Katherine Squire Movies

Rob Reiner's romantic comedy When Harry Met Sally stars Billy Crystal and Meg Ryan as the title pair. The film opens with the two strangers, both newly graduated from the University of Chicago, share a car trip from Chicago to New York, where they are both going to make their way. During the trip, they discuss aspects of their characters and their lives, eventually deciding it is impossible for men and women to be "just friends." They arrive in New York and go their separate ways. They meet a few years later on an airplane and Harry reveals he is married. They meet again at a bookstore a few years after that where Harry reveals he is now divorced. From that point on, the two form a friendship. Eventually their closeness results in their respective best friends (played by Carrie Fisher and Bruno Kirby) meeting and falling in love with each other. At a New Year's Eve party Harry and Sally confront the complex tangle of emotions they feel for each other. The soundtrack consists primarily of Harry Connick Jr. crooning standards like "It Had to Be You." ~ Perry Seibert, All Movie Guide

Petty jealousies and misunderstandings between two rival families escalate into a tragic outburst of violence in this drama. Laban Feather (Rod Steiger) is the patriarch of a family of Tennessee moonshiners, brewing corn liquor with the help of his sons: Thrush (Scott Wilson), Zack (Jeff Bridges), Hawk (Ed Lauter), and Finch (Randy Quaid). The chief rivals of the Feather Family have long been the Gutshalls, another Tennessee clan who sell illegal alcohol; the Gutshalls are led by father Pap (Robert Ryan), with the help of his boys Ludie (Kiel Martin), Seb (Gary Busey), and Villum (Paul Koslo). While fighting for their share of the market in white lightning, the Feathers and the Gutshalls have also feuded over a piece of land that each side believes is rightfully theirs. Hoping to create internal friction amongst the Feather siblings, Ludie Gutshall mails a postcard from the non-existent "Lolly-Madonna" to the Feather home and allows the brothers to puzzle over who has attracted her attentions. The prank begins to turn ugly when Thrush and Hawk kidnap Roonie Gill (Season Hubley), a woman passing through town en route to meet her fiancée, believing that she's the "Lolly Madonna" they've heard about. Lolly-Madonna XXX was based on a novel by Sue Grafton entitled The Lolly-Madonna War, and was also released under that title. ~ Mark Deming, All Movie Guide

In his efforts to talk a man out of committing suicide, Officer Pete Malloy (Martin Milner) commits a serious breach of police protocol, whereupon Sgt. MacDonald (William Boyett) rakes the veteran patrolman over the coals. In a less traumatic moment, a woman (Katherine Squire) insists that Malloy and his partner Jim Reed (Kent McCord) drop whatever they're doing and fix her TV antenna (remember TV antennas?) This episode was originally scheduled to air on January 25, 1969. ~ Hal Erickson, All Movie Guide

Director Monte Hellman and writer-star Jack Nicholson filmed this western simultaneously with The Shooting (1967). Nicholson stars as Wes, cowpuncher pal to Vern (Cameron Mitchell) and Otis (Tom Filer), who have all been hired as hands for a cattle roundup. En route to their new jobs, the men come across the handiwork of a lynch mob. Later, they find hospitality at the home of Blind Dick (Harry Dean Stanton), who graciously provides them with food and shelter. The cowboys are unaware that Blind Dick and his men recently robbed a stagecoach and murdered the driver. A sheriff (Bradon Carroll) and his posse surround the cabin and hang the thieves. Though innocent, the terrified cowboys flee. Otis is killed, but Wes and Vern escape -- with the posse in pursuit. When they stop to rest at the ranch of Evan (George Mitchell), Wes considers taking Evan's daughter hostage. Trying to steal Evan's horse, Vern is killed by the rancher, who in turn is shot by Wes. Once a law-abiding citizen, Wes has been transformed by unjust vigilantism into a killer. Fascinated by frontier era journals that he discovered in an L.A. library, Nicholson used the documents as inspiration in writing the script. ~ Karl Williams, All Movie Guide

Contacted by a man claiming to be a US intelligence agent, lawyer Ward Toyama (James Shigeta) uses his influence with his father's export firm to help the self-proclaimed spy deliver a top-secret cargo to the Middle East. As a result, Toyama becomes innocently involved in an illegal gun-running operation--and worse, he is charged with the murder of Frank Jones, alias Frank Jensen (Douglas Henderson). Coming to Toyama's rescue is his old friend and colleague Perry Mason (Raymond Burr). ~ Hal Erickson, All Movie Guide

When Alan Talbot (George Grizzard) returns to his home town after a week's absence, he finds that there have been a few significant changes, chief among them the fact that a stranger is living in his house. At a loss to explain this and other curiosities to his fiancée Jessica Connelly (Gail Kobe), Alan determines to get to the bottom of things. Meanwhile, the viewers would like a few answers of their own -- namely, why did Alan murder a harmless old woman before the first commercial? Scripted by Charles Beaumont from his own short story, "In His Image" was the first of Twilight Zone's 60-minute episodes, and it originally aired January 3, 1963. ~ Hal Erickson, All Movie Guide

This episode is based on a mystery story penned by no less than Ellery Queen. When his son is mysteriously murdered, religious fanatic John Cooley (R.G. Armstrong) embarks upon a "mission from God" to wreak vengeance for the boy's death. Using a fragmentary clue found at the murder scene, Cooley heads to the small town of Northfield, where he holds the populace in a grip of terror. Hoping to prevent Cooley from destroying the town, Northfield sheriff Will Pearce (Dick York) sets about to solve the murder himself. ~ Hal Erickson, All Movie Guide

One of the best-remembered of all the Alfred Hitchcock Presents episodes, "Man From the South" is a typically twisted tale from the pen of Roald Dahl. The scene is Las Vegas, where a middle-aged gent named Carlos (Peter Lorre) approaches a brash young gambler (Steve McQueen) with a peculiar wager. If the young man is able to ignite a cigarette lighter ten times in a row, Carlos will give him a new convertible. But if the lighter fails, the young man will have to sacrifice something of his own -- namely, the little finger of his right hand. "Man From the South" was later redone with José Ferrer as an episode of the syndicated anthology Roald Dahl's Tales of the Unexpected, and still later with John Huston as a segment in the multipart pilot film for the 1985 Alfred Hitchcock Presents revival. ~ Hal Erickson, All Movie Guide

Based on author James T. Farrell's trilogy written between 1932 and 1935 and later combined into a one-volume Studs Lonigan book, this less than two-hour film does not quite do justice to the literary whole. Studs (Christopher Knight) is raised on Chicago's infamous South Side, an Irish kid when prejudice against the Irish was still around and hanging tough was the norm in impoverished neighborhoods. Once he leaves grade school behind and enters high school, a world of "wenching," fights, drinking, and wild parties starts to open up. By 1929, Studs is trapped into a marriage he comes to hate and as the decade of the '30s begins, he is still trying to be as tough as he can. But as he learns, no one can out-tough the Great Depression. At times confusing and histrionic and wordy (not to mention censored to fit a 1960s unspoken coda), Studs Lonigan falls short of the pithy, emotional, rugged world of Farrell's Irish hoodlum. ~ Eleanor Mannikka, All Movie Guide

Hoping to recapture the success of its 1945 Frederic Chopin biopic A Song to Remember, Columbia Pictures concocted the 1960 Technicolor costume drama Song Without End. Dirk Bogarde is cast as musical genius Franz Liszt. Bogarde's piano scenes are dubbed with another's singing voice, but this hardly matters in that the film is preoccupied with Liszt's infamous romantic entanglements. The crux of the matter is Liszt's desire to wed the already married Russian princess Carolyne (Capucine), which will necessitate an unpleasant breakup with his current lover, Countess Marie (Genevieve Page). Director Charles Vidor died after only a few weeks on the picture; he was replaced by George Cukor, who graciously insisted that Vidor be billed in letters larger than his. The chief selling point of Song Without End is its wall-to-wall music; the film won an Oscar for "best musical arrangement." ~ Hal Erickson, All Movie Guide