Jill St. John Movies
The daughter of an ambitious but relatively benign "stage mama," Los Angeles-native Jill St. John was acting on stage at age 5, and on radio from the time she could read; in the late '40s Jill was a regular on the marathon soap opera One Man's Family. Jill's mother changed the girl's name from Oppenheim to St. John when she was 11, and (via surgery) changed her nose from Romanesque to turned-up when Jill was 16. By that time, Jill had been attending UCLA for two full years; she was assessed by experts as having an IQ of 162. Jill wanted to be a comedienne like her idol, Kay Kendall; but when she was signed for a 20th Century-Fox contract in 1958, it was on the basis of her pulchritude rather than her comic timing. After a series of non-descript heroines in such pictures as Holiday for Lovers (1959) and The Lost World (1960), Jill came into her own on the TV guest star circuit. She was most frequently seen on the specials of comedian Bob Hope (ever the connoiseur of feminine beauty) and was also shown to good advantage in a couple of Frank Sinatra films. Virtually all of Jill's film assignments contrived to get her into the skimpiest of swimwear; in the 1971 James Bond film Diamonds are Forever, Jill spent at least three-quarters of the picture in brief bikinis. Though not as active on screen in the '80s and '90s as she'd been before, Jill kept busy as the "in house" cooking expert on the daytime TV series Good Morning America and as the food columnist of the USA Weekend newspaper supplement; she has also published several well-received cookbooks. Jil's hobbies have ranged from collecting model trains to dating such high-profile celebrities as Henry Kissinger. Thrice married, Jill St. John was wed in 1990 to actor Robert Wagner, a longtime friend and coworker. ~ Hal Erickson, Rovi
Stretching from the 1970s to the 1990s, The Trip chronicles the often turbulent romance between two gay men. One night in 1973, teenagers Tommy (Steve Braun) and Alan (Larry Sullivan) meet at an L.A. party. While Tommy is openly gay and organizes for gay civil rights, Alan, an aspiring journalist, is a repressed, button-down member of the Young Republicans who is working on his first book, a thick volume about the evils of homosexuality. On the pretext of interviewing him for his book, Alan invites Tommy to his house for dinner, where the sexual tension between the two is so throbbingly blatant that Alan's girlfriend makes a hasty exit. An intense romance between the two men follows. When we next see them, it's 1976, and Alan's book has been published anonymously and is being used by right-wingers who are supporting Anita Bryant's "Save Our Children" campaign in Florida. Unfortunately, Tommy finds out that Alan wrote the book and leaves him, and subsequently takes up with Peter (Ray Baker) an affluent closet case. It isn't until the '90s that Alan and Tommy meet again, and are confronted by the romance they thought they had long left behind. The Trip was screened at the 2002 Philadelphia International Gay and Lesbian Film Festival. ~ Rebecca Flint Marx, Rovi
- Starring:
- Larry Sullivan, Steve Braun, (more)
- 2002
First screened at the Hamptons International Film Festival, the 60-minute documentary Bond Girls Are Forever made its cable TV debut a mere 16 days before the premiere of the newest James Bond theatrical feature, 2002's Die Another Day. (Coincidence? We don't think so) Through vintage film clips of past Bond movie epics, and with the participation of several former "Bond Girls" as interviewees (among them Dr. No's Ursula Andress and Diamonds Are Forever's Jill St. John), the documentary traced the evolution of the typical James Bond heroine from decorative damsel in distress to gutsy (but still decorative) participant in the action. In addition to the provocatively named romantic partners enjoyed by the various movie Bonds over the past 40 years, the viewer is treated with the input of Judi Dench, the most recent actor to play 007's no-nonsense superior officer, M. Bond Girls Are Forever was co-produced and narrated by Maryam d'Abo, who appeared opposite Bond number four, Timothy Dalton, in The Living Daylights. ~ Hal Erickson, Rovi
- Starring:
- Maryam D'Abo, Jill St. John, (more)
A charismatic, modern-era healer must reconcile his relationship with his creator after his life and ministry are threatened in this religious-themed drama starring Brad Dourif, Robert Wagner, and Faye Dunaway, and based on the real life exploits of self-professed holy man Leroy Jenkins. Leroy Jenkins (Damian Chapa) has been touched by "The Spirit," and his mission in life is to pass on the good word to a population enraptured by sin and decadence. As Jenkins' empire rapidly evolves into the largest ministry in America, his burgeoning friendship with actress Mae West (Dunaway) soon paves the path for the minister himself to achieve celebrity status. Blessed with the stage presence of Elvis and imparted with a flamboyant sense of style that would make even Liberace envious, Jenkins' intolerance for anyone who voices descent finds his list of enemies multiplying almost as fast as his list of followers. When betrayal comes knocking at the headstrong holy man's door, Jenkins is forced to face up to his all-consuming pride and turn to The Spirit in hopes of reconciling his situation before it's too late. ~ Jason Buchanan, Rovi
- 1998
Lew Grade is the executive producer of this British-German co-production, a romantic drama that gets underway in Las Vegas with several casino cameos (Robert Wagner, Roddy McDowall, Jill St. John, William Hootkins). Lymphoma leaves Vegas croupier Maggie (Maria Pitillo) only a few weeks to live, so she sets out to visit a weeping Madonna statue in Italy where she meets American pianist Mike (William McNamara) while hitchhiking to Trevino. Monsignore Calogero (Tom Conti) orders the church closed, and the statue is found to be a fake. As Mike and Maggie hope for a miracle, Mike departs to participate in a Naples piano competition. Watch for composer Lalo Schifrin conducting his own two piano concertos in the final scenes. ~ Bhob Stewart, Rovi
- Starring:
- William McNamara, Maria Pitillo, (more)
Robert Altman takes a scalpel to Hollywood ethics in the 1990s (or the lack thereof) in his acidic satire The Player, adapted from Michael Tolkin's novel. (Tolkin also wrote the screenplay.) The film concerns a sleek and smooth Hollywood studio executive who starts receiving death threats from a disgruntled writer because he has committed the ultimate Hollywood sin -- he promised the writer he would call him back and he never did. This is particularly ironic because the studio executive, Griffin Mill (Tim Robbins), is considered "writer-friendly," spending his days listening to pitches from such noted screenwriters as Buck Henry, who is pushing "The Graduate, Part II" and Alan Rudolph, who is hawking a Bruce Willis action film described as "Ghost meets The Manchurian Candidate." But The Player finds Griffin's comfortable life style in danger of collapse. He is trying to find a way to unload his girlfriend (Cynthia Stevenson) whose independence and intelligence make her a poor candidate for a trophy wife. More importantly, it seems that Larry Levy (Peter Gallagher), a slippery executive from Twentieth Century Fox, is angling for his job. And then there are those nasty postcards and faxes from a screenwriter threatening to kill him. Altman cast over 65 stars in cameo roles as texture for his scabrous tale. ~ Paul Brenner, Rovi
- Starring:
- Tim Robbins, Greta Scacchi, (more)
- 1986
San Francisco is a romantic city that has been celebrated in music and art since it became a cultural mecca in the days of the Western frontier. The travel destination experts at Rand McNally offer their insights and tips for a trip to the city, with a tour of some of its famous spots. The armchair traveler visits popular neighborhoods, such as Castro Street and the Wharf District. The Golden Gate Bridge and a thrilling ride on a cable car are two highlights of this visit to one of America's most beautiful cities. ~ Rose of Sharon Winter, Rovi
- 1982
In the final episode of Magnum P.I's second season, fashion designer Jan Kona (Jill St. John) solicits the help of Thomas Magnum (Tom Selleck) when one of her two partners is murdered. She suspects that the surviving partner is the guilty party, and that she's next on the list. Meanwhile, a bemused Rick (Larry Manetti) tries to reconcile the glamorous, worldly Ms. Kona with her "past life" as one of his long-stemmed cocktail waitresses. ~ Hal Erickson, Rovi
- 1982
- R
When she's wrongfully convicted for participation in a drug-smuggling ring, a woman (Tracy Bregman) winds up in a women's prison, where she toughens up during several brutal encounters. ~ John Bush, Rovi
- Starring:
- Jill St. John, Tracey E. Bregman, (more)
- 1982
John Sebastian's musical score lends an appropriately anachronistic touch to the endearingly outdated The Act. Robert Ginty and Sarah Langenfield are the principal participants in this satiric tale of political dirty trickery, with emphasis on underhanded union tactics. Also on hand are veterans Jill St. John, Eddie Albert and Pat Hingle, who laudably behave as if the dialogue they're spouting actually has some artistic value. If you don't remember The Act making the scene at your local theatre in 1982, don't feel bad. The film barely received a release at all until it was committed to videotape several years later. ~ Hal Erickson, Rovi
- Starring:
- Robert Ginty, Sarah Langenfeld, (more)
- 1982
When a woman is falsely accused of killing her father, private eye Matt Houston is called onto the scene. ~ Rovi
- Starring:
- Lee Horsley
- 1979
Originally telecast September 25, 1979, Hart to Hart was the pilot film for a series which officially debuted three days earlier. Robert Wagner and Stephanie Powers play the fabulously wealthy, blissfully happy married couple Jonathan and Jennifer Hart. He's a conglomerate CEO, she's a mystery author; together they solve crimes whenever their schedules allow. In this first escapade, the Harts tackle the case of a friend's death at a fancy health spa. Lionel Stander is on hand as the Harts' gravel-voiced general factotum Max. The closing sequence of Hart to Hart includes a cameo appearance by Robert Wagner's real-life wife Natalie Wood, billed under her real-life name Natasha Gurdin. Coincidentally, the supporting cast features Wagner's future wife Jill St. John. ~ Hal Erickson, Rovi
- 1976
Dale Messick's inexplicably popular Brenda Starr has to be one of the lamest comic strips ever perpetrated on an unsuspecting public; thus, any filmed version of the strip had nowhere to go but up. Jill St. John stars in this feature-length TV pilot film as plucky girl reporter Brenda Starr. While searching for a Howard Hughesish recluse, Brenda ends up in the wilds of Brazil at the mercy of voodoo-practicing natives. Happily, both St. John and special guest villain Victor Buono recognize the material for what it is, and make no effort to take things seriously. Brenda Starr debuted on May 8, 1976; no series of any kind followed. Other cinemadaptations of Brenda Starr include a 1945 Columbia serial starring Joan Woodbury, and a much-delayed (though not long-awaited) theatrical feature of the 1990s starring Brooke Shields. ~ Hal Erickson, Rovi
- 1972
- R
In between gigs writing two of the first films from director John Boorman and the sequel to The French Connection (1971), writer Alexander Jacobs adapted this bloody, violent drama from a pulp crime novel. Oliver Reed stars as Harry Lomart, a dangerous convict who's been planning a breakout with a fellow inmate, Birdy Williams (Ian McShane). Before the two men can abscond, word comes that Harry's wife Pat (Jill St. John) has been having an affair with another man and has become pregnant with the man's child. That brings the total number of scores that Harry's got to settle once he's on the outside up to two. After a spectacular escape, the pair of hardened criminals are supposed to lie low until it's safe for them to leave the country, but a furious Harry won't allow his wife to get away with her betrayal, and he sets out to find and kill her, as well as her lover. ~ Karl Williams, Rovi
- Starring:
- Oliver Reed, Jill St. John, (more)
- 1971
A pint-sized pooch with enormous Hollywood ambition wanders the streets of Hollywood and Malibu beach in search for her big break in this canine adventure for the entire family. After a pair of run-ins with Vincent Price and James Darren, Mooch sneaks into a major movie studio for a visit with Jill St. John - who subsequently orders her hairdresser to give the star-struck pup a new hairdo. Later, Mooch crosses paths with actor Jim Backus, who takes her along to a big industry party attended by her old friends, Price, Darren, and St. John. While her showbiz connections fail to land her a starring role, Mooch soon meets a kindly master who will accept her for the fun loving canine companion that she truly is. ~ Jason Buchanan, Rovi
After George Lazenby portrayed James Bond in On Her Majesty's Secret Service, Sean Connery returned to the tux, gimmicks, and catchphrases of Secret Agent 007 in his penultimate Bond outing, Diamonds Are Forever. Fragments of Ian Fleming's original 1954 novel remain, including the characters of the alluring Tiffany Case (Jill St. John) and fey hitmen Wint (Bruce Glover) and Mr. Kidd (Putter Smith). The remainder of Richard Maibaum and Tom Mankiewicz's script diverges dramatically from the novel, involving Bond in a scheme by the insidious Ernst Blofeld (Charles Gray) to force the world powers to disarm so that he can take over the globe. Folksinger Jimmy Dean shows up briefly as a Howard Hughes-like reclusive billionaire, while Lana Wood (Natalie's sister) participates in one of the film's edgiest cliffhangers. Agreeing to make Diamonds Are Forever only because of the money offered him, Sean Connery parted company with the role for 12 years after this film; he returned to the role once more in 1983, for Irvin Kershner's Thunderball remake Never Say Never Again. ~ Hal Erickson, Rovi
- Starring:
- Sean Connery, Jill St. John, (more)
- 1970
In this espionage film, an American detective becomes part of a British spy organization's attempt to free a Russian expatriate hidden away in England. ~ Sandra Brennan, Rovi
- 1969
Written by horror-film specialist Jimmy Sangster, Spy Killer stars Robert Horton as a secret agent turned private eye. Framed for murder, Horton is released, but only after promising that he'll track down a book containing a list of government agents who are operating covertly in Red China. The reluctant spy discovers that he can't completely trust anyone in this endeavor--not even his former chief (Sebastian Cabot). Spy Killer was produced for American television by Britain's Hammer Films, then released theatrically overseas. The film spawned a sequel, Foreign Exchange (70), once again starring Robert Horton and Sebastian Cabot, with Jill St. John reprising her heroine role from Spy Killer. ~ Hal Erickson, Rovi
- 1967
An exclusive LA country club provides the setting for this sudsy melodrama that centers on a handsome assistant golf pro and the women that love him. One woman is particularly desperate to have him. It also follows the efforts of a conniving former-caddy to take the assistant's job. ~ Sandra Brennan, Rovi
- Starring:
- Robert Wagner, Anjanette Comer, (more)
- 1967
In this made-for-TV crime melodrama, Robert Wagner plays a handsome ex-GI determined to wreak vengeance on millionaire Peter Lawford, who caused Wagner to suffer public humiliation. Getting himself invited for a cruise on Lawford's yacht, Wagner dallies with the millionaire's bikini-clad daughter Jill St. John before returning to the matters at hand. It turns out that Lawford has been involved with an international political conspiracy, all evidence of which is destroyed by coconspirator Walter Pidgeon, to whom Wagner has been relating his story in flashback. The story ends with the destruction of Lawford's yacht, followed by a closeup of Robert Wagner winking at the audience. The film was released theatrically in Europe as Deadly Roulette. ~ Hal Erickson, Rovi
Frank Sinatra brings a sneering Rat Pack ethos to his first hard-boiled detective role in Tony Rome. Tony is an ex-cop who lives on a houseboat off Miami, accepting fees for private-eye work. His former partner, Ralph Turpin (Robert J. Wilke), asks Tony for help in locating Diana Pines (Sue Lyon), the daughter of rich construction magnate Rudolph Kosterman (Simon Oakland). Tony finds her unconscious and drunk in a sleazy motel room and returns her to her home. Rudolph decides to hire Tony in order to find out why his daughter is behaving so erratically. In the meantime, Diana's stepmother, Rita (Gena Rowlands), also offers Tony money to inform her first about whatever Tony finds out. He discovers that Diana has lost an expensive diamond pin, but before he can act upon the information, he is beaten up by two goons and nearly killed by Diana's crazy step-uncle. Tony then finds out that Turpin has been murdered. With help from sultry and sexy divorcée Ann Archer (Jill St. John), Tony discovers that Diana has been funneling large sums of money to her alcoholic mother, Lorna (Jeanne Cooper), with Rita's priceless jewelry being replaced by fakes. A collection of disagreeable human sludge all take their turns trying to get Tony and the information that he holds -- including his old pal Lieutenant Santini (Richard Conte). After a murder attempt on Rudolph's life, Tony uncovers a series of vile connections involving blackmail, deceit, and betrayal. ~ Paul Brenner, Rovi
- Starring:
- Frank Sinatra, Jill St. John, (more)
- 1967
This very economical remake of the 1952 Errol Flynn vehicle Against All Flags stars Doug McClure in the Flynn role. Cashiered from the royal navy in disgrace, McClure becomes a buccaneer, guiding his loyal crew to an island completely populated by cutthroats. Here he links up with pirate-captain Guy Stockwell and lady-swashbuckler Jill St. John. The plot comes to a head when the pirates conspire to hold lovely Middle-Eastern princess Mary Ann Mobley for ransom. McClure comes to her rescue and routs the rascals, revealing along the way that he's been working under cover on behalf of the king (a fact rather given away by the title). The most fascinating moments of The King's Pirate concern a pair of well-proportioned belly dancers, who keep the other pirates occupied while McClure goes about his business. The camera lovingly and longingly records each bump, grind, and wiggle, allowing the audience to get its mind off the creaky plot contrivances. ~ Hal Erickson, Rovi
- Starring:
- Doug McClure, Jill St. John, (more)
- 1967
In this comedy, a widower, his seven children, and their maid find themselves on the lam, after he is falsely accused of embezzling at the bank where he works. ~ Sandra Brennan, Rovi
- Starring:
- Bob Hope, Phyllis Diller, (more)
- 1966
Originally telecast November 26, 1966, Fame is the Name of the Game was the first official entry in NBC-TV "Project 120" series of made-for-TV movies (after two false starts in 1964). Tony Franciosa plays a magazine writer investigating the suicide of a beautiful girl. He uses the girl's address book as a key to piecing together the mystery of her self-destruction--and in so doing discovers that she'd actually been murdered. Advertised as an "original" for television, Fame is the Name of the Game was actually a remake of the 1949 Alan Ladd melodrama Chicago Deadline, right down to the identity of the mystery killer. Jill St. John and Jack Klugman co-star, with Jack Weston, Robert Duvall, Nanette Fabray and Jay C. Flippen popping up in supporting roles. This film served as the pilot for the 1968-71 TV series Name of the Game, with cast members Tony Franciosa and Susan St. James retained for the series proper. ~ Hal Erickson, Rovi
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