Lionel Stander Movies

Television's fabulously wealthy amateur crime-fighting duo, Jennifer (Stephanie Powers) and Jonathan Hart (Robert Wagner) returns. This time the well-groomed twosome and their trusty valet Max team up with a Big Apple gumshoe to discover the identity of the villain who has been sabotaging Jennifer's play. ~ Sandra Brennan, Rovi

In this feature-length continuation of the popular husband-and-wife television detective series, the fabulously wealthy and impossibly attractive Jonathan (Robert Wagner) and Jennifer (Stephanie Powers) Hart travel to the town of Kingman's Ferry to mourn the death of Jennifer's mentor. Suspecting foul play, the duo launch an investigation that reveals that burg's idyllic appearance masks a seething underbelly of deception. ~ Sandra Brennan, Rovi

In this film, Steve (David Rasche) and Jenny's (Colleen Camp) new stepmother, Miranda (Bette Davis), is truly a witch in every sense of the word. With their father (Lionel Stander) happily deceived by his new wife, it is up to the kids to stop Miranda's dastardly plans, before it is too late. This movie was Bette Davis' last film. ~ Iotis Erlewine, Rovi

In this made-for-HBO thriller, Pierce Brosnan stars as an ex-convict who seeks revenge on the racetrack partner (Tom Skerritt) who framed him. ~ Jason Ankeny, Rovi

In this theatrically released chapter of the 1984-1987 syndicated animated series, the struggle between the heroic Autobots and evil Decepticons is taken twenty years into the future as both sides must deal with a world-devouring being called Unicron (voiced by Orson Welles). Set in 2005, The Transformers: The Movie serves as a bridge between the series' second and third seasons, with the deaths of several major characters and the introduction of new ones. Darker and more action-packed than the TV series, the movie was originally dismissed as little more than a feature-length toy commercial, but it has since grown in stature to become a cult favorite. ~ Skyler Miller, Rovi

The fifth and final season of Hart to Hart is something of a retrospective: "Two Harts are Better Than One finds millionaire industrialist Jonathan Hart (Robert Wagner) and his journalist wife Jennifer (Stefanie Powers) recalling the day they first met--and also recall how they were nearly killed on the occasion! As the season rolls on, the Harts encounter danger at a polo game and a fox hunt; Jonathan unwittingly boards a fighter jet triggered to explode in midair, and later has a slightly less lethal game of doubles with tennis legend Martina Navratilova (in another episode, Tai Babilonia skates in for a cameo role); a Grecian vacation is "highlighted" by a deadly cross-country car race; a stopover in Rhodes involves the Harts with homicidal smugglers; and Ray Milland returns as Jennifer's father Stephen Edwards, this time the target of extermination by a nutcase claiming to be his long-lost illegitimate daughter. The series' 100th episode finds Jennifer hiding in a convent to avoid being offed by gangsters; the following week she barely has time to catch her breath when she is stalked by a demented stage manager during a charity stage show. The Harts' loyal chauffeur-protecter Max (Lionel Stander) is spotlighted in an episode in which he falls for a victimized pensioner, played by Dorothy Lamour. And still another movie great, June Allyson, plays a penpal of Max who is deluded into thinking the old reprobate is a millionaire. A decade after its cancellation in 1984, Hart to Hart would return in the form of eighth feature-length TV specials. The last of the original series' hour-long episodes, "Meanwhile Back at the Ranch", guest stars Patrick MacNee in the story of a 20 million dollar jewel theft--and guess which couple finds themselves smack in the middle of the situation? ~ Hal Erickson, Rovi

Season Three of Hart to Hart begins with the emphasis on Max (Lionel Stander), the ratchet-voiced chauffeur and general factotum of millionaire industrialist Jonathan Hart (Robert Wagner) and his globetrotting journalist wife Jennifer Hart (Stefanie Powers). An amateur horticulturalist, Max creates a rose which he names after Jennifer--but, as usual, the situation becomes "guns and roses" thanks to a homicidal flower expert. Later in the season, the Harts go on one of those vacations which they always hope will take them far, far away from murder and mayhem; alas, after their car breaks down in Acapulco, the couple is swiftly embroiled in a plot to assassinate a political leader. Still later the couple finds themselves in a variation on Agatha Christie's Murder on the Orient Express, which not only boasts a nifty whodunit plotline, but also accommodates guest appearances by Carol Lynley, Bernie Kopell (The Love Boat), Ron Glass (Barney Miller), David Doyle (Charlie's Angels and even Florence Henderson! And speak of guest stars: Magician Harry Blackstone does a villainous turn in an episode aptly titled "Murder Up Their Sleeve"; a pre-"Freddie Krueger" Robert Englund shows up in a story involving a glamous singer and a costume made of stolen jewels; future movie headliner Ed Harris is a key figure in an episode in which Jonathan is blinded by a psycho specializing in using poisonous chemicals to kill his victims; and Ray Milland makes his first appearance as Jennifer's father in an adventure wherein "daddy" turns out to have quite a checkered past. Later episodes involve a defecting Russian ballerina, a demented Souther Belle, dirty work in the vineyards of Jonathan's winery, a misdelivered suit leading to the proverbial body in the hotel room, a packet of valuable baseball cards which almost spells three outs for Jonathan and Jennifer. And in Hart to Hart's third-season finale, Jonathan and Jennifer are sucked up in an elaborate insurance fraud in which phony car accidents result in very real deaths. ~ Hal Erickson, Rovi

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, Rovi

No sooner have millionaire industrialist Jonathan Hart (Robert Wagner) and his journalist wife Jennifer (Stefanie Powers) have been introduced in the feature-length pilot episode of Hart to Hart than the couple is indulging in their favorite hobby, amateur sleuthing; it's all for a good cause of course, inasmuch as the Harts are hoping to solve the murder of an old friend at a so-called health spa. One week after the pilot aired on ABC, the Hart to Hart series proper got under way with its first 22 episodes. Frequently in harm's way during this inaugural season is the glamorous Jennifer Hart, who in the official season opener is targeted for death by a person claiming to be her cousin; a few weeks later, a looney lady (Kathleen Lloyd) who has long fantasized about being Jennifer decides to eliminate the "original"; and further down the line, Jennifer unwittingly signs her own death warrant when she commissions a portrait of herself. Both Jennifer and Jonathan are neck-deep in peril on several occasions, usually when they try to get away for a bit of rest and relaxation: for example, a vacation in Mexico goes sour when the Harts find themselves fugitives from both the local constabulary and a gang of drug dealers; a skiing weekend in Vail goes downhill when Jonathan and Jennifer are marked for death by electrocution; and a luxury cruise culminates with the Harts stuck in the middle of a blood feud between two rival teams of jewel thieves! And on separate occasions, an antique auto and a Buddha statue plunge the protagonists into the world of international espionage. In other adventures, the Harts adopt clever disguises to hunt down a killer of prostitutes; Madelyn Rhue guest stars as the latest girlfriend of the Harts' crusty chauffeur Max (Lionel Stander), and like most of Max's amours she turns out to be a crook; Jonathan is forced into a "duel a mort" with a sadistic fencing champ; the couple's pet dog Freeway dashes off to parts unknown with vital murder evidence clamped between his teeth; and a psychic employee of Hart industries bids fair to send Jonathan and Jennifer to the next world a bit ahead of schedule. Somehow or other, Jonathan and Jennifer survive to appear in the season finale, which concerns a scheming playboy who literally "plays" people like chess pieces. ~ Hal Erickson, Rovi

Martin Scorsese combined the splashy atmosphere of the old studio musical with an unromanticized marriage story in his valentine to Hollywood and the Big Band era. On V-J Day 1945, newly minted civilian saxophonist Jimmy Doyle (Robert De Niro) meets USO singer Francine Evans (Liza Minnelli) at a dance, but she rebuffs every advance that he makes. A day and a hotel lobby meeting later, Jimmy finally wins Francine over after she uses her pop instincts to save his too-jazzy audition at a nightclub. When she goes on tour with Frankie Harte (Georgie Auld) and his Orchestra, Jimmy tracks her down, taking a job with the orchestra to be with her. Together on stage, they make beautiful music; off stage they marry, but the struggle between two artists begins to take its toll. Unable to understand that Francine's needs and talents are just as important as his, and unwilling to compromise his music for security, Jimmy abandons Francine after their baby is born. Separately, the two succeed even more, as Francine becomes a music and movie star, while Jimmy has a top hit and opens a jazz club. When they are reunited several years later, the pair must decide if their relationship is worth another try. ~ Lucia Bozzola, Rovi

This bizarre entry into the disaster film genre concerns a group of hapless passengers aboard a transcontinental luxury train who are infected with a viral plague by a group of terrorists. Burt Lancaster plays military man Mackenzie, who wants to send the train across a rickety bridge so all the passengers will die, with Mackenzie reasoning the tragedy will give the terrorist movement a bad name. Among the passengers on the train trying to build up antibodies are Jennifer Rispoli Chamberlain (Sophia Loren); Nicole (Ava Gardner), who is embroiled in an affair with a younger man named Robby Navarro (Martin Sheen); and Dr. Jonathan Chamberlain (Richard Harris), a physician who wants to save the passengers but ends up duking it out with the terrorists. ~ Paul Brenner, Rovi

The European crime melodrama Black Hand is set in America in the early 1900s. A newly arrived Italian immigrant is victimized by an Irish street gang. He goes to La Cosa Nostra for help...the first fatal step towards his own life of crime. The film begins well, showing how the Irish gangs gradually lost ground to the Italians and Sicilians, then adheres strictly to formula. Veteran gangster-flick actor Lionel Stander is top-billed over ostensible star Mike Placido. ~ Hal Erickson, Rovi