Lionel Stander Movies

The Black Bird is a satirical sequel to The Maltese Falcon. George Segal plays Sam Spade Jr., who has inherited his dad's detective agency in a seedy section of San Francisco. The ubiquitous, priceless Maltese Falcon, which eluded Bogart and company in the 1941 film, surfaces once again. This time, Spade's friends and foes include femme fatales Anna and "Decoy Girl" (Stéphane Audran and Connie Kreski), sixtysomething historian Dr. Crippen (Signe Hasso, who looks terrific), and midget villain Litvak (Felix Silla, who played Cousin Itt on the TV series The Addams Family). Gags abound, including a climactic steal from Jaws. Two of the surviving stars of The Maltese Falcon, Lee Patrick and Elisha Cook Jr., recreate their roles in The Black Bird . ~ Hal Erickson, All Movie Guide

This Italian feature caters to a self-congratulatory stereotype of male virility which many an Italian male might fantasize as being true for himself. Paolo is from the lower ranks of the Sicilian nobility, and he shares his grandfather's penchant for beautiful women. Indeed, he proved his readiness for bedroom sports at age 10, when he beat his grandfather to the bed of a lovely young new house servant. As a grownup, Paolo (Giancarlo Giannini) now lives in Rome and cuts a wide swath through the female population of that town. Though the depiction of his succession of conquests is repetitive, one of the film's highlights is the great beauty of the numerous women he has encounters with. ~ Clarke Fountain, All Movie Guide

In this Italian comedy/thriller, a group of politically motivated bank robbers led by Fabrizio (Oliver Reed) escape into the countryside with industrialist Giulio (Marcello Mastroianni) and a toothsome young woman (Carol Andre) as hostages. Holed up in a rural mansion, they indulge in philosophical musings and crises of conscience while the police close in. ~ Clarke Fountain, All Movie Guide

The 1920s sees New York City being overtaken by a mob. Dubbed into Spanish. ~ All Movie Guide

Any 1972 film starring Richard Conte was like as not produced in Italy. Despite its title, 1931: Once Upon a Time in New York is no exception to this rule. Conte and Adolfo Celi play rival Chicago gangsters, fighting tooth and tommy-gun over territorial rights. Featured in the cast are gravel-voiced Lionel Stander and easily excitable Irene Papas. All the actors involved have been better served elsewhere. ~ Hal Erickson, All Movie Guide

A year after Get Carter (1971), director Mike Hodges and star Michael Caine reunited for this comic crime thriller. Caine stars as Mickey King, a writer of cheap paperback detective novels, living in Rome and cranking one noir book after another. King is approached by Ben Dinuccio (Lionel Stander) and offered an abnormally large sum to ghost write the autobiography of a mystery celebrity. The intrigued King agrees and is transported to a remote island where he meets his subject, Preston Gilbert (Mickey Rooney), a one-time movie star known for playing gangsters and notorious for hanging out with real-life mobsters off the set (a sly jab at Frank Sinatra and George Raft). Now dying of cancer, Gilbert wants King to jot down his life story before he dies. Although he's an abusive jerk, Gilbert's had an interesting life and King sets about getting it all down on paper, but then the star is murdered at a party, leaving King with no conclusion to his tale. Playing detective like the heroes of his stories, King pieces together a mystery involving Gilbert's past, his ex-wife, a transvestite who's supposed to be dead, and an Italian prince running for office. Though largely dismissed at the time of its release by fans and critics disappointed at its dissimilarity to Get Carter, Pulp (1972) was championed by a few and became something of a cult favorite over subsequent decades. ~ Karl Williams, All Movie Guide

Helmed by acknowledged horror master Lucio Fulci, the political satire All'onorevole Piacciono le Donne stars Lando Buzzanca as Gianni Pupis, a powerful politician who takes a fall in the public eye after his habit of slapping women on the behind leads him to humiliate a different country's leader, causing an international incident that leads Gianni to the church in hopes of rehabilitating his image. ~ Perry Seibert, All Movie Guide

Writer/director Luigi Comencini originally created Le Avventure di Pinocchio as a five-and-a-half-hour miniseries for Italian television. This 134-minute version, featuring various guest stars, was released theatrically. Pinocchio (Andrea Balestri) is a wooden puppet carved by Geppetto (Nino Manfredi), who is turned into a little boy by a magical fairy (Gina Lollobrigida). She insists that he be obedient and loving to his father Geppetto, but the rebellious Pinocchio tries to live independently -- and encounters many ordeals, from being turned into a donkey to getting swallowed by a whale. After he and Geppetto escape from the whale, Pinocchio is able to be the good son his father deserves. ~ Nicole Gagne, All Movie Guide

In this caper movie, a gang of prison inmates sneak out and rob the Royal Mint. They then sneak back to prison. ~ Sandra Brennan, All Movie Guide

A tough adventurer and his sidekick find outlaws and rowdy women in this action-filled spaghetti western. ~ Kristie Hassen, All Movie Guide

In Sergio Leone's epic Western, shot partly in Monument Valley, a revenge story becomes an epic contemplation of the Western past. To get his hands on prime railroad land in Sweetwater, crippled railroad baron Morton (Gabriele Ferzetti) hires killers, led by blue-eyed sadist Frank (Henry Fonda), who wipe out property owner Brett McBain (Frank Wolff) and his family. McBain's newly arrived bride, Jill (Claudia Cardinale), however, inherits it instead. Both outlaw Cheyenne (Jason Robards) and lethally mysterious Harmonica (Charles Bronson) take it upon themselves to look after Jill and thwart Frank's plans to seize her land. As alliances and betrayals mutate, it soon becomes clear that Harmonica wants to get Frank for another reason -- it has "something to do with death." As in his "Dollars" trilogy, Leone transforms the standard Western plot through the visual impact of widescreen landscapes and the figures therein. At its full length, Once Upon a Time in the West is Leone's operatic masterwork, worthy of its legend-making title. ~ Lucia Bozzola, All Movie Guide

Director Anthony Mann's final film (Mann died during the filming, and the production was completed by the film's star, Laurence Harvey) is a kitchen-sink espionage drama with Harvey as Eberlin, a Russian spy and double-agent, homesick and pining for the Russian steppes. It is in this risky mood that Eberlin falls in love with the emaciated Caroline (Mia Farrow). Complications arise when he is directed to kill a Russian spy -- but the Russian spy happens to be himself. ~ Paul Brenner, All Movie Guide