Marco St. John Movies

John Woo's first Hollywood feature stars Jean-Claude Van Damme as Chance Boudreaux, a down-and-out Cajun merchant seaman, who, after saving a young woman, Natasha Binder (Yancy Butler), from a gang of thugs on the streets of New Orleans, agrees to help her search for her father (Chuck Pfarrer), a homeless Vietnam vet. They locate local businessman Randall Poe (Elliott Keener), for whom the vet had been working, and learn that her father has become a victim of wealthy sportsman Emil Fouchon (Lance Henriksen), who, along with his cronies, hunts homeless men as a form of recreation. After Fouchon finds out that the girl is investigating the murder of her father, he arranges for she and Chance to be ambushed, but they manage to escape into the backwoods of Louisiana -- his stomping grounds. Realizing he needs to regroup, Fouchon assembles a private army to invade the bayous. They track the pair to the rustic cabin of Chance's Uncle Douvee (Wilford Brimley), and the real fireworks begin. ~ Michael Costello, Rovi

This directorial effort from Phil Joanou stars Sean Penn as an Irish-American undercover cop working the Hell's Kitchen beat. Penn is ostensibly on a sentimental journey to his old neighborhood. Actually he's been assigned to infiltrate a criminal gang led by Ed Harris, the brother of Sean's best friend Gary Oldman. Penn suffers the requisite honor vs. duty anguish when he renews his childhood romance with Harris' sister Robin Wright. State of Grace would have had more clout had it been more clear as to time and place: it's supposedly set in the 1990s, but the attitudes and behavior are pure 1970s. ~ Hal Erickson, Rovi

When a man was murdered following his expose on organized crime, Kojak investigates and meets up with a former lover and the dead man's wife. ~ Rovi

The murderous spirit of Jason Vorhees lives on in this horror sequel, although the plot hinges on the mystery of whether the killer's body actually survives. Opening with a nightmare prologue in which Corey Feldman reprises his role as Tommy Jarvis, the boy who killed Jason in the previous installment, the film jumps forward several years to when a teenaged Tommy (John Shepherd), haunted by visions of Jason returning to life, moves into a group home for mentally disturbed kids. Almost as soon as he arrives, Tommy witnesses the death of Joey (Dominick Brascia), an overweight, annoying boy who is hacked to death by psychopathic patient Vic (Mark Venturini). Although Vic ends up safely behind bars, other bodies begin to turn up -- more than 20 by the end of the film. Tommy's own violent streak, displayed when he lashes out at a fellow resident, makes him a suspect; he even doubts his own sanity. But as the bloodshed continues, Tommy finds himself allied with Reggie (Shavar Ross), the grandson of one of the home's employees, in a desperate bid to survive the carnage and find out who the killer behind the hockey mask really is. The producers of the Friday the 13th series actually planned to end it with Friday the 13th -- The Final Chapter, but the box-office success of that film paved the way for the series to continue. ~ Brian J. Dillard, Rovi

In this loose adaptation of the 1942 horror classic of the same name, a 2001-style opening montage establishes some sort of sacrificial, mystical union between panthers and an ancient tribe of humans. Flash forward to 1980's New Orleans, where waifish Irina (Natassja Kinski) meets her older brother, Paul (Malcolm McDowell), a minister, for the first time since their animal trainer parents died and she was sent to a series of foster homes. Paul's Creole housekeeper, Female (Ruby Dee), helps Irina settle into her brother's home, but Paul himself disappears. Cut to a fleabag motel where a blasé prostitute finds an angry panther instead of a client; after mauling her, the cat is captured by police and a team of zoologists: Oliver (John Heard), Alice (Annette O'Toole), and Joe (Ed Begley Jr.). The next day Irina finds herself in the zoo where these scientists work; drawn to the newly captured panther, she befriends Oliver and takes a job in the gift shop. Shortly after the panther's violence turns deadly, it escapes, and soon Paul turns up spouting an unbelievable story about his family's were-cat heritage and his inevitable sexual union with little Irina. On the run from her dangerous brother, Irina takes refuge in a sexually frustrated romance with Oliver, afraid of what might happen if she consummates their passion. Astute viewers will notice that the zoologist characters refer to the film's panthers as leopards; "panther" is actually a generic term for any large cat, especially a black one, but Cat People's panthers are in fact leopards whose black color comes from a recessive trait known as melanism. ~ Brian J. Dillard, Rovi

The protagonists are secondary and uni-dimensional in this unlikely actioner about a divorced father (James Brolin) tearing through New York chasing the man who kidnapped his daughter (Abby Bluestone). Sean Boyd (Brolin) is an ex-cop with an enemy on the force out to kill him. Between dodging his would-be assassin, fighting off street thugs, and getting crashed into by one car after another, Boyd is not about to give up or get seriously hurt. In the meantime the police themselves are too inept to catch the kidnapper (Cliff Gorman), and the winsome Marie (Julie Carmen) has decided to hang out with Boyd and help him find his daughter. ~ Eleanor Mannikka, Rovi

Based on the long-running Broadway play by Dennis Reardon, The Happiness Cage, a multinational filmmaking effort, is a drama about medical experimentation in the U.S. military. The experiment is a brain operation which removes pain, replacing it either with bliss or sensual satisfaction. It is at first attempted on terminal cancer patients, but finally the doctors receive permission to test the procedure on a healthy but thoroughly obnoxious subject (Christopher Walken). ~ Clarke Fountain, Rovi