to mediate a family fight involving a shiftless husband (Harry Dean Stanton) who wants to get arrested; attempt to recover a stolen fur on behalf of a dithery old lady (Nydia Westman); and break up a loud party held by one of Reed's old school chums (David Westberg). Through it all, Jim is repeatedly frustrated in his efforts to tell a joke to his fellow officers (no one, it seems, can understand the punchline). This is the final episode of Adam-12's first season. ~ Hal Erickson, All Movie Guide

Made for cable TV, Against the Wall represents filmmaker John Frankenheimer's return to the small screen. This in-your-face reenactment of the 1971 Attica prison riots is jam-packed with political and sociological implications. Refreshingly, none of the participants -- the prisoners, the guards, the high-profile mediators, the New York powers-that-be-are rendered in strictly good-guy or bad-guy terms by screenwriter Ron Hutchinson. Anyone old enough to have witnessed the original live TV coverage of the riot, however, will be able to discern who was truly responsible for its tragic outcome. While the 1971 TV-movie Attica was told from a journalist's point of view, Against the Wall is filtered through the eyes of idealist young prison guard Kyle MacLachlan. Director Frankenheimer (who in 1962 helmed the vastly different prison picture Birdman of Alcatraz)stage-manages the proceedings with his usual aplomb, though he uncharacteristically leans towards B-flick melodrama in some scenes. ~ Hal Erickson, All Movie Guide

"In space, no one can hear you scream." A close encounter of the third kind becomes a Jaws-style nightmare when an alien invades a spacecraft in Ridley Scott's sci-fi horror classic. On the way home from a mission for the Company, the Nostromo's crew is woken up from hibernation by the ship's Mother computer to answer a distress signal from a nearby planet. Capt. Dallas' (Tom Skerritt) rescue team discovers a bizarre pod field, but things get even stranger when a face-hugging creature bursts out of a pod and attaches itself to Kane (John Hurt). Over the objections of Ripley (Sigourney Weaver), science officer Ash (Ian Holm) lets Kane back on the ship. The acid-blooded incubus detaches itself from an apparently recovered Kane, but an alien erupts from Kane's stomach and escapes. The alien starts stalking the humans, pitting Dallas and his crew (and cat) against a malevolent killing machine that also has a protector in the nefarious Company. ~ Lucia Bozzola, All Movie Guide

A drug dealer moves on to bigger crimes in an effort to settle a score with disastrous results in this drama inspired by actual events. Though barely out of his teens, Johnny Truelove (Emile Hirsch) has already built a lucrative career for himself selling drugs -- he has his own home, a luxury car, and posse of friends who do double duty as his crew, including Elvis (Shawn Hatosy), Frankie (Justin Timberlake), and Tiko (Fernando Vargas). While life at Johnny's house is usually a constant party interrupted by occasional dope deals, Johnny has lost all of his patience with Jake Mazursky (Ben Foster), a regular customer who has run up a large tab that he can't pay. Determined to clear Jake's account, Johnny and his boys plan to kidnap Jake and hold him for ransom, but when they happen upon his 15-year-old stepbrother, Zack (Anton Yelchin), they impulsively decide to take the youngster instead. Jake's father, Butch (David Thornton), and his stepmother, Olivia (Sharon Stone), are already furious with their junkie son when they learn about Zack's disappearance, and aren't sure what they should do. Meanwhile at Johnny's place, Frankie takes a liking to young Zack, who already admires his brother's high-flying lifestyle, and introduces the kid to the joys of grown-up partying, which he takes to with dangerous zeal. Also featuring Bruce Willis as Johnny's father, Alpha Dog was based on the real-life story of Jesse James Hollywood, who at the age of 21 became one of the youngest people to ever appear on the FBI's "Most Wanted" list. ~ Mark Deming, All Movie Guide

Oscar-winning character actor Ben Johnson was never as well known as other stars, and yet for many industry insiders, he was the epitome of cowboy actors. Of Cherokee and Irish heritage, Johnson was born in Oklahoma and became a cowboy at age eleven. He grew up to become the only movie cowboy to win both an Oscar and a rodeo championship. This documentary tells the fascinating, colorful story of his life. ~ Sandra Brennan, All Movie Guide

James Coburn guest-stars as Ross Marquett, an old friend of Adam Cartwright. But Ross' friendship abruptly and unexpectedly turns sour when he accuses Adam of fooling around with his wife (CeCe Whitney). The otherwise easygoing Marquett's behavior becomes increasingly erratic over the next few days, culminating in tragedy. Also appearing are Harry Dean Stnaton as Billy Todd and Med Florey as Monk. Written by Ward Hawkins, "The Dark Gate" was first seen on March 4, 1961. ~ Hal Erickson, All Movie Guide

As originally screened at the Tribeca Film Festival, at the Cannes Film Festival, and on Turner Classic Movies, the mammoth, epic-length documentary Brando chronicles in encyclopedic detail (and with a consistently reverent overtone) the life and career of the man widely regarded as the most formidable American actor of the 20th century - famous for not only reshaping, but reinventing the craft of film acting and teaching audiences how to view a motion picture performance. Divided into chronological, thematically-unified segments, the film first treats Marlon Brando's dysfunctional upbringing - his alcoholic mother, his abusive father, his stint at a military academy - before charting his acting tutelage at the behest of Stella Adler and his early cinematic and theatrical roles, including work for Elia Kazan, who famously made many aggressive (and unsuccessful) attempts to discipline the headstrong actor onscreen. Throughout this segment, many Hollywood A-list actors appear - among them, Al Pacino, Johnny Depp and Robert Duvall - expostulating at length on Brando's influence over their approaches to performance, and attempting with great effort to define the elusive style known as "method acting" that Brando helped to create. The second half of the documentary moves into Brando's career during the '70s, '80s and '90s, covering the production of The Godfather, the actor's noteworthy political activism, and his tumultuous personal life. Francis Ford Coppola, who of course teamed with Brando for the first Godfather installment and for Apocalypse Now, is noticeably absent from the proceedings. ~ Nathan Southern, All Movie Guide

Director John Carpenter returns to the suburban landscape he explored so chillingly in Halloween (1978) with this lean, stripped-down adaptation of the Stephen King best-seller about a haunted car with a devilishly bad attitude and the teen underdog who falls head-over-heels for her chrome-accented charms. Shortly after geeky, horn-rim-sporting Arnie Cunningham (Keith Gordon) narrowly escapes a beating at the hands of shop-class bully Buddy Repperton (William Ostrander) on the first day of his senior year, he soon falls prey to a far more duplicitous villain in the form of a rusted-out 1958 Plymouth Fury nicknamed "Christine" by its crusty owner George LeBay (Roberts Blossom) -- who sells wide-eyed Arnie the old hulk despite the protests of best friend Dennis (John Stockwell) and the admonition of his domineering parents. As Arnie sets to the task of restoring Christine, his hobby grows into an obsession -- and the real power that hums beneath her hood begins to emerge, seemingly granting newfound coolness and sex appeal to the once-nerdy outcast, while simultaneously drawing away his very soul. A vengeful spirit, Christine lashes out violently at those who dare to stand between her and Arnie -- starting with Repperton and his gang, who completely trash the car, but are soon hunted down one by one and pulverized beneath the whitewalls of the miraculously-restored Fury. When Arnie's pretty, popular girlfriend Leigh (Alexandra Paul) begins to suspect she may soon be on the receiving end of automotive vengeance, she calls on Dennis for help... but a frightening midnight ride in Christine convinces Dennis that Arnie's only hope lies in destroying the demonic vehicle. ~ Cavett Binion, All Movie Guide

This crime-drama follows the exploits of a rock star who is finally freed from prison after being convicted of drug dealing. Though he wants to go straight, he is blackmailed by a crooked cop who forces him to sell marijuana. ~ Sandra Brennan, All Movie Guide

In flashback, Sgt. Saunders (Vic Morrow), Lt. Hanley (Rick Jason) and the men of King Company recall the events surrounding their landing at Omaha Beach on D-Day. Pre-invasion highlights include a battle between Saunders and Hanley over the affections of a pert English lass (Pat Dahl), and the efforts by wheeler-dealer Braddock (Shecky Greene) to win a cash pool by picking the correct date for the landing (he wins, but doesn't feel so lucky after all--and for good reason!) Once the men have established a beachhead, they are ordered to capture a farmhouse where several American paratroopers are being held prisoner. Most of this program is comprised of re-edited footage from Combat's hitherto unseen pilot episode, which explains the occasional discrepancies (for example, Hanley is still a sergeant, and supporting character Caje [Pierre Jalbert] is referred to as "Caddy"). ~ Hal Erickson, All Movie Guide