Howard St. John Movies

Edmond O'Brien plays a telephone repairman whose electronic savvy earns him a job with a bookmaking concern. O'Brien's bookie boss Barry Kelly wants to get instant results from the nation's racetracks, and to this end O'Brien illicitly plugs into several communication centers. The wealthier O'Brien becomes, the more scruples he sheds. Eventually he runs afoul of the Big Boss of an Eastern bookie syndicate (Otto Kruger) and vainly attempts to escape with his life in a slam-bang final at Boulder Dam. 711 Ocean Drive was made to cash in on a then-current national newspaper expose of bookmaking operations. ~ Hal Erickson, All Movie Guide

Garson Kanin's Broadway hit was transferred to the screen with only a few passing nods to the stricter censorship required by films. Judy Holliday won an Oscar for her portrayal of Billie Dawn, a strident, dim-bulbed ex-chorus girl who is the mistress of millionaire junk tycoon Harry Brock (Broderick Crawford). In Washington to put a few senators and congressmen in his pocket (the better to lay the groundwork for an illegal cartel), the rude-and-crude Brock realizes that the unrefined Billie will prove an embarrassment. Thus he hires idealistic but impoverished Paul Verrell (William Holden) to pump some intelligence and "class" into Billie. Paul does his job too well; by awakening Billie's social and political consciousness, he turns the girl into Brock's most formidable foe in his efforts to buy influence in DC. Along the way Paul and Billie fall in love. ~ Hal Erickson, All Movie Guide

Counterspy Meets Scotland Yard was the second entry in Columbia's "David Harding, Counterspy" series. Howard St. John stars as Harding, who, per the film's title, travels to England in this one. Joining forces with Scotland Yard operative Simon Langton (Ron Randell), Harding attempts to break up a spy ring that uses hypnosis as one of its "weapons." Future Gunsmoke heroine Amanda Blake co-stars as an alluring femme fatale. The Counterspy series was based on the radio series created by Philips H. Lord, which ran from 1942 to 1957. ~ Hal Erickson, All Movie Guide

William Eythe is the Customs Agent in this brisk Columbia programmer. The plot finds Bert Stewart (Eythe) stationed in China, where he goes undercover to join a gang of dope smugglers. His plan is to stop the wholesale stealing of valuable streptomycin, which the crooks are peddling to drug addicts. Marjorie Reynolds will surprise fans of her work in TV's The Life of Riley with her portrayal of the gang-leader's moll. Another TV favorite, Jim Backus, co-stars as one of the good guys. Customs Agent makes no demands upon the intellect but does succeed as slam-bang entertainment. ~ Hal Erickson, All Movie Guide

Don't Drink The Water is taken from a play by Woody Allen. Walter Hollander (Jackie Gleason) is a middle-aged caterer from Newark, New Jersey who takes his wife Marion (Estelle Parsons) and his teenage daughter Susan (Joan Delaney) on a tour of Europe. When their plane is high-jacked to Vulgaria, Walter is mistaken for an international spy when he takes some photographs. Secret agent Krojack (Michael Constantine) is dispatched to capture the alleged spy. The family takes refuge in the American embassy where Axel Magee (Ted Bessell) is the son of the ambassador. Axel arranges for the family to stay there, but leaving then becomes the problem. Susan's problems are solved when she and Axel are married, providing her with diplomatic immunity. Walter and Marion are forced to disguise themselves as part of an Arab delegation to escape from Vulgaria. ~ Dan Pavlides, All Movie Guide

Based on a play by Fay Kanin, this comedy drama follows a successful congresswoman's emotional journey back to her alma mater. When Agatha Reed (Joan Crawford) is offered an honorary degree at her former college, she is forced to remember the reason she was expelled to begin with. Nearly twenty years prior, Agatha (Crawford) had an affair with Dr. James Merrill (Robert Young), one of her professors. After her departure, Dr. Merrill (Young) slowly rose through the ranks, eventually becoming the president of the school. Despite having left under less than desirable circumstances, Agatha is excited to see him and hopes to rekindle their relationship. Meanwhile, newspaper reporter Matt Cole (Frank Lovejoy), not only follow's Agatha to her former university, but unsucessfully proposes marriage. Unfortunately for him, the alumna's eyes are set firmly towards her old flame. However, once Matt (Lovejoy) and Agatha team up in a passionate attempt to update the school's outdated curriculum, she realizes who she truly loves. ~ Tracie Cooper, All Movie Guide

Once again Edward G. Robinson takes a script from the trash bin and makes it into a palatable movie. A remake of The Mouthpiece, this is the story of a district attorney with a conscience. When he discovers that a man he's sent to the electric chair was innocent, he takes to the bottle. His assistants encourage him to get off the booze, stop prosecuting and, instead, become a defense attorney. He agrees but his first client is a notorious gangster who has been in business for so long because of leaks from Robinson's own office when he was the district attorney. Push comes to shove and soon, through multiple machinations and mishaps, Robinson becomes the defender of his former assistant on charges of murder. ~ Tana Hobart, All Movie Guide

1959's Li'l Abner was adapted from the hit 1956 Broadway musical--which, in turn, was inspired by the satirical comic strip by Al Capp. Peter Palmer recreates his Broadway role as Li'l Abner Yokum, the handsome, muscle-bound, muscle-brained leading hillbilly of Dogpatch, USA. The citizens of Dogpatch are in an uproar because their ramshackle community has been designated the "most useless" town in America, and therefore a prime candidate for an atomic bomb testing site. At first, the Dogpatchers consider their least-desirable status a great honor, but then they despair upon realizing that they'll have to vacate the premise before the annual girl-chases-boy Sadie Hawkins Day race. Together with his Mammy (Billie Hayes) and Pappy (Joe E. Marks), Li'l Abner is dispatched to Washington DC, to argue that Dogpatch has some vital significance: after all, only in Dogpatch can one partake of the Yokumberry Tonic, the source of Abner's super strength. Shifty billionaire General Bullmoose (Howard St. John) wants that Yokumberry tonic for his own devices, and to that end dispatches his lady friend Appasionatta von Climax (Stella Stevens) to Dogpatch to catch Li'l Abner during the Sadie Hawkins race and thus secure the mountain boy's cooperation via marriage. Li'l Abner's erstwhile girl friend Daisy Mae Scragg (Leslie Parrish) would likewise like to snare Abner in the race, but Appasionata wins, thanks to the squirrelly Evil Eye Fleegle (Al Nesor), whose "triple whammy" paralyzes Abner just inches before the finish line. If you think all this is unbelievable, wait till you see how the story resolves itself. Featured in the cast is Stubby Kaye as Marryin' Sam, who leads the hillbilly chorus in the musical's best number, "Jubilation T. Corpone". Other Johnny Mercer-Gene de Paul tunes carried over from the Broadway version of Li'l Abner are "A Typical Day," "If I Had My Druthers," "Namely You," "The Country's in the Very Best of Hands," "Past My Prime," "Put 'Em Back (The Way They Wuz)" and "The Matrimonial Stomp."The film is staged in the same broad, caricatured manner as the play, which only adds to the fun. An earlier, unrelated movie adaptation of Li'l Abner, filmed in 1940, is best forgotten, as is a series of lukewarm Abner cartoons produced by Screen Gems in the late forties. ~ Hal Erickson, All Movie Guide

Dana Andrews is ad-man Clint Lorimer in this uneven drama, the last feature film by director Bruce Humberstone, released several years after it was completed. Clint is fired from his job working for a big ad agency, and he is determined to prove himself better than his former bosses. He has two romantic liaisons, one with Peggy Shannon (Jeanne Crain) and another with Anne Temaine (Eleanor Parker). Anne works as the advertising agent for a milk company run by a weirdo exec (Eddie Albert) who plays with toy airplanes in his office, but as time passes he becomes Machiavellian and ego-maniacal. Anne herself changes from a frump to a tough and glossy businesswoman, perhaps making Clint's choice of a future bride easier. ~ Eleanor Mannikka, All Movie Guide

Based on a true story, Mister 880 is the whimsical tale of an elderly gentleman (Edmund Gwenn) who dabbles in counterfeiting. He makes only enough "funny money" to support himself, but the fact that his work is so amateurish (he can't even spell "Washington") arouses the indignation of the treasury department. Burt Lancaster, the hard-nosed treasury agent put on the case, is determined to prosecute the miscreant to the full extent of the law. In tracking down a lead, Lancaster falls in love with Dorothy McGuire, a recipient of one of the phony bills. Lancaster discovers that McGuire lives in the same building as Gwenn, and after piecing together the clues arrests the old fellow. Softened by Gwenn's naivete, Lancaster and Ms. McGuire arrange for a compassionate lawyer to lessen what would otherwise be a stiff prison sentence. Mister 880 was to have starred Walter Huston as the ingenuous counterfeiter, but Huston died just before filming started. ~ Hal Erickson, All Movie Guide

In this rare kinescope from the early years of the long-running dramatic anthology Philco Television Playhouse, Ed Begley Sr. stars as Ernie Barger, the bombastic, conservative but withal likeable co-owner of a successful dinner-plate manufacturing firm. Having spent his life imposing his will on those around him, Ernie cannot admit that he is out of step with the times professionally, nor that he might be responsible for the shyness and recurring illnesses of his wife Mariella (Carmen Mathews). But Ernie is certain of one thing in life: That once his beloved son Roy (John Connell) has graduated from college, he and Ernie will be inseparable buddies. Alas, it at Roy's graduation that Ernie is dealt the first in a series of devastating disilllusionments. Most existing prints of Ernie Barger Is 50 include the original Philco commercials, as well as a plug for the following week's episode of Goodyear Television Playhouse (which alternated with the Philco show). ~ Hal Erickson, All Movie Guide

Combining elements from William Faulkner's novel Sanctuary, its sequel Requiem for a Nun, and a stage adaptation of Requiem for a Nun by Ruth Ford, director Tony Richardson's film is set in 1920s Mississippi and recounts the story of Temple Drake (Lee Remick), a young, lustful white woman who falls for a man who rapes her, only to marry another when she is told that her lover has died. The story is told as a flashback in an attempt to explain what led to the film's present, in which a black maid is on trial for the murder of Temple's baby. This was Richardson's first film made for a studio; he agreed to make Sanctuary to fund his next film, A Taste of Honey. ~ Matthew Tobey, All Movie Guide

Helen Gurley Brown's self-help best-seller was the nominal source for this Hollywood sex romp, directed by Richard Quine, co-scripted by Joseph Heller and David R. Schwartz, and starring Tony Curtis and Natalie Wood. Tony Curtis plays Bob Weston, a writer for the scandal sheet "Dirt," who is working on an article on research psychologist Helen Gurley Brown (Natalie Wood) and her best-selling book Sex and the Single Girl. Bob needs to interview Helen, but she refuses to see him. Bob impersonates one of her neighbors, Frank Broderick (Henry Fonda), as a ruse in order to see her on the pretext of marital counseling. After several meetings, Bob attempts to seduce her; after they fall out of a boat and head back to Helen's apartment to dry out, Bob plies her with martinis. Rip-roarin' drunk, Helen confesses her love for Bob. He assures her it's fine, since he's not legally married, but Helen doesn't believe him and asks to meet his wife, Sylvia (Lauren Bacall). To fill up the breach, Bob mistakenly sends both his secretary, Susan (Leslie Parrish), and his ex-girlfriend Gretchen (Fran Jeffries) to see Helen -- both impersonating Sylvia. When the real Sylvia arrives at Helen's apartment with the two other women, Sylvia has her hapless husband Frank put in jail for bigamy. By this point, Helen has realized Bob's skullduggery and leaves town with her colleague Rudy DeMeyer (Mel Ferrer). Bob chases Helen onto the San Diego Freeway, where they also encounter Frank, who is being followed in a cab by Sylvia. A wild chase ensues as the bickering couples try to make it to their flights at the L.A. airport. ~ Paul Brenner, All Movie Guide