Betta St. John Movies
Discovered by Rodgers and Hammerstein, actress/singer/dancer Betta St. John played a small role in the 1945 Broadway musical Carousel. Four years later, St. John created the character of Liat in R&H's Pulitzer Prize-winning musical hit South Pacific. She followed the production to London, where she would remain for the better part of the 1950s. In films, St. John was cast in exotically regal roles in such films as Dream Wife (1953), The Robe (1953) and The Student Prince (1954). As her film career drew to close, Betta St. John was seen as a "Jane substitute" in a pair of Tarzan features starring Gordon Scott. ~ Hal Erickson, All Movie Guide- 1960
Gordon Scott's fifth and last appearance as Tarzan came in this 1960 installment of the long-running movie series featuring the adventures of the legendary ape man. Neither Jane nor son Boy appear in the film. Tarzan is hired to escort a hardened criminal, Coy Banton (Jock Mahoney), through the jungle so that he can be turned over to the police. Also in the party are a group of British visitors including Ames (Lionel Jeffries), whose wife Fay (Betta St. John) falls in love with the prisoner Banton. Tarzan must stop the jungle party from fighting amongst themselves. After this film, Mahoney replaced Scott as Tarzan in subsequent movies, while Scott made several Italian movies playing the role of Hercules. ~ Michael Betzold, All Movie Guide
- Starring:
- Gordon Scott, Betta St. John, (more)
George Baxt scripted this extraordinarily good chiller from a story by Milton Subotsky, who also co-produced. A college student (Venetia Stevenson) with an interest in witchcraft goes to the Massachusetts town of Whitewood. It's a foggy, spooky town which gets even scarier when Stevenson discovers that the owner of the Raven's Inn, Mrs. Newlis (Patricia Jessel) is in fact a 268-year old witch. Jessel sold her soul to the Devil to regain her life after being burned at the stake. The whole town is her coven, including Stevenson's kindly history professor (Christopher Lee). Stevenson's boyfriend and brother arrive to look for her and discover human sacrifices and all sorts of evil goings-on. One of the few horror films of the period which still has the power to frighten, Horror Hotel is required viewing for genre fans. ~ Robert Firsching, All Movie Guide
- 1959
This enjoyably twisted British thriller was shot back-to-back with the equally warped Haunted Strangler and is one of the first films of any genre to address the subject of drug addiction. It stars Boris Karloff as Dr. Thomas Bolton, a London surgeon who believes he has developed a safe and effective anesthetic serum which he hopes will revolutionize the world of medicine. Unfortunately, a demonstration of the drug before a panel of his peers ends in a horrific mishap -- with his patient awakening under the knife -- and he is forced to leave his position in disgrace. To complicate matters, Bolton has become addicted to his own concoctions and is forced to enter an illicit arrangement, forging death certificates for a pair of grave-robbers (including Christopher Lee) in exchange for a regular fix and the means to continue his experiments. As one would imagine, this shady partnership leads him further down the road to ruin, culminating in his unwitting participation in murder -- for which he becomes the victim of a blackmail scheme. Karloff's multi-layered performance is one of his finest, bringing a great deal of pathos to his tragic character. This film was also something of a turning point for Lee, who had already risen to international fame in many Hammer productions by the time this film was acquired by MGM for American distribution. ~ Cavett Binion, All Movie Guide
- Starring:
- Boris Karloff, Christopher Lee, (more)
- 1959
Popular British film starlet Betta St. John essays a dual role as Toni and Terry Trent, twin entertainers hired to perform for the USO in Britain. After witnessing a murder, Terry abruptly vanishes, whereupon Toni asks Peter Brady to locate her missing sister. It is up to Brady to pull out his patented invisibility tricks to fool the gangsters holding Terry captive--but there's more to the intrigue than meets the eye (or in this case, doesn't meet the eye). ~ Hal Erickson, All Movie Guide
- 1958
Paul Decker (Peter Van Eyck) arranges what seems to be the perfect murder of his wife, while at her home in Italy. Lightly drugging her into unconsciousness, he seals the room she is in and turns on the gas, and then dons a diving snorkel with hoses drawing air from the outside -- he remains hidden in the room beneath the floorboards even as the police investigate the crime scene. As far as they know, he was just over the border in France when Mrs. Decker committed what appears to be suicide -- and there is no reason to investigate further, beyond a routine inquest. But he doesn't bargain on Candy (Mandy Miller), his wife's daughter by her previous marriage -- she has long believed that Paul killed her own father, and is positive that he was responsible for her mother's death. Try as those around her -- including her guardian (Betts St. John) -- do to convince her otherwise, she won't let go of this idea. And when Paul kills Candy's dog Toto, she tells him he will have to kill her, because otherwise she will kill him. From that moment on, they are on a collision course, as Paul tries at once to protect himself, covering tracks that he never thought anyone would trace -- not having bargained on the obsessive girl -- and to discredit her in preparation for possibly having to kill her. Meanwhile, Candy waits, watches, and asks question after question, hoping for one clue or slip that will allow all of her suspicions to fall into place. And finally, after several rounds of cat-and-mouse, and a near-fatal encounter, they meet face-to-face at the scene of the crime. ~ Bruce Eder, All Movie Guide
- Starring:
- Peter Van Eyck, Mandy Miller, (more)
- 1957
A rugged, isolated island off the coast of Nova Scotia provides the setting for this drama. Much of the island is owned by one person, the other inhabitants, primarily lobster fishermen, rent from him. One of the lobster men begins romancing the wealthy owner's daughter and marries her. After the wedding, the bride is disturbed to learn that her hubby is a compulsive gambler who quickly squanders their small savings. The impoverished couple has no choice but to leave the island and live on the mainland. ~ Sandra Brennan, All Movie Guide
- Starring:
- William Sylvester, Michael Craig, (more)
- 1957
Tarzan and the Lost Safari is the first MGM-released Tarzan picture since 1942, and the first of the series to be lensed in color. Gordon Scott plays the Lord of the Jungle, herein guiding a group of high-society types through the jungle after their plane has crashed. Since there's no Jane in the film, old Tarz is permitted to extend every courtesy to heroines Gamage Dean (Yolande Donlan) and Diana Penrod (Betta St. John). The villain of the piece is white hunter Tusker Hawkins (Robert Beatty), who intends to turn over two of the safari members to tribal chief Ogonooro (Orlando Martins) in exchange for a fortune in ivory. Unlike earlier Tarzan epics, Tarzan and the Lost Safari was lensed in its entirety in Africa. ~ Hal Erickson, All Movie Guide
- Starring:
- Gordon Scott, Robert Beatty, (more)
- 1956
When John Preston (Christopher Lee) comes out of nowhere to settle in Deanbridge, he rises quickly in the town's small circle of leaders and meets Sally, the daughter of a leading family. He asks her to marry him, but then he begins to have repeating nightmares about a passionate blonde blackmailer. He consults the local doctor (Alexander Knox), who decides that Preston is unconsciously suppressing events from his past and should try to recover his memory before he gets married. This is an average psychological mystery worth watching for the good performances. ~ Michael P. Rogers, All Movie Guide
- 1955
Given a bigger budget than usual, cult director Edgar G. Ulmer rises to the occasion in The Naked Dawn. Filmed in Mexico, the story focuses on a poor but proud farmer named Manuel (Eugene Iglesias) and his wife Maria (Betta St. John). When glib-tongued drifter Santiago (Arthur Kennedy) tries to get Manuel mixed up in a train robbery, the farmer is at first resistant, but is goaded into joining Santiago by the covetous Maria. Corrupted by the prospect of untold wealth, Manuel begins plotting the murder of Santiago; meanwhile, Maria makes plans to bump off Manuel and run off with the handsome stranger. There's a moral in all this, and Ulmer makes certain that we don't miss it. ~ Hal Erickson, All Movie Guide
- Starring:
- Arthur Kennedy, Eugene Iglesias, (more)
- 1954
The 3D melodrama Dangerous Mission starts off with a bang when innocent Piper Laurie inadvertently witnesses the murder of her gangster boss. Though she doesn't get a particularly good look at the killer, she knows she's dead meat if she remains in town. Thus, Laurie skeedaddles to Montana's Glacier National Park, where most of the film takes place. Following her westward are Victor Mature and Vincent Price. One of these men is a federal agent, bound and determined to bring Laurie back to the East to testify; the other is the murderer, who intends to silence our heroine for keeps. Laurie doesn't know which is which, but the audience does. A bit poky at times (thanks in part to the uninspired editing of Gene Palmer), Dangerous Mission roars into life during a mid-film forest fire and a climactic chase through the glacier fields. Featured in the cast are William Bendix as a Montana ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Mature, Piper Laurie, (more)
- 1954
Scott Brady plays a decidedly mature Billy the Kid in this Columbia western programmer. According to this acount, Billy was just a mixed-up kid who was forced against his will to become a gunslinger. Billy's friendship with sheriff Pat Garrett (James Griffith), which has always been a matter of historical speculation, is deepened in the film, with Garrett reluctantly tracking Billy down after the latter has tried to avenge the death of kindly rancher John H. Tunstall (Paul Cavanaugh). British leading lady Betta St. John is cast as Billy's love interest (and the unwitting cause of his ultimate downfall) while Alan Hale Jr. is far removed from his Gilligan's Island role as The Skipper, cast here as a scowling heavy. ~ Hal Erickson, All Movie Guide
- Starring:
- Scott Brady, James Griffith, (more)
- 1954
Edmund Purdom plays Prince Karl, but Mario Lanza sings the bold tunes coming out of Purdom's mouth, in this MGM remake of the 1927 Ernst Lubitsch silent picture based on the renowned 1924 operetta by Sigmund Romberg and Dorothy Donnelly, which itself was based on the novel and play by Wilhelm Meyer-Foerster. Lanza was signed to play the German Prince of Heidelberg, but weight and temperament problems caused the director Richard Thorpe to use Purdom instead. Lanza's pre-recorded tenor tones come out of Purdom's lip-synching mouth in the many lusty tunes such as "Drink, Drink, Drink" and "Golden Days." Prince Karl's grandfather, the king (Louis Calhern), wants his sheltered grandson to see the world and sow a few wild oats before he returns to the marriage that has been pre-arranged with Princess Johanna (Betta St. John). The prince ends up in a tavern in Heidelberg and meets and falls in love with Kathie (Ann Blyth), the niece of the local innkeeper. But the King gets sick and dies, and Prince Karl must return to assume the throne. He can't have a peasant girl as his queen, so he must part with his secret lover. ~ Michael Betzold, All Movie Guide
- Starring:
- Ann Blyth, Edmund Purdom, (more)
- 1954
Ricardo Montalban takes time out from mighty Metro-Goldwyn-Mayer to star in the Sam Katzman quickie Saracen Blade. Montalban plays Pietro, a 13th-century intellectual who spends his evenings as a masked avenger. Pietro hopes to avenge the death of his father, and to this end will not rest until he has skewered the evil Count Siniscola (Michael Ansara) and the Count's son Enzio (Rick Jason). Somewhere in the middle of the film, Pietro finds himself in the Holy Land with the Crusades, as good an excuse as any to show off the physical charms of several Columbia starlets. Betta St. John co-stars as Pietro's beloved Iolanthe, while a blonde Carolyn Jones essays a rare unsympathetic role as Pietro's "wife-for-convenience" Elaine. The Saracen Blade was based on a novel by Frank Yerby. ~ Hal Erickson, All Movie Guide
- Starring:
- Ricardo Montalban, Rick Jason, (more)
- 1953
Previously adapted to film in 1923, Ben Ames Williams' rousing sea adventure All the Brothers Were Valiant was given the prestige MGM treatment in 1953. Robert Taylor and Stewart Granger star as seafaring siblings Joel and Mark Shore. When Mark disappears during a whaling expedition, Joel and his wife Priscilla Holt (Ann Blyth) set sail in search of his missing brother. They discover to their chagrin that Mark has become a conscienceless reprobate, a disgrace to his family. Not only does Mark make a play for Priscilla, but he foments a mutiny on board Joel's ship so that he may commandeer the vessel and embark on a search for a valuable bed of pearls. Eventually, one of the brothers comes to a literally sticky demise, with Priscilla looking on in wide-mouthed horror. Cast as Priscilla's father is that grand old trouper Lewis Stone, in his final film role. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Stewart Granger, (more)
- 1953
- NR
Clemson Reade (Cary Grant) is the kind of man who wants to marry an old-fashioned girl, one who will stay home and take care of her husband. However, he's fallen in love with Priscilla "Effie" Effington (Deborah Kerr), who has an exciting career with the State Department that she has no intention of giving up. Clemson has the poor timing of proposing marriage to Effie just as she's in the middle of trying to resolve a major political crisis with the Middle Eastern nation of Bukistan; the United States wants to stay on Bukistan's good side, thanks to their plentiful reserves of oil. Tired of waiting for Effie, Clemson decides that he needs to find a potential bride who will follow his lead instead of her own, and he soon meets Princess Tarji (Betta Saint John), daughter of the King of Bukistan, who has spent her life learning to faithfully serve her man. Clemson half-seriously sends a telegram proposing marriage to Tarji, which touches off a political tempest in a teapot when Tarji responds by visiting the United States. The State Department decides that someone should look after Tarji while she's in America, and who should be given the assignment but Effie; to Clemson's chagrin, Effie uses her time with Tarji to enlighten her about the more liberated status of women in the West. By the way, don't bother looking for Bukistan in your atlas, the country doesn't really exist. ~ Mark Deming, All Movie Guide
- Starring:
- Cary Grant, Deborah Kerr, (more)
Historically important as the first CinemaScope feature film, 20th Century-Fox's The Robe is fine dramatic entertainment in its own right. Based on the best-selling novel by Lloyd C. Douglas, the film stars Richard Burton as the wastrelly Roman tribune who is assigned by a weary Pontius Pilate (Richard Boone, who spends the whole of his single scene washing his hands) to supervise the crucifixion of Christ. After the Seven Last Words, the jaded Burton wins Christ's robe in a dice game. Gradually, the mystical influence of the holy garment transforms Burton from a roistering cynic into a True Believer--at the cost of his own life, which he willingly gives up in the service of his Lord. Also starring in The Robe are Jean Simmons as Burton's pious childhood sweetheart, Victor Mature as his Christian-convert slave Demetrius (an excellent performance--in fact, Mature is more believable than Burton!), Michael Rennie as the disciple Peter, and Jay Robinson as the raving Emperor Caligula. Mature, Rennie and Robinson would appear in the 1954 sequel to The Robe, the hurriedly assembled Demetrius and the Gladiators. Watch and listen for the unbilled contributions of Michael Ansara as Judas and Cameron Mitchell as the voice of Jesus. The film won three Academy Awards, and a special Oscar bestowed upon Fox for the development of CinemaScope. For many years, the TV prints of the Robe were struck from the "flat," standard-ratio version shot simultaneously with the widescreen version. Only recently has the CinemaScope The Robe been made available to cable TV (shown in "letterbox" format to allow home viewers the full picture). ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Burton, Jean Simmons, (more)
