Terence Stamp Movies
Rough-hewn and soulful, Terence Stamp was one of the most recognizable faces of 1960s British cinema. During that decade, he became immortalized on the screen and off, his working-class charisma and battered good looks making him both a natural for leading man roles and a poster boy for the swinging Sixties lifestyle.Born in Stepney, London on July 22, 1939, Stamp made his film debut in 1962 as the martyred hero in Peter Ustinov's adaptation of Herman Melville's Billy Budd. He turned in a star-making performance that earned him an Oscar nomination and established him as part of a new wave of talent in British cinema. Stamp next made his mark in William Wyler's The Collector (1965), winning a Best Actor award at the Cannes Film Festival for his portrayal of a warped recluse who kidnaps an art student he has lusted after from afar.
Stamp spent the rest of the decade earning recognition for both his work and real-life exploits. On the screen, he worked with the likes of John Schlesinger (Far From the Maddening Crowd), Joseph Losey (Modesty Blaise), Ken Loach (Poor Cow), Pier Paolo Pasolini (Teorema), and, for Tre Passi nel Delirio, Federico Fellini, Roger Vadim, and Louis Malle. Off the screen, Stamp was known for his friendships with the likes of Michael Caine and his relationships with such preeminent beauties as Julie Christie and model Jean Shrimpton. He and Christie were immortalized in Ray Davies's song "Waterloo Sunset" in the lines, "Terry and Julie cross over the river, where they feel safe and sound."
Despite the promise of his early career, Stamp spent much of the next couple of decades in relative obscurity. He popped up in a number of fairly forgettable films and was cast as a villain in the first two Superman movies. He also appeared in such disparate projects as Legal Eagles (1986), Wall Street (1987), and Young Guns (1988). In 1994, Stamp truly re-entered the filmgoing consciousness, going delightfully against type to play a world-weary transsexual in The Adventures of Priscilla, Queen of the Desert. The film was a surprise success, and Stamp's portrayal was singled out for particular notice. Once one of the cinema's most reliable hard men, Stamp revived his career with a poignent portrayal of a character who wore more make-up than most of the screen's actresses put together.
Stamp followed this success with a turn as a mysterious tantric sex therapist in Bliss (1996). In 1999, he could be seen doing supporting work in Bowfinger, in which he had a hilarious turn as a L. Ron Hubbard-esque "guru;" and Star Wars: Episode I-The Phantom Menace. That same year, he starred in Steven Soderbergh's The Limey, back in top form as a grizzled ex-con bent on avenging his daughter's death. One of the film's highlights was the inclusion of footage from the 1968 Poor Cow, which allowed Stamp to appear as a younger version of himself. ~ Rebecca Flint Marx, All Movie Guide
This 1967 version of Thomas Hardy's novel should have done better at the box office than it did, given the star power of Julie Christie and the visual and aural fidelity to its source material. Julie Christie plays Bathsheba Everdene, a country heiress who is loved by three different men: Terence Stamp, Peter Finch and Alan Bates. Convinced that she is the intellectual superior of all three, Bathesheba loses many early opportunities for lasting happiness. Finally shedding herself of her haughty attitude, Bathsheba unconditionally accepts the love of Bates. The euphoric exuberance of Nicolas Roeg's photography is matched by the direction of John Schlesinger and the screenplay by Frederick Raphael. Only the nittiest of nitpickers would complain that some of the medium shots don't match the closeups (watch Terence Stamp's clown makeup in one scene). ~ Hal Erickson, All Movie Guide
- Starring:
- Julie Christie, Terence Stamp, (more)
A popular British comic strip series served as inspiration for this light-hearted espionage adventure, which if nothing else certainly shows the marks of its origins in the mid-1960s. A large departure for director Joseph Losey, better known for brooding interpretations of Harold Pinter works (The Servant, Accident), the film is emphatically bright and colorful, taking on at times a nearly psychedelic feel. The strangeness is emphasized by the unusual casting, including Italian star Monica Vitti in her first English-speaking role as the title character and Dirk Bogarde, playing against type as her arch-nemesis. Essentially everything is played for its camp value, including the rather convoluted, James Bond-like plot, which concerns the hijacking of a shipment of diamonds heading for the Middle East. Like its mod-era sets and costumes, this unusual, inconsistent effort is certainly intriguing and attractive, but might seem rather dated to some. ~ Judd Blaise, All Movie Guide
- Starring:
- Monica Vitti, Terence Stamp, (more)
John Fowles's novel The Collector was written in the form of a dual diary, one kept by a kidnapper, the other by his victim. The film is told almost exclusively from the point of view of the former, a nerdish British bank clerk named Freddy Clegg (Terence Stamp). A neurotic recluse whose only pleasure is butterfly collecting, Clegg wins $200,000 in the British Football Pool. He purchases a huge country estate, fixes up its cellar with all the comforts of home, then kidnaps Miranda (Samantha Eggar), an art student whom he has worshipped from afar. The demented Clegg doesn't want ransom, nor does he want to rape the girl: he simply wants to "collect" her. She isn't keen on this, and tries several times to escape. After several weeks, Clegg and Miranda grow increasingly fond of one another, and Clegg promises to let her go. When time comes for the actual release, however, Clegg decides that Miranda hasn't completely come around to his way of thinking and changes his mind, leading to a further series of unfortunate events. ~ Hal Erickson, All Movie Guide
- Starring:
- Terence Stamp, Samantha Eggar, (more)
- 1962
Based on James Barlow's novel The Burden of Proof, this is a thoughtful drama revolving around the relationship between a schoolteacher and his students, in particular a fifteen year old girl (played by the debuting Sarah Miles, although she was in fact 21 at the time), who has become infatuated with him. But when he rejects her advances during a school trip to France, out of spite she accuses him of rape. The resulting court-case dominates the latter stages of the film.
In its depiction of school life there does seem to be a ring of truth, even if the situations are somewhat exaggerated and for its time this was very strong stuff with its controversial scenario. But the early 60s was an era when film-makers were challenging social taboos, and subjects that had until then remained off-limits were being explored. Victim (1961) is another good example of this trend. As the movie also examines the precarious state of the man's marriage, this also gives more poignancy to his predicament. A fine cast is employed here, including a young Terence Stamp who went on to become a major star of the late 60s. ~ Mark Hockley, All Movie Guide
In its depiction of school life there does seem to be a ring of truth, even if the situations are somewhat exaggerated and for its time this was very strong stuff with its controversial scenario. But the early 60s was an era when film-makers were challenging social taboos, and subjects that had until then remained off-limits were being explored. Victim (1961) is another good example of this trend. As the movie also examines the precarious state of the man's marriage, this also gives more poignancy to his predicament. A fine cast is employed here, including a young Terence Stamp who went on to become a major star of the late 60s. ~ Mark Hockley, All Movie Guide
- Starring:
- Laurence Olivier, Simone Signoret, (more)
Herman Melville's short novel Billy Budd is adapted for the screen, distinguished by Robert Krasker's expressive black-and-white cinematography and Peter Ustinov's crisp direction. Terence Stamp is Billy Budd, a seaman forced to serve in the British Navy during the war between England and France in 1797. Billy looks upon all men as inherently good and, although his crewmates are initially skeptical about this sailor who appears too good to be true, he proves his mettle by his skills as a sailor and gains the respect of the crew -- all except for the ship's reviled master-at-arms John Claggert (Robert Ryan), who attempts to poison Billy's reputation by accusing him of instigating a mutiny. When the ship's captain, Edward Vere (Peter Ustinov), questions Billy about the charges, Billy reacts by striking Claggert, who falls over and dies from a blow on the head. A court-martial is called and Vere has to determine whether Billy should be hanged or acquitted. ~ Paul Brenner, All Movie Guide
- Starring:
- Robert Ryan, Peter Ustinov, (more)
