Edwin Stanley Movies

Filmed some 18 months before its release, Conflict is one of two melodramas in which Humphrey Bogart self-consciously portrayed a wife murderer (the other was The Two Mrs. Carrolls). Bogie plays unhappily married Richard Mason, who concocts a meticulous scheme to kill his shrewish wife, Kathryn (Rose Hobart), so that he'll be free to marry her sister, Evelyn (Alexis Smith). Alas, Mason inadvertently tips his hand to family friend Dr. Mark Hamilton (Sydney Greenstreet). ~ Hal Erickson, All Movie Guide

Incendiary Blonde is a highly entertaining if historically suspect biopic of "Queen of the Nightclubs" Texas Guinan. As played (or overplayed) by Betty Hutton, Guinan is a hoydenish Texas gal whose showbiz career gets under way when she joins a Wild West show in 1909. A favorite with male patrons because of her salty vocabulary and what-the-hell attitude, Guinan rises to fame as a Broadway musical-comedy star and movie actress, only to crash-land after an unhappy marriage to her manager Tim Callahan (Bill Goodwin). Taking advantage of Prohibition, Guinan opens the first of several nightclubs, fending off the Feds while welcome her customers with an insouciant "Hello, sucker!" Naturally, Betty Hutton is given several opportunities to sing and dance, which she does with her usual unbridled enthusiasm. ~ Hal Erickson, All Movie Guide

The overcrowding in WWII-era Washington, D.C., provided the concept for this comedy, as well as another film from the previous year, The More the Merrier (1943). Lee Stevens (Fred MacMurray) is an executive from a toy company owned by T.J. Todd (Edward Arnold). In hopes of landing a lucrative wartime production contract, Todd has dispatched Stevens and Jane Rogers (Paulette Goddard), a secretary, to Washington, D.C., for a meeting with a political fat cat. Once there, Jane foolishly cancels their hotel reservations, unaware that the capitol is so jammed that there is nowhere else to stay. She devises a plan -- she and Lee will pose as servants in the home of wealthy Ira Cromwell (Roland Young), where their lodging will be part of their salary. Lee is a disaster as a domestic, and when the very same politician they've come to meet arrives for a formal dinner, disaster looms. Standing Room Only (1944) was the third of five films in which MacMurray and Goddard would appear together. ~ Karl Williams, All Movie Guide

No slouch himself at rearranging the facts to make a good story, Colonel William F. "Buffalo Bill" Cody would probably have enjoyed this Technicolor version of his life and times. Well played by Joel McCrea, Cody is first seen as an army Indian scout, pursuing peaceful coexistence despite the animosity of Chief Yellow Hand (Anthony Quinn) and the obstruction of anti-Indian politicians. He also takes time out to court the lovely Louisa (Maureen O'Hara), the well-bred Eastern girl who will become his wife despite her initial (and quite justified) distaste for the West. Under the tutelage of impresario Ned Buntline (Thomas Mitchell), Cody follows up his military career with a more spectacular one as a larger-than-life super-showman, touring throughout the world with his spectacular Wild West show. In later years, Buffalo Bill director William Wellman would wince at the liberties taken with Cody's life -- especially the film's now notorious closing line, "God bless you, Buffalo Bill!" But Wellman allowed that, in terms of sheer entertainment, it was smarter to emulate Cody by perpetuating the legend rather than debunking the Buffalo Bill image with cold, hard facts. Or, as John Ford put it in The Man Who Shot Liberty Valance, "When the legend becomes fact, print the legend." ~ Hal Erickson, All Movie Guide

Heavenly Days was the last of three RKO Radio film vehicles for the popular radio duo of Fibber McGee and Molly (aka Jim and Marion Jordan). Unlike their first two films, which were cacophonous, plotless musical farces, this one actually has a coherent storyline and not a little "heart appeal." Self-styled expert on everything Fibber McGee takes it upon himself to leave the safe environs of Wistful Vista to go to Washington DC, intending to present himself as the "common man" before the US Congress. Naturally, Fibber's wife Molly goes along for the ride, if only to keep her husband from making a fool of himself. Fibber's actions are given credibility when pollster George Gallup (played by Don Douglas) selects the McGees as Mr. and Mrs. Average Man (or Person). While at large in DC, the McGees also become involved with a group of wide-eyed war orphans. The film's highlight is an impromptu musical interlude with Fibber, Molly, and a group of GIs, played by the King's Men Quartet (regulars on the Fibber McGee and Molly radio show). Perhaps because it took itself a bit too seriously, Heavenly Days failed to match the box-office success of RKO's earlier Fibber-and-Molly efforts, posting a loss of $205,000. ~ Hal Erickson, All Movie Guide

Country-western star Roy Acuff is top-billed in the Republic musical comedy O, My Darling Clementine. The story concerns a band of ragtag musicians, headed by Acuff, who blow into a hoity-toity town where the "right people" look down on pickin' and grinnin'. The town's social arbiter is Mrs. Uppington, a character that orignated on radio's Fibber McGee and Molly and is here portrayed by the original "Uppy", Isabel Randolph. Manager Frank Albertson struggles manfully to get Acuff's band booked into a classy hotel, and along the way romances the title character, played by Lorna Gray. Also on hand is a decidedly pre-Beverly Hillbillies Irene Ryan, who passes herself off as a middle-eastern princess. As thin as gossamer, O, My Darling Clementine will appeal most to C&W buffs. ~ Hal Erickson, All Movie Guide

Teresa Wright plays Charlie, a small-town high-schooler who enjoys a symbiotic relationship with her favorite uncle, also named Charlie (Joseph Cotten). When young Charlie "wills" that old Charlie pay a visit to her family, her wish comes true. Uncle Charlie is his usual charming self, but he seems a bit secretive and reserved at times. Too, his manner of speaking is curiously unsettling, especially when he brings up the subject of rich widows, whom he characterizes as "swine." When a pair of detectives (MacDonald Carey and Wallace Ford), posing as magazine writers, arrive in town and begin asking questions about Uncle Charlie, young Charlie's curiosity is aroused. Why, for example, has Uncle Charlie torn an article out of the evening newspaper? Rushing to the library, Young Charlie locates the missing item: the headline screams WHO IS THE MERRY WIDOW MURDERER? As the horrified Charlie reads on, the conclusion is inescapable: her beloved Uncle Charlie is a mass murderer, preying upon wealthy old women. And what happens next? Thornton Wilder, Sally Benson, and Alma Reville (Mrs. Hitchcock) based their screenplay on a story by Gordon McDowell, who in turn was inspired by real-life "Merry Widow Murderer" Earle Leonard Nelson. The casting, from stars to bit players, is impeccable; the best of the batch is Hume Cronyn, making his film debut as a wimpy murder-mystery aficionado. Lensed on location in Santa Rosa, California, The Shadow of a Doubt wasAlfred Hitchcock's favorite film. ~ Hal Erickson, All Movie Guide

A collegiate football player becomes the campus laughing-stock when he scores the winning touchdown--for the wrong team. The bungler's life doesn't get much better when a gangster, the only one who is happy about the player's mistake because it earned him a bundle, hires him and hands him a fortune worth over $100,000 to transport from California to Chicago. While at the airport the player gets distracted by a lovely reporter and misses his flight. He then rents a private plane. The fun really begins after he accidentally fumbles the cash and it plummets into the midst of a prison yard. Now he must somehow retrieve every penny lest he lose more than another game. ~ Sandra Brennan, All Movie Guide

Maybe Errol Flynn was never the war hero that he often played, but he was a capable boxer, and Gentleman Jim makes full use of this skill. Flynn stars as Jim Corbett, the 19th-century American pugilist who introduced "scientific" methods to bare-knuckle boxing. Originally an office clerk, Corbett is introduced to the then-illegal sport of fighting when one of the bank executives sponsors the young man's training at the Olympic Club. His arrogance wins Corbett a few enemies, including high-born lady Victoria Ware (Alexis Smith), whose dislike turns to casual affection when she realizes that Corbett is a sincere young fellow who can back up his boasts. What "Gentleman Jim" desires most in life is a match with reigning heavyweight champ John L. Sullivan (Ward Bond). Corbett and Sullivan finally meet in a bout governed by those new Marquis of Queensbury rules that Corbett has helped popularize. Twenty-one epoch-making rounds later, Corbett emerges victorious. At the victory celebration, Sullivan and Corbett graciously exchange mutual words of respect and affection. At this point, Corbett has totally won over the lovely Victoria -- but hasn't quite convinced his brawling brothers that "scientific" boxing is the wave of the future, and the film ends with a typical Raoul Walsh-directed battle royal. More faithful to the facts than most Errol Flynn biopics (but still with enough poetic license to drive historical purists up a wall), Gentleman Jim is broad, boisterous entertainment. Though it looks expensive, the film was made under Warner Bros.' standard pinchpenny restrictions; if you look closely at that moored ship where Corbett has one of his first professional fights, you'll notice that it's a leftover set from the 1940 Errol Flynn swashbuckler The Sea Hawk. ~ Hal Erickson, All Movie Guide

Though billed fourth in This Gun For Hire, Alan Ladd was catapulted to stardom in the role of Phillip Raven, a ruthless professional killer with a long-suppressed streak of decency. After successfully pulling off his latest murder, Raven reports to his boss, effeminate fifth columnist Willard Gates (Laird Cregar). He collects his $1000 fee, only to discover later that Gates has double-crossed him with marked bills. This was done at the behest of Gates' boss, crooked business executive Alvin Bewster (Tully Marshall), who wants no loose ends left around to connect him with a plot to sell poison gas to the Axis. As Raven ducks and dodges the police, detective Michael Crane (Robert Preston) is hot on the trail of Bewster and Gates. Crane talks his girlfriend, nightclub singer-musician Ellen Graham (Veronica Lake), into taking a job at Gates' nightclub. While on the train to the club, Ellen makes the acquaintance of the escaping Raven. Gates boards the train, spots Ellen innocently sitting next to Raven, and assumes that the two are in cahoots. Later, Gates kidnaps Ellen and spirits her away to his mansion, intending to do away with her the first chance he gets. Instead, Raven, still seeking revenge for being set up, bursts into the mansion in search of Gates. Having previously been impressed by Ellen's kindness, he rescues her, though he intends using her as hostage should the police catch up with him. As they hide out together in the rail yards, Ellen and Raven get to know each other. Learning of Raven's miserable, abusive childhood, Ellen tries to chip away his murderous veneer, hoping to reform him. But when the cops arrive, Raven reverts to his instincts, shooting his way out of his hiding place. As Crane escorts Ellen out of harm's way, Raven rushes towards a bloody showdown with Bewster and Gates. Based on Graham Greene's A Gun For Sale, This Gun For Hire was remade in 1958 as Short Cut to Hell, then again under the original title as a 1990 made-for-TV film. ~ Hal Erickson, All Movie Guide

A talented cast hacks its way through a so-so script and miles of stock footage in Universal's Drums of the Congo. In the heart of Africa, naval intelligence officer Kirk (Don Terry) searches for a rare metal vital to the war effort (just why it's vital is never thoroughly explained). He is aided in his quest by missionary Ann Montgomery (Ona Munson) and by dishevelled "bwana" Congo Jack (Stu Erwin). Alas, a couple of minions of the Third Reich are also after the elusive metal, and they're not above committing murder to get what they want. The most novel aspect of Drums of the Congo is the casting of likeable, fresh-faced Universal ingenue Peggy Moran as one of the villains. ~ Hal Erickson, All Movie Guide

In this corny comedy, the Weaver Brothers learn that in 1790, their distant forebears loaned the government some cash. The government did not pay it back, and now, by their computations, they are owed a substantial amount from interest on the principal. ~ Sandra Brennan, All Movie Guide