Lynn Stalmaster Movies

For its quiet, low-key story, A Lobster Tale travels into a sphere of domestic life rarely glimpsed in contemporary cinema - that of small-town Americana. Colm Meaney stars as Cody Brewer, a Maine lobsterman who sinks into an economic mire when faced with a terrible catch day after day, week after week. His waitress wife also struggles to stay afloat, and his son must fend off against a bully on a regular basis. Then, into this cradle of banal American beauty, an incredible event occurs: a strange, otherworldly moss turns up in one of Cody's nets - a moss with the ability to perform miracles. Though initially its presence causes problems and strain for the Brewer clan, it ultimately demonstrates its ability to not only improve their lives, but the lives of nearly everyone in the hamlet. Alberta Watson (Irish Eyes) and Graham Greene (Northern Exposure) co-star. ~ Nathan Southern, All Movie Guide

Franklin Lazlo (Tom Arnold) is desperate. His carnival is on the skids and he hasn't got the money to make his next payroll. He tries robbery, with little result except to have the police, some professional robbers, and a meter-maid (Rhea Perlman) chasing him. On the way, he takes uptight and harried children's carpool father Daniel Miller (David Paymer) and a van full of children hostage. Franklin and the children get up to some wild hijinks all over town, and gradually the starchy Daniel begins to loosen up. ~ Clarke Fountain, All Movie Guide

When a talented, heterosexual Los Angeles pianist is diagnosed with AIDS, he abruptly spurns family and friends and withdraws into a safe, thick-walled cocoon of embittered loneliness, telling no one that he is going to die. His hopelessness, self-imposed exile and refusal to go the hospital for treatment does nothing to slow the progression of his illness. One day he is brooding in a coffee shop when an impoverished African American woman turns up to hustle him into buying her coffee. He obliges, and as the two outcasts talk, he suddenly loses consciousness. She gets him to the hospital and remains beside him until he awakens. Thus begins a tentative and tender (but not overly sentimental) friendship in which both learn to trust again as they share painful past episodes and their tentative future dreams. Though he never tells her so, the woman realizes that the pianist is dying and so provides him with subtle support. He too helps her deal with her two increasingly unruly teenage boys, one of whom has already become a small-time crook. ~ Sandra Brennan, All Movie Guide

Native American history got the Disney treatment in this biography aimed at younger audiences. Adam Beach stars as Squanto, an Eastern Massachusetts native of the 17th century, who befriends the English settlers who are starting to colonize the region. Naively trusting his new friends, Squanto and his best friend Epenow (Eric Schweig) offer to help some sailors load a vessel that's departing for England. The two Indians are shanghaied and taken across the ocean to serve as sideshow attractions for the greedy owner (Michael Gambon) of the shipping line. Squanto quickly escapes and finds refuge in a nearby cloister, where he is protected by the kindly monks, in particular Brother Daniel (Mandy Patinkin), who teaches Squanto to speak English. Squanto learns of a ship carrying more settlers to the New World, so he stows away and returns to his homeland, where he finds that his village has been wiped out by disease brought by the colonists. Nevertheless, Squanto brokers a peace deal between his hostile brothers and the settlers, and they celebrate the first Thanksgiving together. Beach went on to star in the Native American drama Smoke Signals (1998). ~ Karl Williams, All Movie Guide

Versatile Canadian comedian Martin Short plays a 10-year old boy in this comedy aimed at younger audiences. The tale is told in flashback to another little boy. Clifford is a manipulative brat. Clifford really wants to visit Dinosaur World in Los Angeles. Clifford wants to go so badly that he manages to force the Hawaii bound plane he and his parents are on to land in L.A. His parents need to attend a convention in Hawaii so they leave him with his Uncle Martin who despises children. Martin's fiance adores kids, so he pretends to be ecstatic about Clifford's visit. He must also pretend that Clifford is the angel child he isn't. Because Martin reneges on a promise to take him to Dinosaur World, Clifford begins an elaborate plot for revenge. ~ Sandra Brennan, All Movie Guide

Blue Sky was the last film directed by Tony Richardson (Tom Jones) before his death in 1991 and one of the last releases from once-thriving Orion Films, whose bankruptcy kept the picture on the shelf for several years. It also features two career-high performances by Tommy Lee Jones and Jessica Lange, who won the Best Actress Oscar for this role, as Hank and Carly Marshall, a military couple whose marriage unravels under the pressure of his job and her mental instability. Hank is an Army captain at odds with his superiors over the wisdom of nuclear testing. Carly is a free spirit spiralling into a dangerous depression after the family's move from Hawaii to a nowhere base in Alabama alarms the couple's older daughter (Amy Locane) and sends Carly into an affair with the base commander (Powers Boothe). ~ Don Kaye, All Movie Guide

Eastern State University isn't particularly notable for anything except its football program. Lately, even that hasn't been doing too well, and the athletic staff led by Coach Winters (James Caan) are under considerable pressure by the administration and alumni to bring in a winning season. To do that, he has to recruit some able, promising young players out of high school. It's not too surprising to learn that he will do almost anything to get these kids, and its even less surprising that, as long as they keep producing on the field, he and the college will overlook almost any obnoxious behavior the boys can perpetrate to the limit of their ability. ~ Clarke Fountain, All Movie Guide

In this made-for-cable TV movie, a man (Bruce Boxleitner) travels to visit his ex-girlfriend (Rachel Ward) and arrives just in time to witness her kill her vicious boyfriend. However, when his lawyer wife (Sela Ward) is assigned to his ex's case, the man finds himself in the problematic role of key witness. ~ Iotis Erlewine, All Movie Guide

The crime-fighting Turtles -- Michaelangelo (Michelan Sisti), Donatello (Leif Tilden), Raphael (Kenn Troum), and Leonardo (Mark Caso) -- return in this quickly made sequel to the popular superheroes' first film. The story concerns arch-enemy Shredder, who kidnaps nutty professor Jordan Perry David Warner, the man who invented the infamous ooze, in order to use the ooze to destroy the Turtles. Shredder enlists his hapless German shepherd puppy named Rahzar and a baby snapping turtle named Toko and dips them in the ooze to turn them into horrible and imposing ninja warriors. But on the Turtles' side is proficient kick-boxing pizza boy Keno (Ernie Reyes Jr.), who uses his moves to help the Turtles stop Shredder and his monster warriors. ~ Paul Brenner, All Movie Guide

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide

James Belushi and Charles Grodin team up for this variation on the Prince and the Pauper. Belushi plays Jimmy Dworski, a convicted car thief, serving time in a minimum security prison. But when Jimmy wins a pair of tickets to the World Series from a radio call-in show, he can't resist walking out of jail, particularly when the warden won't even let the inmates watch the series on television. Grodin plays rich workaholic Spencer Barnes, who, when his wife walks out on him right before a long-planned vacation, leaves his datebook in an airport telephone booth. Happening upon Spencer's datebook is Jimmy, who simply intends to return the datebook to Spencer for a 1,000-dollar reward. But when he finds the datebook contains his credit cards, Jimmy assumes Spencer's identity, living the good life and dating the boss's daughter, while making his way to Malibu to return the property to Spencer. ~ Paul Brenner, All Movie Guide

Due South it's not, but there are some nice touches in this thriller about an American drug enforcement agent on exchange assignment in Vancouver. The RCMP, the CIA and the KGB are all in pursuit of a deranged free-lance hit man who kills randomly-selected women in addition to his political targets. John Hyde (Martin Sheen) and his Mountie partner, McKenzie (Michael Ontkean) investigate the murder of a Korean embassy employee, and end up in the middle of this jurisdictional nightmare, as does Hyde's ex-wife (Beverly D'Angelo) who's the assassin's next target. ~ Michael P. Rogers, All Movie Guide

The third pairing of comic actors Richard Pryor and Gene Wilder was much less successful than their previous team-ups, Silver Streak(1976) and Stir Crazy (1980). Wilder plays Dave, the deaf proprietor of a newsstand and employer of blind gambler Wally (Pryor). When Wally's bookie is shot and killed at the stand, Dave and Wally are arrested for the crime. Since the deaf Dave had his back turned and didn't see the crime, while the blind Wally only heard it, the clues they have to offer the police are slim: Dave's glimpse of a shapely leg and Wally's whiff of a perfume called Shalimar. It turns out the dead man was in possession of a coin that he dropped into Dave's tip box, which Wally is now carrying. The coin contains a valuable microchip sought by crime baron Sutherland (Anthony Zerbe), for whom hired killer Eve (Joan Severance) and her British partner Kirgo (Kevin Spacey) are working. Posing as lawyers, Eve and Kirgo spring Dave and Wally from jail, leading to a series of misadventures as the coin changes hands and the two sensory-challenged pals attempt to learn who has framed them and why. ~ Karl Williams, All Movie Guide