Sandrine Blancke Movies

Music aficionados in the U.S. might remember Jeannine Deckers by her stage name, The Singing Nun -- performer of the one-hit-wonder "Dominique," which topped the U.S. pop charts for ten weeks in 1963, displaced the Kingsmen's seminal "Louie, Louie," and inspired the Debbie Reynolds musical The Singing Nun as a fictionalized version of Deckers' life. Behind the gloss, however, Deckers led one of the most unusual lives of any late 20th century European celebrity. With Soeur Sourire, director Stijn Coninx tells the performer's strange story. The tale opens in 1959, when young Belgian girl Jeannine (Cecile de France) flees her parents' strictly conservative home, and moves into a Dominican convent. While there, she chafes beneath the restrictions thrust onto her -- such as the inability to sing and play her guitar -- but begins quietly authoring songs. She impulsively books time in the Phillips studio to record one of the tunes, planning to donate to charity the monies earned from the song, but Phillips executives overhear it and grow so enthusiastic that they offer Deckers a recording contract under the stage name "Soeur Sourire" (or "Sister Smile,") and turn her into an international sensation. Then, at the pinnacle of her success, not long after The Ed Sullivan Show travels to Belgium to film her, she struggles with an attempted reconciliation between her religious faith and beckoning pop stardom. Deckers ultimately shocks everyone by shucking Catholicism, pursuing a full-time career as a recording star, recording radically left-wing protest songs, and taking up with a lesbian partner, Annie (Sandrine Blancke). The two fall deeply in love and open a school together for autistic children, but Jeannine's world falls apart when the Belgian government comes calling and informs her that she owes a fortune in back taxes for "Dominique" profits that she originally donated to charity. This actually marked the second of two major features within a ten-year period to cover Deckers' life -- the first, 2001's Suor Sorriso, utilized an experimental, non-linear approach and received mostly scathing reviews. ~ Nathan Southern, Rovi

Eleven-year old Alexandrine (Sandrine Blancke) may be making something more out of what is happening in her family than is really there, but she appears to be afraid to be touched by her father (Alain Bashung), and gets really edgy when her mother (a nurse) has to work late. When one of her teachers puts two and two together and suspects incest, she encourages Alexandrine to press charges against her father. The girl at first tries to do that, but when her father shows up at the police station, the clams up. Even if she is only experiencing an imaginary terror, her father's nonchalance, her mother's complete refusal to consider the possibility and her grandparent's refusal to offer any consolation in the face of some troubling evidence must be horrifying to the girl. Whether there is incest in the family is open to some doubt, but there is no question that it harbors one very unhappy little girl in its midst. ~ Clarke Fountain, Rovi

If this had been a western, the older gunfighter would have taught his younger rival a thing or two about the perils of a scandalous reputation before passing on the torch and (more than likely) dying tragically just as he is about to reform. Instead, in this film based on a novel celebrating the exploits of the legendary seducer Casanova, the younger competition is humbled by the fiftyish fugitive from justice because, in the art of seduction, experience is everything. In the story, Casanova (Alain Delon) is a fugitive from the wrath of the authorities of France and Italy, and he is being sheltered beneath the roof of an old friend, for whom he once did an important favor. The friend has an attractive niece, whose charms interest the almost elderly roué. However, he has two problems: his friend's wife is an old conquest who has been longing for him to show up and bed her for almost twenty years, and the niece is being courted by a handsome young soldier whose ambition is to outdo Casanova in the area of amorous adventures. ~ Clarke Fountain, Rovi