John Stamos Movies

Sean Combs, Phylicia Rashad, Audra McDonald, Sanaa Lathan, and John Stamos all return to reprise the roles they originally played on Broadway in this made for television take on Lorraine Hansbury's timeless play about a 1950s-era Chicago family longing for a better life. Walter Lee has died, and now his widow Lena Younger (Rashad) is about to receive a $10,000 check from her late-husband's insurance company. Everyone in the family dreams about the ways their lives will be changed with the arrival of the money, family matriarch Lena - who longs to retire from her job as a domestic servant for a wealthy white family - in particular. Having lived in a one room tenement apartment ever since she and her late husband originally married, Lena is eager to purchase a house of her own and provide her family with a real home. Lena's son Walter Lee, Jr. (Combs), currently employed as a chauffer, and has recently become taken with the idea of purchasing a liquor store as a means of solving his family's financial woes. Like her mother-in-law, Walter's wife Ruth (McDonald) is also a domestic servant for a white family, and dreams of the day she can walk away from her job. While Walter's sister Beneatha (Lathan) strives to become a medical professional, tuition is expensive and she is currently being pursued by two men - wealthy but superficial George Murchison (Sean Patrick Thomas) and intellectual classmate Joseph Asagai (David Oyelowo). Much to everyone's surprise, Lena uses the lion's share of the money to purchase a home in the all-white residential neighborhood of Cllaybourne, splitting the remainder between Walter (for his entrepreneurial endeavor) and Beneatha (for tuition). Around the same time Walter loses his share of the inheritance to a smooth talking con man who claimed he could help finance the liquor store, the Claybourne "home improvement" association makes the discovery that the Youngers are black and sends emissary Mr. Lindner (John Stamos) to try prevent their neighborhood from becoming integrated by buying the house back. Now faced with the prospect of losing it all, Walter considers making a deal with Mr. Lindner in order to recover his losses. ~ Jason Buchanan, Rovi

First telecast March 13, 2005, the ABC sitcom Jake in Progress starred John Stamos as Jake Phillips, a handsome, stylishly dressed celebrity publicist who worked for the Magnum PR Agency. It was Jake's function in life to handle damage control for the rich and famous -- and to endure the constant insults hurled his way by his high-strung boss Naomi (Wendie Malick), who in the earliest episodes was twice as contentious as usual because she was in the last stages of pregnancy. Although supremely in charge on the job, Jake was less fortunate in his private life, unable to sustain any sort of lasting romantic relationships. Offering comfort and advice to the protagonist were his two friends, a dentist named Adrian (Ian Gomez) and a funky (and remarkably ubiquitous) street magician named Patrick (Rick Hoffman). Almost universally panned by critics during its initial 13-week run, Jake in Progress went on a lengthy hiatus, resurfacing on January 9, 2006. Evidently taking the criticism to heart, the producers endeavored to make the somewhat abrasive Jake more likeable and the episode plotlines more credible; also, two new regular characters were added, Annie (Charlotte Ross) and Mark (Dondre Whitfield). However, the series still languished in the ratings, posting the lowest numbers of the four major networks in its time period. ~ Hal Erickson, Rovi

Having learned that they are unable to conceive a child, Monica (Courteney Cox) and Chandler (Matthew Perry) seek out the services of a sperm bank. This is dispiriting enough, but the situation becomes downright disgusting for Chandler when he meets potential donor Zack (played by guest star John Stamos). Meanwhile, Phoebe (Lisa Kudrow) prepares to go out with her ex-boyfriend Mike, when who should show up but another of her ex-boyfriends, the geeky-but-lovable scientist David (Hank Azaria). And elsewhere, an upcoming speech at a paleontology convention serves as the catalyst for a confrontation between Rachel (Jennifer Aniston) and Charlie (Aisha Tyler). ~ Rovi

The meteoric rise of the most successful American comedy team of the 20th century is colorfully chronicled in the made for TV biopic Martin and Lewis. Sean Hayes of Will & Grace fame delivers an astonishing performance as the young Jerry Lewis, easily outdistancing British actor Jeremy Northam's capable but phlegmatic portrayal of Dean Martin. The film focuses on the years 1945 to 1956, during which a promising nightclub singer named Dean Martin finds himself pairing up with a manic Borscht-belt comic named Jerry Lewis. Sky rocketing to success in films and TV, Martin and Lewis enjoy a fanatical following comparable to the one attending The Beatles in the 1960s, but ultimately fame and fortune exacts a heavy toll upon the friendship of the two entertainers, culminating in a well-publicized breakup. The script does not flinch in its recreation of Martin's aloof selfishness or Lewis' bullying megalomania, but at the same time the viewer sees the positive character traits of both men, as well as their desperate yearning to be loved and accepted -- not only by their fans, by their families and friends. And even though he is not always shown in the best light, Jerry Lewis, surviving member of the team, loved the film and gave it his unconditional blessing when Martin and Lewis made its CBS bow on November 24, 2002. ~ Hal Erickson, Rovi

This tongue-in-cheek ABC adventure series used the basic premise of the old Robert Wagner starrer It Takes a Thief, but with an attractive addition to the formula. John Stamos and Melissa George starred as Johnny and Rita, a brace of good-looking professional cat burglars (in an amusing twist, he was the brains and she was the brawn!). Caught in the act, Johnny and Rita were approached by the FBI and made an offer they couldn't refuse. If they hoped to avoid jail time, they would have to assist the authorities by using their larcenous talents to "recover" stolen or missing government property. Though Johnny and Rita insisted that they could not abide each other's company, the viewer knew better. Assigned to supervise the two not-quite-reformed crooks was harried FBI special agent Shue (Robert Knepper). Filmed in Toronto by Warner Bros./Kopelson Entertainment, the weekly, one-hour Thieves made its first network appearance on September 28, 2001 (its original September 21 debut date was pushed forward by ongoing coverage of the World Trade Center disaster). ~ Hal Erickson, Rovi

This Yuletide-season TV movie reverses the standard "three girls on the make" formula of many an old 20th Century Fox movie, of which How to Marry a Millionaire is a choice example. This time out, a trio of enterprising young men decide to go on the prowl for rich wives, after first consulting a nonplussed department-store Santa with their intentions. The plan, as hatched by the impoverished heroes, Tom (John Stamos), Jason (Shermar Moore), and Mark (Joshua Malina), is as follows: They will pose as hot-shot Hollywood movie producers, the better to entice attractive and wealthy young women to invest in their newest "production" -- and hopefully, to entrap said women into matrimony. As so often happens in stories of this nature, however, love ultimately triumphs over money. A bit too top-heavy with racy double entendres and potentially unsavory situations, the film is redeemed somewhat by the presence of Dabney Coleman and Rhea Perlman, cast as an older couple named -- believe it or not -- John and Jackie Kennedy. How to Marry a Billionaire: A Christmas Tale made its first Fox Network appearance on December 20, 2000. ~ Hal Erickson, Rovi

Between Larry's (Garry Shandling) wining and dining of paramour Lori Loughlin, Hank's attempt to romance paralegal Michelle (Cecil Hoffman), and Phil's scheme to hold fake auditions in hopes of meeting an actress, it seems that nearly everyone involved with the show is feeling a bit lonely. Despite each desperate attempt at a little romance, however, strike one occurs when money turns up missing from Larry's wallet and the host hastily accuses Loughlin of theft. When Hank books Michelle's precocious son, Roger (Christopher Riccio), on the show in a desperate bid to impress, it's strike two when the plan backfires as the camera-shy boy freezes up on the air. When Phil is caught faking auditions by victim Jenette Robbins' manager, the jig is up, the inning is over, and any chance for romance is quickly dashed. ~ Jason Buchanan, Rovi

When new intern Nina (Juliet Tablak) sets her sites on Larry (Garry Shandling), the weak-willed host embarks on an affair that stirs controversy among the staff. Nina is soon taking advantage of her newfound relationship by bossing around the staff, but Larry remains blissfully unaware of the problem until she spots him flirting with Shawn Colvin and drops a rude reminder concerning their dinner plans. Meanwhile, with the eighth anniversary of the show fast approaching, Hank (Jeffrey Tambor) buys Larry, Artie (Rip Torn), and himself a trio of unpredictable race horses. ~ Jason Buchanan, Rovi

Series regular John Stamos essays a dual role as Jesse Katsopolis and Jesse's lookalike Greek cousin Stavros. Invited to stay at the Tanner household, Stavros quickly reveals himself as a duplicitious con artist. The rest of the family sees through Stavros immediately, but agree to put up with him for Jesse's sake--until Stavros literally overplays his hand with Jesse's wife Becky (Lisa Loughlin . (Trivia note: David Dean doubles for John Stamos in the scenes where the cousins appear together). ~ Hal Erickson, Rovi